With the gory body horror The Substance and musicals Emilia Perez and Wicked competing for top Oscars, this marks the biggest year for both genres in over 50 years.
Sky News analysislast yearfound that top Oscar nominees were often lesser-known, artistic films rather than major box office hits. But the success of Barbie and Oppenheimer signalled a shift, which horror and musicals have continued this year, with The Substance and Wicked earning both critical and commercial success.
Horror films have received more Oscar nominations in 2025 than in any year since 1974, when The Exorcist became the first horror movie to be nominated for Best Picture. It remains the most successful horror film in Oscar history, winning awards for Sound and Screenplay.
Both years, saw horror films earn 10 nominations overall. In 1974, all 10 went to The Exorcist, with five in top categories.
This year, Nosferatu has received four nominations, though none in major categories, while The Substance has secured five, including three in major fields: Best Picture, Best Actress, and Best Directing. This makes The Substance the most successful horror film at the Oscars since The Exorcist.
The Academy of Motion Picture Arts and Sciences (AMPAS), whose members vote for Oscar nominations and winners, has made a concerted effort in recent years to expand its membership in response to concerns over a lack of diversity in nominations.
Image: The Exorcist was the first horror films to be nominated for Best Picture at the Oscars. Pic: Warner Bros/Hoya Prods/Kobal/Shutterstock
A younger, more globally diverse voting body may be driving horror’s increased recognition at the Oscars.
“With horror, traditionally there’s been an inherent barrier just based on the fact that some people can’t stomach the content or the simple intensity of horror films, no matter the level of quality. That has probably contributed historically to horror not being as widely recognised,” said Jordan Farley, film critic and author of the film-focused newsletter The Movie Wingman.
“I think that attitude is eroding, simply because the voting body is expanding to include a greater number of younger voters, more global voters and people raised on more extreme horror films,” he added.
The Substance, one of this year’s most celebrated horror films, has already dominated the awards season.
Lead actress Demi Moore has won multiple Best Actress awards, including at the Golden Globes, the Screen Actors Guild (SAG) Awards, and the Critics Choice Awards, solidifying its momentum ahead of the Oscars.
Image: The Substance is one of the most successful horror films at the Oscars since The Exorcist. Pic: Mubi
“It’s in times of uncertainty that horror films begin to reflect our anxieties,” said Dr. Steven Gerrard, a reader in film at Leeds Beckett University with a special interest in horror.
Coralie Fargeat, director of The Substance, told Sky News: “For me, this story expresses what it means to be a woman in our society in a very genuine way – the violence that exists at every level and stage of our lives. From childhood to old age, we face countless pressures, injunctions, judgments, and representations that make us feel that if we don’t fit the perfect fantasy or ideal that society has decided for us, then we don’t deserve to exist”.
The last time a horror film won an Oscar was in 2018 when Get Out won for Best Screenplay.
“Get Out is really about race relations. It’s a blend of Frankenstein, The Island of Dr. Moreau and concerns around immigration policies,” said Dr Gerrard.
Return of the musical?
Musicals have also reached a milestone this year, receiving more Oscar nominations than in any year since 1969, when films like Oliver! and Funny Girl dominated the awards.
Musicals reached their peak at the Oscars in 1945, when synchronised sound was still relatively new in cinema, having only become widespread in the early 1930s.
Hollywood studios quickly recognised musicals as the perfect way to capitalise on this breakthrough, showcasing the full potential of sound in film. The genre thrived during the Second World War, as audiences sought uplifting escapism.
This year, Emilia Perez and Wicked have led the musical resurgence. Wicked has secured 10 nominations, including three in top categories (Best Picture, Best Actress, and Best Supporting Actress).
Image: Cynthia Erivo and co-star Ariana Grande are up for Best Actress and Best Supporting Actress in Wicked. Pic: Universal Pictures
Emilia Perez has gone even further, earning 13 nominations, including four in major categories (Best Picture, Best Actress, Best Supporting Actress, and Best Directing). This ties it with Chicago and Mary Poppins as the second most-nominated musical, trailing only La La Land.
However, Emilia Perez has faced criticism for its handling of key themes since its release. In recent weeks, its star, Karla Sofia Gascon, the first trans person to be nominated in an acting category, has come under scrutiny for past social media posts, raising questions about whether the backlash could affect the film’s standing in the awards race.
In 2017, La La Land became the most-nominated musical in Oscar history, earning 14 nominations, including four in major categories. In the years that followed, A Star Is Born (2019) received eight nominations, four in top categories, and won for Best Original Song.
The first adaptation of West Side Story (1961) remains the most successful musical in Oscar history, winning 10 awards, including three in major categories. Its second adaptation, released in 2021, earned seven nominations, including three in top categories, with Ariana DeBose winning Best Supporting Actress.
Chicago remains the most-nominated musical for top awards in recent history, receiving six in 2002 alongside 13 overall and winning six Oscars.
Unlike horror, which rarely gains Oscar recognition outside of a few standout films, musicals tend to fall in and out of fashion.
Image: Rita Moreno (L) and Ariana DeBose (R) as Anita in the 1961 and 2021 versions of West Side Story. Pics: United Artists/Kobal/Shutterstock and 20th Century Studios
“There’s less of a barrier to entry than with horror. Some people just don’t have the stomach for horror films, whereas with musicals, you might not love them, but most people are willing to give them a chance,” said Mr Farley.
“There is a preconception that you have to have a very high skill ceiling to be in a musical. It’s a multi-discipline production. You have to be able to sing, you have to be able to dance as well as act. That’s not easy,” he added.
While musicals have seen waves of success over the decades, and horror has occasionally broken through, this year marks a big moment for both genres at the Oscars. Whether this signals a lasting revival for genre films or just a momentary resurgence remains to be seen.
Methodology
To analyse the representation of horror and musical films at the Oscars, we compiled two datasets: one for films in these genres and another for Oscar nominees and winners.
Using The Movie Database (TMDb) API, we retrieved a list of horror and musical films by filtering for movies tagged under these genres. This dataset covered films released between 1928 and 2024.
Separately, we built a database of Oscar nominees and winners from the first Academy Awards to the present (1928-2025). While we examined overall nominations, references to “top” or “prestigious” awards in this analysis specifically refer to Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Director, and Best Picture.
The Data and Forensics team is a multi-skilled unit dedicated to providing transparent journalism from Sky News. We gather, analyse and visualise data to tell data-driven stories. We combine traditional reporting skills with advanced analysis of satellite images, social media and other open-source information. Through multimedia storytelling we aim to better explain the world while also showing how our journalism is done.
The Edinburgh Fringe, the world’s largest arts festival, is getting under way, and the conflict in Gaza seems to be feeding into what’s happening.
From shows cancelled to artists divided, it’s no joke.
Rachel Creeger has had a distressing start to her stand-up run.
Two weeks ago, out of the blue, she says the venue Whistle Binkies rang her and fellow Jewish comedian Philip Simon to cancel their slots.
Image: Rachel Creeger says her Edinburgh shows have been cancelled by the venue
She told Sky News it’s come down to “what we bring to that venue by being ourselves”.
The pair were allegedly given three reasons for the cancellation.
One was linked to a “vigil for IDF soldiers” that she says the venue initially claimed had been held during her performance last year but, according to Creeger, later had to admit hadn’t taken place.
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“That never happened,” she insists.
Rachel says she was told her previous performances there had resulted in the venue having to pay for graffiti to be removed from toilet doors every three days.
“Again, we didn’t see evidence of that at all,” she says.
“We’re not the ones writing it… but if it was bothering them and they worried it was bothering us, then maybe we’d have volunteered to help them – or to help clean it.”
She claims she was also told the venue was responding to staff concerns about their own safety should Creeger’s show go ahead.
“It’s a pub in Edinburgh, it’s a music venue, they themselves have bouncers most evenings… And perhaps they might say if there’s a concern about extra risk, we should do all we can to make our performers safe.”
‘More unites us than divides us’
Creeger says her show is in no way political.
“It’s based around the idea that a Jewish mother can answer any question, solve any problem… I will make it better for you, the audience gets to write a question and put it into a chicken soup pot… The reason I kind of love it is because by the end of it people leave feeling actually more unites us than divides us.
“We’re not the people making the trouble,” she adds.
“I’ve certainly never started a protest, I’ve never done graffiti, I’ve never caused harm anywhere; my show doesn’t do that, my show is lovely.”
As Britain’s only touring comedian who is also a practising Orthodox Jew, she says since the 7 October attack she and other Jewish comedians are experiencing a significant increase in antisemitism while performing.
“We’re not Israeli, we’re British Jews,” says Creeger.
“The situation there is horrendous and distressing and painful for people of any number of religions and races… To be kind of scapegoated with dog whistles around that is clearly very, very unpleasant.”
The Fringe Society has said its role is to provide support and advice to all participants at the festival “with a vision to give anyone a stage and everyone a seat”.
A spokesperson explained they don’t manage or programme venues and “we understand that the show cancellations have been a choice made by the venue”.
Whistle Binkies hasn’t responded to multiple requests for comment.
Police Scotlandtold Sky News it hasn’t “received any reports of concern” about Creeger’s show.
There are, of course, huge sensitivities when it comes to discussing what’s going on in the world right now.
American stand-up Zainab Johnson is making her Fringe debut this year.
While her show Toxically Optimistic is all about putting a positive spin on life’s challenges, she doesn’t shy away from tackling the serious stuff if it comes up.
Image: Zainab Johnson says her show doesn’t shy away from tackling serious issues
‘Shows becoming serious is a part of life’
“If I’m doing a show and somebody wants to yell out Free Palestine, well let’s talk about it,” she tells Sky News.
“I am the comedian where, if the show has to become serious, it becomes serious. That’s a part of life, you know?”
Johnson adds: “I’m from the United States and they talk about free speech all the time, but then you find out free speech ain’t really free because the moment you say something that is contrary to what the majority feels or wants to be heard, then you can be penalised…
“But isn’t that the beauty of this festival? So many people just telling their story, whatever their story is.”
Comedian Andy Parsons has had a long-standing career in satire, appearing regularly on shows like BBC2’s Mock the Week.
While he has the likes of Elon Musk and Nigel Farage in his sights for his stand-up show, Please #@!$ Off to Mars, they’re not his only focus.
Image: Andy Parsons says comedians ‘should be able to talk about anything’
He says stand-ups “should be able to talk about anything and find a way to get that to work, including Israel and Gaza”.
He explains jokingly: “I’ve got some stuff about Israel in the show and obviously it can work both ways. It can give you some publicity and obviously it can get you cancelled.”
Irish-Palestinian comedian Sami Abu Wardeh – a clown comic – is the only Palestinian doing a full run of a comedy show at this year’s Fringe.
“My show is clowning, it’s storytelling, it’s even got a bit of stand-up and it’s heavily inspired by the comedian Dave Allen, who is one of my comedy heroes,” says Wardeh.
“It felt really important that I come and just exist in this space, as a Palestinian, and speak my words and have my voice heard.
“I’ve used all of these skills to make a show that is about really what’s going on in this country and in the world at the moment.
Image: Irish-Palestinian comedian Sami Abu Wardeh is the only Palestinian doing a full run at this year’s Fringe
“I think most people in this country are going to recognise that Britain is in a very dark place… and I’m hoping to reach those people and to give a voice to the dissatisfaction.”
‘Plans in place’ for disruption
He’s had to consider the possibility of protests and take steps to “make sure that the audience and myself are safe and secure”.
“We have plans in place to know how to deal with people who are disruptive,” he says. “And particularly anybody who wants to bring any kind of bigoted views into the room.”
As one of the very few Palestinians at the festival, Wardeh says it is “not only my duty” but “an honour to be here and to represent my people”.
He also feels it’s wrong that Rachel Creeger has had her venue cancelled.
“I sincerely support free speech and I think everyone should be able to get on the stage and say what they want, within reason obviously,” says Wardeh.
Rachel says she hopes to confirm a new venue for her show on social media in the coming days.
“We’ve thankfully had a number of venues approach us to say that they have space available, so I’m hopeful that I’ll get – if not a full – then at least part of the run for the show.”
Since arriving in Edinburgh she’s been overwhelmed by how many hugs of support she’s received.
“To have super high-profile comedians put their heads above the parapet to say ‘this is wrong’, it means so much…In a way the story is that someone’s done something very hurtful… But look at all the love, that’s amazing.”
Sami Abu Wardeh’s Palestine: Peace de Resistance is at the Pleasance Dome in Edinburgh until 24 August Andy Parsons’ Please #@!$ Off to Mars is at Pleasance Courtyard’s Cabaret Bar until 10 August Zainab Johnson: Toxically Optimistic is at Pleasance Courtyard until 24 August
Flintoff previously described how he thought he had died in the accident – which saw him “pulled face-down on the runway” for about 50m under a three-wheel car.
The incident led to the BBC pulling the plug on Top Gear and it remains unclear if it will ever return.
Hollywood actor Brian Cox has told Sky News that Donald Trump is talking “bollocks” after suggesting there should be 50 or 75 years between Scottish independence referendums.
The US president said a country “can’t go through that too much” when questioned by reporters during his visit to Scotland this week.
The Emmy-winning star, who is an independence supporter, has hit back, branding him “that idiot in America”.
The 79-year-old told Sky News: “He’s talking bollocks. I’m sorry, but he does. It’s rubbish. Let’s get on with it and let’s get it [independence] done. We can do it.
“It’s been tough as there’s a great deal of undermining that has gone on.”
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Trump responds to Sky question on Israel
SNP fraud probe causing ‘harm’
Mr Cox said the police fraud investigation examining the SNP’s finances has done “enormous harm” to the party and wider independence movement.
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Nicola Sturgeon was arrested as part of the long-running police probe but cleared of any wrongdoing earlier this year.
The former first minister’s estranged husband Peter Murrell, who was SNP chief executive for two decades, appeared in court in April to face a charge of alleged embezzlement. He has entered no plea.
Brian Cox is preparing to return to the Scottish stage for the first time in a decade in a play about the Royal Bank of Scotland’s role in the 2008 financial crash.
Ahead of the Edinburgh festival performances, the veteran actor told Sky News: “I think it’s a masterpiece. It’s certainly one of the best pieces of work I’ve been involved in.
Image: Brian Cox speaking to Sky’s Connor Gillies
‘My friend Spacey should be forgiven’
The Succession star was also asked about his “old friend” Kevin Spacey.
The former House of Cards actor, 65, was exiled from the showbiz world in 2017 after allegations of sexual misconduct.
Spacey has admitted to “being too handsy” in the past and “touching someone sexually” when he didn’t know they “didn’t want him to”.
Spacey stood trial in the UK for multiple sexual offences against four men in July 2023 but was acquitted on all counts.
Image: Kevin Spacey
Mr Cox told Sky News: “I am so against cancel culture. Kevin has made a lot of mistakes, but there is a sort of viciousness about it which is unwarranted.
“Everybody is stupid as everybody else. Everybody is capable of the same mistakes and the same sins as everybody else.”
Asked if he could see a return to showbiz for Spacey, Cox replied: “I would think so eventually, but it’s very tough for him.
“He was tricky, but he has learnt a big lesson. He should be allowed to go on because he is a very fine actor. I just think we should be forgiving.”
He concluded: “What is the joy you get out of kicking somebody in the balls when they are down? That is what I cannot stand.”