Connect with us

Published

on

It’s the bloody body horror that has made audiences squirm in their seats – and is now making waves throughout awards season.

Demi Moore has already won a Golden Globe and a Critics Choice award for her performance as fading star Elisabeth Sparkle in The Substance – and we’ll find out later on if she gets to add a BAFTA to that list.

The film sees the ’90s icon playing an Oscar winner turned fitness guru struggling to accept she has been unceremoniously dropped from her TV show because she’s too old. She signs up for a secret new medical procedure to create a younger version of herself – without fully understanding what the consequences might be.

Moore stars alongside Margaret Qualley, who plays her younger version. The impact of creating this other “self” – called Sue – on her own body is pretty gruesome.

Margaret Qualley, right, Coralie Fargeat, centre, and Demi Moore pose at the premier of The Substance during the Toronto International Film Festival, September 2024. Pic: Cole Burston/The Canadian Press via AP
Image:
Margaret Qualley, right, Coralie Fargeat, centre, and Demi Moore at the premier of The Substance during the Toronto International Film Festival. Pic: Cole Burston/The Canadian Press via AP

Director Coralie Fargeat insists her visceral story is more allegory than gory, reflecting the daily violence and sexism women experience throughout life.

“The story was really for me expressing what a life of a woman in our society is in a very genuine way, which is the violence that I think it’s at every level and stage… since we were little girls,” she tells Sky News.

“There are so many pressures that make you feel that if you are not the perfect fantasy or ideal then you don’t deserve to exist. That you have to cut this, hide that, keep it inside, and it is a huge jail that we’ve been raised with and it generates so much violence.”

A few years ago, The Substance might not have been considered traditional awards season fare. But horrors are having a moment, with Heretic and Nosferatu in the running at several ceremonies this year. And the theme of The Substance, a reflection of the harsh realities of ageing for women, especially in Hollywood, is resonating.

The ‘popcorn’ speech

Demi Moore picked up the Golden Globe for best performance by a female actor in a motion picture - musical or comedy - for The Substance. Pic: AP
Image:
Moore picked up a Golden Globe for her performance – and is a favourite to win an Oscar and possibly a BAFTA, too. Pic: AP

On stage at the Globes, Moore, 62, gave an emotional speech about winning her first major award after 45 years in the business, despite starring in dozens of hit films including Ghost, A Few Good Men and Indecent Proposal. The irony was not lost.

“Thirty years ago, I had a producer tell me that I was a ‘popcorn’ actress and at that time, I made that mean that this wasn’t something that I was allowed to have, that I could do movies that were successful, that made a lot of money, but that I couldn’t be acknowledged,” she says.

“I bought in, and I believed that, and that corroded me over time, to the point where I thought a few years ago that maybe this was it, maybe I was complete. I’ve done what I was supposed to do.

“And as I was at kind of a low point, I had this magical, bold, courageous, out-of-the-box, absolutely bonkers script come across my desk called The Substance, and the universe told me that you’re not done.”

Moore thanked French filmmaker Fargeat along with her team, and said the film was a reminder “that I do belong”.

Pic: Mubi
Image:
Pic: Mubi

Now, The Substance is nominated for five BAFTAs and five Oscars.

Fargeat says she let out “a huge scream of joy” when she found out – saying the nods are particularly satisfying after she initially struggled to secure funding for the film.

“The space that [women] have is still to be pretty, to smile, to be gentle, polite, and I really wanted to be the opposite.”

‘She took risks’

Fargeat is also BAFTA and Oscar-nominated for best director – but once again, is the only female filmmaker in the running.

“Being the only woman director, I still think it tells a lot of things about all the imbalance, you know, the inequality that there is in society,” she says.

“There are as many women in film school as there are men… when you look at the difference between film school and where we are now, like [the absence of women making] second and third feature films. The difference is drastic.”

She was told to tone the film down “a lot”.

Pic: Mubi
Image:
Demi Moore plays a fading Hollywood actress in The Substance. Pic: Mubi

Read more:
BAFTAs: The full list of nominees
Buffy is back – Sarah Michelle Gellar teases return

But Fargeat stuck to her guns and it paid off. Critics have called Moore’s performance the best of her career, with many tipping her to win her first-ever BAFTA and Oscar.

On awards prediction site Gold Derby, Moore is the favourite to win best actress at the Oscars, with more than half of the experts backing her. For the BAFTAs, they have her tied with Anora’s Mikey Madison.

“The truth is that she took many risks,” Fargeat says of Moore. “The script arrived to her at a time where she was in the process of getting the control of who she was back, not letting the outside world define her worth, being empowered for herself to decide who she wanted to be – and the next chapter of her life.”

Continue Reading

Entertainment

Police take no further action over Bob Vylan’s London performance

Published

on

By

Police take no further action over Bob Vylan's London performance

Police will take no further action over alleged chants at a Bob Vylan concert in London.

Met Police had launched an investigation after allegations the singer, real name Pascal Robinson-Foster, was heard in footage saying “death to the IDF (Israel Defence League)”.

The footage was filmed at a performance supporting Iggy Pop, 78, at Alexandra Palace in May.

In a video, Mr Robinson-Foster is also alleged to have said: “Death to every single IDF soldier out there as an agent of terror for Israel.”

But the Met Police confirmed they are closing the investigation following advice from the Crown Prosecution Service (CPS).

The Glastonbury performance led to a police investigation. Pic: PA
Image:
The Glastonbury performance led to a police investigation. Pic: PA

‘No further action will be taken’

A spokesperson for the force said: “On Wednesday 2 July, officers became aware of footage that appeared to have been filmed at Alexandra Palace in London on 28 May. An investigation was launched into the language used in the footage.

“Early investigative advice was sought from the Crown Prosecution Service who considered a number of potential offences but determined that, based on the information and material available, there would likely be insufficient evidence to take the case forward.

“As a result, officers have decided that no further action will be taken. We recognise the concerns that the footage caused, particularly among many in London’s Jewish communities.

“It emerged during a period where we have seen a concerning rise in antisemitic hate crime.

“We continue to work closely with community representatives to understand those concerns, to ensure the safety and security of Jewish Londoners and to provide reassurance moving forward.”

Read more:
Trump’s son-in-law and Netanyahu meet to discuss Gaza ceasefire
Marco Rubio warns Israel against West Bank annexation

It followed footage of Mr Robinson-Foster allegedly leading a chant of “death, death to the IDF” during a BBC live-streamed performance at Glastonbury Festival, in June earlier this year, leading to an investigation from Avon and Somerset Police.

A man, in his 30s, understood to be Mr Robinson-Foster, had voluntarily attended an interview on Monday in relation to the band’s Glastonbury performance, the force said.

Police added the individual was not arrested but an investigation is ongoing.

After the Glastonbury appearance, the group were dropped from a number of festivals.

Continue Reading

Entertainment

Samantha Morton calls for manslaughter charges over deaths of children in care

Published

on

By

Samantha Morton calls for manslaughter charges over deaths of children in care

Actor and director Samantha Morton has said councils who fail to prevent the deaths of children in care should face manslaughter charges.

Warning: This story contains references to suicide.

In a powerful interview with Sky News, the Oscar-nominated, BAFTA-winning actor and director, who grew up in care, said Britain’s care system needs to be “completely rethought”.

It comes after a Sky News documentary, A Girl Called Nonita, told the story of 18-year-old Nonita Grabovskyte, who died in the care of the state following a catalogue of failures by those responsible for her care.

Nonita took her own life on railway tracks in December 2023, just two weeks after her birthday. She had previously told doctors and social workers that she intended to kill herself as soon as she turned 18. But nothing was done to prevent her death.

Please use Chrome browser for a more accessible video player

Unseen: A girl called Nonita

“I was a child of the state, just like Nonita,” Morton told Sky News.

“I was put in care at birth until I got the letter to say I was no longer the council’s responsibility. I was kicked out at 16 and put into a homeless hostel.”

After spells of homelessness, she found a local TV actors’ workshop and managed to secure roles that would eventually lead to Hollywood.

But she says she has never forgotten her childhood, which saw her in and out of children’s homes and foster families.

“The lack of care historically is shocking,” she said. “But the lack of care today is worse. Back then, it felt like there was at least some comeuppance.

“The system now is not fit for purpose. It needs root and branch reform. It needs to be completely rethought.”

The young people who grew up in care who have died in England since 2020

2020: 40

2021: 30

2022: 60

2023: 90

2024: 80

Source: Department for Education

The data shows a sharp rise in deaths among care leavers – young adults who have aged out of the care system and are expected to live independently, often with little or no support.

The Department for Education only began collecting data for care leavers aged 22 to 25 in 2023, meaning the true scale of deaths over the past decade is likely to be far higher.

Morton says councils should be held more accountable for the deaths of children in their care, especially if local authority failings contributed to deaths.

Pic: Invision/AP
Image:
Pic: Invision/AP

‘State manslaughter’

“A failure to care has massive consequences,” she told Sky News. “And the consequences are that people like Nonita die. I believe that that is a kind of state manslaughter.

“And individuals who fail to do their job properly should be in a dock.”

Education Secretary Bridget Phillipson has told Sky News that deaths of care-experienced young people should “shame us all”.

All deaths of children in the care of the state must be reported to the government via the Child Safeguarding Incident Notification Scheme.

But there are doubts as to whether all deaths are being reported.

Please use Chrome browser for a more accessible video player

Phillipson: ‘Nonita was failed on so many levels’

‘Shames us as a country’

Ms Phillipson told Sky News she has asked officials to urgently review the process to check for underreporting.

“I’m concerned about serious incident notifications – about making sure we’re receiving all notifications of such incidents taking place,” she said.

“Because it’s only if we know what’s happening, if we fully understand what’s going on in the lives of children, that we as a government, as a country, can provide the support they need.”

Read more from Sky News:
PM vows to fight plots to oust him
Thousands of NHS staff to lose jobs

Ms Phillipson added: “It shames us all as a country that we so badly fail many of the most vulnerable children who’ve experienced such appalling trauma and abuse in their early lives.

“I read every single notification personally – and it always stays with you. Every case is a child or young person who deserved better.”

If you have been affected by any of the issues raised in this story, help, and support is available. You can call Samaritans free on 116 123 anytime day or night. You can also email jo@samaritans.org or visit www.samaritans.org to find support online.

Continue Reading

Entertainment

Sally Kirkland, famous for her Oscar-nominated roles in The Sting and Anna, dies aged 84

Published

on

By

Sally Kirkland, famous for her Oscar-nominated roles in The Sting and Anna, dies aged 84

Sally Kirkland, a former model and Oscar nominated actress known for her roles in films such as Anna, The Sting and JFK has died aged 84.

Her representative, Michael Greene, said Kirkland died on Tuesday morning at a Palm Springs hospice.

Kirkland had been unwell and struggling to cover medical bills after she fractured six bones last year and developed two life-threatening infections. She had also been diagnosed with dementia.

A GoFundMePage that was set up by her friends to help pay for her ongoing treatment had raised over £45,000 ($60,000).

Michael Douglas, left, and Sally Kirkland appear with their best actor Golden Globes for Wall Street and Anna. Pic: AP
Image:
Michael Douglas, left, and Sally Kirkland appear with their best actor Golden Globes for Wall Street and Anna. Pic: AP

Her biggest role was in the 1987 film Anna, as a fading Czech movie star remaking her life in the United States and mentoring a younger actor.

Kirkland won a Golden Globe and earned an Oscar nomination alongside Cher in Moonstruck, Glenn Close in Fatal Attraction, Holly Hunter in Broadcast News and Meryl Streep in Ironweed.

Born in New York City, Kirkland was encouraged to start modelling at age five by her mother, who was a fashion editor at Vogue and Life magazines. Kirkland went on to graduate from the American Academy of Dramatic Arts in 1961.

More from Ents & Arts

An early breakout for the star was appearing in Andy Warhol’s 13 Most Beautiful Women in 1964.

Sally Kirkland in 2015. Pic: Reuters
Image:
Sally Kirkland in 2015. Pic: Reuters

Some of her earliest roles were playing Shakespeare parts, including Helena in A Midsummer Night’s Dream and Miranda in an off-Broadway production of The Tempest.

She once told the Los Angeles Times: “I don’t think any actor can really call him or herself an actor unless he or she puts in time with Shakespeare.”

Kirkland was also infamous for her nude scenes, often disrobing in films and for social causes. In particular, Kirkland volunteered and advocated for people with AIDS, the homeless and prisoners.

Continue Reading

Trending