Olivier Awards: Adrien Brody gets first nomination days after Oscar win
Nominations for the Olivier Awards, British theatre’s most prestigious honours, have been announced.
Following his second Oscar win at the weekend, Adrien Brody is nominated for best actor, for his performance in The Fear Of 13 – a play based on the real-life story of a man who spent 22 years on death row for a rape and murder that he did not commit.
Fellow US stars Billy Crudup and John Lithgow are up against him in the category, along with UK stars Paapa Essiedu and Mark Strong.
Brody, Crudup, Essiedu and Lithgow are all first-time nominees.
In the best actress category, The Crown star Lesley Manville is up against Meera Syal, Indira Varma, Heather Agyepong and Rosie Sheehy.
Manville and Varma both nominated for playing the same role in different productions of the Greek mythology classic Oedipus
Fiddler On The Roof is this year’s most nominated production, with 13 nods.
It’s up for best musical revival, with old favourites including Oliver!, Hello Dolly and Starlight Express.
Starlight Express. Pic: SOLT
In the musical theatre performing categories, John Dagleish is up for best actor for his role in The Curious Case Of Benjamin Button, a decade after his last win.
He’s up against Myles Frost, Simon Lipkin, Jamie Muscato and Adam Dannheisser.
Four-time Olivier winner Imelda Staunton is up for best actress in a musical for her role in Hello Dolly!, her 14th Olivier nomination and her eighth in the category.
She’s competing against Lara Pulver, Chumisa Dornford-May, Lauren Drew and Clare Foster.
Why Am I So Single? Pic: SOLT
Best new play includes Brody’s The Fear Of 13, along with Kyoto, Shifters, Giant and The Years.
Giant and The Years are tied for most nominated play this year with five apiece.
Gina McKee is nominated for best actress in a supporting role, alongside Romola Garai who is double nominated in the same category for her roles in Giant and The Years.
Actress Sharon D Clarke makes up the category.
And in best supporting actor, Ben Whishaw will be battling it out against Jorge Bosch, Tom Edden, and Elliot Levey.
Sunset Boulevard was the big winner at last year’s Olivier Awards, taking home seven gongs and equalling the record for the most prizes for a musical at the ceremony.
The 2025 Olivier Awards will take place on Sunday 6 April at the Royal Albert Hall, hosted by Beverley Knight and Billy Porter.
MJ The Musical. Pic: SOLT
Full list of nominations:
Mastercard Best New Musical
The Curious Case Of Benjamin Button, music & lyrics by Darren Clark, book & lyrics by Jethro Compton at Ambassadors Theatre
MJ The Musical, book by Lynn Nottage at Prince Edward Theatre
Natasha, Pierre & The Great Comet Of 1812, music, lyrics & book by Dave Malloy at Donmar Warehouse
Why Am I So Single?, music, lyrics & book by Toby Marlow & Lucy Moss at Garrick Theatre
Blue-i Theatre Technology Award for Best Set Design
Jon Bausor for Set Design, Toby Olié & Daisy Beattie for Puppetry Design and Satoshi Kuriyama for Projection Design for Spirited Away at London Coliseum
Frankie Bradshaw for Set Design for Ballet Shoes at National Theatre – Olivier
Es Devlin for Set Design for Coriolanus at National Theatre – Olivier
Tom Scutt for Set Design for Fiddler On The Roof at Regent’s Park Open Air Theatre
White Light Award for Best Lighting Design
Paule Constable & Ben Jacobs for Oliver! at Gielgud Theatre
Howard Hudson for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Howard Hudson for Starlight Express at Troubadour Wembley Park Theatre
Aideen Malone for Fiddler On The Roof at Regent’s Park Open Air Theatre
TAIT Award for Best New Opera Production
Duke Bluebeard’s Castle by English National Opera at London Coliseum
Festen by The Royal Opera at Royal Opera House
L’Olimpiade by Irish National Opera & The Royal Opera at Royal Opera House
The Tales Of Hoffmann by The Royal Opera at Royal Opera House
Outstanding Achievement in Opera
Aigul Akhmetshina for her performance in Carmen at Royal Opera House
Allan Clayton for his performance in Festen at Royal Opera House
Jung Young-doo for his direction of Lear at Barbican Theatre
Best Family Show
Brainiac Live at Marylebone Theatre
Maddie Moate’s Very Curious Christmas at Apollo Theatre
The Nutcracker at Polka Theatre
Rough Magic at Shakespeare’s Globe – Sam Wanamaker Playhouse
Best New Production in Affiliate Theatre
Animal Farm at Theatre Royal Stratford East by George Orwell, adapted by Tatty Hennessy
Boys On The Verge Of Tears by Sam Grabiner at Soho Theatre
English by Sanaz Toossi at Kiln Theatre
Now, I See by Lanre Malaolu at Theatre Royal Stratford East
What We Talk About When We Talk About Anne Frank by Nathan Englander at Marylebone Theatre
Best New Dance Production
Assembly Hall by Kidd Pivot, Crystal Pite & Jonathon Young at Sadler’s Wells
Frontiers: Choreographers Of Canada – Pite/Kudelka/Portner by The National Ballet Of Canada at Sadler’s Wells
Theatre Of Dreams by Hofesh Shechter Company at Sadler’s Wells
An Untitled Love by A.I.M by Kyle Abraham at Sadler’s Wells
Outstanding Achievement in Dance
Sarah Chun for her performance in Three Short Ballets at Royal Opera House – Linbury Theatre
Tom Visser for his lighting design of Angels’ Atlas as part of Frontiers: Choreographers Of Canada – Pite/Kudelka/Portner at Sadler’s Wells
Eva Yerbabuena for her performance in Yerbagüena at Sadler’s Wells
Best Actor in a Supporting Role
Jorge Bosch for Kyoto at @sohoplace
Tom Edden for Waiting For Godot at Theatre Royal Haymarket
Elliot Levey for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Ben Whishaw for Bluets at Jerwood Theatre Downstairs at Royal Court Theatre
Best Actress in a Supporting Role
Sharon D Clarke for The Importance Of Being Earnest at National Theatre – Lyttelton
Romola Garai for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Romola Garai for The Years at Almeida Theatre & Harold Pinter Theatre
Gina McKee for The Years at Almeida Theatre & Harold Pinter Theatre
Gillian Lynne Award for Best Theatre Choreographer
Matthew Bourne for Oliver! at Gielgud Theatre
Julia Cheng for Fiddler On The Roof at Regent’s Park Open Air Theatre
Hofesh Shechter for Oedipus at The Old Vic
Christopher Wheeldon for MJ The Musical at Prince Edward Theatre
Best Costume Design
Hugh Durrant for Robin Hood at The London Palladium
Sachiko Nakahara for Spirited Away at London Coliseum
Tom Scutt for Fiddler On The Roof at Regent’s Park Open Air Theatre
Gabriella Slade for Starlight Express at Troubadour Wembley Park Theatre
d&b audiotechnik Award for Best Sound Design
Nick Lidster for Fiddler On The Roof at Regent’s Park Open Air Theatre
Christopher Shutt for Oedipus at The Old Vic
Thijs van Vuure for The Years at Almeida Theatre & Harold Pinter Theatre
Koichi Yamamoto for Spirited Away at London Coliseum
Outstanding Musical Contribution
Mark Aspinall for Musical Supervision & Additional Orchestrations for Fiddler On The Roof at Regent’s Park Open Air Theatre
Darren Clark for Music Supervision, Orchestrations & Arrangements and Mark Aspinall for Musical Direction, Music Supervision, Orchestrations & Arrangements for The Curious Case Of Benjamin Button at Ambassadors Theatre
Dave Malloy for Orchestrations and Nicholas Skilbeck for Musical Supervision for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Asaf Zohar for Compositions and Gavin Sutherland for Dance Arrangements & Orchestration for Ballet Shoes at National Theatre – Olivier
Best Actress in a Supporting Role in a Musical
Liv Andrusier for Fiddler On The Roof at Regent’s Park Open Air Theatre
Amy Di Bartolomeo for The Devil Wears Prada at Dominion Theatre
Beverley Klein for Fiddler On The Roof at Regent’s Park Open Air Theatre
Maimuna Memon for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Best Actor in a Supporting Role in a Musical
Andy Nyman for Hello, Dolly! at The London Palladium
Raphael Papo for Fiddler On The Roof at Regent’s Park Open Air Theatre
Layton Williams for Titanique at Criterion Theatre
Tom Xander for Mean Girls at Savoy Theatre
Noël Coward Award for Best New Entertainment or Comedy Play
Ballet Shoes adapted by Kendall Feaver at National Theatre – Olivier
Inside No 9 Stage/Fright by Steve Pemberton & Reece Shearsmith at Wyndham’s Theatre
Spirited Away adapted by John Caird & co-adapted by Maoko Imai at London Coliseum
Titanique by Tye Blue, Marla Mindelle & Constantine Rousouli at Criterion Theatre
Sir Peter Hall Award for Best Director
Eline Arbo for The Years at Almeida Theatre & Harold Pinter Theatre
Jordan Fein for Fiddler On The Roof at Regent’s Park Open Air Theatre
Nicholas Hytner for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Robert Icke for Oedipus at Wyndham’s Theatre
Best Actress
Heather Agyepong for Shifters at Duke of York’s Theatre
Lesley Manville for Oedipus at Wyndham’s Theatre
Rosie Sheehy for Machinal at The Old Vic
Meera Syal for A Tupperware Of Ashes at National Theatre – Dorfman
Indira Varma for Oedipus at The Old Vic
Best Actor
Adrien Brody for The Fear Of 13 at Donmar Warehouse
Billy Crudup for Harry Clarke at Ambassadors Theatre
Paapa Essiedu for Death Of England: Delroy at @sohoplace
John Lithgow for Giant at Jerwood Theatre Downstairs at Royal Court Theatre
Mark Strong for Oedipus at Wyndham’s Theatre
Cunard Best Revival
The Importance Of Being Earnest by Oscar Wilde at National Theatre – Lyttelton
Machinal by Sophie Treadwell at The Old Vic
Oedipus by Robert Icke at Wyndham’s Theatre
Waiting For Godot by Samuel Beckett at Theatre Royal Haymarket
Piper-Heidsieck Award for Best Musical Revival
Fiddler On The Roof, music by Jerry Bock, lyrics by Sheldon Harnick, book by Joseph Stein at Regent’s Park Open Air Theatre
Hello, Dolly!, music & lyrics by Jerry Herman, book by Michael Stewart at The London Palladium
Oliver!, book, music & lyrics by Lionel Bart, new material & revisions by Cameron Mackintosh at Gielgud Theatre
Starlight Express, music by Andrew Lloyd Webber, lyrics by Richard Stilgoe at Troubadour Wembley Park Theatre
Best Actor in a Musical
John Dagleish for The Curious Case Of Benjamin Button at Ambassadors Theatre
Adam Dannheisser for Fiddler On The Roof at Regent’s Park Open Air Theatre
Myles Frost for MJ The Musical at Prince Edward Theatre
Simon Lipkin for Oliver! at Gielgud Theatre
Jamie Muscato for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Best Actress in a Musical
Chumisa Dornford-May for Natasha, Pierre & The Great Comet Of 1812 at Donmar Warehouse
Lauren Drew for Titanique at Criterion Theatre
Clare Foster for The Curious Case Of Benjamin Button at Ambassadors Theatre
Lara Pulver for Fiddler On The Roof at Regent’s Park Open Air Theatre
Imelda Staunton for Hello, Dolly! at The London Palladium
The Londoner Award for Best New Play
The Fear Of 13 by Lindsey Ferrentino at Donmar Warehouse
Giant by Mark Rosenblatt at Jerwood Theatre Downstairs at Royal Court Theatre
Kyoto by Joe Murphy & Joe Robertson at @sohoplace
Shifters by Benedict Lombe at Duke of York’s Theatre
The Years adapted by Eline Arbo, in an English version by Stephanie Bain at Almeida Theatre & Harold Pinter Theatre
The BBC has responded after it was reported that two Strictly Come Dancing stars have been accused of taking cocaine.
The broadcaster is said to have hired an external law firm to probe the drug-taking allegations, which a source said were “well-known” on the show, The Sun on Sunday reports.
The claims were reportedly made on behalf of celebrity contestant Wynne Evans in a legal submission to the BBC in March.
In response, a BBC spokesperson told Sky News: “We have clear protocols and policies in place for dealing with any serious complaint raised with us. We would always encourage people to speak to us if they have concerns.
“It would not be appropriate for us to comment further.”
Sky News understands that it is not unusual for the BBC to engage an external individual to provide additional expert resource to help deliver a BBC-led investigation. In these cases, they would report to an established BBC team.
PA file pic
The allegations published in The Sun on Sunday include a source saying that one Strictly star had told another about a third celebrity on the show: “Have you seen their pupils… they’re off their face.”
“The BBC have known about these allegations for some time, and acknowledged receiving them. Now they are taking firm action,” the source reportedly said.
The two individuals accused of drug taking have not been named.
It is the latest crisis to hit the BBC and Strictly.
In July last year, Amanda Abbington accused Strictly dancer Giovanni Pernice of “abusive or threatening behaviour”. The actress, who was paired with Pernice, withdrew from the show in 2023.
The BBC upheld “some, but not all” of the allegations, with Abbington describing an apology from the corporation as a “vindication”, while Pernice denied displaying “abusive or threatening behaviour”.
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Also in July 2024, Strictly professional dancer, Graziano Di Prima confirmed he was leaving the show amid reports of alleged misconduct.
Separately, Laura Whitmore alleged “inappropriate behaviour” during her time on the show.
In January this year, Welsh opera singer Wynne Evans made “inappropriate and unacceptable” comments at the Strictly Come Dancing live tour launch, for which he later apologised.
The Edinburgh Fringe, the world’s largest arts festival, is getting under way, and the conflict in Gaza seems to be feeding into what’s happening.
From shows cancelled to artists divided, it’s no joke.
Rachel Creeger has had a distressing start to her stand-up run.
Two weeks ago, out of the blue, she says the venue Whistle Binkies rang her and fellow Jewish comedian Philip Simon to cancel their slots.
Rachel Creeger says her Edinburgh shows have been cancelled by the venue
She told Sky News it’s come down to “what we bring to that venue by being ourselves”.
The pair were allegedly given three reasons for the cancellation.
One was linked to a “vigil for IDF soldiers” that she says the venue initially claimed had been held during her performance last year but, according to Creeger, later had to admit hadn’t taken place.
“That never happened,” she insists.
Rachel says she was told her previous performances there had resulted in the venue having to pay for graffiti to be removed from toilet doors every three days.
“Again, we didn’t see evidence of that at all,” she says.
“We’re not the ones writing it… but if it was bothering them and they worried it was bothering us, then maybe we’d have volunteered to help them – or to help clean it.”
She claims she was also told the venue was responding to staff concerns about their own safety should Creeger’s show go ahead.
“It’s a pub in Edinburgh, it’s a music venue, they themselves have bouncers most evenings… And perhaps they might say if there’s a concern about extra risk, we should do all we can to make our performers safe.”
‘More unites us than divides us’
Creeger says her show is in no way political.
“It’s based around the idea that a Jewish mother can answer any question, solve any problem… I will make it better for you, the audience gets to write a question and put it into a chicken soup pot… The reason I kind of love it is because by the end of it people leave feeling actually more unites us than divides us.
“We’re not the people making the trouble,” she adds.
“I’ve certainly never started a protest, I’ve never done graffiti, I’ve never caused harm anywhere; my show doesn’t do that, my show is lovely.”
As Britain’s only touring comedian who is also a practising Orthodox Jew, she says since the 7 October attack she and other Jewish comedians are experiencing a significant increase in antisemitism while performing.
“We’re not Israeli, we’re British Jews,” says Creeger.
“The situation there is horrendous and distressing and painful for people of any number of religions and races… To be kind of scapegoated with dog whistles around that is clearly very, very unpleasant.”
The Fringe Society has said its role is to provide support and advice to all participants at the festival “with a vision to give anyone a stage and everyone a seat”.
A spokesperson explained they don’t manage or programme venues and “we understand that the show cancellations have been a choice made by the venue”.
Whistle Binkies hasn’t responded to multiple requests for comment.
Police Scotland told Sky News it hasn’t “received any reports of concern” about Creeger’s show.
There are, of course, huge sensitivities when it comes to discussing what’s going on in the world right now.
American stand-up Zainab Johnson is making her Fringe debut this year.
While her show Toxically Optimistic is all about putting a positive spin on life’s challenges, she doesn’t shy away from tackling the serious stuff if it comes up.
Zainab Johnson says her show doesn’t shy away from tackling serious issues
‘Shows becoming serious is a part of life’
“If I’m doing a show and somebody wants to yell out Free Palestine, well let’s talk about it,” she tells Sky News.
“I am the comedian where, if the show has to become serious, it becomes serious. That’s a part of life, you know?”
Johnson adds: “I’m from the United States and they talk about free speech all the time, but then you find out free speech ain’t really free because the moment you say something that is contrary to what the majority feels or wants to be heard, then you can be penalised…
“But isn’t that the beauty of this festival? So many people just telling their story, whatever their story is.”
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Comedian Andy Parsons has had a long-standing career in satire, appearing regularly on shows like BBC2’s Mock the Week.
While he has the likes of Elon Musk and Nigel Farage in his sights for his stand-up show, Please #@!$ Off to Mars, they’re not his only focus.
Andy Parsons says comedians ‘should be able to talk about anything’
He says stand-ups “should be able to talk about anything and find a way to get that to work, including Israel and Gaza”.
He explains jokingly: “I’ve got some stuff about Israel in the show and obviously it can work both ways. It can give you some publicity and obviously it can get you cancelled.”
Irish-Palestinian comedian Sami Abu Wardeh – a clown comic – is the only Palestinian doing a full run of a comedy show at this year’s Fringe.
“My show is clowning, it’s storytelling, it’s even got a bit of stand-up and it’s heavily inspired by the comedian Dave Allen, who is one of my comedy heroes,” says Wardeh.
“It felt really important that I come and just exist in this space, as a Palestinian, and speak my words and have my voice heard.
“I’ve used all of these skills to make a show that is about really what’s going on in this country and in the world at the moment.
Irish-Palestinian comedian Sami Abu Wardeh is the only Palestinian doing a full run at this year’s Fringe
“I think most people in this country are going to recognise that Britain is in a very dark place… and I’m hoping to reach those people and to give a voice to the dissatisfaction.”
‘Plans in place’ for disruption
He’s had to consider the possibility of protests and take steps to “make sure that the audience and myself are safe and secure”.
“We have plans in place to know how to deal with people who are disruptive,” he says. “And particularly anybody who wants to bring any kind of bigoted views into the room.”
As one of the very few Palestinians at the festival, Wardeh says it is “not only my duty” but “an honour to be here and to represent my people”.
He also feels it’s wrong that Rachel Creeger has had her venue cancelled.
“I sincerely support free speech and I think everyone should be able to get on the stage and say what they want, within reason obviously,” says Wardeh.
Rachel says she hopes to confirm a new venue for her show on social media in the coming days.
“We’ve thankfully had a number of venues approach us to say that they have space available, so I’m hopeful that I’ll get – if not a full – then at least part of the run for the show.”
Since arriving in Edinburgh she’s been overwhelmed by how many hugs of support she’s received.
“To have super high-profile comedians put their heads above the parapet to say ‘this is wrong’, it means so much…In a way the story is that someone’s done something very hurtful… But look at all the love, that’s amazing.”
Sami Abu Wardeh’s Palestine: Peace de Resistance is at the Pleasance Dome in Edinburgh until 24 August
Andy Parsons’ Please #@!$ Off to Mars is at Pleasance Courtyard’s Cabaret Bar until 10 August
Zainab Johnson: Toxically Optimistic is at Pleasance Courtyard until 24 August
Entertainment
Flintoff praises NHS staff who treated him after crash, as doctor says his injuries were ‘among most complex’ he’s ever seen
Andrew Flintoff has praised the “love and compassion” of “superhero” staff in a visit to the hospital that treated him after his crash.
The cricket legend was seriously injured during the incident on the Top Gear track in Surrey in December 2022.
He was airlifted to St George’s in Tooting, with a surgeon calling Flintoff’s injuries some of the most complex he’s seen.
“I just want to say a massive thank you to all the staff at St George’s,” Flintoff said, as he returned to the London hospital.
“I came here probably the lowest I’ve ever been, in need of help and the expertise, the love, the compassion they showed me was incredible.
“I’ll be eternally grateful – absolute superheroes.”
Maxillofacial surgeon Jahrad Haq said Flintoff’s case was very complex. Pic: PA
Jahrad Haq, a maxillofacial surgeon, said he knew immediately the case was something out of the ordinary.
“I was on call that day and received a phone call from the emergency department consultant,” said Mr Haq.
“A lot of injuries are managed at a more junior level before escalating, so I knew this one was serious.
“Of all the trauma cases I’ve seen in over 20 years, this was among the most complex.”
The ex-cricketer with nurses Linda Holden (left) and Sonia Steer. Pic: PA
Flintoff was also pictured on his visit meeting lead dental nurse Linda Holden and principal orthodontic nurse Sonia Steer.
Shamim Umarji, who also treated the 47-year-old, said it was “wonderful to see Freddie again and his visit gave staff a real boost”.
“He spent a lot of time chatting to everyone and it meant a lot,” added the trauma and orthopaedic surgeon.
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Flintoff previously described how he thought he had died in the accident – which saw him “pulled face-down on the runway” for about 50m under a three-wheel car.
The incident led to the BBC pulling the plug on Top Gear and it remains unclear if it will ever return.
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