Nominations for the Olivier Awards, British theatre’s most prestigious honours, have been announced.
Following his second Oscar win at the weekend, Adrien Brody is nominated for best actor, for his performance in The Fear Of 13 – a play based on the real-life story of a man who spent 22 years on death row for a rape and murder that he did not commit.
Fellow US stars Billy Crudup and John Lithgow are up against him in the category, along with UK stars Paapa Essiedu and Mark Strong.
Brody, Crudup, Essiedu and Lithgow are all first-time nominees.
In the best actress category, The Crown star Lesley Manville is up against Meera Syal, Indira Varma, Heather Agyepong and Rosie Sheehy.
Manville and Varma both nominated for playing the same role in different productions of the Greek mythology classic Oedipus
Fiddler On The Roof is this year’s most nominated production, with 13 nods.
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It’s up for best musical revival, with old favourites including Oliver!, Hello Dolly and Starlight Express.
Image: Starlight Express. Pic: SOLT
In the musical theatre performing categories, John Dagleish is up for best actor for his role in The Curious Case Of Benjamin Button, a decade after his last win.
He’s up against Myles Frost, Simon Lipkin, Jamie Muscato and Adam Dannheisser.
Four-time Olivier winner Imelda Staunton is up for best actress in a musical for her role in Hello Dolly!, her 14th Olivier nomination and her eighth in the category.
She’s competing against Lara Pulver, Chumisa Dornford-May, Lauren Drew and Clare Foster.
Image: Why Am I So Single? Pic: SOLT
Best new play includes Brody’s The Fear Of 13, along with Kyoto, Shifters, Giant and The Years.
Giant and The Years are tied for most nominated play this year with five apiece.
Gina McKee is nominated for best actress in a supporting role, alongside Romola Garai who is double nominated in the same category for her roles in Giant and The Years.
Actress Sharon D Clarke makes up the category.
And in best supporting actor, Ben Whishaw will be battling it out against Jorge Bosch, Tom Edden, and Elliot Levey.
Sunset Boulevard was the big winner at last year’s Olivier Awards, taking home seven gongs and equalling the record for the most prizes for a musical at the ceremony.
The 2025 Olivier Awards will take place on Sunday 6 April at the Royal Albert Hall, hosted by Beverley Knight and Billy Porter.
Image: MJ The Musical. Pic: SOLT
Full list of nominations:
Mastercard Best New Musical
The Curious Case Of Benjamin Button, music & lyrics by Darren Clark, book & lyrics by Jethro Compton at Ambassadors Theatre
MJ The Musical, book by Lynn Nottage at Prince Edward Theatre
Natasha, Pierre & The Great Comet Of 1812, music, lyrics & book by Dave Malloy at Donmar Warehouse
Why Am I So Single?, music, lyrics & book by Toby Marlow & Lucy Moss at Garrick Theatre
Blue-i Theatre Technology Award for Best Set Design
Jon Bausor for Set Design, Toby Olié & Daisy Beattie for Puppetry Design and Satoshi Kuriyama for Projection Design for Spirited Away at London Coliseum
Frankie Bradshaw for Set Design for Ballet Shoes at National Theatre – Olivier
Es Devlin for Set Design for Coriolanus at National Theatre – Olivier
Tom Scutt for Set Design for Fiddler On The Roof at Regent’s Park Open Air Theatre
White Light Award for Best Lighting Design
Paule Constable & Ben Jacobs for Oliver! at Gielgud Theatre
Howard Hudson for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Howard Hudson for Starlight Express at Troubadour Wembley Park Theatre
Aideen Malone for Fiddler On The Roof at Regent’s Park Open Air Theatre
TAIT Award for Best New Opera Production
Duke Bluebeard’s Castle by English National Opera at London Coliseum
Festen by The Royal Opera at Royal Opera House
L’Olimpiade by Irish National Opera & The Royal Opera at Royal Opera House
The Tales Of Hoffmann by The Royal Opera at Royal Opera House
Outstanding Achievement in Opera
Aigul Akhmetshina for her performance in Carmen at Royal Opera House
Allan Clayton for his performance in Festen at Royal Opera House
Jung Young-doo for his direction of Lear at Barbican Theatre
Best Family Show
Brainiac Live at Marylebone Theatre
Maddie Moate’s Very Curious Christmas at Apollo Theatre
The Nutcracker at Polka Theatre
Rough Magic at Shakespeare’s Globe – Sam Wanamaker Playhouse
Best New Production in Affiliate Theatre
Animal Farm at Theatre Royal Stratford East by George Orwell, adapted by Tatty Hennessy
Boys On The Verge Of Tears by Sam Grabiner at Soho Theatre
English by Sanaz Toossi at Kiln Theatre
Now, I See by Lanre Malaolu at Theatre Royal Stratford East
What We Talk About When We Talk About Anne Frank by Nathan Englander at Marylebone Theatre
Best New Dance Production
Assembly Hall by Kidd Pivot, Crystal Pite & Jonathon Young at Sadler’s Wells
Frontiers: Choreographers Of Canada – Pite/Kudelka/Portner by The National Ballet Of Canada at Sadler’s Wells
Theatre Of Dreams by Hofesh Shechter Company at Sadler’s Wells
An Untitled Love by A.I.M by Kyle Abraham at Sadler’s Wells
Outstanding Achievement in Dance
Sarah Chun for her performance in Three Short Ballets at Royal Opera House – Linbury Theatre
Tom Visser for his lighting design of Angels’ Atlas as part of Frontiers: Choreographers Of Canada – Pite/Kudelka/Portner at Sadler’s Wells
Eva Yerbabuena for her performance in Yerbagüena at Sadler’s Wells
Best Actor in a Supporting Role
Jorge Bosch for Kyoto at @sohoplace
Tom Edden for Waiting For Godot at Theatre Royal Haymarket
Elliot Levey for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Ben Whishaw for Bluets at Jerwood Theatre Downstairs at Royal Court Theatre
Best Actress in a Supporting Role
Sharon D Clarke for The Importance Of Being Earnest at National Theatre – Lyttelton
Romola Garai for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Romola Garai for The Years at Almeida Theatre & Harold Pinter Theatre
Gina McKee for The Years at Almeida Theatre & Harold Pinter Theatre
Gillian Lynne Award for Best Theatre Choreographer
Matthew Bourne for Oliver! at Gielgud Theatre
Julia Cheng for Fiddler On The Roof at Regent’s Park Open Air Theatre
Hofesh Shechter for Oedipus at The Old Vic
Christopher Wheeldon for MJ The Musical at Prince Edward Theatre
Best Costume Design
Hugh Durrant for Robin Hood at The London Palladium
Sachiko Nakahara for Spirited Away at London Coliseum
Tom Scutt for Fiddler On The Roof at Regent’s Park Open Air Theatre
Gabriella Slade for Starlight Express at Troubadour Wembley Park Theatre
d&b audiotechnik Award for Best Sound Design
Nick Lidster for Fiddler On The Roof at Regent’s Park Open Air Theatre
Christopher Shutt for Oedipus at The Old Vic
Thijs van Vuure for The Years at Almeida Theatre & Harold Pinter Theatre
Koichi Yamamoto for Spirited Away at London Coliseum
Outstanding Musical Contribution
Mark Aspinall for Musical Supervision & Additional Orchestrations for Fiddler On The Roof at Regent’s Park Open Air Theatre
Darren Clark for Music Supervision, Orchestrations & Arrangements and Mark Aspinall for Musical Direction, Music Supervision, Orchestrations & Arrangements for The Curious Case Of Benjamin Button at Ambassadors Theatre
Dave Malloy for Orchestrations and Nicholas Skilbeck for Musical Supervision for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Asaf Zohar for Compositions and Gavin Sutherland for Dance Arrangements & Orchestration for Ballet Shoes at National Theatre – Olivier
Best Actress in a Supporting Role in a Musical
Liv Andrusier for Fiddler On The Roof at Regent’s Park Open Air Theatre
Amy Di Bartolomeo for The Devil Wears Prada at Dominion Theatre
Beverley Klein for Fiddler On The Roof at Regent’s Park Open Air Theatre
Maimuna Memon for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Best Actor in a Supporting Role in a Musical
Andy Nyman for Hello, Dolly! at The London Palladium
Raphael Papo for Fiddler On The Roof at Regent’s Park Open Air Theatre
Layton Williams for Titanique at Criterion Theatre
Tom Xander for Mean Girls at Savoy Theatre
Noël Coward Award for Best New Entertainment or Comedy Play
Ballet Shoes adapted by Kendall Feaver at National Theatre – Olivier
Inside No 9 Stage/Fright by Steve Pemberton & Reece Shearsmith at Wyndham’s Theatre
Spirited Away adapted by John Caird & co-adapted by Maoko Imai at London Coliseum
Titanique by Tye Blue, Marla Mindelle & Constantine Rousouli at Criterion Theatre
Sir Peter Hall Award for Best Director
Eline Arbo for The Years at Almeida Theatre & Harold Pinter Theatre
Jordan Fein for Fiddler On The Roof at Regent’s Park Open Air Theatre
Nicholas Hytner for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Robert Icke for Oedipus at Wyndham’s Theatre
Best Actress
Heather Agyepong for Shifters at Duke of York’s Theatre
Lesley Manville for Oedipus at Wyndham’s Theatre
Rosie Sheehy for Machinal at The Old Vic
Meera Syal for A Tupperware Of Ashes at National Theatre – Dorfman
Indira Varma for Oedipus at The Old Vic
Best Actor
Adrien Brody for The Fear Of 13 at Donmar Warehouse
Billy Crudup for Harry Clarke at Ambassadors Theatre
Paapa Essiedu for Death Of England: Delroy at @sohoplace
John Lithgow for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Mark Strong for Oedipus at Wyndham’s Theatre
Cunard Best Revival
The Importance Of Being Earnest by Oscar Wilde at National Theatre – Lyttelton
Machinal by Sophie Treadwell at The Old Vic
Oedipus by Robert Icke at Wyndham’s Theatre
Waiting For Godot by Samuel Beckett at Theatre Royal Haymarket
Piper-Heidsieck Award for Best Musical Revival
Fiddler On The Roof, music by Jerry Bock, lyrics by Sheldon Harnick, book by Joseph Stein at Regent’s Park Open Air Theatre
Hello, Dolly!, music & lyrics by Jerry Herman, book by Michael Stewart at The London Palladium
Oliver!, book, music & lyrics by Lionel Bart, new material & revisions by Cameron Mackintosh at Gielgud Theatre
Starlight Express, music by Andrew Lloyd Webber, lyrics by Richard Stilgoe at Troubadour Wembley Park Theatre
Best Actor in a Musical
John Dagleish for The Curious Case Of Benjamin Button at Ambassadors Theatre
Adam Dannheisser for Fiddler On The Roof at Regent’s Park Open Air Theatre
Myles Frost for MJ The Musical at Prince Edward Theatre
Simon Lipkin for Oliver! at Gielgud Theatre
Jamie Muscato for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Best Actress in a Musical
Chumisa Dornford-May for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Lauren Drew for Titanique at Criterion Theatre
Clare Foster for The Curious Case Of Benjamin Button at Ambassadors Theatre
Lara Pulver for Fiddler On The Roof at Regent’s Park Open Air Theatre
Imelda Staunton for Hello, Dolly! at The London Palladium
The Londoner Award for Best New Play
The Fear Of 13 by Lindsey Ferrentino at Donmar Warehouse
Giant by Mark Rosenblatt at Jerwood Theatre Downstairs at Royal Court Theatre
Kyoto by Joe Murphy & Joe Robertson at @sohoplace
Shifters by Benedict Lombe at Duke of York’s Theatre
The Years adapted by Eline Arbo, in an English version by Stephanie Bain at Almeida Theatre & Harold Pinter Theatre
Former MasterChef host Gregg Wallace has vowed he will “not go quietly”, amid reports that he has been sacked by the BBC.
It comes after the TV hostfaced an investigation, commissioned by MasterChef’s production company Banijay UK, into alleged inappropriate behaviour while working for the BBC.
In November, the 60-year-old stepped back from presenting the cooking show after accusations that he made sexual comments towards staff and celebrity guests on a range of programmes over 17 years.
Image: Gregg Wallace received an MBE for services to food and charity in 2023. Pic: PA
Broadcaster Kirsty Wark, author and actor Emma Kennedy, and presenter Kirstie Allsopp, were among the high-profile figures who made claims of inappropriate behaviour against Wallace.
In a statement, released ahead of the publication of the summary of a report into the claims, the 60-year-old said he had been “cleared of the most serious and sensational accusations” made against him.
However, he said the report, carried out by independent law firm Lewis Silkin, had found him “primarily guilty of inappropriate language between 2005 and 2018”.
Wallace’s statement, published on Instagram, came hours before the BBC News reported that 50 more people had made claims to the corporation against the presenter, including allegations he groped one MasterChef worker and pulled his trousers down in front of another.
In his statement, Wallace labelled BBC News’s claims as “uncorroborated tittle-tattle”.
Wallace wrote: “I have taken the decision to speak out ahead of the publication of the Silkin’s report – a decision I do not take lightly.
“But after 21 years of loyal service to the BBC, I cannot sit in silence while my reputation is further damaged to protect others.
“I have now been cleared by the Silkin’s report of the most serious and sensational accusations made against me.
“The most damaging claims (including from public figures which have not been upheld) were found to be baseless after a full and forensic six-month investigation.
“To be clear, the Silkin’s report exonerates me of all the serious allegations which made headlines last year and finds me primarily guilty of inappropriate language between 2005 and 2018.”
Image: Gregg Wallace on MasterChef. Pic: BBC/ Shine TV 2024
‘I was hired as the cheeky greengrocer – now that’s a problem’
Wallace said he recognised that “some of my humour and language” was at times “inappropriate” and, for that, he apologised “without reservation”.
“But I was never the caricature now being sold for clicks,” Wallace, who also referred to his recent diagnosis of autism, added.
“I was hired by the BBC and MasterChef as the cheeky greengrocer. A real person with warmth, character, rough edges, and all.
“For over two decades, that authenticity was part of the brand. Now, in a sanitised world, that same personality is seen as a problem.”
Image: Wallace and his partner Anna Wallace, pictured in 2014
Wallace: Complaints from ‘middle-class women of a certain age’
Shortly after the allegations first emerged, Wallace recorded a video where he dismissed his accusers as “middle-class women of a certain age”.
His remarks were met with huge criticism – including from Downing Street, where a spokesperson for the prime minister described them as “completely inappropriate and misogynistic”.
Wallace responded by posting a follow-up clip where he apologised and said he “wasn’t in a good space” when he posted the comments.
In April, Wallace spoke to the Daily Mail, denying all accusations against him and saying he had contemplated suicide following the allegations.
Wallace’s lawyers have previously called allegations that he engages in behaviour of a sexually harassing nature “entirely false”.
A spokesperson for the BBC said: “Banijay UK instructed the law firm Lewis Silkin to run an investigation into allegations against Gregg Wallace. We are not going to comment until the investigation is complete and the findings are published.”
A Banijay spokesperson told Sky News: “We won’t be commenting until our report is published.” They have signalled the report will be published later this week or next.
Banijay previously said Wallace is “committed to fully co-operating” with the external review.
Alongside MasterChef, Wallace presented Inside The Factory for BBC Two from 2015 to 2023.
He also featured on various BBC shows over the years, including Saturday Kitchen, Eat Well For Less, Supermarket Secrets, Celebrity MasterChef and MasterChef: The Professionals, as well as being a Strictly Come Dancing contestant in 2014.
More recently, Wallace has been promoting his health and lifestyle website, offering one-to-one coaching from both himself and a team of experts, which includes nutritionists and doctors, and his wife Anna in the role of recipe curator.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK.
Ozzy Osbourne has reunited with Black Sabbath and performed his final gig – telling fans “you’ve no idea how I feel – thank you from the bottom of my heart”, in an emotional but truly metal goodbye.
Announced earlier this year, Back To The Beginning at Villa Park stadium was billed as the “final bow” for the man revered as a founder of heavy metal after several years of health problems, including Parkinson’s disease.
Rising up on a black throne featuring jewelled skulls, the 76-year-old performed a solo set before being joined by his original bandmates – Terence “Geezer” Butler, Tony Iommi and Bill Ward – for Black Sabbath’s first performance in 20 years.
“Let the madness begin,” Osbourne cried as he appeared for the first time, telling about 40,000 fans: “It’s so good to be on this stage.”
Image: Ozzy smiles and waves his arms. Pic: Ross Halfin
Image: Ozzy Osbourne sings while sitting on a black throne
With the crowd chanting his name, he performed both sets sitting down, but the voice and the crazed glint in his eyes were there almost throughout.
Singing fan favourites including Mr Crowley and Crazy Train, and Iron Man and Paranoid with Black Sabbath, Osbourne conducted the crowd to sing “louder, louder”, and “go f****** crazy”.
This was an orchestrated exit by heavy metal’s biggest character, with a supporting line-up of hard rock luminaries – from Slayer and Halestorm to Metallica and Guns ‘n’ Roses, plus stars including Steven Tyler, Ronnie Wood, Yungblud, Travis Barker and Chad Smith, who showed up for “supergroup” performances.
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Many said they would not be the musicians they are without Osbourne and Black Sabbath.
Image: Ronnie Wood was among the hard rock luminaries in the line-up. Pic: Ross Halfin
Image: Stars at the concert included Steven Tyler. Pic: Ross Halfin
“You know, there’s not another guy as respected in metal as Ozzy Osbourne,” former Van Halen singer Sammy Hagar told Sky News just ahead of his performance. “And for him to be sick and to be saying, I’m out, I’m done. Man. There’s no one else that can replace that.”
“Without Sabbath, there would be no Metallica,” said frontman James Hetfield during their performance.
“We’re not here to say goodbye,” said Anthrax’s Scott Ian. “We’re just here to say thank you.”
Throughout the day, giant Ozzy and Black Sabbath beach balls, in the Aston Villa claret and blue, were bounced around a jubilant crowd.
Tributes from other celebrity friends and fans, from Billy Idol and Ricky Gervais to Dolly Parton and Sir Elton John, were played on screen.
Image: Metallica frontman James Hetfield during the show. Pic: Ross Halfin
Image: Yungblud also performed. Pic: Kazuyo Horie
Hollywood actor Jason Momoa, who hosted the event, told the crowd heavy metal had been a “safehaven” for many growing up, and Black Sabbath’s music had “influenced and inspired musicians” of all eras and genres.
The farewell show was the idea of Osbourne’s wife, Sharon – one final gig to finish his performing career on a high – after he was forced to cancel shows he had planned in 2023, telling fans he “never imagined” his touring days would end that way.
Sharon Osbourne told Sky News earlier this year that his one regret was not being able to say a thank you to his fans, and so the idea for the reunion gig was born.
Profits from the show will be shared between Cure Parkinson’s, Birmingham Children’s Hospital, and Acorn’s Children’s Hospice.
Image: Confetti rained down on fans during the show
The gig came after the Black Sabbath band members were awarded the freedom of Birmingham earlier in June, recognised for their significance to the cultural and musical identity of the city they grew up in.
The group formed in 1968 and went on to become one of the most successful metal bands of all time, selling more than 75 million albums worldwide over the years.
They were inducted into the Rock & Roll Hall of Fame in 2006 – Osbourne again later as a solo artist last year – and awarded a lifetime Ivor Novello songwriting award in 2015. In 2019, they were presented with a Grammy lifetime achievement prize.
Image: Back To The Beginning’s all star line-up. Pic: Ross Halfin
Now, their first performance in 20 years will also be their last – one for the metal history books.
The show ended with fireworks and a roar from the crowd, who had chanted Ozzy’s name throughout.
For fans, Back To The Beginning capped it all – the ultimate rock and metal line-up, and one last opportunity to show their love for the Prince of Darkness.
“I feel lucky to be able to attend this,” said Calum Kennedy, 19, from Dunfermline. “It’s the biggest metal show known to man, [the biggest line-up] ever. I’ve never seen anything better.”
Image: Ozzy wore a shiny black jacket and a gold armband bearing his name. Pic: Ross Halfin
Ben Sutton, 24, from Chester, added: “I feel like it’s important – we’re of the younger generation – for us to see some of the heritage and history of the genre we love, metal in general. It’s such an honour to say goodbye to him.”
Steve Townson, from Lincolnshire, said: “I saw him the first time round and the fact that he’s still going is incredible, isn’t it? I was there at the start, I’m happy to be here at the end.”
Oasis have reunited on stage for the first time in almost 16 years – with brothers Liam and Noel Gallagher sharing a high five and the briefest of hugs as they closed a performance that for fans was more than worth the wait.
After the split in 2009, for many years Noel said he would never go back – and for a long time, as the brothers exchanged insults through separate interviews (and on social media, for Liam), it seemed pretty unlikely to ever happen.
But now, here they are. As they walked out on stage at Cardiff’s Principality Stadium, all eyes were on the Gallaghers for a sense of their relationship – dare we say it, friendship? – now after all these years.
There was no reference to their fall-out or making up, but the gestures were there – lifting hands together as they walked out for the first time.
Image: The headline “OASIS REUNITED” was shown on stage at the gig. Pic: PA
Image: Fans at the Oasis gig. Pic: PA
Headlines and tweets of speculation and then confirmation of the reunion filled the screens as the show started. “This is happening,” said one, repeatedly.
In the end, it was all about the music.
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Liam has received criticism in the past for his voice not being what it once was, but back on stage with his brother tonight he delivered exactly what fans would have hoped for – a raw, steely-eyed performance, snarling vocals, and the swagger that makes him arguably the greatest frontman of his day.
This was Oasis sounding almost as good as they ever have.
Image: Fans sang along and held up their phones to film as Oasis performed. Pic: PA
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2:56
Oasis: ‘It’s good to be back’
They opened with Hello, because of course, “it’s good to be back”. And then Acquiesce, and those lyrics: “Because we need each other/ We believe in one another.”
The song is said to be about friendship in the wider sense, rather than their brotherly bond and sibling rivalry, but you can’t help but feel like it means something here.
Over two hours, they played favourite after favourite – including Morning Glory, Some Might Say, Cigarettes & Alcohol, Supersonic and Roll With It.
Image: Liam Gallagher as Oasis takes to the stage in Cardiff. Pic: PA
In the mid-section, Liam takes his break for Noel to sing Talk Tonight, Half The World Away and Little By Little; the tempo slows but there is by no means a lull, with the fans singing all his words back to him.
Liam returns for hits including Stand By Me, Slide Away, Whatever and Live Forever, before sending the crowd wild (or even wilder) with Rock And Roll Star.
Image: Noel Gallagher performing on stage. Pic: PA
Image: An Oasis fan is pointing at the stage during the gig. Pic: PA
When the reunion announcement was made last summer, it quickly became overshadowed by the controversy of dynamic pricing causing prices to rocket. As he has done on X before, Liam addressed the issue on stage with a joke.
“Was it worth the £4,000 you paid for the ticket?” he shouted at one point. “Yeah,” the crowd shouts back; seemingly all is forgiven.
After Rock And Roll Star, the dream that very quickly became a reality for this band, Noel introduced the rest of the group, calling Bonehead a “legend”.
Image: Paul ‘Bonehead’ Arthurs of Oasis. Pic: PA
Image: Liam Gallagher carried a tambourine in his mouth during the concert. Pic: PA
Then he acknowledges all their young fans, some who maybe weren’t even born when they split. “This one is for all the people in their 20s who’ve never seen us before, who’ve kept this shit going,” he says before the encore starts with The Masterplan.
Noel follows with Don’t Look Back In Anger, and the screens fill with Manchester bees in reference to the arena bombing and how the song became the sound of hope and defiance for the city afterwards.
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1:31
‘I’d have paid £10,000 to see them’
Image: Two fans sat on their friends’ shoulders as Oasis performed. Pic: PA
During Wonderwall, there’s a nice touch as Liam sings to the crowd: “There are many things I would like to say to you, but I don’t speak Welsh.”
It is at the end of Champagne Supernova, which closes the set, that it happens; Noel puts down his guitar, and they come together for a high-five and a back-slap, a blink-and-you’d miss it hug.
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“Right then, beautiful people, this is it,” Liam had told the crowd as he introduced the song just a few minutes earlier. “Nice one for putting up with us over the years.”
From the roar of the audience, it’s safe to say most people here would agree it’s been worth it.