Anora has dominated the Academy Awards, winning five gongs including best picture.
The film’s star, Mikey Madison, who plays a sex worker who marries the son of a Russian oligarch, took home the best actress award – a win that was not a total upset, but many had expected Demi Moore to scoop the prize for her performance in The Substance.
Anora filmmaker Sean Baker was named best director, and used his acceptance speech to make a plea for audiences to support cinemas, which he said were “a vital part of our culture” and at risk of being lost.
Both also thanked sex workers who consulted on the film, saying they could never have made it without them.
Anora also won the Oscarsfor best original screenplay and best editing. Winning all four awards he was up for, Baker tied with Walt Disney’s record for the most Oscar wins by a single person in a single night – although Disney won his awards for multiple works, rather than a single film as Baker has done.
Adrien Brody won the best actor Oscar for playing Hungarian architect Lazlo Toth in architectural epic The Brutalist.
It was his second Academy Award win in the category some 22 years after his first, for The Pianist back in 2003.
Image: Adrien Brody won the best actor award – his second Oscar – for his performance in The Brutalist. Pic: Reuters
Accepting his award in a lengthy speech, he paid tribute to his partner Georgina Chapman, who he said had “re-invigorated” his “self-worth” and “sense of value”.
Best cinematography also went to The Brutalist directror Brady Corbet’s three-and-a-half-hour epic, which also took home the prize for best original score.
Papal thriller Conclave, starring Ralph Fiennes, took just one award, for best adapted screenplay.
Image: Kieran Culkin won best supporting actor. Pic: Reuters
Kieran Culkin took the first award of the night, best supporting actor, for his role in comedy drama A Real Pain, while the best supporting actress prize was won by Emilia Perez star Zoe Saldana, her first Oscar win and nomination.
One of the highest-grossing actresses ever, she cried out “Mommy, mommy”, on stage, explaining her entire family was there with her. She became tearful at the end of her speech as she spoke of being “a proud child of immigrant parents”.
Image: Zoe Saldana was named best actress. Pic: Reuters
Announced by Mick Jagger, best song went to Emilia Perez’s El Mal (which translates as “Evil”), while the prize for costume design went to Wicked’s Paul Tazewell – who became the first black man to receive the award. The Wizard Of Oz prequel also won best production design.
Brazilian director Walter Salles won best international feature for Portuguese-language film I’m Still Here, set in the 1970s in the midst of the Brazil’s brutal military dictatorship.
A word-of-mouth hit, the film’s Brazilian star Fernanda Torres has gone from a relative unknown to a much-talked-about actress in the US in the last few months.
Image: Star of I’m Still Here, Fernanda Torres. Pic: Reuters
Make-up and hairstyling was awarded to body horror The Substance, a film which showcased extreme prosthetics, make-up and gore throughout. It was the film’s only win of the night.
The documentary categories went to The Only Girl In The Orchestra and No Other Land – made by a Palestinian-Israeli collective – for short film and feature film respectively.
Accepting the prize, it’s makers Basel Dra and Yuval Abraham made a political plea to the US: “The foreign policy in this country is helping to block [the path of peace]. Why? Can’t you see that we are intertwined? There is another way. It’s not too late for life, for the living.”
Best sound and best visual effects went to Dune: Part Two, directed by Canadian filmmaker Denis Villeneuve.
A night where independent and unusual filmmaking was rewarded, best animated feature went to Latvian computer-generated film Flow, while best animated short film was won by Iranian entry The Shadow Of The Cypress. Both international productions are dialogue-free.
Live action short film went to I’m Not A Robot, a study in an AI-fueled identity crisis.
Image: Tributes were paid to a host of late industry greats, starting with Gene Hackman. Pic: AP/Chris Pizzello
A video montage honoured Academy members who have passed away over the last year, including British stars Dame Maggie Smith and Dame Joan Plowwright and Donald Sutherland, and US performers James Earl Jones, Kris Kristofferson and David Lynch.
There was also a moving segment honouring late music producer Quincy Jones, led by Oprah Winfrey and Whoopi Goldberg and featuring rapper Queen Latifah.
Sky News is livestreaming the Vanity Fair and Sir Elton John after-party red carpets following the ceremony. Catching the Oscar-winners as they party the night away, join us there from 6am.
Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.
The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.
As Townshend puts it, the album he wrote is “perfect” for the stage.
Image: Pete Townshend
“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.
“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”
If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.
But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.
More on The Who
Related Topics:
Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation.
Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.
He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.
“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”
Image: Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.
For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.
Image: Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.
“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”
Despite the album being written before he was born, the dancer says he was familiar with the genre already.
“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.
“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”
In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.
“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.
Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.
It appears that over six decades later Mod culture is still cool and their issues still relatable.
Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.
Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.
The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.
The charges relate to four women.
He is due to appear at Westminster Magistrates’ Court on Friday 2 May.
Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.
He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.
Please use Chrome browser for a more accessible video player
1:59
Ashna Hurynag discusses Russell Brand’s charges
The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.
Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.
The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.
He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”
Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.
“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”
Tom Cruise has paid tribute to Val Kilmer, wishing his Top Gun co-star “well on the next journey”.
Cruise, speaking at the CinemaCon film event in Las Vegas on Thursday, asked for a moment’s silence to reflect on the “wonderful” times shared with the star, whom he called a “dear friend”.
Kilmer, who died of pneumonia on Tuesday aged 65, rocketed to fame starring alongside Cruise in the 1986 blockbuster Top Gun, playing Tom ‘Iceman’ Kazansky, a rival fighter pilot to Cruise’s character Maverick.
Image: Tom Cruise said ‘I wish you well on the next journey’. Pic: AP
Image: Val Kilmer in 2017. Pic: AP
His last part was a cameo role in the 2022 blockbuster sequel Top Gun: Maverick.
Cruise, on stage at Caesars Palace on Thursday, said: “I’d like to honour a dear friend of mine, Val Kilmer. I can’t tell you how much I admire his work, how grateful and honoured I was when he joined Top Gun and came back later for Top Gun: Maverick.
“I think it would be really nice if we could have a moment together because he loved movies and he gave a lot to all of us. Just kind of think about all the wonderful times that we had with him.
“I wish you well on the next journey.”
The moment of silence followed a string of tributes from Hollywood figures including Cher, Francis Ford Coppola, Antonio Banderas and Michelle Monaghan.
Kilmer’s daughter Mercedes told the New York Times on Wednesday that the actor had died from pneumonia.
Image: Tom Cruise at Caesars Palace on Thursday. Pic: AP
Diagnosed with throat cancer in 2014, Kilmer discussed his illness and recovery in his 2020 memoir Your Huckleberry and Amazon Prime documentary Val.
He underwent radiation and chemotherapy treatments for the disease and also had a tracheostomy which damaged his vocal cords and permanently gave him a raspy speaking voice.
Kilmer played Batman in the 1995 film Batman Forever and received critical acclaim for his portrayal of rock singer Jim Morrison in the 1991 movie The Doors.
He also starred in True Romance and Kiss Kiss Bang Bang, as well as playing criminal Chris Shiherlis in Michael Mann’s 1995 movie Heat and Doc Holliday in the 1993 film Tombstone.
In 1988 he married British actress Joanne Whalley, whom he met while working on fantasy adventure Willow.
The couple had two children before divorcing in 1996.