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The BBC has called the ongoing controversy over a documentary on Gaza a “really, really bad moment”, admitting the film’s failings are “a dagger to the heart” of the corporation’s impartiality.

Gaza: How To Survive A Warzone was pulled from iPlayer and will not be broadcast on channels again after it emerged that the child narrator is the son of Ayman Alyazouri, who has worked as Hamas’s deputy minister of agriculture.

Last week, Culture Secretary Lisa Nandy called an “urgent meeting” with the corporation over the film.

BBC director-general Tim Davie and BBC chairman Samir Shah were questioned by MPs during a Culture, Media and Sport Select Committee meeting on Tuesday.

Mr Shah told committee members: “This is a really, really bad moment. It’s is a dagger to the heart of the BBC claim to be impartial and to be trustworthy.”

He said questions over “what went wrong” were asked “on day one” following the programme’s transmission.

He went on: “To my shock, I think that we found that there were serious failings on both sides, on the independent production side as well, as well as on the BBC side.”

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Mr Shah said an interim report commissioned by the BBC found “it wasn’t so much the processes were at fault as people weren’t doing their job”.

Mr Shah said he believed the problem was confined to this programme, adding: “On this story we’re examining the how and why, the compliance that determines did not take place.”

However, he also said he thought an independent review into how the BBC covers stories in the Middle East should also be carried out independently.

BBC director general Tim Davie  and BBC chairman Samir Shah answering questions at the Culture, Media and Sport Committee.
Pic: PA
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BBC director general Tim Davie and chairman Samir Shah. Pic: PA

Tim Davie said there was “a lot of frustration and disappointment” over the film, adding: “We’re very sorry to the audience.”

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‘We were not told’

How To Survive A Warzone was made on commission by independent production company Hoyo Films, and features 13-year-old Abdullah al Yazouri, who speaks about life in Gaza during the war between Israel and Hamas.

Mr Davie said there were specific questions asked around Abdullah’s father, and the BBC “found out that we were not told”.

He went on: “At that point, quite quickly, I lost trust in that film. Therefore, I took the decision quite quickly to take it off iPlayer while we do this deep dive.”

Mr Davie said removing the film from iPlayer had been “a very tough decision”.

Discussing whether or not the family involved in the film had been paid for their work, he said: “As I understand it today, the BBC has only made one payment. This was for a licence fee, to the programme maker.”

He said an initial assessment of the economics had showed “that there was a small payment to the sister… It’s totally normal payment because the boy recorded the narration. He went to a studio to do it.”

Describing the fallout as “damaging”, Mr Davie said he believes “overall trust in BBC news remains very high”.

He went on: “We’re not losing all context here. This was a serious failing. But we have trust numbers that we’re very proud of, we’re the most trusted brand in the world. And part of what we do to earn that trust… is actually be highly transparent and go through enormous processes when we fail like this to show how we’re going to fix it.”

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What’s next as the ceasefire deal ends?

Mr Davie says he has “fast-tracked” the review “out of the news department”, where it will be overseen by Peter Johnson, BBC Director, Editorial Complaints and Reviews.

Media watchdog Ofcom sent a letter to the BBC flagging their “ongoing concerns” about the “nature and gravity” of the documentary on Monday, which Mr Shah said he “welcomed”.

The Metropolitan Police said: “Officers from the Met’s Counter Terrorism Command are currently assessing whether any police action is required” in relation to the documentary.

Complaints from both sides

Hoyo Films said in a statement: “We are co-operating fully with the BBC and Peter Johnston (director of editorial complaints and reviews) to help understand where mistakes have been made.

“We feel this remains an important story to tell, and that our contributors – who have no say in the war – should have their voices heard.”

Last week, protesters gathered outside Broadcasting House in London claiming the BBC had aired Hamas propaganda.

The BBC also faced criticism in pulling the documentary, with Gary Lineker, Anita Rani, Riz Ahmed and Miriam Margoyles among more than 500 media figures who had condemned the action.

In an open letter addressed to Mr Davie, Dr Shah and outgoing chief content officer Charlotte Moore, hundreds of TV and film professionals and journalists called the decision to remove the documentary “politically motivated censorship”.

Following the committee session, Artists for Palestine UK, the group that published the letter, accused Mr Davie and Mr Shah of “throwing Palestinian children under the bus”, questioning how the corporation would safeguard the young people who appeared in the documentary.

In a statement, the charity Campaign Against Antisemitism accused the BBC of “marking its own homework”, adding: “No other broadcaster would be permitted this latitude, and no other regulated industry would allow this.”

They also called for the licence fee to be suspended pending an independent investigation into the documentary.

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Liam Gallagher hits out at Edinburgh council after Oasis fans branded ‘rowdy’

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Liam Gallagher hits out at  Edinburgh council after Oasis fans branded 'rowdy'

Liam Gallagher has criticised a Scottish council for suggesting Oasis fans were “drunk, middle-aged and fat”.

The remarks were revealed following a freedom of information request that was sent to Edinburgh council – ahead of the band’s three sold-out shows in Scotland this August.

The documents expressed concerns that the Oasis Live ’25 tour would clash with the Edinburgh Festival Fringe – the world’s largest performance arts festival.

Liam Gallagher (left) and Noel Gallagher (right). Pic: PA.
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Liam Gallagher (left) and Noel Gallagher. Pic: PA

One note warned that there would be a “substantial amount of older fans”, and that because “middle-aged men take up more room”, age and size should be considered in crowd control planning.

Another note suggested “medium to high intoxication” should be expected at the concert.

An additional remark said there was some “concern about crowds of Oasis on weekends as they are already rowdy, and the tone of the band”.

The Fringe is considered one of the world's largest performance arts festivals, with millions of attendees expected in August. Pic: PA.
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The Fringe is one of the world’s largest performance arts festivals. File pic: PA

It also expressed concern for the “safety” at the Edinburgh Fringe – including for its performers.

“Many performers are considering not attending for that weekend,” one note read.

Liam Gallagher was not impressed – and left the following message for the council on his social media.

“To the Edinburgh council I’ve heard what you said about Oasis fans and quite frankly your attitude f****** stinks I’d leave town that day if I was any of you lot.”

In a second post, he said: “I’d love to see a picture of all the people on the Edinburgh council bet there’s some real stunning individuals.”

Liam Gallagher. Pic: AP.
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Liam Gallagher said the council’s attitude towards fans ‘stinks’. Pic: AP

David Walker, from the Oasis Collectors Group, has described the comments as “a nasty, sneering stereotype”.

“It’s a jaundiced view,” he added.

Local councillor Margaret Graham said that it is usual practice for the council to “prepare extensively” for major city events.

The culture and communities convener also said: “We’re very proud to host the biggest and best events in Edinburgh throughout the year, which bring in hundreds of millions of pounds to the local economy and provide unparalleled entertainment for our residents and visitors.

“As with any major event which takes place in the city, we prepare extensively alongside our partners to ensure the safety and best possible experience of everyone involved – and Oasis are no different.”

Noel Gallagher (L) and Liam Gallagher (R) at Wembley Stadium in 2008. The brothers will be back in Wembley for their upcoming concerts.
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Noel Gallagher (left) and Liam Gallagher at Wembley Stadium in 2008. Pic: PA

Around 210,000 fans are expected to attend the three Edinburgh gigs.

Oasis made their comeback announcement in August last year – ahead of the 30th anniversary of their debut album Definitely Maybe, released on 29 August 1994.

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Liam and Noel Gallagher’s return also marks 15 years since the last time the brothers performed together before their infamous fallout – which was prompted by a backstage brawl before a Paris festival in August 2009.

Liam damaged one of his elder brother’s guitars, causing Noel to dramatically quit – ending the partnership that had propelled them to fame and fortune.

“It is with some sadness and great relief… I quit Oasis tonight,” Noel later said in a statement. “People will write and say what they like, but I simply could not go on working with Liam a day longer.”

The feud continued over the years, with the pair exchanging insults publicly – Liam on social media, Noel more when asked about his brother in interviews – but reportedly never speaking in person.

When his documentary As It Was was released in 2019, Liam told Sky News he had wanted to “break [Noel’s] jaw” after he apparently refused permission for Oasis music to be featured in the film.

But after 15 years, they have now made amends – giving thousands of Oasis fans the chance to see them play live once again.

Their top hits include Wonderwall, Don’t Look Back In Anger, Stand By Me, Lyla and The Importance of Being Idle.

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Video game actor strike ends in US – but AI described as ‘direct threat’ to UK industry

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Video game actor strike ends in US - but AI described as 'direct threat' to UK industry

Video game actors in the US have ended their strike after nearly a year of industrial action, over the use of artificial intelligence by game studios. 

More than 2,500 US performers were barred from working on games impacted by the strike while the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) negotiated a deal with studios.

Now, after more than 11 months of discussions, a “tentative” agreement has been reached.

“Patience and persistence has resulted in a deal that puts in place the necessary AI guardrails that defend performers’ livelihoods in the AI age, alongside other important gains,” said SAG-AFTRA’s national executive director Duncan Crabtree-Ireland.

Actors were banned from working with major game makers like Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa, Insomniac Games, Take 2 and WB Games.

Demonstrators at the picket line outside Warner Bros. Studios oin August 2024. File pic: AP
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Demonstrators at the picket line outside Warner Bros Studios in August 2024. File pic: AP

Other studios were also impacted by the strike, as actors took industrial action in solidarity.

“We are pleased to have reached a tentative contract agreement that reflects the important contributions of SAG-AFTRA-represented performers in video games,” said Audrey Cooling, spokesperson for the video game producers, to Sky News.

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“It delivers historic wage increases of over 24% for performers, enhanced health and safety protections, and industry-leading AI provisions requiring transparency, consent and compensation for the use of digital replicas in games.”

In the UK, actors protested in solidarity with their American counterparts, while Equity, the UK actors’ union, called for a similar wide-reaching agreement between UK studios and actors.

Earlier this week, the British Film Institute (BFI) released a report detailing the risks posed by AI to the UK screen sector, including video games, and described it as a “direct threat”.

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The scripts of more than 130,000 films and TV shows, YouTube videos, and databases of pirated books have been used to train AI models, according to the report.

Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas
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Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas


AI poses a particular threat to some video game voice actors, according to one expert, because of the nature of their work creating animal or monster sound effects.

“The generic stuff is the easiest thing for generative AI to replace,” Video Games Industry Memo author George Osborn told Sky News previously.

“Just saying to the model, ‘make 200 monster noises’ is much easier than convincingly [making AI] sound like it is having a conversation with someone,” he said.

Unlike the SAG-AFTRA actors’ strike in 2023, which saw blockbusters like Deadpool 3 and Gladiator 2 delayed and entire TV series cancelled, huge delays to games were unlikely.

Games take years to make and any game already in development before September 2023 was exempt from the strike.

Tensions have risen in the game actor community since the industrial action began, as studios appeared to hire international actors to replace the striking US workers.

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Sly Stone, pioneer of early funk music, dies after ‘prolonged’ battle with illness

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Sly Stone, pioneer of early funk music, dies after 'prolonged' battle with illness

Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.

As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.

Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.

“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.

Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.

A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.

“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.

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“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.

“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.

“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.

“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.

“Thank you from the bottom of our hearts for your unwavering support.”

Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.

He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.

James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.

It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.

However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.

His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.

In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.

Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.

But some called the record a masterpiece, a eulogy to the 1960s.

In the early 1970s, Stone became erratic and missed shows. Some members left the band.

But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.

Ms Silva filed for divorce less than a year later.

Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.

The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.

He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.

In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.

That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.

Stone had a son, Sylvester, with Ms Silva.

He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.

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