
Oscars A-Z: From Anora to a (disqualified) Hans Zimmer
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adminUnderstanding this year’s Oscars is as simple as learning your ABC – so here’s an alphabetical run-down of this year’s Academy Awards.
A is for Anora
Funny and smart, Anora has been described as a modern-day Pretty Woman and has had a lot of buzz since taking home the biggest prize at the Cannes Film Festival last year. It tells the story of a young woman, a sex worker, who ends up falling in love with a very rich man; this time round, he’s the son of a Russian oligarch. It’s one of this year’s 10 best picture nominees, with 25-year-old Mikey Madison in contention for best actress.
B is for The Brutalist

Adrien Brody and Felicity Jones in The Brutalist. Pic: Rex/ Everett/Shutterstock
Largely set in America following the Second World War, The Brutalist has been described as a cinematic masterpiece by some critics – albeit one with a bum-numbingly long three-and-a-half-hour run time. Star Adrien Brody has won plaudits (and a BAFTA, a Golden Globe and other awards) for his portrayal of Hungarian architect Lazlo Toth and is up once again for best actor here. The film is also in the running for best picture; it missed out on that one at the BAFTAs, but filmmaker Brady Corbet was named best director – so the pair will be hoping to at least repeat that success.
C is for Conclave

Ralph Fiennes stars as Cardinal Lawrence in Conclave. Pic: Focus Features 2024
This is a frontrunner for best picture after winning best film at this year’s BAFTAs. Based on Robert Harris’s 2016 novel of the same name and centred around the selection of a new pope, the film has earned star Ralph Fiennes – who plays Cardinal Lawrence, the Vatican’s most powerful figure after the pope – his third Oscar nomination. The nods before were in 1993 for Schindler’s List and in 1996 for The English Patient; but while he’s long overdue a win, going up against Brody in the Brutalist is likely to be the reason this won’t be his year.
D is for Dune: Part 2

Timothee Chalamet and Zendaya in Dune: Part Two. Pic: Warner Bros. Pictures/Niko Tavernise
Timothee Chalamet stars in two of this year’s best picture nominees. We’ll come to his portrayal of Bob Dylan a little later, but in this one he plays Paul Atreides in the second part of director Denis Villeneuve’s reimagining of Frank Herbert’s highly acclaimed 1965 novel. His is a character seeking revenge against those who decimated his family tree - tackling politics, religion, the fight for precious resources – and, more importantly, giant sand worms. It’s epic in scale, but not the Chalamet film everyone’s talking about this year.
E is for Emilia Perez

(L-R) Karla Sofía Gascón as Emilia Pérez and Zoe Saldaña as Rita Moro Castro in Emilia Pérez. Pic: Page 114/ Why Not Productins/ Pathe/ France 2 Cinema/ Netflix
Set in Mexico but mostly filmed in France, Emilia Perez is an operatic Spanish-language musical which tells the story of a Mexican drug lord who undergoes gender affirmation surgery. It leads the race with 13 Oscar nods, and broke the record to become the most nominated non-English language film in the history of the awards – with star Karla Sofia Gascon making history as a trans woman nominated for best actress. After winning several Golden Globes at the start of 2025 it was one of the frontrunners, but faced scrutiny of its themes and stars from the trans community and Mexican critics. The nail in the coffin came after offensive tweets posted by Gascon were unearthed.
F is for Flow

Pic: UFO Distribution
A dialogue-free environmental fable about a cat cast adrift on a boat, forced to overcome its differences with a capybara, lemur, stork, and a golden retriever in order to survive a flood. With Flow, visionary animator Gints Zilbalodis has secured Latvia its first-ever Oscar nominations for best international feature film and best animated feature film. In the latter there’s some stiff competition this year, see…
G is for Gromit, as in Wallace & Gromit: Vengeance Most Fowl

Pic: Netflix
…the return of Feathers McGraw. First seen in ’93’s Oscar-winning short The Wrong Trousers, he’s back to get his revenge on inventor Wallace and his trusty beagle Gromit. The return of Nick Park’s immortal creations after a 16 year break saw creators Aardman win two BAFTAs a few weeks ago, and despite being unapologetically British – reportedly there was a bit of back-and-forth with Netflix over the phrase “Flippin’ Nora!” – its proven a surprise hit in the US over the years. An Oscar win for Gromit would of course be “absolutely cracking, lad”.
H is for Heartbreak of I’m Still Here

Fernanda Torres stars in I’m Still Here. Pic: Altitude
Based on a true story, this film depicts the horror and heartbreak of a mother of five fighting Brazil’s authoritarian military regime in the 1970s after her husband is forcibly “disappeared”, leaving her to search for the truth and rebuild her life. This Portuguese-language film is nominated for three Oscars, including best actress for Fernanda Torres as well as best Picture, but the Brazilian drama’s chances in the international category are probably its best bet at taking home a statuette.
I is for Inside Out 2

Pic: Disney/Pixar
Following the success of the first film, released in 2015, the sequel introduces new emotions into the mix – Anxiety, Envy, Ennui and Embarrassment – as Riley becomes a teenager. As the second highest-grossing animated film of all time and one of the most beloved family movies of 2024, it’s hardly surprising that Inside Out 2 was nominated in the best animated category this year. But while it was a commercial and critical success, its not a frontrunner with the bookies to win as the competition is just so good this year. We’ll get to the frontrunner later on.
J is for Jeremy Strong… and Sebastian Stan

Jeremy Strong (left) as Roy Cohn and Sebastian Stan (right) as Donald Trump in The Apprentice. Pic: Briarcliff Entertainment
They’re the stars of the contentious biopic of newly inaugurated president Donald Trump and have both received acting nominations. The Apprentice concentrates on Trump’s early years as an aspiring real-estate mogul in New York – and while the president described it as a “cheap, defamatory, and politically disgusting hatchet job”, the Academy did not agree. Stan gets a nod for his portrayal of Trump, while Strong is recognised for his performance as mentor Roy Cohn. He finds himself up against his former Succession Roy brother Kieran Culkin in the best supporting category. May the best Roy win.
K is for Kingdom of the Planet of the Apes (and other monkeys)

Pic: 20th Century Studios
This film is nominated for best visual effects, a category that’s awash with simian representation this year as no less than three of the nominees prominently feature CGI monkeys. As well as the latest instalment in the acclaimed Planet Of The Apes franchise, there’s also the Robbie Williams biopic Better Man, which sees the singer depicted as an ape, and the creepy winged monkey guards of Wicked, who will probably fly off with the prize.
L is for Late… which Elton John probably will be to his own party

Pic: Walt Disney Pictures
Sir Elton John, who recently retired from performing live, is up for best original song for Never Too Late, from the documentary about his life. He already has two Oscars in his awards cabinet – for Can You Feel the Love Tonight from The Lion King in 1994, and for (I’m Gonna) Love Me Again from Rocketman in 2019 – but can he make it a hat-trick? While no doubt he’s chuffed to be nominated, from a party-planning perspective it’s a tad awkward – as it means he’ll have to miss most of his annual charitable Oscars party, which takes place at the same time.
M is for Memoir Of A Snail

Pic: Modern Films
Another best animation nominee, this stop-motion offering is way more bleak than Wallace And Gromit. Succession’s Sarah Snook lends her voice to Australian animator Adam Elliot’s tragicomic tale of loneliness, playing a woman called Grace who’s plagued by so much misfortune she wants to crawl into her shell, just like her snail pet.
N is for Nickel Boys

Ethan Herisse as Elwood and Brandon Wilson as Turner in Nickel Boys. Pic: Orion Pictures
Telling a story of abuse at a US reform school in the 1960s, this best picture nominee is the film with perhaps the most unique visual style, shot almost entirely from the point of view of the two lead characters. It’s a disorientating drama that will stay with you long after the credits roll.
O is for O’Brien

Pic: AP
The comedian and former late-night talk show host Conan O’Brien takes over from four-time veteran Jimmy Kimmel. It’s not always an easy gig, and after California’s devastating wildfires it might be especially tricky to get the tone right this year. While he’s said he’ll be keeping in mind what the Los Angeles area has been through, when it comes to making fun of the stars in the audience he’s joked he intends to “go after the ones that have personally been cruel” to him over the years. Fair enough.
P is for A Real Pain

Kieran Culkin (left) and Jesse Eisenberg in A Real Pain. Pic: Courtesy of Searchlight Pictures 2024
The story of two cousins who travel to Poland to retrace their family’s history, A Real Pain is written by and also stars Jesse Eisenberg. However, it’s his co-star Kieran Culkin who’s stealing the limelight this awards season. He’s enjoyed a best supporting actor winning streak at ceremonies including the Golden Globes and the SAG Awards, giving show-stealing speeches that have livened things up a bit.
Q is for Queer (and other snubs)

Daniel Craig (left) and Drew Starkey in Queer. Pic: Mubi/A24
When you have so many films, so few nomination spaces to fill, there are always going to be those that miss out. Many felt Daniel Craig should have been up for best actor for his performance in Queer, in which he plays an American expatriate in 1950s Mexico City who becomes infatuated with a younger man. Elsewhere, Angelina Jolie’s portrayal of opera singer Maria Callas in Maria also failed to make an impact with the Academy, as did Hugh Grant’s performance in the horror Heretic. London-born actress Marianne Jean-Baptiste also missed out, despite a BAFTA nod and critical acclaim for her performance in Hard Truths. Others who were considered contenders include Nicole Kidman (Babygirl), Selena Gomez (Emilia Perez), Denzel Washington (Gladiator II) and Pamela Anderson (The Last Showgirl).
R is for Robots (of the wild variety)

Pic: Universal Pictures/DreamWorks Animation
Lupita Nyong’o plays the ROZZUM unit 7134, otherwise known as Roz in the adaptation of Peter Brown’s New York Times bestseller Wild Robot. This best animation offering follows Roz the android as it washes up on a remote island and becomes an adoptive parent to an orphaned gosling. This one’s a real tear-jerker and while much has been written about the film’s animated artistry – with some critics claiming it’s the best animated film of the year, if not the decade – its music, written by Kris Bowers, is equally as impressive.
S is for Sing Sing

Colman Domingo (left) and Clarence Maclin in Sing Sing. Pic: Pat Scola
This is the true story of an arts programme for men incarcerated at a prison in New York State. Alongside Colman Domingo, who’s up for best actor, and Paul Raci, most of the cast is made up of former prisoners playing themselves, who attended the group during their sentences. While Domingo isn’t the frontrunner to win in his category, he has, once again, been setting the bar for men’s fashion on the red carpets this year, so look out for his outfit.
T is for The Substance

Demi Moore in The Substance. Pic: Mubi
Body horror movie The Substance has given its star Demi Moore a career reboot like no other. The timely narrative about an older actress refusing to fade into obscurity, with horrifying consequences, is one voters are likely to lap up. It saw Moore take best actress in a musical or comedy at the Golden Globes, giving an acceptance speech in which she spoke about being written off as a “popcorn actress” early on in her career – which has laid the ground for further wins, including a Critics Choice gong. Can she add an Oscar to the shelf?
U is for Unknown

Timothee Chalamet as Bob Dylan in A Complete Unknown. Pic: Searchlight Pictures
Chalamet’s second punt at best picture sees him pick up the guitar and give it some mumbling Bob Dylan energy in A Complete Unknown, playing the Nobel prize-winning folk hero. The star spent five years working on his singing, harmonica and guitar skills. Could the Academy reward him for his efforts with the best actor gong? Interestingly, if he beats Adrien Brody, he will also steal the actor’s current record as the youngest ever best actor winner; Brody was 29 years and 343 days old when he won in 2003 for his performance in The Pianist, while Chalamet will be 29 years and 65 days old on Oscar night.
V is for Vampires

Lily-Rose Depp in Nosferatu. Pic: Aidan Monaghan
Based on the 1922 film Nosferatu: A Symphony Of Horror and Bram Stoker’s Dracula, Robert Eggers’s film sees Bill Skarsgard transform into vampire Count Orlok in a nod to classic cinema. Skarsgard, who also played Pennywise the clown in 2017 horror IT, says it took a while for him to distance himself from the eerie feeling he embodied as Nosferatu. The film is up for cinematography, production design, costume, and make-up and hairstyling awards.
W is for Wicked

Cynthia Erivo and Ariana Grande in Wicked. Pic: Universal Pictures
The Wizard Of Oz prequel starring Ariana Grande and Cynthia Erivo is one of the highest-grossing musical adaptations of all time – and its stars press interviews have been just as box office. But will it have the same magic touch at the Academy Awards? Its up for best picture but faces tough competition, so is more likely to claim victories in the costume, make-up, score and sound categories.
X is for The SiX Triple Eight

Kerry Washington as Major Charity Adams in The Six Triple Eight. Pic: Laura Radford/ Perry Well Films 2/ Netflix
X is always the tricky one, isn’t it? This mention is actually less about Tyler Perry’s Second World War drama but about songwriter Diane Warren, the woman responsible for its one Oscar nod. Despite being nominated 16 times she has never won an Academy Award – not even for Starship’s Nothing’s Gonna Stop Us Now (Mannequin, 1988), Celine Dion’s Because You Loved Me (Up Close & Personal, 1997), or Aerosmith’s I Don’t Wanna Miss A Thing (Armageddon, 1999). A travesty! This time, Warren is up for best song for The Journey, performed by H.E.R. Warren does have an honorary Oscar, awarded in 2022, just not a competitive one, and she told Variety: “Yes, I would like to break my decades-long tradition and win.”
Y is for Yuck!

Pic: Miyu Distribution
A 13 minute French animated short about childhood and the discovery of love, centred around a boy called Leo who thinks kissing is the grossest thing ever. While the big hitters get most of the airtime and attention, if you can’t face sitting through another lengthy indie offering it’s worth taking a look at the 15 short films competing across three categories (animated, live-action, and documentary).
Z is for Hans Zimmer

Composer Hans Zimmer – not up for the Oscar this year. Pic: Reuters/ Yara Nardi
And finally, spare a thought for the two-time Oscar-winning composer Hans Zimmer, who isn’t in the running for best original score this year as his was disqualified. While the music for Dune 2 was as epic as the film itself it did not meet the Academy’s eligibility criteria; the rules are that a nominee must have at least 80% original content in their composition, and although Zimmer composed new pieces for the second instalment it was decided that too much of the score was derived from the first film. Bad luck, Hans.
The Oscars ceremony takes place on Sunday night. Check the Sky News website from Sunday afternoon to follow the entire event on our live blog
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Entertainment
Gary Lineker apologises for ‘Zionism’ re-post featuring image of rat
Published
5 hours agoon
May 14, 2025By
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Gary Lineker has “apologised unreservedly” for a social media re-post featuring a rat, saying he would “never knowingly share anything antisemitic”.
The 64-year-old presenter faced criticism after he shared a post on Instagram from the Palestine Lobby group showing a picture of a rat and titled: “Zionism explained in two minutes.”
In a statement, he said: “On Instagram I reposted material which I have since learned contained offensive references.
“I very much regret these references.
“I would never knowingly share anything antisemitic.
“It goes against everything I believe in.
“The post was removed as soon as I became aware of the issue.
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“Whilst I strongly believe in the importance of speaking out on humanitarian issues, including the tragedy unfolding in Gaza, I also know that how we do so matters.
“I take full responsibility for this mistake.
“That image does not reflect my views.
“It was an error on my part for which I apologise unreservedly.”
Rats have historically been used in antisemitic propaganda, including by the Nazis in 1930s Germany.
Lineker’s agent told the BBC the presenter immediately deleted the post when he learned about the image’s symbolism.
The presenter was temporarily suspended from the BBC in March 2023 after an impartiality row over comments he made criticising the then-government’s new asylum policy.
In November he announced he would be stepping down from presenting Match Of The Day but will still host World Cup and FA Cup coverage.
Entertainment
Cassie tells court ‘freak offs’ became like a job as she alleges years of abuse by Sean ‘Diddy’ Combs
Published
21 hours agoon
May 14, 2025By
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Sean “Diddy” Combs’s former girlfriend Cassie has told his sex-trafficking trial that “freak offs” with male escorts became like a job, as the music mogul allegedly abused and sexually exploited her for years.
The musician and model, whose full name is Casandra Ventura, did not look at Combs as she took to the witness stand in court in Manhattan, New York.
Over about six hours, the 38-year-old, who is eight months pregnant with her third child with husband Alex Fine, at times became emotional as she alleged she was degraded by her former partner during their 10-year on-off relationship.
Sean ‘Diddy’ Combs trial: Day 2 – As it happened

Combs made a heart gesture to family members in court. Pic: Reuters/Jane Rosenberg

Ms Ventura became emotional at times. Pic: Reuters/Jane Rosenberg
Combs, 55, has pleaded not guilty and strenuously denied allegations of sexual abuse. His lawyers argue that although he could be violent, he never veered into sex trafficking and racketeering, and that all sexual encounters were consensual.
Ms Ventura, who is the central witness in the prosecutors’ case, began by telling the jury how Combs was violent to her over the course of their relationship, giving her black eyes and bruises.
The hip-hop star became increasingly controlling, she said, and was allegedly abusive over the smallest perceived slights. “You make the wrong face, and the next thing I knew I was getting hit in the face,” she said.
Ms Ventura was 19 when she signed to his label, Bad Boy, she said, and 22 when, during the first year of their relationship, Combs first proposed a “freak off” – a sexual encounter with a third party. Her “stomach churned”, she said, and she was “confused, nervous, but also loved him very much” and wanted to please him. She described him as “charming” but “polarising”.
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Combs’s family arrive for Day 2
‘There was no space to do anything else’
Throughout her time on the stand, she gave graphic details of these drug and drink-fuelled encounters with male escorts, saying Combs would watch and masturbate, and often record the encounters and watch the videos back.
They could last for hours or even days, she said – telling the court the longest went on for four days. They ended up becoming weekly events and took priority over her music career, jurors heard. While she had hits with singles Me & U and Long Way 2 Go in 2006, and signed a 10-album deal with Bad Boy, jurors heard she only released one album.
“Freak-offs became a job where there was no space to do anything else but to recover and just try to feel normal again,” Ms Ventura said. Each time, she added, she had to recuperate from lack of sleep, alcohol, drugs “and other substances”, and “having sex with a stranger for days”.
Read more:
The rise and fall of Sean Combs
Diddy – a timeline of allegations
Everything you need to know about the trial

Combs and Cassie pictured in 2017. Pic: zz/XPX/STAR MAX/IPx 2017/AP
Alleged violence detailed in court
Ms Ventura told the court she began feeling as if she could not say no to Combs’s demands because “there were blackmail materials to make me feel like if I didn’t do it, it would be held over my head in that way or these things would become public”.
She was also worried about potential violence, she told the court. When asked in court how frequently Combs became violent with her, Ms Ventura responded: “Too frequently.”
The rapper “would mash me in the head, knock me over, drag me, kick me”, she said. “Stomp me in the head if I was down”.
Ms Ventura also told the court that Combs kept cash, jewellery, guns and “sometimes tapes from cameras” in safes at several properties in New York, Los Angeles, Miami and Alpine, New Jersey.
“The guns came out here and there. I always felt it was a little bit of a scare tactic,” she told the court.

This footage from 2016 was made public in 2024. Pic: CNN via AP
Towards the end of her first day of evidence, a surveillance video made public last year, which showed Combs allegedly beating Ms Ventura at a Los Angeles hotel in 2016, was played to jurors in court for a second time.
“How many times has he thrown you like that before?” prosecutor Emily Johnson asked her.
“Too many to count,” Ms Ventura replied.
On Monday, prosecutors in their opening statement told the court that while Combs’s public persona was that of a “charismatic” hip-hop mogul, behind the scenes he was violent and abusive.
His defence lawyers argued that the case is really about nothing more than the rapper’s sexual preferences, which they said should remain private, and do not make him a sex trafficker.
The trial is to last about eight weeks.
Ms Ventura is set to continue giving evidence on Wednesday.
Entertainment
Kim Kardashian feared she was going to die during Paris heist – and tells robber she forgives him
Published
1 day agoon
May 13, 2025By
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Kim Kardashian has told a court she feared she would be raped and killed during an armed robbery in Paris nearly 10 years ago.
The 44-year-old was tearful as she told the judge: “I was certain he was going to rape me.”
“I absolutely did think I was going to die,” she added.
“I said a prayer for my family, and for my sister who would walk in [and find me] and that they would have an OK life after what they saw.”
Kardashian told the court how one of the robbers pulled her across the bed, exposing her naked body under her hotel robe as he tied her up.
In a bizarre turn of events in the courtroom, three of the defendants offered messages to Kardashian – two in person and one via a written note. Kardashian had no knowledge of the letter until it was read in court and she tearfully said she forgave one of the robbers.
The men are accused of robbing her at gunpoint in a hotel in October 2016.
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Kardashian arrived at court to confront the alleged robbers earlier in the day.

Kim Kardashian waves as she arrives at court. Pic: AP
Wearing a black skirt suit, sunglasses, and with her hair pulled back into a chignon, Kardashian walked up the steps accompanied by her mother Kris and a large entourage.
She began by telling the court of her love for Paris, calling it a “magical place,” before becoming tearful when describing the robbery, and talking of her “confusion” when two men entered her room dressed as police officers, accompanied by the handcuffed concierge.
“I had fallen asleep naked with a robe on, I was flustered,” she told the court.
‘From fatherly to aggressive’
Describing the man who tied her up, who she says was “smaller and stockier” than the second man with the gun, Kardashian said: “I feel like because the guy who tied me up could see how frantic I was, at that moment he felt like a father… It felt like he wanted me to know that I’d be OK if I just shut up.”
She tells the court: “I kept telling them I have babies and I need to get home to my babies.”
But, after the men began arguing in French, the previously “fatherly” man went from saying she’d be OK, “to aggressively grabbing my naked body”.
Asked by the judge if she was hit at any point, Kardashian said: “No, I was not hit. I was picked up and dragged and dropped on the hard floor, but I was not hit.” She later confirms she was dragged by her arms, with both her ankles and wrists bound together, and with a gun held towards her neck.
Police say the men escaped on bicycles, with around $9m of jewellery, including a $4m engagement ring from Kardashian’s then-husband Kanye West. Most of the jewellery was never recovered.
‘Your forgiveness is the sun – I’ll be forever grateful’
During her evidence, the judge read a statement to Kardashian written by one of the defendants, Aomar Ait Khedache, 68, nicknamed “Old Omar” – in which he said he “regretted” his actions and had been touched by his conscience. He has so far communicated in court only via handwritten notes, saying he’s too unwell to talk.
He’s previously admitted to participating in the heist but denies the prosecution’s accusation that he was the ringleader.
When asked by the judge if she had a response, Kardashian said: “I’m obviously emotional about it, this experience changed my life and it changed my family’s life”.
Currently in training to be a lawyer, and a vocal criminal justice reform advocate, she said: “I have always believed in second chances… I try to have empathy always.”
She went on: “I do appreciate the letter, I forgive you for what has taken place, but it doesn’t change the emotion and the feelings and the trauma the way my life is forever changed.” She thanked him for his letter.
Ait Khedache’s lawyer shared his response to Kardashian’s words, saying: “This forgiveness is a sun that comes to illuminate me, thank you.” He added, I’ll be grateful to you forever”.
The judge then spoke to two defendants in the courtroom, starting with Yunice Abbas, 71, who has previously admitted his part in the heist.
Abbas stood and spoke directly to Kardashian, his right hand shaking from Parkinson’s as he talked, asking for “forgiveness” and saying he too had “regret” for what he did.
In 2021, Abbas wrote a book titled I Kidnapped Kim Kardashian, but the court has ruled he would not financially benefit from its sale.
A third defendant, Didier Dubreucq, 69, dubbed “blue eyes” by French press, also briefly spoke and offered a few contrite words, saying, “I am very sorry about what happened to you”, adding, ” I empathise with your pain”.
‘A sound I had never heard – terror’
Earlier on Tuesday, in Paris’s central criminal court, Kardashian’s stylist Simone Harouche described the moment she was woken by the US star’s screams of terror and feared she had been “raped or violated”.
Ms Harouche, 45, who says she has worked for Kardashian for many years and has been friends with her since she was 12, told the court she was woken by “a sound I had never heard from Kim… It was terror”.
Sleeping in a separate apartment, on the next floor down from Kardashian’s, she went on: “What I heard specifically was [Kim saying], ‘I have babies and I need to live – that is what she kept saying… Take everything. I need to live'”.
She told the judge: “When I realised something terrible was going on upstairs and I realised it was not friends [in Kim’s room], I started looking for my telephone and I started looking for something to help save mine and Kim’s life.”

Simone Harouche pictured last year. Pic: Virisa Yong/BFA.com/Shutterstock
She went on to lock herself in her bathroom and hide in her shower, where she called Kardashian’s sister Kourtney and texted her security guard, Pascal Duvier, telling them, “Something is very wrong… Kim is upstairs with men and we need help.”
She says minutes later, Kardashian “hopped” into her room, explaining: “To see my friend with her feet taped and a very light robe with nothing under, and all messed up and pulled, I thought she could have been raped or very violated.”
She said she removed the tape from Kardashian’s feet, and her friend was “beside herself”, adding, “I’ve never seen her like that before. She was screaming, ‘We need to get out, what do we do if they come back? We need to jump from the first floor, we need to get out'”.
Later, when questioned by the lawyer of one of the defendants on why she did not come out of the bathroom, she said: “I’m the kind of person to hide, [Kardashian’s] the kind of person to take care of other people.”
‘Just because a woman wears jewellery, doesn’t make her a target’
When asked by the judge whether she or Kardashian had believed at the time that wearing and sharing images of such expensive jewellery would be a risk, Ms Harouche says: “Just because a woman wears jewellery doesn’t make her a target. That’s like saying because a woman wears a short skirt she deserves to be raped”.
She went on to say: “I think that that moment changed [Kardashian’s] life forever… In terms of security, she doesn’t go alone to places anymore.”
Read more: Everything you need to know about the Paris trial
Following the robbery, Ms Harouche says she quit her job as a stylist as the experience “made me fearful of all the things that could happen to celebrities, and being around them”.
Asking for ‘forgiveness’
At the end of her time in the witness stand, the judge attempted to play a video message from one of the defendants, Yunice Abbas.

Kardashian at the Siran Presentation on the day of the robbery. Pic: Matteo Prandoni/BFA/Shutterstock
A tech issue meant the message would not play, so instead, the judge read out the statement from Mr Abbas, asking for “forgiveness” for his actions. When asked by the judge if she had a reaction to the apology, Ms Harouche answered, “No”.
The trial, which is being held in front of three judges and six jury members, is due to conclude at the end of this week.
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