Conclave has taken the top prize at this year’s BAFTA film awards, winning best film as well as outstanding British film.
Based on Robert Harris’s 2016 novel of the same name, and centred around the selection of a new pope, the movie also won best adapted screenplay and best editing.
Thanking his ensemble cast as he accepted the award, director Edward Berger said: “What you did to me on set when I watched you was pure magic, it was beyond my grasp or understanding.”
It’s not the first BAFTA success for the filmmaker, who swept the board two years ago with his remake of All Quiet On The Western Front, taking seven prizes.
Despite being the most nominated movie of the night, Conclave did not take any of the acting prizes, with its star Ralph Fiennes losing out to The Brutalist lead Adrien Brody in best actor.
Brody’s portrayal of Hungarian architect Lazlo Toth making his way in America after World War II saw the 51-year-old actor bag his first BAFTA statuette.
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New York-born Brody said the gong was “incredibly meaningful”, adding: “England has felt quite a bit like home lately.”
The three-and-a-half-hour-long epic also took best director, best original score and best cinematography.
Accepting his director award, Brady Corbet, told the audience that despite being “humbled” and “grateful” for his win, there really was “no such thing” as best director.
Conclave and The Brutalist were joint-winners across the night, taking four gongs each.
Image: Ralph Fiennes. Pic: Reuters
Anora, about a Brooklyn sex worker who marries into money, saw its break-out lead star, Mikey Madison take the top prize, after many had forecast a win for Demi Moore.
Accepting her award, the 25-year-old actress took her moment on the stage to honour the sex worker community, who she said had helped her immeasurably in her preparation for the role, telling them: “I see you. You deserve respect and human decency. I will always be a friend and an ally.”
Anora also took the casting prize.
Emilia Perez, which has come under fire in recent weeks following resurfaced tweets from its lead star Karla Sofia Gascon, took best film not in the English language. Gascon was not at the event.
An emotional Zoe Saldaña, took best supporting actress for her outstanding performance in the musical – in which she acts, sings and dances – telling the audience her win was “so validating” and “a true honour”.
Image: Zoe Saldana was named best supporting actress for her performance in Emilia Perez. Pic: PA
As she accepted her prize the 46-year-old star said: “I was told not to cry by my children, so I’m going to try. This is so validating because the very few times I tried to go for roles with a British accent I was told this isn’t going to happen.”
She ended her emotional speech by saying: “Films are supposed to change hearts and challenge minds and I hope Emilia Perez did something like this, because voices need to be heard, just not my English accent.”
Saldana, who won in the same category at the Golden Globes last month will be hoping to follow up her success with an Oscar in March.
An early front-runner in awards season, mostly Spanish language movie Emilia Perez had already been under fire from parts of the trans community for what some considered to be a retrograde step in representation, as well as those who objected to stereotypical depictions of Mexicans, as well as its handling of the sensitive topic of narcotics crime, which has claimed hundreds of thousands of lives.
Image: Jesse Eisenberg won the BAFTA for best original screenplay for A Real Pain. Pic: PA
Kieran Culkin, 42, won best supporting actor for his role in comedy A Real Pain, with his co-star and the film’s writer Jesse Eisenberg accepting the gong on his behalf due to a member of Culkin’s family being unwell, meaning he was in New York to be by their side.
The movie, about two cousins revisiting their family history in Poland, also took best original screenplay.
Body horror The Substance took a well-deserved win for best makeup and hair, despite Moore missing out on the best actress win.
Back to host for a second year running, Scottish actor David Tennant opened the show singing The Proclaimers’ I’m Gonna Be (500 Miles).
Image: David Tennant arrives for the BAFTAs
With 42 gongs to hand out, from a host of star presenters, the first awards of the night went to Dune: Part Two which took special visual effects.
Elsewhere, Wallace And Gromit: Vengeance Most Fowl bagged best children’s and family film as well a best animated feature.
Accepting his second prize, Aardman director Nick Park joked: “I didn’t actually write a second speech.”
The music biopic about Mo Chara, Moglai Bap and DJ Provai (who wore his trademark balaclava in the colours of the Irish flag on the red carpet) had been up for six BAFTAs, despite missing out on making it to the Oscars shortlist last month.
Image: Kneecap on the red carpet. Pic: PA
While it was up for seven awards, BAFTA voters didn’t seem to be feeling too much of the Wicked magic, with the Wizard Of Oz prequel taking two prizes, best production design and best costume design.
Meanwhile, Dune: Dune Part Two performed well in the technical categories, winning best sound and best visual effects.
Despite being up for six awards, A Complete Unknown, went home empty handed.
Lack of gongs aside, the movie’s star Timothée Chalamet still managed to cause plenty of buzz on the night, thanks to the fact he was accompanied to the ceremony with his girlfriend Kylie Jenner, who is part of the Kardashian clan.
In a pre-announced win, British star Warwick Davis, best known for fantasy film Willow and the Harry Potter movies, was awarded the prestigious BAFTA film fellowship for both his performing and advocacy work.
Image: Jeff Goldblum impressed with his musical skills on the night. Pic: PA
The In Memoriam section of the night was led by Wicked star Jeff Goldblum playing As Time Goes By on the piano as late stars including Dame Maggie Smith, David Lynch and Dame Joan Plowright were honoured.
Alien Romulus star David Jonsson won the only publicly voted award of the night, the rising star, celebrating up and coming talent.
And in a balloon-filled performance, Take That’s current line up of Gary Barlow, Howard Donald and Mark Owen performed their hit Greatest Day, which features heavily in Anora.
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Before that, there had been calls for festivals to reconsider booking the band over their political stances, and several have done, which prompted artists like Brian Eno, the Mystery Jets and CMAT to sign an open letter accusing Westminster and the British media of a campaign to “remove Kneecap from the public eye”.
They put their names to wording that said “in a democracy, no political figures… have the right to dictate who does and does not play at music festivals.”
So what’s the reality like for artists who are outspoken at a time when the world is so divided?
As some of the biggest names in music gathered in London for the Ivors, an annual celebration of songwriting, Self-Esteem – aka Rebecca Lucy Taylor – said the level of scrutiny can be “terrifying”.
‘The problem with the internet’
She told Sky News: “The problem with the internet is you say one thing, which gets scrutinised, and then you shit yourself, you really do… then you’re advised not to. And then you’re like ‘don’t advise me not to!’
“You second-guess anything you want to say any more… but any time I do that, I think ‘well that’s why you’ve got to say it then’.”
She said it can be frustrating that focus turns on to pop stars’ opinions instead of “the people doing the bad things”.
Former Little Mix singer Jade said: “To be a pop artist these days, it’s not just about music, it’s: ‘What’s your political stance?’
“I’ve always been quite vocal about those things, but in doing so you have even more of a scary spotlight on you, constantly assessing what your thoughts are as a human…it is scary.”
Trinidad-born London artist Berwyn, whose songs depict his struggles with UK immigration, says: “Silencing freedom of speech… is a road we don’t want to walk down.
“I’m not a politician, this is a very complicated issue, but I do absolutely believe in a human’s right to express themselves freely.”
But is that freedom of speech dependent on what side you’re coming from?
Image: Berwyn speaking to Sky News
‘Unethical investments’
Soon, an event called Mighty Hoopla will take place at Brockwell Park as part of its programme of six festivals this summer.
Artists performing at that are coming under increased pressure from pro-Palestine groups to quit because it’s owned by a company called Superstruct, which has links to an American investment firm called KKR.
Critics argue that any KKR-affiliated events should be a red flag to artists as campaigners claim it “invests billions of pounds in companies” that do things like “develop Israeli underground data centres”, and they say it has shares in companies that “advertise property on illegally occupied land in the West Bank”.
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Mighty Hoopla itself has said while it “cannot control investments made in our parent companies”, it wants to “state its clear opposition to KKR’s unethical investments”.
And Superstruct – which puts on over 80 festivals around the world – says while horrified by the crisis in Gaza: “We are aware that there is a significant amount of debate… around our festivals.
“Our owners, made up of our promoters and several investment firms, support us to achieve the highest standards… fans and artists rightly expect.”
They insist that operationally, Superstruct is independently run and all its “revenue and profits… remains entirely within our business… towards the ongoing development… of our festivals.”
Even deciding where to perform can have political connotations for musicians these days.
As Tom Gray, a founding member of the rock band Gomez, now chair of the Ivors, explains: “The amount of commercial interest required to get a young artist into the public eye means they have to keep their head down a lot and that’s a terrible shame.
“It’s not just artistic expression, but personal human expression is one of the fundamental things that allows people to feel they have agency.”
Kid Cudi has told a court Sean “Diddy” Combs broke into his home, “messed with” his dog and opened some of his Christmas presents during a break-in in December 2011.
The 41-year-old rapper was giving evidence on day nine of the trial, after briefly dating Diddy’s former girlfriend Cassie the same year.
Cassie and Diddy dated for 11 years, from 2007 to 2018, and Cassie has testified the rapper physically abused her during most of their relationship.
Cudi described Cassie phoning him early one morning, sounding “stressed, nervous and scared”, telling him Diddy had “found out about us”.
He said Diddy later called him from his home and told him, “I’m here waiting for you”.
After dropping Cassie at a West Hollywood hotel, Cudi said he returned to his home and found no one there, but said his dog had been locked in the bathroom.
He described his pet later becoming “jittery and on edge all the time”.
He also said someone had opened Christmas presents he’d bought for his family.
While Cudi, whose real name is Scott Mescudi, said he initially wanted “to fight” Diddy, he later thought through “the reality of the situation,” and called the police to report the break-in.
Earlier this week, Cassie finished giving four days of evidence, becoming emotional at times, and testifying that Combs had threatened to blow up Cudi’s car and hurt him after he learned she was dating him by looking at messages on her phone during a “freak off”.
Prosecutors say Combs, the founder of Bad Boy Records, forced women to take part in days-long, drug-fuelled sexual performances known as “Freak Offs” from 2004 to 2024, facilitated by his large retinue of staff.
Combs, 55, has pleaded not guilty.
The rapper faces five criminal counts: one count of racketeering conspiracy; two counts of sex trafficking by force, fraud or coercion; and two counts of transportation to engage in prostitution.
Image: Diddy and Cassie on a red carpet in 2016. Pic: zz/JMA/STAR MAX/IPx/AP
The month after the break-in, Cudi’s Porsche was firebombed in his drive, with a hole cut into the roof and a Molotov cocktail dropped into the driver’s seat.
Cudi said he realised he had to talk to Diddy, before things “got out of hand,” meeting up with Diddy, who he said was weirdly “calm” and staring out the window with his hands behind his back “like a Marvel super villain”.
Cudi says Diddy told him he had still been dating Cassie during his relationship with her, with Cudi replying: “[Cassie] told me you were broke up and I took her word for it.”
Shaking hands at the end of the conversation, Cudi said he asked Diddy about “burning” his car, and Diddy replied, “I don’t know what you’re talking about”. Cudi later said he believed that to be a lie.
Cudi says he saw Diddy once a few years later at Soho House in Los Angeles with his daughter, and Diddy told him: “Man, I just want to apologise for all that bullshit”.
Image: Diddy sketched in court while listening to Kaplan’s testimony. Pic: Reuters/Jane Rosenberg
During his cross-examination, the defence suggested Cassie had been “living two different lives”, and “played” both Cudi and Combs.
Cudi concluded his time on the stand, saying his relationship with Cassie ended because he wanted “to give her space” and “the drama was too out of hand”.
Celebrity make-up artist Mylah Morales also gave evidence, describing a fight between Cassie and Diddy in 2010, which she says left Cassie with a “swollen eye, busted lip, and knots on her head”.
Image: Celebrity make-up artist Mylah Morales. Pic: AP
Morales said while she had heard the row, she hadn’t physically seen it as she wasn’t in the room.
She told the court, “I feared for my life”, explaining that she took Cassie to her apartment for several days to recover, but that Cassie refused to go to hospital as she was afraid of Diddy’s reaction.
The defence attempted to damage Morales’s credibility by listing her TV appearances, which included programmes on CNN, and with Don Lemon and Piers Morgan, attempting to paint her as attention-seeking.
The day also saw Combs’s former assistant George Kaplan complete his testimony.
Image: George Kaplan, former assistant to Combs. Pic: AP
He talked about two occasions when he had been asked to carry cash for Diddy, who he said never paid for things himself in the moment, recalling one time in 2015 when he looked after $50,000, and another when he was asked to pick up $10,000.
Kaplan described seeing “regular” physical violence between Cassie and Diddy, including an incident in 2015 with whisky glasses on a private plane, when he heard glass breaking and saw Diddy standing over Cassie in the plane’s central aisle.
He says he also saw Diddy hurling “decorative apples” at another of his girlfriends, Gina, late the same year, handing in his notice the following month.
Also known throughout his career as Puff Daddy and P Diddy, Combs turned artists like Notorious BIG and Usher into household names, elevating hip-hop in American culture and becoming a billionaire in the process.
Diddy has been held in the Metropolitan Detention Center in Brooklyn since September and faces at least 15 years or possibly life in prison if convicted.
The trial is set to last for around six weeks in total and will go into its third week next week.
Irish rock star Bono has called for Israel to be “released from Benjamin Netanyahu and far-right fundamentalists” during an awards ceremony.
The U2 frontman’s comments at the Ivors mark the first time the human rights activist has spoken out in public against the Israeli prime minister since the war in Gaza broke out in October 2023.
Bono, who received the Peace Summit Award at the 2008 Nobel Peace Laureates summit, also called for Hamas to release its remaining Israeli hostages.
It comes as Western leaders have been criticising Mr Netanyahu and the Israeli authorities over the renewed offensive in the Palestinian territory and the risk of famine due to an 11-week aid blockade, which is slowly easing.
Bono, whose real name is Paul Hewson, said on Thursday evening at London’s Grosvenor House: “Peace creates possibilities in the most intractable situations.
“Lord knows there’s a few of them out there right now. Hamas release the hostages. Stop the war.
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“Israel be released from Benjamin Netanyahu and far-right fundamentalists that twist your sacred texts.
“All of you protect our aid workers, they are the best of us.”
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The group became the first Irish songwriters to be awarded an academy fellowship at the 70th year of the awards.
U2 then performed their song Sunday Bloody Sunday, which references the 1972 Bloody Sunday shootings in Londonderry, where members of the British army’s Parachute Regiment opened fire at civil rights demonstrators.
The group ended the evening with a performance of their 1988 song Angel Of Harlem.
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Netanyahu hits out at Starmer, Macron and Carney
Also on Thursday, Mr Netanyahu said UK Prime Minister Sir Keir Starmer was “on the wrong side of humanity” after he called for an end to the war in Gaza.
In a video he shared on social media, the Israeli prime minister also attacked the leaders of France and Canada for their criticism of Israel’s actions in the conflict.
Mr Netanyahu specifically linked the criticism from the UK, France and Canada to the killings in Washington DCof Israeli embassy workers Yaron Lischinsky and Sarah Lynn Milgrim on Wednesday night.