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Tears, laughter and some Take That fangirling from a best actress nominee – this year’s BAFTA Film Awards had it all.

Conclave and The Brutalist were the night’s big winners, taking home four awards each – including best picture and outstanding British film for Conclave, and best actor for The Brutalist star Adrien Brody and directing award for its filmmaker, Brady Corbet.

But as always with these big entertainment awards ceremonies, there were plenty of moments to remember outside the big prizes.

Here are our BAFTA 2025 key talking points.

The return of Tennant

Hosts can make or break an awards ceremony, so when you get a good ‘un you want to keep them. After a successful stint in 2024, Doctor Who and Rivals star David Tennant was back to take the helm once again.

This time round, the Scottish actor, sporting a kilt and sporran at first, kicked things off by calling on the “BAFTA gods” – acting legends Dame Helen Mirren, Jim Broadbent and Brian Cox, naturally – before a sketch performance of The Proclaimers’ hit I’m Gonna Be (500 Miles).

Of course, this needed some audience participation – including from US stars Camila Cabello, Colman Domingo and Anna Kendrick, who probably didn’t have a clue what was going on but joined in with gusto.

Tennant joked about actors “freshening up” while they age, after referencing that Doctor Who star Ncuti Gatwa took on his role in the BBC series, as well as the length of films such as The Brutalist (three-and-a-half hours).

“Who doesn’t like a chance to have a wee halfway through?” he asked, while talking about the film’s much-needed intermission.

Emilia Perez awards despite controversy – and Saldana’s speech

Zoe Saldana was named best supporting actress for her performance in Emilia Perez. Pic: PA
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Zoe Saldana was named best supporting actress for her performance in Emilia Perez. Pic: PA

It went into awards season as one of the favourites, but Emilia Perez has been surrounded by controversy in recent weeks.

As stars Zoe Saldana and Selena Gomez enjoyed the show, leading actress Karla Sofia Gascon was notably absent from the ceremony following the resurgence of offensive tweets, and the film has also come under fire for its portrayal of Mexico and of trans people.

Despite this, it picked up the BAFTAs for best film not in the English language and best supporting actress for Saldana.

Earlier this month, director Jacques Audiard said Gascon’s tweets were “inexcusable” and that he was “very sad” to see the issue “taking up all the space” around the film.

However, collecting the BAFTA for best film not in the English language, the French filmmaker namechecked all his stars, including Gascon – and blew her a kiss through his translator.

“I’m deeply proud of what we have all achieved together – long live Emilia Perez,” he said.

Read more:
The full list of winners
The BAFTA red carpet in pictures

In her speech, an emotional Saldana said the film defied categorisation and also paid tribute to her co-stars, before realising she was taking too long and being given a countdown. “F***, f***, f***”, she panicked, before continuing with her speech anyway.

Thanking her mother for “being such a selfless person”, she broke down in tears, and added: “Films are supposed to change hearts and challenge minds and I hope Emilia Perez did something like this, because voices need to be heard.”

Kylie Jenner sneaks in

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Timothee Chalamet and Kylie Jenner at the BAFTAs

We didn’t see her on the red carpet, but sneaky old Kylie Jenner, girlfriend of Timothee Chalamet, was most definitely in attendance to show her support.

The Kardashians star was in the audience next to Chalamet, who was nominated for best actor for his portrayal of Bob Dylan in A Complete Unknown.

During a break from awards announcements, Tennant spent time joking with some of the A-listers in the crowd, and the couple didn’t escape from his mic (or the cameras), despite their efforts to keep their appearance lowkey.

Referencing the Chalamet lookalike competition that made headlines in New York last year, Tennant joked about what a good likeness the “second place” doppelganger before him was – and how nice it was to have a Jenner lookalike, too.

Take That perform – and Saoirse Ronan fangirls

Take That perform Greatest Day, from Anora, at the BAFTA Film Awards 2025. Pic: BAFTA
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Take That performed Greatest Day, from Anora. Pic: BAFTA

If you’ve seen Anora, you’ll know the filmmakers behind it are fans of Take That, specifically the 2008 hit Greatest Day.

The band, now a trio of Gary Barlow, Mark Owen and Howard Donald, performed the hit remix used in the film on stage at the ceremony.

As host Tennant made his way through the crowd afterwards, he came across best actress nominee Saoirse Ronan and her husband Jack Lowden.

Is Ronan a Take That fan? “I’ve seen you twice,” she shouted at the boys as they made their way off stage.

That’s a yes, then.

Kieran Culkin couldn’t attend – so Jesse Eisenberg stepped up

Jesse Eisenberg won the BAFTA for best original screenplay for A Real Pain. Pic: PA
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Jesse Eisenberg won the BAFTA for best original screenplay for A Real Pain, and picked up best supporting actor for co-star Kieran Culkin. Pic: PA

Following best supporting actor wins at earlier ceremonies including the Golden Globes, Kieran Culkin has been a favourite when it comes to speeches this awards season.

It was no surprise to see him honoured at the BAFTAs, but as he sadly couldn’t attend the ceremony in person, his co-star and director Jesse Eisenberg stepped up – not only collecting the award on his behalf but also delivering the laughs, too.

In A Real Pain, the pair play two very different cousins on a trip exploring their Jewish grandmother’s roots in Poland.

The BAFTA was “like the fifth” award Eisenberg has picked up for Culkin, he told the audience. “We have a similar life, but his is 20% better than mine,” he added.

Accepting the award for best original screenplay, Eisenberg also joked that his wife had not attended the ceremony as she did not think he would win.

Breakthrough star pays tribute to sex workers

Mikey Madison was named best actress at the BAFTAs for her performance in Anora. Pic: Joel C Ryan/Invision/AP
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Mikey Madison was named best actress for her performance in Anora. Pic: Joel C Ryan/Invision/AP

After gaining a lot of support throughout the awards ceremony, Demi Moore was a favourite for a prize for her performance in The Substance. However, Mikey Madison had also gained momentum in recent weeks thanks to her breakout role as a young sex worker who marries the son of a Russian oligarch in Anora.

This one is a particularly exciting win as Madison, 25, was also up for the rising star award for up-and-coming talent. Being nominated in a major category in the same year is quite a feat in itself – winning it even more so.

On stage, Madison thanked her mother for driving her “to so many auditions”, as well as her fellow castmates.

She also paid tribute to the sex worker community, after working with many women in the industry to perfect her performance.

“I want to take a second to recognise the sex worker community,” Madison said. “You deserve respect and decency, and I… (urge) others to do the same… I will always be a friend and an ally.”

Kneecap: ‘It’s a movement’

Kneecap on the BAFTA Film Awards 2025 red carpet. Pic: PA
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Kneecap do the BAFTA red carpet. Pic: PA

Irish-language film Kneecap, a semi-autobiographical story starring a trio of rappers of the same name from Belfast, picked up the award for outstanding debut for a British filmmaker.

Band member JJ O Dochartaigh always wears a balaclava featuring the Irish flag – but for the BAFTAs he went all out, matching his suit.

The award went to director and writer Rich Peppiatt, who collected the prize on stage.

“Within two weeks of moving to Belfast I met Kneecap and now I’m standing here,” he told the audience, saying his movie was “more than a film, it’s a movement – about how everyone should have their language respected, their culture respected, their homeland respected.

“This award is dedicated to everyone out there fighting that fight.”

British success and a new collab?

Nick Park, left, Merlin Crossingham, right, and presenter Camila Cabello, pose with the award for best children's family film at the 78th British Academy Film Awards, BAFTA's, in London, Sunday, Feb. 16, 2025. (Photo by Joel C Ryan/Invision/AP)
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Camila Cabello meets Wallace and Gromit… and Nick Park and Merlin Crossingham. Pic: Joel C Ryan/Invision/AP

Here’s a look backstage at US singer-songwriter Camila Cabello and the Wallace and Gromit: Vengeance Most Fowl filmmakers Nick Park, left, and Merlin Crossingham.

The pair picked up the prize for best children’s and family film, becoming the first ever recipients of the award, which was presented by Cabello.

We’re hoping this could be the start of a new partnership.

Wallace & Gromit: Vengeance Most Fowl also took home the animated film trophy, with Park joking on stage: “I didn’t actually write a second speech.”

And there was more recognition for British technical creatives in other categories, too.

Nathan Crowley and Lee Sandales picked up the award for best production design, for their incredible visual work on the blockbuster smash Wicked.

Paul Lambert was on the team awarded the BAFTA for best visual effects, for his work on the science fiction blockbuster Dune: Part Two – which also won best sound, with a winning team including British mixer and engineer Gareth John.

Warwick Davis’s emotional speech

Warwick Davis was given the BAFTA fellowship award. Pic: Joel C Ryan/Invision/AP
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Warwick Davis was given the BAFTA fellowship award. Pic: Joel C Ryan/Invision/AP

Honoured with the prestigious BAFTA fellowship award, Warwick Davis dedicated the prize to his late wife Samantha, who died in March last year.

Davis, who is known for fantasy film Willow and the Harry Potter movies, received the organisation’s highest honour for his performing and advocacy work.

“This is the best thing that’s ever happened to me – and I’ve been in Star Wars,” he joked at the start of his speech, before getting emotional as he talked about his wife and referenced his children, Annabelle and Harrison, who were in the audience.

“Thank you to the support of our wonderful children, I’ve been able to keep engaging in life,” he said.

Davis was born with spondyloepiphyseal dysplasia congenita, a rare bone disorder that results in dwarfism.

Previous recipients of the fellowship include Steven Spielberg, Martin Scorsese, Sir Alfred Hitchcock, Dame Elizabeth Taylor, Stanley Kubrick, Billy Wilder, Ken Loach, Sir Michael Caine, Sir Anthony Hopkins, Lord Laurence Olivier and Dame Judi Dench.

Look out for David Jonsson

David Jonsson poses with the EE Rising Star Award at the 78th British Academy Film Awards, BAFTA's, in London, Sunday, Feb. 16, 2025. (Photo by Joel C Ryan/Invision/AP)
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David Jonsson is this year’s rising star. Pic: Joel C Ryan/Invision/AP

British actor David Jonsson was named this year’s BAFTA rising star – the only award voted for by the public.

The 31-year-old recently starred in the film Alien: Romulus and his credits also include TV series Industry as well as the 2023 romantic comedy Rye Lane.

“I’ve got to be honest, this isn’t why I do it,” he told the BAFTA audience in his speech. “Do you know what I mean? I’m just an east London boy.

“I didn’t really see a space for me in this industry. But this award is about people and as long as we can keep telling stories about people I think there’s got to be a space for me.”

Jonsson saw off competition from his fellow Industry and Back To Black star Marisa Abela, American actor Jharrel Jerome, Anora’s Madison and Informer star Nabhaan Rizwan.

Previous winners include Kristen Stewart, Daniel Kaluuya, John Boyega and Tom Hardy, all before they became big names in the industry.

Sing Sing stars visas denied, filmmakers say

Clarence Maclin in Sing Sing. Pic: Dominic Leon
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Clarence Maclin in Sing Sing. Pic: Dominic Leon

This wasn’t a moment from the ceremony, but on the red carpet ahead of the awards the filmmakers behind Sing Sing, which tells the true story of a group of men who take part in an arts rehabilitation project at a maximum security prison, spoke to Sky News on the red carpet.

While Colman Domingo, an established Hollywood star who was nominated for best actor, was able to attend the ceremony, the real-life person he portrayed in the film, Divine G Whitfield, was not – and neither was his co-star Clarence Maclin.

Maclin is a former inmate who played himself in the film, after being rehabilitated through the programme, and was nominated for best supporting actor.

Both were denied denied entry to the UK earlier this week due to their previous convictions, filmmakers Greg Kwedar and Clint Bentley said.

“Their visas were denied to enter the country because they have served prison time, which goes against the grain of everything this movie stands for,” Kwedar told us. “It shows that people have the capacity to grow and to come back into their communities when they leave prison.

“These two particular men have such courage, vulnerability, integrity – and they’re not here tonight and they should be. The story is about them, it was built with them.”

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Former Radio 1 DJ Tim Westwood pleads not guilty to rape and sexual assault

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Former Radio 1 DJ Tim Westwood pleads not guilty to rape and sexual assault

Former Radio 1 DJ Tim Westwood has pleaded not guilty to four counts of rape, nine counts of indecent assault and two counts of sexual assault.

The 68-year-old arrived at Southwark Crown Court on Monday, wearing a black hooded jacket, a maroon shirt and dark trousers.

Westwood stood with his hands clasped in front of him as he confirmed his name, before sitting down in the glass dock.

He is alleged to have raped women, kissed them and touched their bodies without consent.

The offences are said to have taken place against seven different women between 1983 and 2016.

Three of the alleged indecent assaults are said to have taken place at the BBC studios in the 1990s.

Westwood was granted bail, with the condition not to contact the complainants ahead of a pre-trial review hearing, scheduled for next December.

Last month, Westwood returned to the UK from Nigeria to appear in court.

He has attended five police interviews voluntarily since the investigation into the alleged offences began.

Westwood has previously denied all allegations of sexual misconduct made against him.

The charges

Charges against Westwood include an allegation of rape against a woman at a hotel in London in 1996, one count of rape from the early 2000s at an address in London, and two counts of rape at an address in London in the 2010s.

He is further accused of four indecent assaults in London in the 1980s, three indecent assaults at the BBC in the 1990s, and two indecent assaults in the early 2000s.

The former DJ is also alleged to have sexually assaulted a woman at a nightclub in Stroud, Gloucestershire, in 2010, and faces a second sexual assault charge against a woman at a music festival in London in the 2010s.

Westwood began his broadcasting career in local radio before joining Capital Radio in the late 1980s.

He moved to the BBC in 1994, working on Radio 1 and Radio 1Xtra for almost 20 years.

After leaving the BBC in 2013, he then joined Capital Xtra, hosting a regular Saturday show where he was referred to as “The Big Dawg”, before he left the company in 2022.

The trial is set to take place on 25 January 2027.

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Netflix takeover of Warner Bros ‘could be a problem’, Donald Trump says

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Netflix takeover of Warner Bros 'could be a problem', Donald Trump says

Donald Trump has said he will be “involved” in the decision on whether Netflix should be allowed to buy Warner Bros, as the $72bn (£54bn) deal attracts a media industry backlash.

The US president acknowledged in remarks to reporters there “could be a problem”, acknowledging concerns over the streaming giant’s market dominance.

Crucially, he did not say where he stood on the issue.

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It was revealed on Friday that Netflix, already the world’s biggest streaming service by market share, had agreed to buy Warner Bros Discovery’s TV, film studios and HBO Max streaming division.

The deal aims to complete late next year after the Discovery element of the business, mainly legacy TV channels showing cartoons, news and sport, has been spun off.

But the deal has attracted cross-party criticism on competition grounds, and there is also opposition in Hollywood.

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Netflix agrees $72bn takeover of Warner Bros

The Writers Guild of America said: “The world’s largest streaming company swallowing one of its biggest competitors is what antitrust laws were designed to prevent.

“The outcome would eliminate jobs, push down wages, worsen conditions for all entertainment workers, raise prices for consumers, and reduce the volume and diversity of content for all viewers.”

File pic: Reuters
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File pic: Reuters

Republican Senator, Roger Marshall, said in a statement: “Netflix’s attempt to buy Warner Bros would be the largest media takeover in history – and it raises serious red flags for consumers, creators, movie theaters, and local businesses alike.

“One company should not have full vertical control of the content and the distribution pipeline that delivers it. And combining two of the largest streaming platforms is a textbook horizontal Antitrust problem.

“Prices, choice, and creative freedom are at stake. Regulators need to take a hard look at this deal, and realize how harmful it would be for consumers and Western society.”

Paramount Skydance and Comcast, the parent company of Sky News, were two other bidders in the auction process that preceded the announcement.

The Reuters news agency, citing information from sources, said their bids were rejected in favour of Netflix for different reasons.

Paramount’s was seen as having funding concerns, they said, while Comcast’s was deemed not to offer so many earlier benefits.

Read more:
Why Netflix could yet get its way in Trump’s America
Netflix flexes its muscles – and could yet get its way

Paramount is run by David Ellison, the son of the Oracle tech billionaire Larry Ellison, who is a close ally of Mr Trump.

The president said of the Netflix deal’s path to regulatory clearance: “I’ll be involved in that decision”.

On the likely opposition to the deal. he added: “That’s going to be for some economists to tell. But it is a big market share. There’s no question it could be a problem.”

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Industrial action on agenda as actors balloted by Equity over AI scanning concerns

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Industrial action on agenda as actors balloted by Equity over AI scanning concerns

Thousands of members of actors’ trade union Equity are being asked whether they would support industrial action over artificial intelligence protections.

The organisation has launched an indicative ballot among about 7,000 members working in film and TV.

Performers are being asked whether they are prepared to refuse to be digitally scanned on set in order to secure adequate artificial intelligence protections.

It will be the first time the performing arts and entertainment trade union has asked this whole section of its membership to vote in a ballot.

The Hollywood strikes took place in 2023. File pic: AP
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The Hollywood strikes took place in 2023. File pic: AP

The announcement follows the Hollywood strikes in 2023, when members of Equity’s sister union in the US, SAG-AFTRA, and writers, went on strike over issues including AI.

Video game actors in the US also protested over the use of AI, ending almost a year of industrial action earlier in 2025.

Equity’s ballot opens on Thursday and runs for two weeks, and will show the level of support the union has for action short of a strike.

Another statutory ballot would have to be made before any industrial action is taken.

“While tech companies get away with stealing artists’ likeness or work, and the government and decision makers fret over whether to act, unions including Equity are at the forefront of the fight to ensure working people are protected from artificial intelligence misuse,” Equity general secretary Paul W Fleming said in a statement.

“If bosses can’t ensure someone’s likeness and work won’t be used without their consent, why should performers consent to be digitally scanned in the first place?”

Mr Fleming said the ballot would give members the opportunity to “send a clear message to the industry: that it is a basic right of performers to have autonomy over their own personhood and identity”.

The union has no choice but to recommend members support industrial action, he said.

“It’s time for the bosses to step away from the brink and offer us a package, including on AI protections, which respects our members,” added Mr Fleming.

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