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Twenty years on from her breakout hit Suddenly I See, KT Tunstall is refreshingly candid about her early career: “I was a totally crap pop star,” she tells Sky News.

The Scottish singer-songwriter may have a Brit and Ivor Novello to her name – won the year after she outsold every other female artist in the UK – but she’s not taking any prisoners.

KT Tunstall performing in 2023. Pic: AP Images
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KT Tunstall performing in 2023. Pic: AP Images

“You have an idea of what you should be as an artist, I think it’s really, really important to kill that.”

She goes on: “The whole point of being an artist is that you never know what you’re going to be, and you should never assume that you know.

“I think there’s something much more divine in the kind of growth of yourself as an artist that it’s not your place to know what’s going to be.”

Pic: Pamela Raith Photography
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Emma Flynn plays Cher. Pic: Pamela Raith Photography

Sharing a private thought, she admits: “I don’t think I’ve ever said it out loud, but I have always thought to myself, ‘What if the things that you have done are not the thing that you’re most known for? That there’s something coming’?”

Pic: Pamela Raith Photography
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Emma Flynn plays Cher. Pic: Pamela Raith Photography

Turning 50 next year, Tunstall’s embraced change head on, helping transform 1995 film Clueless for the stage, alongside its creator Amy Heckerling.

Working in Hollywood for four decades and counting, Heckerling, who also directed Fast Times At Ridgemont High and Look Who’s Talking, says “I always felt like the movie, while we were making it, kind of wanted to sing.”

‘It was really time to do something new’

It was a “wild ride” that Tunstall, who says she was “desperate to learn something new,” was keen to be part of.

The Clueless The Musical cast. Pic: Pamela Raith Photography
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The Clueless The Musical cast. Pic: Pamela Raith Photography

Busking as a student before joining bands in her early 20s, Tunstall says: “I’ve been I’ve been doing gigs and touring for a long time, and it was really time to do something new and, and this is just a dream project to do it with.”

With the film’s original soundtrack featuring hits from Radiohead, Coolio, the Lightning Seeds, Supergrass and the Beastie Boys, Tunstall says it was exciting to create songs for the “explosion of genre” that was the 1990s – a time when Nirvana and NSYNC jostled alongside each other in the charts, and the Spice Girls burst onto the worldwide scene.

KT Tunstall turns her hand to writing Clueless The Musical, the film that made Alicia Silverstone a star. Pic: Paramount Pictures/PA
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KT Tunstall has written the music for Clueless The Musical, the 90s film that made Alicia Silverstone a star. Pic: Paramount Pictures/PA

Tunstall’s approach? “Come up with a mega-mix feel, that it’s the cassette tape playing in Cher’s Jeep” and then merge it with the MTV music video visuals catching fire at the time.

‘Enjoy the nostalgia and relax in the theatre’

Emma Flynn, who plays Cher Horowitz in the show, says it’s the role of a lifetime having been a fan of the movie “since I was in the foetal position” and “pretty much off book” from day one.

Flynn says the show offers audiences an escape from some of the stresses of modern-day life.

“Watching people before social media and cell phones, just going to the Valley party and actually having to communicate. I think people enjoy that nostalgia. And I think it allows people to relax in the theatre too.”

And Clueless isn’t the only classic movie getting a musical makeover.

Georgie Buckland (Andy) and Amy Di Bartol in The Devil Wears Prada. Pic: Matt Crockett
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Georgie Buckland as Andy (L) and Amy Di Bartol as Emily (R) in The Devil Wears Prada The Musical. Pic: Matt Crockett

The Devil Wears Prada The Musical brings fashion to the West End, with music by Sir Elton John.

While the Mean Girls Broadway run was such a success, it got turned back into its own movie last year, taking over $100m at the global box office. The musical’s now in the West End, becoming the fastest-selling show in the Dominion Theatre’s history.

Pic: Brinkhoff-Moegenburg
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Mean Girls The Musical cast. Pic: Brinkhoff-Moegenburg

So, what’s the appeal?

The shows already have a ready-made audience of fans, created by the original film.

They’re familiar but different – building on the original narrative, taking well-loved characters and oft-repeated catchphrases – and using song and dance to expand on the movies’ best-known scenes – to the delight of the audience.

Meanwhile, the success of streaming over the last two decades means older films are easy to find and re-watch for a new generation of fans.

There’s the nostalgia factor too – looking back to a movie you loved as a child or teen means it’s already won a special place in your heart, and you’re much more likely to welcome it in for a second time.

Pic: Brinkhoff-Moegenburg
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Charlie Burn (R) plays Cady Heron. Pic: Brinkhoff-Moegenburg

‘The 90s are on fire in popular culture’

And the shows are not just attracting familiar audiences, but fresh ones as well says actress Charlie Burn, who plays Cady Heron in Mean Girls The Musical.

While she says there are certain “anticipatory parts of the show where people know there are iconic lines coming up,” she says there are also “parents with their kids at the stage door, that say, ‘I never knew the musical, I never knew the movie, and I loved it’.”

As for Clueless, Tunstall says it’s a piece of luck that after years of work the musical has come to fruition “when the ’90s are on fire again in popular culture”, adding “a whole new generation of kids are really appreciating the culture of the ’90s, and it just feels really perfect.”

Cher’s futuristic outfit generator may never have become a daily-dressing reality, and a Burn Book in the back of the closet would now be shared via an array of social media putdowns.

But the hefty dollop of nostalgia delivered by such shows is a song and dance welcomed by many across universally challenging times.

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Liam Gallagher hits out at Edinburgh council after Oasis fans branded ‘rowdy’

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Liam Gallagher hits out at  Edinburgh council after Oasis fans branded 'rowdy'

Liam Gallagher has criticised a Scottish council for suggesting Oasis fans were “drunk, middle-aged and fat”.

The remarks were revealed following a freedom of information request that was sent to Edinburgh council – ahead of the band’s three sold-out shows in Scotland this August.

The documents expressed concerns that the Oasis Live ’25 tour would clash with the Edinburgh Festival Fringe – the world’s largest performance arts festival.

Liam Gallagher (left) and Noel Gallagher (right). Pic: PA.
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Liam Gallagher (left) and Noel Gallagher. Pic: PA

One note warned that there would be a “substantial amount of older fans”, and that because “middle-aged men take up more room”, age and size should be considered in crowd control planning.

Another note suggested “medium to high intoxication” should be expected at the concert.

An additional remark said there was some “concern about crowds of Oasis on weekends as they are already rowdy, and the tone of the band”.

The Fringe is considered one of the world's largest performance arts festivals, with millions of attendees expected in August. Pic: PA.
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The Fringe is one of the world’s largest performance arts festivals. File pic: PA

It also expressed concern for the “safety” at the Edinburgh Fringe – including for its performers.

“Many performers are considering not attending for that weekend,” one note read.

Liam Gallagher was not impressed – and left the following message for the council on his social media.

“To the Edinburgh council I’ve heard what you said about Oasis fans and quite frankly your attitude f****** stinks I’d leave town that day if I was any of you lot.”

In a second post, he said: “I’d love to see a picture of all the people on the Edinburgh council bet there’s some real stunning individuals.”

Liam Gallagher. Pic: AP.
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Liam Gallagher said the council’s attitude towards fans ‘stinks’. Pic: AP

David Walker, from the Oasis Collectors Group, has described the comments as “a nasty, sneering stereotype”.

“It’s a jaundiced view,” he added.

Local councillor Margaret Graham said that it is usual practice for the council to “prepare extensively” for major city events.

The culture and communities convener also said: “We’re very proud to host the biggest and best events in Edinburgh throughout the year, which bring in hundreds of millions of pounds to the local economy and provide unparalleled entertainment for our residents and visitors.

“As with any major event which takes place in the city, we prepare extensively alongside our partners to ensure the safety and best possible experience of everyone involved – and Oasis are no different.”

Noel Gallagher (L) and Liam Gallagher (R) at Wembley Stadium in 2008. The brothers will be back in Wembley for their upcoming concerts.
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Noel Gallagher (left) and Liam Gallagher at Wembley Stadium in 2008. Pic: PA

Around 210,000 fans are expected to attend the three Edinburgh gigs.

Oasis made their comeback announcement in August last year – ahead of the 30th anniversary of their debut album Definitely Maybe, released on 29 August 1994.

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Liam and Noel Gallagher’s return also marks 15 years since the last time the brothers performed together before their infamous fallout – which was prompted by a backstage brawl before a Paris festival in August 2009.

Liam damaged one of his elder brother’s guitars, causing Noel to dramatically quit – ending the partnership that had propelled them to fame and fortune.

“It is with some sadness and great relief… I quit Oasis tonight,” Noel later said in a statement. “People will write and say what they like, but I simply could not go on working with Liam a day longer.”

The feud continued over the years, with the pair exchanging insults publicly – Liam on social media, Noel more when asked about his brother in interviews – but reportedly never speaking in person.

When his documentary As It Was was released in 2019, Liam told Sky News he had wanted to “break [Noel’s] jaw” after he apparently refused permission for Oasis music to be featured in the film.

But after 15 years, they have now made amends – giving thousands of Oasis fans the chance to see them play live once again.

Their top hits include Wonderwall, Don’t Look Back In Anger, Stand By Me, Lyla and The Importance of Being Idle.

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Video game actor strike ends in US – but AI described as ‘direct threat’ to UK industry

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Video game actor strike ends in US - but AI described as 'direct threat' to UK industry

Video game actors in the US have ended their strike after nearly a year of industrial action, over the use of artificial intelligence by game studios. 

More than 2,500 US performers were barred from working on games impacted by the strike while the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) negotiated a deal with studios.

Now, after more than 11 months of discussions, a “tentative” agreement has been reached.

“Patience and persistence has resulted in a deal that puts in place the necessary AI guardrails that defend performers’ livelihoods in the AI age, alongside other important gains,” said SAG-AFTRA’s national executive director Duncan Crabtree-Ireland.

Actors were banned from working with major game makers like Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa, Insomniac Games, Take 2 and WB Games.

Demonstrators at the picket line outside Warner Bros. Studios oin August 2024. File pic: AP
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Demonstrators at the picket line outside Warner Bros Studios in August 2024. File pic: AP

Other studios were also impacted by the strike, as actors took industrial action in solidarity.

“We are pleased to have reached a tentative contract agreement that reflects the important contributions of SAG-AFTRA-represented performers in video games,” said Audrey Cooling, spokesperson for the video game producers, to Sky News.

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“It delivers historic wage increases of over 24% for performers, enhanced health and safety protections, and industry-leading AI provisions requiring transparency, consent and compensation for the use of digital replicas in games.”

In the UK, actors protested in solidarity with their American counterparts, while Equity, the UK actors’ union, called for a similar wide-reaching agreement between UK studios and actors.

Earlier this week, the British Film Institute (BFI) released a report detailing the risks posed by AI to the UK screen sector, including video games, and described it as a “direct threat”.

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The scripts of more than 130,000 films and TV shows, YouTube videos, and databases of pirated books have been used to train AI models, according to the report.

Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas
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Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas


AI poses a particular threat to some video game voice actors, according to one expert, because of the nature of their work creating animal or monster sound effects.

“The generic stuff is the easiest thing for generative AI to replace,” Video Games Industry Memo author George Osborn told Sky News previously.

“Just saying to the model, ‘make 200 monster noises’ is much easier than convincingly [making AI] sound like it is having a conversation with someone,” he said.

Unlike the SAG-AFTRA actors’ strike in 2023, which saw blockbusters like Deadpool 3 and Gladiator 2 delayed and entire TV series cancelled, huge delays to games were unlikely.

Games take years to make and any game already in development before September 2023 was exempt from the strike.

Tensions have risen in the game actor community since the industrial action began, as studios appeared to hire international actors to replace the striking US workers.

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Sly Stone, pioneer of early funk music, dies after ‘prolonged’ battle with illness

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Sly Stone, pioneer of early funk music, dies after 'prolonged' battle with illness

Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.

As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.

Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.

“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.

Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.

A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.

“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.

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“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.

“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.

“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.

“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.

“Thank you from the bottom of our hearts for your unwavering support.”

Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.

He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.

James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.

It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.

However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.

His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.

In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.

Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.

But some called the record a masterpiece, a eulogy to the 1960s.

In the early 1970s, Stone became erratic and missed shows. Some members left the band.

But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.

Ms Silva filed for divorce less than a year later.

Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.

The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.

He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.

In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.

That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.

Stone had a son, Sylvester, with Ms Silva.

He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.

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