Charli XCX has continued her Brat domination at the BRITs, winning five awards, including album of the year.
This year’s most nominated artist, she took the first prize of the night, best song, telling the crowd: “I’m really happy that a song about underwear now has a Brit award, very important stuff and I’m sure that that proves something about songwriting but I’m not quite sure what.”
The 32-year-old, whose real name is Charlotte Aitchison, went on to win best dance act and artist of the year, joking that there had been complaints about her sheer top, and adding “free the nipple”.
Taking the top prize of the night, best album, she said: “I used to tell myself awards weren’t important, and that was easy to do as until last year I wasn’t nominated for anything.
“I always felt like an outsider, particularly in the British music industry, it feels really nice to get recognition for this album. I’ve not changed anything… I guess culture caught up with us and wanted to be on this journey.”
She’d already picked up BRIT songwriter of the year award earlier this week.
Her success follows a Brat Summer, which saw her sixth album – featuring “slime green” artwork – go viral, influencing the US presidential campaign of Kamala Harris and making it into the Collins Dictionary as word of the year.
The biggest night in British music, the ceremony at London’s O2 arena was hosted by comedian Jack Whitehall, who was back for the fifth time.
Image: Sabrina Carpenter opened proceedings. Pic: Reuters
There were live performances by artists including Sabrina Carpenter, who opened proceedings, Myles Smith and Sam Fender.
Former Little Mix star JADE took her first solo award for best pop act, presented by girl band Sugababes.
She thanked her fans for their support, her parents for “for making me feel like it was a realistic goal to be a pop star ever since I was a little girl,” and her former bandmates who she said changed her life.
British singer-songwriter Myles Smith – whose single Stargazing became one of the UK’s biggest hits of 2024 – had previously been named as this year’s rising star.
His award was presented to him on the night by last year’s winners The Last Dinner Party.
Image: Myles Smith had urgent questions for those in authority. Pic: Reuters
The singer-songwriter – who said he was from what has been called “the worst town in Luton,” raised by a single mother – asked the government why they treated the British music industry “as an afterthought”.
He also asked big music venues what they were doing to help keep grassroots venues alive, as well as highlighting the importance of music managers supporting stars beyond their first hit.
British jazz quintet Ezra Collective took group of the year, paying tribute to the “great youth clubs, great schools, and great teachers” inspiring young people to take up music.
Alaos announced ahead of the ceremony, Sabrina Carpenter became the first international artist to receive the global success award after breaking records in the UK charts.
She held the top spot on the Official UK Charts for a combined 21 weeks in 2024, the first artist to do so in 71 years.
Her mega-hits Taste, Please Please Please and Espresso also held the top three spots simultaneously, making her the first female artist to do so.
A pre-recorded video by music legend Diana Ross led into her award, which was given to her by her close friend, Stranger Things star Millie Bobby Brown.
Image: Stranger Things star Millie Bobby Brown presented a prize. Pic: AP
Accepting her prize, Carpenter spoke about coming to the UK with her mother previously when no one knew who she was, and now coming back and “getting to headline the O2”.
She also spoke about her appreciation of British humour, saying “your humour is so, so dry,” and her admiration for the British love of caffeine, mainly via a nice cup of tea.
Chappell Roan took song of the year for Good Luck, Babe! as well as international artist of the year.
Stormzy thanked Jesus for his win in the hip-hop, grime, rap act category, saying he thought fellow nominee, Central Cee, was rap artist of the year.
Apologising for wearing his sunglasses on stage, which he said was because he’d “mashed up his eye playing padel” (a sporting mash-up of tennis, squash, and badminton), he read a short Biblical quote as he accepted his prize.
Image: Jack Whitehall flew close to the wind in places, roasting his A-list audience. Pic: PA
Raye took British R&B act. Last year she made BRITs history when she secured six awards, the most by an artist in a single year.
Irish post-punk band Fontaines DC took international group of the year for the second time.
British indie rock act The Last Dinner Party took best new artist after winning the BAFTA rising star award last year.
They called small independent venues the “lifeblood of the music industry”, adding, “we wouldn’t be here without them”.
Song of the year Charli XCX featuring Billie Eilish – Guess featuring billie Eilish Artemas – I Like The Way You Kiss Me The Beatles – Now And Then BL3SS x Camrin Watsin featuring bbyclose – Kisses Central Cee featuring Lil Baby – BAND4BAND Chase & Status / Stormzy – Backbone Coldplay – feelslikeimfallinginlove Dua Lipa – Training Season Ella Henderson (feat Rudimental) – Alibi JADE – Angel Of My Dreams Jordan Adetunji – KEHLANI KSI featuring Trippie Redd – Thick Of It Myles Smith – Stargazing Sam Ryder – You’re Christmas To Me Sonny Fodera / Jazzy / DOD – Somedays
Alternative rock act Sam Fender Beabadoobee The Cure Ezra Collective The Last Dinner Party
Pop act JADE Charli XCX Dua Lipa Lola Young Myles Smith
Dance act Charli XCX Becky Hill Chase & Status Fred again.. Nia Archives
Group of the year Ezra Collective Bring Me The Horizon Coldplay The Cure The Last Dinner Party
International song of the year Chappell Roan – Good Luck, Babe! Benson Boone – Beautiful Things Beyoncé – TEXAS HOLD ‘EM Billie Eilish – BIRDS OF A FEATHER Djo – End Of Beginning Eminem – Houdini Hozier – Too Sweet Jack Harlow – Lovin On Me Noah Kahan – Stick Season Post Malone featuring Morgan Wallen – I Had Some Help Sabrina Carpenter – Espresso Shaboozey – A Bar Song (Tipsy) Taylor Swift featuring Post Malone – Fortnight Teddy Swims – Lose Control Tommy Richman – MILLION DOLLAR BABY
Hip-hop/ grime/ rap act Stormzy Central Cee Dave Ghetts Little Simz
R&B act Raye Cleo Sol FLO Jorja Smith Michael Kiwanuka
International group of the year Fontaines DC Amyl And The Sniffers Confidence Man Future & Metro Boomin Linkin Park
Best new artist The Last Dinner Party English Teacher Ezra Collective Myles Smith Rachel Chinouriri
International artist of the year Chappell Roan Adrianne Lenker Asake Benson Boone Beyoncé Billie Eilish Kendrick Lamar Sabrina Carpenter Taylor Swift Tyler, The Creator
Artist of the year Charli XCX Beabadoobee Central Cee Dua Lipa Fred again.. Jamie xx Michael Kiwanuka Nia Archives Rachel Chinouriri Sam Fender
Album of the year Charli XCX – BRAT The Cure – Songs Of A Lost World Dua Lipa – Radical Optimism Ezra Collective – Dance, No One’s Watching The Last Dinner Party – Prelude To Ecstasy
Liam Gallagher has criticised a Scottish council for suggesting Oasis fans were “drunk, middle-aged and fat”.
The remarks were revealed following a freedom of information request that was sent to Edinburghcouncil – ahead of the band’s three sold-out shows in Scotland this August.
The documents expressed concerns that the OasisLive ’25 tour would clash with the Edinburgh Festival Fringe – the world’s largest performance arts festival.
Image: Liam Gallagher (left) and Noel Gallagher. Pic: PA
One note warned that there would be a “substantial amount of older fans”, and that because “middle-aged men take up more room”, age and size should be considered in crowd control planning.
Another note suggested “medium to high intoxication” should be expected at the concert.
An additional remark said there was some “concern about crowds of Oasis on weekends as they are already rowdy, and the tone of the band”.
Image: The Fringe is one of the world’s largest performance arts festivals. File pic: PA
It also expressed concern for the “safety” at the Edinburgh Fringe – including for its performers.
“Many performers are considering not attending for that weekend,” one note read.
Liam Gallagherwas not impressed – and left the following message for the council on his social media.
“To the Edinburgh council I’ve heard what you said about Oasis fans and quite frankly your attitude f****** stinks I’d leave town that day if I was any of you lot.”
In a second post, he said: “I’d love to see a picture of all the people on the Edinburgh council bet there’s some real stunning individuals.”
Image: Liam Gallagher said the council’s attitude towards fans ‘stinks’. Pic: AP
David Walker, from the Oasis Collectors Group, has described the comments as “a nasty, sneering stereotype”.
“It’s a jaundiced view,” he added.
Local councillor Margaret Graham said that it is usual practice for the council to “prepare extensively” for major city events.
The culture and communities convener also said: “We’re very proud to host the biggest and best events in Edinburgh throughout the year, which bring in hundreds of millions of pounds to the local economy and provide unparalleled entertainment for our residents and visitors.
“As with any major event which takes place in the city, we prepare extensively alongside our partners to ensure the safety and best possible experience of everyone involved – and Oasis are no different.”
Image: Noel Gallagher (left) and Liam Gallagher at Wembley Stadium in 2008. Pic: PA
Around 210,000 fans are expected to attend the three Edinburgh gigs.
Oasis made their comeback announcement in August last year – ahead of the 30th anniversary of their debut album Definitely Maybe, released on 29 August 1994.
Liam and Noel Gallagher’s return also marks 15 years since the last time the brothers performed together before their infamous fallout – which was prompted by a backstage brawl before a Paris festival in August 2009.
Liam damaged one of his elder brother’s guitars, causing Noel to dramatically quit – ending the partnership that had propelled them to fame and fortune.
“It is with some sadness and great relief… I quit Oasis tonight,” Noel later said in a statement. “People will write and say what they like, but I simply could not go on working with Liam a day longer.”
The feud continued over the years, with the pair exchanging insults publicly – Liam on social media, Noel more when asked about his brother in interviews – but reportedly never speaking in person.
When his documentary As It Was was released in 2019, Liam told Sky News he had wanted to “break [Noel’s] jaw” after he apparently refused permission for Oasis music to be featured in the film.
But after 15 years, they have now made amends – giving thousands of Oasis fans the chance to see them play live once again.
Their top hits include Wonderwall, Don’t Look Back In Anger, Stand By Me, Lyla and The Importance of Being Idle.
Video game actors in the US have ended their strike after nearly a year of industrial action, over the use of artificial intelligence by game studios.
More than 2,500 US performers were barred from working on games impacted by the strike while the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) negotiated a deal with studios.
Now, after more than 11 months of discussions, a “tentative” agreement has been reached.
“Patience and persistence has resulted in a deal that puts in place the necessary AI guardrails that defend performers’ livelihoods in the AI age, alongside other important gains,” said SAG-AFTRA’s national executive director Duncan Crabtree-Ireland.
Actors were banned from working with major game makers like Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa, Insomniac Games, Take 2 and WB Games.
Image: Demonstrators at the picket line outside Warner Bros Studios in August 2024. File pic: AP
Other studios were also impacted by the strike, as actors took industrial action in solidarity.
“We are pleased to have reached a tentative contract agreement that reflects the important contributions of SAG-AFTRA-represented performers in video games,” said Audrey Cooling, spokesperson for the video game producers, to Sky News.
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“It delivers historic wage increases of over 24% for performers, enhanced health and safety protections, and industry-leading AI provisions requiring transparency, consent and compensation for the use of digital replicas in games.”
In the UK, actors protested in solidarity with their American counterparts, while Equity, the UK actors’ union, called for a similar wide-reaching agreement between UK studios and actors.
Earlier this week, the British Film Institute (BFI) released a report detailing the risks posed by AI to the UK screen sector, including video games, and described it as a “direct threat”.
The scripts of more than 130,000 films and TV shows, YouTube videos, and databases of pirated books have been used to train AI models, according to the report.
Image: Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas
AI poses a particular threat to some video game voice actors, according to one expert, because of the nature of their work creating animal or monster sound effects.
“The generic stuff is the easiest thing for generative AI to replace,” Video Games Industry Memo author George Osborn told Sky News previously.
“Just saying to the model, ‘make 200 monster noises’ is much easier than convincingly [making AI] sound like it is having a conversation with someone,” he said.
Unlike the SAG-AFTRA actors’ strike in 2023, which saw blockbusters like Deadpool 3 and Gladiator 2 delayed and entire TV series cancelled, huge delays to games were unlikely.
Games take years to make and any game already in development before September 2023 was exempt from the strike.
Tensions have risen in the game actor community since the industrial action began, as studios appeared to hire international actors to replace the striking US workers.
Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.
As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.
Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.
“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.
Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.
A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.
“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.
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“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.
“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.
“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.
“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.
“Thank you from the bottom of our hearts for your unwavering support.”
Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.
He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.
James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.
It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.
However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.
His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.
In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.
Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.
But some called the record a masterpiece, a eulogy to the 1960s.
In the early 1970s, Stone became erratic and missed shows. Some members left the band.
But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.
Ms Silva filed for divorce less than a year later.
Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.
The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.
He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.
In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.
That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.
Stone had a son, Sylvester, with Ms Silva.
He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.