Tears, laughter and some Take That fangirling from a best actress nominee – this year’s BAFTA Film Awards had it all.
Conclave and The Brutalist were the night’s big winners, taking home four awards each – including best picture and outstanding British film for Conclave, and best actor for The Brutalist star Adrien Brody and directing award for its filmmaker, Brady Corbet.
But as always with these big entertainment awards ceremonies, there were plenty of moments to remember outside the big prizes.
Hosts can make or break an awards ceremony, so when you get a good ‘un you want to keep them. After a successful stint in 2024, Doctor Who and Rivals star David Tennantwas back to take the helm once again.
This time round, the Scottish actor, sporting a kilt and sporran at first, kicked things off by calling on the “BAFTA gods” – acting legends Dame Helen Mirren, Jim Broadbent and Brian Cox, naturally – before a sketch performance of The Proclaimers’ hit I’m Gonna Be (500 Miles).
Of course, this needed some audience participation – including from US stars Camila Cabello, Colman Domingo and Anna Kendrick, who probably didn’t have a clue what was going on but joined in with gusto.
Tennant joked about actors “freshening up” while they age, after referencing that Doctor Who star Ncuti Gatwa took on his role in the BBC series, as well as the length of films such as The Brutalist (three-and-a-half hours).
“Who doesn’t like a chance to have a wee halfway through?” he asked, while talking about the film’s much-needed intermission.
Emilia Perez awards despite controversy – and Saldana’s speech
Image: Zoe Saldana was named best supporting actress for her performance in Emilia Perez. Pic: PA
It went into awards season as one of the favourites, but Emilia Perez has been surrounded by controversy in recent weeks.
As stars Zoe Saldanaand Selena Gomez enjoyed the show, leading actress Karla Sofia Gascon was notably absent from the ceremony following the resurgence of offensive tweets, and the film has also come under fire for its portrayal of Mexico and of trans people.
Despite this, it picked up the BAFTAs for best film not in the English language and best supporting actress for Saldana.
Earlier this month, director Jacques Audiard said Gascon’s tweets were “inexcusable” and that he was “very sad” to see the issue “taking up all the space” around the film.
However, collecting the BAFTA for best film not in the English language, the French filmmaker namechecked all his stars, including Gascon – and blew her a kiss through his translator.
“I’m deeply proud of what we have all achieved together – long live Emilia Perez,” he said.
In her speech, an emotional Saldana said the film defied categorisation and also paid tribute to her co-stars, before realising she was taking too long and being given a countdown. “F***, f***, f***”, she panicked, before continuing with her speech anyway.
Thanking her mother for “being such a selfless person”, she broke down in tears, and added: “Films are supposed to change hearts and challenge minds and I hope Emilia Perez did something like this, because voices need to be heard.”
Kylie Jenner sneaks in
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Timothee Chalamet and Kylie Jenner at the BAFTAs
We didn’t see her on the red carpet, but sneaky old Kylie Jenner, girlfriend of Timothee Chalamet, was most definitely in attendance to show her support.
The Kardashians star was in the audience next to Chalamet, who was nominated for best actor for his portrayal of Bob Dylan in A Complete Unknown.
During a break from awards announcements, Tennant spent time joking with some of the A-listers in the crowd, and the couple didn’t escape from his mic (or the cameras), despite their efforts to keep their appearance lowkey.
Image: Take That performed Greatest Day, from Anora. Pic: BAFTA
If you’ve seen Anora, you’ll know the filmmakers behind it are fans of Take That, specifically the 2008 hit Greatest Day.
The band, now a trio of Gary Barlow, Mark Owen and Howard Donald, performed the hit remix used in the film on stage at the ceremony.
As host Tennant made his way through the crowd afterwards, he came across best actress nominee Saoirse Ronan and her husband Jack Lowden.
Is Ronan a Take That fan? “I’ve seen you twice,” she shouted at the boys as they made their way off stage.
That’s a yes, then.
Kieran Culkin couldn’t attend – so Jesse Eisenberg stepped up
Image: Jesse Eisenberg won the BAFTA for best original screenplay for A Real Pain, and picked up best supporting actor for co-star Kieran Culkin. Pic: PA
Following best supporting actor wins at earlier ceremonies including the Golden Globes, Kieran Culkin has been a favourite when it comes to speeches this awards season.
It was no surprise to see him honoured at the BAFTAs, but as he sadly couldn’t attend the ceremony in person, his co-star and director Jesse Eisenberg stepped up – not only collecting the award on his behalf but also delivering the laughs, too.
In A Real Pain, the pair play two very different cousins on a trip exploring their Jewish grandmother’s roots in Poland.
The BAFTA was “like the fifth” award Eisenberg has picked up for Culkin, he told the audience. “We have a similar life, but his is 20% better than mine,” he added.
Accepting the award for best original screenplay, Eisenberg also joked that his wife had not attended the ceremony as she did not think he would win.
Breakthrough star pays tribute to sex workers
Image: Mikey Madison was named best actress for her performance in Anora. Pic: Joel C Ryan/Invision/AP
After gaining a lot of support throughout the awards ceremony, Demi Moore was a favourite for a prize for her performance in The Substance. However, Mikey Madison had also gained momentum in recent weeks thanks to her breakout role as a young sex worker who marries the son of a Russian oligarch in Anora.
This one is a particularly exciting win as Madison, 25, was also up for the rising star award for up-and-coming talent. Being nominated in a major category in the same year is quite a feat in itself – winning it even more so.
On stage, Madison thanked her mother for driving her “to so many auditions”, as well as her fellow castmates.
She also paid tribute to the sex worker community, after working with many women in the industry to perfect her performance.
“I want to take a second to recognise the sex worker community,” Madison said. “You deserve respect and decency, and I… (urge) others to do the same… I will always be a friend and an ally.”
Kneecap: ‘It’s a movement’
Image: Kneecap do the BAFTA red carpet. Pic: PA
Irish-language film Kneecap, a semi-autobiographical story starring a trio of rappers of the same name from Belfast, picked up the award for outstanding debut for a British filmmaker.
Band member JJ O Dochartaigh always wears a balaclava featuring the Irish flag – but for the BAFTAs he went all out, matching his suit.
The award went to director and writer Rich Peppiatt, who collected the prize on stage.
“Within two weeks of moving to Belfast I met Kneecap and now I’m standing here,” he told the audience, saying his movie was “more than a film, it’s a movement – about how everyone should have their language respected, their culture respected, their homeland respected.
“This award is dedicated to everyone out there fighting that fight.”
British success and a new collab?
Image: Camila Cabello meets Wallace and Gromit… and Nick Park and Merlin Crossingham. Pic: Joel C Ryan/Invision/AP
Here’s a look backstage at US singer-songwriter Camila Cabello and the Wallace and Gromit: Vengeance Most Fowl filmmakers Nick Park, left, and Merlin Crossingham.
The pair picked up the prize for best children’s and family film, becoming the first ever recipients of the award, which was presented by Cabello.
We’re hoping this could be the start of a new partnership.
Wallace & Gromit: Vengeance Most Fowl also took home the animated film trophy, with Park joking on stage: “I didn’t actually write a second speech.”
And there was more recognition for British technical creatives in other categories, too.
Nathan Crowley and Lee Sandales picked up the award for best production design, for their incredible visual work on the blockbuster smash Wicked.
Paul Lambert was on the team awarded the BAFTA for best visual effects, for his work on the science fiction blockbuster Dune: Part Two – which also won best sound, with a winning team including British mixer and engineer Gareth John.
Warwick Davis’s emotional speech
Image: Warwick Davis was given the BAFTA fellowship award. Pic: Joel C Ryan/Invision/AP
Honoured with the prestigious BAFTA fellowship award, Warwick Davis dedicated the prize to his late wife Samantha, who died in March last year.
Davis, who is known for fantasy film Willow and the Harry Potter movies, received the organisation’s highest honour for his performing and advocacy work.
“This is the best thing that’s ever happened to me – and I’ve been in Star Wars,” he joked at the start of his speech, before getting emotional as he talked about his wife and referenced his children, Annabelle and Harrison, who were in the audience.
“Thank you to the support of our wonderful children, I’ve been able to keep engaging in life,” he said.
Davis was born with spondyloepiphyseal dysplasia congenita, a rare bone disorder that results in dwarfism.
Previous recipients of the fellowship include Steven Spielberg, Martin Scorsese, Sir Alfred Hitchcock, Dame Elizabeth Taylor, Stanley Kubrick, Billy Wilder, Ken Loach, Sir Michael Caine, Sir Anthony Hopkins, Lord Laurence Olivier and Dame Judi Dench.
Look out for David Jonsson
Image: David Jonsson is this year’s rising star. Pic: Joel C Ryan/Invision/AP
British actor David Jonsson was named this year’s BAFTA rising star – the only award voted for by the public.
The 31-year-old recently starred in the film Alien: Romulus and his credits also include TV series Industry as well as the 2023 romantic comedy Rye Lane.
“I’ve got to be honest, this isn’t why I do it,” he told the BAFTA audience in his speech. “Do you know what I mean? I’m just an east London boy.
“I didn’t really see a space for me in this industry. But this award is about people and as long as we can keep telling stories about people I think there’s got to be a space for me.”
Jonsson saw off competition from his fellow Industry and Back To Black star Marisa Abela, American actor Jharrel Jerome, Anora’s Madison and Informer star Nabhaan Rizwan.
Previous winners include Kristen Stewart, Daniel Kaluuya, John Boyega and Tom Hardy, all before they became big names in the industry.
Sing Sing stars visas denied, filmmakers say
Image: Clarence Maclin in Sing Sing. Pic: Dominic Leon
This wasn’t a moment from the ceremony, but on the red carpet ahead of the awards the filmmakers behind Sing Sing, which tells the true story of a group of men who take part in an arts rehabilitation project at a maximum security prison, spoke to Sky News on the red carpet.
While Colman Domingo, an established Hollywood star who was nominated for best actor, was able to attend the ceremony, the real-life person he portrayed in the film, Divine G Whitfield, was not – and neither was his co-star Clarence Maclin.
Maclin is a former inmate who played himself in the film, after being rehabilitated through the programme, and was nominated for best supporting actor.
Both were denied denied entry to the UK earlier this week due to their previous convictions, filmmakers Greg Kwedar and Clint Bentley said.
“Their visas were denied to enter the country because they have served prison time, which goes against the grain of everything this movie stands for,” Kwedar told us. “It shows that people have the capacity to grow and to come back into their communities when they leave prison.
“These two particular men have such courage, vulnerability, integrity – and they’re not here tonight and they should be. The story is about them, it was built with them.”
Indian actor Dhanush says he has been left “completely disturbed” by the re-release of one of his hit films with an alternative ending assisted by AI – but the production company behind it has rejected criticism of the move.
Hindi-language romantic drama Raanjhanaa, called Ambikapathy in its Tamil-language title, has made headlines over its re-release 12 years after first hitting cinemas in 2013.
Eros Media World says the new version, which sees the film’s original ending switched to a happier one, is a “lawful and creative reinterpretation, not a replacement”, and that the change and use of artificial intelligence has been made clear to viewers.
The company says the alternate ending was “crafted under the direction of a human creative team using AI only as an assistive tool – not as an autonomous content generator”.
In a statement sent to Sky News, group chief executive Pradeep Dwivedi said the studio wanted to offer “fresh dimensions for audiences” and never intended “to undermine the original essence” of the film.
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However, the AI-assisted re-release has already drawn criticism from the film’s director Aanand L Rai, and now its star Dhanush has released a statement to say the “AI-altered climax” had left him “completely disturbed”.
“This alternate ending has stripped the film of its very soul, and the concerned parties went ahead with it despite my clear objection,” Dhanush said in a message posted on X. “This is not the film I committed to 12 years ago.”
Dhanush said the use of AI to alter films or other content “is a deeply concerning precedent for both art and artists” that “threatens the integrity of storytelling and the legacy of cinema”.
He added: “I sincerely hope that stricter regulations are put in place to prevent such practices in the future.”
Eros said Dhanush’s “wonderful performance” in the role of Kundan had brought the character to life “in an unforgettable way”. However, the studio said the actor’s team had been aware of the plans before the re-release and that they had received “no formal objection”.
“While we acknowledge and respect differing views on the use of AI in film, our aim has been to explore how technology can complement storytelling and offer fresh dimensions for audiences – never to undermine the original essence of a film,” Mr Dwivedi said. “The original Raanjhanaa and Ambikapathy remains much loved and widely available, and the IP is fully preserved.”
He added: “Just as storytelling evolves, so too does music – and with responsible use of AI, even the most iconic soundtracks are being respectfully reimagined as remixes to resonate with new generations while preserving their original soul.
“We deeply respect the creative community and remain committed to collaborating in ways that ensure mutual respect, innovation, and progress for the cinematic arts. As one of India’s most storied film studios, Eros remains committed to celebrating Indian cinema, nurturing talent, and embracing technology responsibly.”
Dhanush’s comments come after statements posted by Rai, who has described the re-release as “a betrayal” to the original that has been “dressed up as innovation”.
Writing on Instagram, he said: “This was never just a film to us. It was shaped by human hands, human flaws, and human feeling. What’s now being circulated is not a tribute. It is a reckless takeover that strips the work of its intent, its context, and its soul.”
Responding to the director’s criticism, Mr Dwivedi reiterated that the re-release is “a respectful creative reinterpretation – clearly labelled and separate from the original version” and said such practices are “common in global cinema, and reflect our long-standing commitment to innovation, audience engagement, and cultural preservation”.
He also highlighted an ongoing legal dispute between Eros and Colour Yellow Productions, the studio co-founded by Rai.
Image: Strikes by video game actors ended in June after starting last year. File pic: AP
The re-release comes as artificial intelligence continues to cause concern among some in the creative industries. In June, video game actors in the US ended a strike after nearly a year of industrial action over the use of AI by game studios – an issue that was also part of the concerns raised by the Hollywood writers’ and actors’ strikes in 2023.
Oasis have said they are “shocked and saddened to hear of the tragic death of a fan” at their Wembley Stadium concert on Saturday.
Together with their bandmates, Liam and Noel Gallagher have offered their “sincere condolences to the family and friends of the person involved”.
Metropolitan Police said officers on duty at the stadium responded, alongside venue medics and the London Ambulance Service, to reports a person had been injured at around 10.20pm.
The statement continued: “A man – aged in his 40s – was found with injuries consistent with a fall. He was sadly pronounced dead at the scene.”
According to media reports, the man fell from the stadium’s upper tier.
A concertgoer on social media said they saw the incident and described it as “horrific”.
Image: Liam and Noel Gallagher on stage at their first reunion gig. Pic: AP
Metropolitan Police said: “The stadium was busy, and we believe it is likely a number of people witnessed the incident, or may knowingly or unknowingly have caught it on mobile phone video footage.
“If you have any information that could help us to confirm what happened, please call 101.”
Oasis performed at the venue as planned on Sunday night, delivering the final concert of a five-night run at Wembley.
Addressing fans at the stadium, singer Liam said: “This one’s for all the people who can’t be here tonight, but who are here if you know what I mean, and aren’t they looking lovely. Live Forever.”
Oasis support act Richard Ashcroft paid tribute on Instagram, writing: “I was shocked to hear of the death of one of the audience last night sending my love to the family and friends.”
A spokesperson for Wembley Stadium said: “Our thoughts go out to his family, who have been informed and are being supported by specially trained police officers.”
They will then head to Scotland, Ireland, Canada and the United States, before returning to Wembley for two more dates in September.
The reunion tour began at the start of July and marks the Gallagher brothers’ first performances together since Oasis split acrimoniously in 2009.
Soulja Boy has been arrested and charged with possession of a firearm during a traffic stop.
The rapper, whose real name is DeAndre Cortez Way, was a passenger in the car that was stopped in the Fairfax area of Los Angeles early on Sunday morning, the LAPD said.
“A passenger was detained and police arrested DeAndre Cortez Way for being a convicted felon in possession of a firearm,” the statement added.
Possessing a firearm as a convicted felon is a felony.
The 35-year-old was booked into jail in the LAPD’s Wilshire Division shortly after 6am. It is not clear if he has since been released.
Police did not provide information on what prompted the traffic stop and who else was in the vehicle with Way.
Soulja Boy is yet to publicly comment on the incident.
Soulja Boy is best known for his 2007 hit Crank That, which topped the Billboard Hot 100 for seven weeks and landed him a nomination for best rap song at the Grammys.
The rapper was arrested and charged with a felony in 2014 for carrying a loaded gun during a traffic stop in LA.
In April this year, the Chicago hip-hop artist was ordered to pay more than $4m (£3m) in damages to his former assistant after being found liable for sexually assault, as well as physically and emotionally abusing them.