Twenty years on from her breakout hit Suddenly I See, KT Tunstall is refreshingly candid about her early career: “I was a totally crap pop star,” she tells Sky News.
The Scottish singer-songwriter may have a Brit and Ivor Novello to her name – won the year after she outsold every other female artist in the UK – but she’s not taking any prisoners.
Image: KT Tunstall performing in 2023. Pic: AP Images
“You have an idea of what you should be as an artist, I think it’s really, really important to kill that.”
She goes on: “The whole point of being an artist is that you never know what you’re going to be, and you should never assume that you know.
“I think there’s something much more divine in the kind of growth of yourself as an artist that it’s not your place to know what’s going to be.”
Image: Emma Flynn plays Cher. Pic: Pamela Raith Photography
Sharing a private thought, she admits: “I don’t think I’ve ever said it out loud, but I have always thought to myself, ‘What if the things that you have done are not the thing that you’re most known for? That there’s something coming’?”
Image: Emma Flynn plays Cher. Pic: Pamela Raith Photography
Turning 50 next year, Tunstall’s embraced change head on, helping transform 1995 film Clueless for the stage, alongside its creator Amy Heckerling.
Working in Hollywood for four decades and counting, Heckerling, who also directed Fast Times At Ridgemont High and Look Who’s Talking, says “I always felt like the movie, while we were making it, kind of wanted to sing.”
‘It was really time to do something new’
It was a “wild ride” that Tunstall, who says she was “desperate to learn something new,” was keen to be part of.
Image: The Clueless The Musical cast. Pic: Pamela Raith Photography
Busking as a student before joining bands in her early 20s, Tunstall says: “I’ve been I’ve been doing gigs and touring for a long time, and it was really time to do something new and, and this is just a dream project to do it with.”
With the film’s original soundtrack featuring hits from Radiohead, Coolio, the Lightning Seeds, Supergrass and the Beastie Boys, Tunstall says it was exciting to create songs for the “explosion of genre” that was the 1990s – a time when Nirvana and NSYNC jostled alongside each other in the charts, and the Spice Girls burst onto the worldwide scene.
Image: KT Tunstall has written the music for Clueless The Musical, the 90s film that made Alicia Silverstone a star. Pic: Paramount Pictures/PA
Tunstall’s approach? “Come up with a mega-mix feel, that it’s the cassette tape playing in Cher’s Jeep” and then merge it with the MTV music video visuals catching fire at the time.
‘Enjoy the nostalgia and relax in the theatre’
Emma Flynn, who plays Cher Horowitz in the show, says it’s the role of a lifetime having been a fan of the movie “since I was in the foetal position” and “pretty much off book” from day one.
Flynn says the show offers audiences an escape from some of the stresses of modern-day life.
“Watching people before social media and cell phones, just going to the Valley party and actually having to communicate. I think people enjoy that nostalgia. And I think it allows people to relax in the theatre too.”
And Clueless isn’t the only classic movie getting a musical makeover.
Image: Georgie Buckland as Andy (L) and Amy Di Bartol as Emily (R) in The Devil Wears Prada The Musical. Pic: Matt Crockett
The Devil Wears Prada The Musical brings fashion to the West End, with music by Sir Elton John.
While the Mean Girls Broadway run was such a success, it got turned back into its own movie last year, taking over $100m at the global box office. The musical’s now in the West End, becoming the fastest-selling show in the Dominion Theatre’s history.
Image: Mean Girls The Musical cast. Pic: Brinkhoff-Moegenburg
So, what’s the appeal?
The shows already have a ready-made audience of fans, created by the original film.
They’re familiar but different – building on the original narrative, taking well-loved characters and oft-repeated catchphrases – and using song and dance to expand on the movies’ best-known scenes – to the delight of the audience.
Meanwhile, the success of streaming over the last two decades means older films are easy to find and re-watch for a new generation of fans.
There’s the nostalgia factor too – looking back to a movie you loved as a child or teen means it’s already won a special place in your heart, and you’re much more likely to welcome it in for a second time.
Image: Charlie Burn (R) plays Cady Heron. Pic: Brinkhoff-Moegenburg
‘The 90s are on fire in popular culture’
And the shows are not just attracting familiar audiences, but fresh ones as well says actress Charlie Burn, who plays Cady Heron in Mean Girls The Musical.
While she says there are certain “anticipatory parts of the show where people know there are iconic lines coming up,” she says there are also “parents with their kids at the stage door, that say, ‘I never knew the musical, I never knew the movie, and I loved it’.”
As for Clueless, Tunstall says it’s a piece of luck that after years of work the musical has come to fruition “when the ’90s are on fire again in popular culture”, adding “a whole new generation of kids are really appreciating the culture of the ’90s, and it just feels really perfect.”
Cher’s futuristic outfit generator may never have become a daily-dressing reality, and a Burn Book in the back of the closet would now be shared via an array of social media putdowns.
But the hefty dollop of nostalgia delivered by such shows is a song and dance welcomed by many across universally challenging times.
Officers should focus on “tackling real crime and policing the streets”, Downing Street has said – after the Metropolitan Police announced it is no longer investigating non-crime hate incidents.
The announcement by Britain’s biggest force on Monday came after it emerged Father Ted creator Graham Linehan will face no further action after he was arrested at Heathrow Airport on suspicion of inciting violence over three posts he made on X about transgender issues.
Sir Keir Starmer’s spokesman said police forces will “get the clarity they need to keep our streets safe” when a review of non-crime hate incidents by the National Police Chiefs’ Council and College of Policing is published in December.
“The police should focus on tackling real crime and policing the streets,” he said.
“The home secretary has asked that this review be completed at pace, working with the National Police Chiefs’ Council and the College of Policing.
“We look forward to receiving its findings as soon as possible, so that the other forces get the clarity they need to keep our streets safe.”
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He said the government will “always work with police chiefs to make sure criminal law and guidance reflects the common-sense approach we all want to see in policing”.
After Linehan’s September arrest, Met Police Commissioner Sir Mark Rowley said officers were in “an impossible position” when dealing with statements made online.
Image: File pic: iStock
On Monday, a Met spokesperson said the commissioner had been “clear he doesn’t believe officers should be policing toxic culture war debates, with current laws and rules on inciting violence online leaving them in an impossible position”.
The force said the decision to no longer investigate non-crime hate incidents would now “provide clearer direction for officers, reduce ambiguity and enable them to focus on matters that meet the threshold for criminal investigations”.
Justice minister Sarah Sackman said it is “welcome news” the Met will now be focusing on crimes such as phone snatching, mugging, antisocial behaviour and violent crime.
Asked if other forces should follow the Met’s decision, she said: “I think that other forces need to make the decisions that are right for their communities.
“But I’m sure that communities up and down the country would want that renewed focus on violent crime, on antisocial behaviour, and on actual hate crime.”
The Met said it will still record non-crime hate incidents to use as “valuable pieces of intelligence to establish potential patterns of behaviour or criminality”.
Bob Vylan’s frontman has said he does not regret chanting “death, death to the IDF” at Glastonbury – and would do it again.
The outspoken punk duo sparked controversy with their performance at the festival in June, with the broadcast also leading to fierce criticism of the BBC.
But speaking on The Louis Theroux podcast, Bobby Vylan said he stood by the chant, adding: “I’d do it again tomorrow, twice on Sundays.”
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BBC bosses grilled over Masterchef, Bob Vylan and Gaza documentary
Vylan claimed this backlash is “minimal” compared with what the people of Palestine are going through – with many losing members of their family or forced to flee their homes.
He said: “If I have their support, they’re the people that I’m doing it for, they’re the people that I’m being vocal for, then what is there to regret. Oh, because I’ve upset some right-wing politician or some right-wing media?”
The musician revealed he was taken aback by the uproar caused by the chant, which was described by the prime minister as “appalling hate speech”.
Vylan added: “It wasn’t like we came off stage, and everybody was like (gasps). It’s just normal. We come off stage. It’s normal. Nobody thought anything. Nobody. Even staff at the BBC were like: ‘That was fantastic! We loved that!'”
A spokesperson at Mindhouse Productions – which was founded by Theroux and produces The Louis Theroux podcast – told Sky News: “Louis is a journalist with a long history of speaking to controversial figures who may divide opinion. We would suggest people watch or listen to the interview in its entirety to get the full context of the conversation.”
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Theroux asked Vylan what he meant by chanting “death to the IDF” – with the musician replying: “It’s so unimportant, and the response to it was so disproportionate.
“What is important is the conditions that exist to allow that chant to even take place on that stage. And I mean, the conditions that exist in Palestine. Where the Palestinian people are being killed at an alarming rate.”
He said he wanted an end to the oppression that the Palestinian people are facing – but argued chanting “end, end the IDF” wouldn’t have caught on because it doesn’t rhyme.
“We are there to entertain, we are there to play music,” Vylan added. “I am a lyricist. ‘Death, death to IDF’ rhymes. Perfect chant.”
He went on to reject claims that their set had contributed to a spike in antisemitic incidents that were reported a couple of days later.
“I don’t think I have created an unsafe atmosphere for the Jewish community. If there were large numbers of people going out and going like ‘Bob Vylan made me do this’. I might go, ‘oof, I’ve had a negative impact here’.”
Vylan’s conversation with Theroux was recorded on 1 October – before the Manchester synagogue attack, and prior to the ceasefire in Gaza coming into effect.
A security guard jailed for plotting to kidnap, rape and murder TV star Holly Willoughby has lost an appeal against his life sentence.
Gavin Plumb was sentenced to life with a minimum term of 16 years last year after being convicted of soliciting murder and encouraging or assisting others to rape and kidnap.
A trial at Chelmsford Crown Court heard that police found bottles of chloroform and an “abduction kit” with cable ties when officers raided the 38-year-old’s flat in Harlow, Essex.
Plumb’s kidnap plan involved attempting to “ambush” Willoughby at her family home, jurors heard.
Plumb argued in his defence that it was just online chat and fantasy.
Image: Police believed Plumb was an ‘imminent threat’ to Holly Willoughby. Pic: PA
He was caught after an undercover police officer in the US infiltrated an online group called Abduct Lovers.
He told the officer, who used the pseudonym David Nelson, that he was “definitely serious” about his plot to kidnap the former This Morning host, leaving him with the impression that there was an “imminent threat” to Willoughby.
Due to the officer’s concern over Plumb’s post, evidence was passed to the FBI, who then contacted police in the UK.
Willoughby, who asked for her victim personal statement to be private, waived her right to anonymity in connection with the charge against Plumb of assisting or encouraging rape.
This breaking news story is being updated and more details will be published shortly.