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With the gory body horror The Substance and musicals Emilia Perez and Wicked competing for top Oscars, this marks the biggest year for both genres in over 50 years.

Sky News analysis last year found that top Oscar nominees were often lesser-known, artistic films rather than major box office hits. But the success of Barbie and Oppenheimer signalled a shift, which horror and musicals have continued this year, with The Substance and Wicked earning both critical and commercial success.

Horror films have received more Oscar nominations in 2025 than in any year since 1974, when The Exorcist became the first horror movie to be nominated for Best Picture. It remains the most successful horror film in Oscar history, winning awards for Sound and Screenplay.

Both years, saw horror films earn 10 nominations overall. In 1974, all 10 went to The Exorcist, with five in top categories.

This year, Nosferatu has received four nominations, though none in major categories, while The Substance has secured five, including three in major fields: Best Picture, Best Actress, and Best Directing. This makes The Substance the most successful horror film at the Oscars since The Exorcist.

The Academy of Motion Picture Arts and Sciences (AMPAS), whose members vote for Oscar nominations and winners, has made a concerted effort in recent years to expand its membership in response to concerns over a lack of diversity in nominations.

The Exorcist. Pic: Warner Bros/Hoya Prods/Kobal/Shutterstock
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The Exorcist was the first horror films to be nominated for Best Picture at the Oscars. Pic: Warner Bros/Hoya Prods/Kobal/Shutterstock

A younger, more globally diverse voting body may be driving horror’s increased recognition at the Oscars.

“With horror, traditionally there’s been an inherent barrier just based on the fact that some people can’t stomach the content or the simple intensity of horror films, no matter the level of quality. That has probably contributed historically to horror not being as widely recognised,” said Jordan Farley, film critic and author of the film-focused newsletter The Movie Wingman.

“I think that attitude is eroding, simply because the voting body is expanding to include a greater number of younger voters, more global voters and people raised on more extreme horror films,” he added.

The Substance, one of this year’s most celebrated horror films, has already dominated the awards season.

Lead actress Demi Moore has won multiple Best Actress awards, including at the Golden Globes, the Screen Actors Guild (SAG) Awards, and the Critics Choice Awards, solidifying its momentum ahead of the Oscars.

Pic: Mubi
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The Substance is one of the most successful horror films at the Oscars since The Exorcist. Pic: Mubi

“It’s in times of uncertainty that horror films begin to reflect our anxieties,” said Dr. Steven Gerrard, a reader in film at Leeds Beckett University with a special interest in horror.

Coralie Fargeat, director of The Substance, told Sky News: “For me, this story expresses what it means to be a woman in our society in a very genuine way – the violence that exists at every level and stage of our lives. From childhood to old age, we face countless pressures, injunctions, judgments, and representations that make us feel that if we don’t fit the perfect fantasy or ideal that society has decided for us, then we don’t deserve to exist”.

The last time a horror film won an Oscar was in 2018 when Get Out won for Best Screenplay.

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“Get Out is really about race relations. It’s a blend of Frankenstein, The Island of Dr. Moreau and concerns around immigration policies,” said Dr Gerrard.

Return of the musical?

Musicals have also reached a milestone this year, receiving more Oscar nominations than in any year since 1969, when films like Oliver! and Funny Girl dominated the awards.

Musicals reached their peak at the Oscars in 1945, when synchronised sound was still relatively new in cinema, having only become widespread in the early 1930s.

Hollywood studios quickly recognised musicals as the perfect way to capitalise on this breakthrough, showcasing the full potential of sound in film. The genre thrived during the Second World War, as audiences sought uplifting escapism.

This year, Emilia Perez and Wicked have led the musical resurgence. Wicked has secured 10 nominations, including three in top categories (Best Picture, Best Actress, and Best Supporting Actress).

Cynthia Erivo and Ariana Grande in Wicked. Pic: Universal Pictures
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Cynthia Erivo and co-star Ariana Grande are up for Best Actress and Best Supporting Actress in Wicked. Pic: Universal Pictures

Emilia Perez has gone even further, earning 13 nominations, including four in major categories (Best Picture, Best Actress, Best Supporting Actress, and Best Directing). This ties it with Chicago and Mary Poppins as the second most-nominated musical, trailing only La La Land.

However, Emilia Perez has faced criticism for its handling of key themes since its release. In recent weeks, its star, Karla Sofia Gascon, the first trans person to be nominated in an acting category, has come under scrutiny for past social media posts, raising questions about whether the backlash could affect the film’s standing in the awards race.

In 2017, La La Land became the most-nominated musical in Oscar history, earning 14 nominations, including four in major categories. In the years that followed, A Star Is Born (2019) received eight nominations, four in top categories, and won for Best Original Song.

The first adaptation of West Side Story (1961) remains the most successful musical in Oscar history, winning 10 awards, including three in major categories. Its second adaptation, released in 2021, earned seven nominations, including three in top categories, with Ariana DeBose winning Best Supporting Actress.

Chicago remains the most-nominated musical for top awards in recent history, receiving six in 2002 alongside 13 overall and winning six Oscars.

Unlike horror, which rarely gains Oscar recognition outside of a few standout films, musicals tend to fall in and out of fashion.

Rita Moreno (L) and Ariana DeBose (R) as Anita in the 1961 and 2021 versions of West Side Story. Pics: United Artists/Kobal/Shutterstock and 20th Century Studios
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Rita Moreno (L) and Ariana DeBose (R) as Anita in the 1961 and 2021 versions of West Side Story. Pics: United Artists/Kobal/Shutterstock and 20th Century Studios

“There’s less of a barrier to entry than with horror. Some people just don’t have the stomach for horror films, whereas with musicals, you might not love them, but most people are willing to give them a chance,” said Mr Farley.

“There is a preconception that you have to have a very high skill ceiling to be in a musical. It’s a multi-discipline production. You have to be able to sing, you have to be able to dance as well as act. That’s not easy,” he added.

While musicals have seen waves of success over the decades, and horror has occasionally broken through, this year marks a big moment for both genres at the Oscars. Whether this signals a lasting revival for genre films or just a momentary resurgence remains to be seen.

Methodology

To analyse the representation of horror and musical films at the Oscars, we compiled two datasets: one for films in these genres and another for Oscar nominees and winners.

Using The Movie Database (TMDb) API, we retrieved a list of horror and musical films by filtering for movies tagged under these genres. This dataset covered films released between 1928 and 2024.

Separately, we built a database of Oscar nominees and winners from the first Academy Awards to the present (1928-2025). While we examined overall nominations, references to “top” or “prestigious” awards in this analysis specifically refer to Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Director, and Best Picture.

The Data and Forensics team is a multi-skilled unit dedicated to providing transparent journalism from Sky News. We gather, analyse and visualise data to tell data-driven stories. We combine traditional reporting skills with advanced analysis of satellite images, social media and other open-source information. Through multimedia storytelling we aim to better explain the world while also showing how our journalism is done.

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Liam Gallagher hits out at Edinburgh council after Oasis fans branded ‘rowdy’

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Liam Gallagher hits out at  Edinburgh council after Oasis fans branded 'rowdy'

Liam Gallagher has criticised a Scottish council for suggesting Oasis fans were “drunk, middle-aged and fat”.

The remarks were revealed following a freedom of information request that was sent to Edinburgh council – ahead of the band’s three sold-out shows in Scotland this August.

The documents expressed concerns that the Oasis Live ’25 tour would clash with the Edinburgh Festival Fringe – the world’s largest performance arts festival.

Liam Gallagher (left) and Noel Gallagher (right). Pic: PA.
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Liam Gallagher (left) and Noel Gallagher. Pic: PA

One note warned that there would be a “substantial amount of older fans”, and that because “middle-aged men take up more room”, age and size should be considered in crowd control planning.

Another note suggested “medium to high intoxication” should be expected at the concert.

An additional remark said there was some “concern about crowds of Oasis on weekends as they are already rowdy, and the tone of the band”.

The Fringe is considered one of the world's largest performance arts festivals, with millions of attendees expected in August. Pic: PA.
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The Fringe is one of the world’s largest performance arts festivals. File pic: PA

It also expressed concern for the “safety” at the Edinburgh Fringe – including for its performers.

“Many performers are considering not attending for that weekend,” one note read.

Liam Gallagher was not impressed – and left the following message for the council on his social media.

“To the Edinburgh council I’ve heard what you said about Oasis fans and quite frankly your attitude f****** stinks I’d leave town that day if I was any of you lot.”

In a second post, he said: “I’d love to see a picture of all the people on the Edinburgh council bet there’s some real stunning individuals.”

Liam Gallagher. Pic: AP.
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Liam Gallagher said the council’s attitude towards fans ‘stinks’. Pic: AP

David Walker, from the Oasis Collectors Group, has described the comments as “a nasty, sneering stereotype”.

“It’s a jaundiced view,” he added.

Local councillor Margaret Graham said that it is usual practice for the council to “prepare extensively” for major city events.

The culture and communities convener also said: “We’re very proud to host the biggest and best events in Edinburgh throughout the year, which bring in hundreds of millions of pounds to the local economy and provide unparalleled entertainment for our residents and visitors.

“As with any major event which takes place in the city, we prepare extensively alongside our partners to ensure the safety and best possible experience of everyone involved – and Oasis are no different.”

Noel Gallagher (L) and Liam Gallagher (R) at Wembley Stadium in 2008. The brothers will be back in Wembley for their upcoming concerts.
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Noel Gallagher (left) and Liam Gallagher at Wembley Stadium in 2008. Pic: PA

Around 210,000 fans are expected to attend the three Edinburgh gigs.

Oasis made their comeback announcement in August last year – ahead of the 30th anniversary of their debut album Definitely Maybe, released on 29 August 1994.

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Liam and Noel Gallagher’s return also marks 15 years since the last time the brothers performed together before their infamous fallout – which was prompted by a backstage brawl before a Paris festival in August 2009.

Liam damaged one of his elder brother’s guitars, causing Noel to dramatically quit – ending the partnership that had propelled them to fame and fortune.

“It is with some sadness and great relief… I quit Oasis tonight,” Noel later said in a statement. “People will write and say what they like, but I simply could not go on working with Liam a day longer.”

The feud continued over the years, with the pair exchanging insults publicly – Liam on social media, Noel more when asked about his brother in interviews – but reportedly never speaking in person.

When his documentary As It Was was released in 2019, Liam told Sky News he had wanted to “break [Noel’s] jaw” after he apparently refused permission for Oasis music to be featured in the film.

But after 15 years, they have now made amends – giving thousands of Oasis fans the chance to see them play live once again.

Their top hits include Wonderwall, Don’t Look Back In Anger, Stand By Me, Lyla and The Importance of Being Idle.

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Video game actor strike ends in US – but AI described as ‘direct threat’ to UK industry

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Video game actor strike ends in US - but AI described as 'direct threat' to UK industry

Video game actors in the US have ended their strike after nearly a year of industrial action, over the use of artificial intelligence by game studios. 

More than 2,500 US performers were barred from working on games impacted by the strike while the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) negotiated a deal with studios.

Now, after more than 11 months of discussions, a “tentative” agreement has been reached.

“Patience and persistence has resulted in a deal that puts in place the necessary AI guardrails that defend performers’ livelihoods in the AI age, alongside other important gains,” said SAG-AFTRA’s national executive director Duncan Crabtree-Ireland.

Actors were banned from working with major game makers like Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa, Insomniac Games, Take 2 and WB Games.

Demonstrators at the picket line outside Warner Bros. Studios oin August 2024. File pic: AP
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Demonstrators at the picket line outside Warner Bros Studios in August 2024. File pic: AP

Other studios were also impacted by the strike, as actors took industrial action in solidarity.

“We are pleased to have reached a tentative contract agreement that reflects the important contributions of SAG-AFTRA-represented performers in video games,” said Audrey Cooling, spokesperson for the video game producers, to Sky News.

More on Artificial Intelligence

“It delivers historic wage increases of over 24% for performers, enhanced health and safety protections, and industry-leading AI provisions requiring transparency, consent and compensation for the use of digital replicas in games.”

In the UK, actors protested in solidarity with their American counterparts, while Equity, the UK actors’ union, called for a similar wide-reaching agreement between UK studios and actors.

Earlier this week, the British Film Institute (BFI) released a report detailing the risks posed by AI to the UK screen sector, including video games, and described it as a “direct threat”.

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The scripts of more than 130,000 films and TV shows, YouTube videos, and databases of pirated books have been used to train AI models, according to the report.

Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas
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Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas


AI poses a particular threat to some video game voice actors, according to one expert, because of the nature of their work creating animal or monster sound effects.

“The generic stuff is the easiest thing for generative AI to replace,” Video Games Industry Memo author George Osborn told Sky News previously.

“Just saying to the model, ‘make 200 monster noises’ is much easier than convincingly [making AI] sound like it is having a conversation with someone,” he said.

Unlike the SAG-AFTRA actors’ strike in 2023, which saw blockbusters like Deadpool 3 and Gladiator 2 delayed and entire TV series cancelled, huge delays to games were unlikely.

Games take years to make and any game already in development before September 2023 was exempt from the strike.

Tensions have risen in the game actor community since the industrial action began, as studios appeared to hire international actors to replace the striking US workers.

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Sly Stone, pioneer of early funk music, dies after ‘prolonged’ battle with illness

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Sly Stone, pioneer of early funk music, dies after 'prolonged' battle with illness

Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.

As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.

Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.

“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.

Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.

A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.

“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.

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“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.

“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.

“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.

“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.

“Thank you from the bottom of our hearts for your unwavering support.”

Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.

He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.

James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.

It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.

However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.

His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.

In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.

Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.

But some called the record a masterpiece, a eulogy to the 1960s.

In the early 1970s, Stone became erratic and missed shows. Some members left the band.

But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.

Ms Silva filed for divorce less than a year later.

Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.

The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.

He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.

In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.

That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.

Stone had a son, Sylvester, with Ms Silva.

He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.

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