Conclave has taken the top prize at this year’s BAFTA film awards, winning best film as well as outstanding British film.
Based on Robert Harris’s 2016 novel of the same name, and centred around the selection of a new pope, the movie also won best adapted screenplay and best editing.
Thanking his ensemble cast as he accepted the award, director Edward Berger said: “What you did to me on set when I watched you was pure magic, it was beyond my grasp or understanding.”
It’s not the first BAFTA success for the German filmmaker, who swept the board two years ago with his remake of All Quiet On The Western Front, taking seven prizes. Conclave is his first English-language film.
Despite being the most nominated movie of the night, Conclave did not take any acting prizes, with its star Ralph Fiennes losing out to The Brutalist lead Adrien Brody in the hotly contested best actor category.
Brody’s portrayal of Hungarian architect Lazlo Toth saw the 51-year-old actor bag his first BAFTA statuette.
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New York-born Brody said the gong was “incredibly meaningful”, adding: “England has felt quite a bit like home lately.”
The three-and-a-half-hour-long epic, which is largely set in America following World War II, also took best director, best original score and best cinematography.
Accepting his director award, Brady Corbet, told the audience that despite being “humbled” and “grateful” for his win, there really was “no such thing” as best director.
Conclave and The Brutalist were joint winners across the night, taking four gongs each.
Accepting her award, the 25-year-old actress took her moment on the stage to honour the sex worker community, who she said had helped her immeasurably in her preparation for the role, telling them: “I see you. You deserve respect and human decency. I will always be a friend and an ally.”
Anora also took the casting prize.
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Timothee Chalamet and Kylie Jenner
Emilia Perez, which has come under fire in recent weeks following resurfaced tweets from its lead star Karla Sofia Gascon, took best film not in the English language. Gascon was not at the event.
An emotional Zoe Saldaña, took best supporting actress for her outstanding performance in the musical – in which she acts, sings and dances – telling the audience her win was “so validating” and “a true honour”.
Image: Zoe Saldana was named best supporting actress for her performance in Emilia Perez. Pic: PA
As she accepted her prize the 46-year-old star said: “I was told not to cry by my children, so I’m going to try. This is so validating because the very few times I tried to go for roles with a British accent I was told this isn’t going to happen.”
She ended her emotional speech by saying: “Films are supposed to change hearts and challenge minds and I hope Emilia Perez did something like this, because voices need to be heard, just not my English accent.”
Saldana, who won in the same category at the Golden Globes last month will be hoping to follow up her success with an Oscar in March.
An early front-runner in awards season, mostly Spanish language movie Emilia Perez had already been under fire from parts of the trans community for what some considered to be a retrograde step in representation, as well as those who objected to stereotypical depictions of Mexicans, as well as its handling of the sensitive topic of narcotics crime, which has claimed hundreds of thousands of lives.
Going into the night with 11 nominations, it took two overall.
Image: Jesse Eisenberg won the BAFTA for best original screenplay for A Real Pain. Pic: PA
Kieran Culkin, 42, won best supporting actor for his role in comedy A Real Pain, with his co-star and the film’s writer Jesse Eisenberg accepting the gong on his behalf due to a member of Culkin’s family being unwell, meaning he stayed in New York to be by their side.
The movie, about two cousins revisiting their family history in Poland, also took best original screenplay.
Body horror The Substance took a well-deserved win for best makeup and hair, despite Moore missing out on the best actress win.
Back to host for a second year running, Scottish actor David Tennant opened the show singing The Proclaimers’ I’m Gonna Be (500 Miles), before encouraging members of the starry audience to get involved.
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BAFTA Awards 2025: The big wins and moments of the night
With 42 gongs to hand out, from a host of well-known presenters, the first award of the night went to Dune: Part Two which took special visual effects. It also won best sound.
Elsewhere, Wallace And Gromit: Vengeance Most Fowl bagged best children’s and family film as well a best animated feature.
Accepting his second prize, Aardman director Nick Park joked: “I didn’t actually write a second speech.”
Republican Irish-language band Kneecap lived up to their promise, giving it plenty of attitude on the red carpet, and with the film’s director Rich Peppiatt taking outstanding debut.
The music biopic about Mo Chara, Moglai Bap and DJ Provai (who wore his trademark balaclava in the colours of the Irish flag) had been up for six BAFTAs, despite failing to make it onto the Oscars shortlist last month.
Image: Kneecap on the red carpet. Pic: PA
While it was up for seven awards, BAFTA voters didn’t seem to be feeling too much of the Wicked magic, with the Wizard Of Oz prequel taking just two prizes – best production design and best costume design.
Despite being up for six awards, A Complete Unknown, went home empty-handed.
Lack of gongs aside, the movie’s star Timothée Chalamet still managed to cause plenty of buzz on the night, thanks to the fact he was accompanied to the ceremony with his girlfriend Kylie Jenner – part of the ubiquitous Kardashian clan.
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Meet the stars on the BAFTAs red carpet
In a pre-announced win, British star Warwick Davis, best known for fantasy film Willow and the Harry Potter movies, was awarded the prestigious BAFTA film fellowship for both his performing and advocacy work.
The In Memoriam section of the night was led by Wicked star Jeff Goldblum playing As Time Goes By on the piano as late stars including Dame Maggie Smith, David Lynch and Dame Joan Plowright were honoured.
MediCinema was awarded the Outstanding British Contribution to Cinema award, and Alien Romulus actor David Jonsson won the only publicly voted award of the night, the rising star, which celebrates up-and-coming talent.
And in a balloon-filled performance, Take That’s current line up of Gary Barlow, Howard Donald and Mark Owen performed their 2008 hit Greatest Day, a track which has been given a new lease of life thanks to its prominence in Anora.
The mother of murdered teenager Brianna Ghey is calling on the government to introduce a ban on mobile phones in schools – a move she says will not only safeguard children, but also improve their behaviour and engagement in class.
In the lead-up to the attack, her killers had spent time on the dark web. At the same time, Brianna was also trapped online, struggling with a phone addiction.
Her mother Esther Ghey’s Phone Free Education campaign is driven by her personal experiences as a parent and the impact Brianna’s phone use had on her education.
Image: Brianna Ghey struggled with a mobile phone addiction, according to her mother
“All the arguments that me and Brianna had were down to her phone use,” Esther said.
“But even in school, she had issues and I used to have phone calls from the school saying that Brianna wouldn’t put her phone away.”
Brianna, who was transgender, struggled with an eating disorder and also self-harmed.
Her mother says the constant time she spent online exacerbated those issues, while impacting her behaviour at school, where she had 120 safeguarding logs and 116 behaviour incidents recorded by her teachers.
Image: Esther Ghey said she had calls from her daughter’s school saying that ‘Brianna wouldn’t put her phone away’
“It was so difficult as a parent, because I felt in one way that I was failing and then in another way, and this is really difficult for me to speak about, I was so annoyed with Brianna,” she recalled.
“I thought, why can’t you just go to school, get your head down and just focus on your education, because this is important.
“Only now, after two years of being immersed in this world, do I realise that actually, it’s so much harder than that.”
Research by the Children’s Commission has shown that 79% of secondary schools are still allowing pupils to bring their mobile phones into school, and even into classrooms.
Image: Brianna’s school introduced a ban on mobile phones in September last year
How phone ban is working at Brianna’s old school
Esther is campaigning for government guidance on phones to become statutory, with funding also set aside for the equipment to help schools implement the ban, arguing the lack of legislation is “setting children up to fail”.
At Birchwood Community High School in Warrington, where Brianna was a pupil, they introduced a ban on phones last September.
At the beginning of the day, pupils turn off their phones and place them in pouches, which are locked. At the end of the school day, the pouches are then unlocked.
Image: Pupils at Birchwood Community High School in Warrington place their phones in pouches, which are then locked
The headteacher, Emma Mills, said introducing these measures has come with several benefits.
“It’s had an impact in all areas of school, and it’s actually had a really positive impact in ways that I didn’t foresee,” said Ms Mills.
“Attendance has improved this year. In terms of behaviour, behaviour has improved. We’ve had no permanent exclusions this year in school, which is actually the first time since I’ve been headteacher in six years, there’s been no permanent exclusion.”
This summer, the school also saw its best-ever GCSE results in the core subjects of Science, maths, and English.
Image: Emma Mills, headteacher at Birchwood Community High School in Warrington
‘They can live without their phones’
For Ms Mills, another significant change has been the atmosphere in the school.
“They’re not as worried, they’re not as distracted,” Ms Mills said.
“They’ve realised that they can live without their phones. Something else we’ve really noticed is that it’s a bit louder in school at breaks and lunch times. It’s because they’re talking more, they’re interacting more, and they’re communicating more.”
The positive impact of a ban at Brianna’s old school has served as encouragement to Esther, who has written an open letter addressed to Sir Keir Starmer and Education Secretary Bridget Phillipson, asking for government support.
Police across the UK dealt with more than 3,000 protests over three months this summer – more than three times as many as just two years ago.
There were 3,081 protests this June, July, and August across England, Wales, Scotland and Northern Ireland, figures from the National Police Chiefs’ Council have revealed.
Last summer, when riots were raging across the country following the Southport murders, police dealt with 2,942 protests. In 2023, it was 928.
The summer months this year have been dominated by widespread demonstrations, some against the ban on Palestine Action and others against housing asylum seekers in hotels.
Image: Counter-protesters with police as people take part in a Stand Up To Racism rally in Orpington in August. Pic: PA
‘Increasing tension’
Gavin Stephens, chairman of the NPCC, said it was clear that there has been “more community tension and more division”, adding that “we all have a responsibility, policing included, to set the tone”.
“Anybody in a leadership position should think about how we can reduce and defuse tensions and not sow division,” Mr Stephens said.
The senior official said protests this year were a “chronic pressure” for police compared to last year’s disorder, which was acute.
“This is not talking about the volume of protest, and this is not a commentary from policing on people’s right to protest peacefully,” he said.
“We absolutely support that in a democracy, but we do know that there is a climate of increasing tension and polarity in what we’re seeing.”
He is convinced communities will be able to reunite and “reset”, and said claims that the UK is on the verge of civil disobedience are “exaggerated”.
The group of Thames Water lenders aiming to rescue the company have set out plans for £20.5bn of investment to bolster performance.
The proposals, submitted to the regulator for consideration, include commitments to spending £9.4bn on sewage and water assets over the next five years, up 45% on current levels, to prevent spills and leaks respectively.
Of this, £3.9bn would go towards the worst performing sewage treatment sites following a series of fines against Thames Water, and other major operators, over substandard storm overflow systems.
It said this would be achieved at the 2025-30 bill levels already in place, so no further increases would be needed, but it continued to argue that leniency over poor performance will be needed to effect the turnaround.
The creditors have named their consortium London & Valley Water.
It effectively already owns Thames Water under the terms of a financial restructuring agreed early in the summer but Ofwat is yet to give its verdict on whether the consortium can run the company, averting the prospect of it being placed in a special administration regime.
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Is Thames Water a step closer to nationalisation?
Thames is on the brink of nationalisation because of the scale of its financial troubles, with debts above £17bn.
Without a deal the consortium, which includes investment heavyweights Elliott Management and BlackRock, would be wiped out.
Ofwat, which is to be scrapped under a shake-up of oversight, is looking at the operational plan separately to its proposed capital structure.
The latter is expected to be revealed later this month.
Sky News revealed on Monday that the consortium was to offer an additional £1bn-plus sweetener in a bid to persuade Ofwat and the government to back the rescue.
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Thames Water handed record fine
Mike McTighe, the chairman designate of London & Valley Water, said: “Over the next 10 years the investment we will channel into Thames Water’s network will make it one of the biggest infrastructure projects in the country.
“Our core focus will be on improving performance for customers, maintaining the highest standards of drinking water, reducing pollution and overcoming the many other challenges Thames Water faces.
“This turnaround has the opportunity to transform essential services for 16 million customers, clean up our waterways and rebuild public trust.”
The government has clearly signalled its preference that a market-based solution is secured for Thames Water, though it has lined up a restructuring firm to advise on planning in the event the proposed rescue deal fails.
A major challenge for the consortium is convincing officials that it has the experience and people behind it to meet the demands of running a water company of Thames Water’s size, serving about a quarter of the country’s population.