An actress who worked in a film directed by Noel Clarke said she felt “shell-shocked” when he asked her to “bend over further” during a scene where she was naked from the waist down, the High Court has heard.
The woman, known only as Mila, gave evidence on Thursday in Clarke’s legal case against Guardian News and Media (GNM).
Mila told the court that although she felt uncomfortable about filming the nude scene, she needed the work.
In her witness statement, she said: “Noel was telling me to bend over, repeating things like ‘bend over further, come on’, and ‘do it properly’.
“I was clearly very uncomfortable and resisting doing this, I was doing the strip tease as requested and this extra request did not feel necessary.
“He repeated these comments until I bent over further and further until I was bent completely over with my bum in the air.”
Mila added that she felt “hugely embarrassed, blindsided and shell shocked” by the filming.
Mila also said that while Clarke’s tone “might have sounded jovial to some, it was very persistent”.
Philip Williams, for Clarke, asked her: “Noel’s tone was encouraging and jovial, that is why you put it in, because others knew it was jovial.”
Mila replied: “He was masking his persistent direction.
“If he had been aggressive, or really, really shouting at me, that would have been hard to get away with.”
Clarke, 49, is suing the publisher of the Guardian newspaper over seven articles and a podcast, including an article in April 2021 that said 20 women who knew him professionally had come forward with allegations of misconduct.
He denies the allegations, while GNM is defending its reporting as being both true and in the public interest.
In Mila’s witness statement, she said she later worked on another project with Clarke, but this had no sex scenes.
Some time after this she received a message from Clarke “out of the blue”, asking if they could speak, she said.
Mila said that during the call he asked her if they “were cool” in relation to the first film they worked on.
The actress said in her statement: “I told him that I was not ok with it and that I had felt very uncomfortable at various points and that I would not let something like that happen to me again.
“Noel said he was sorry if he had made me feel uncomfortable.
“He was talking about how becoming a father had made him reflect and that he wanted to raise his sons to be upstanding young men. He said he was ringing round people to apologise.”
She added that he seemed “panicked” on the call, and it seemed to her that “his purpose was either fishing to see whether I was unhappy about his treatment of me on the film, or he was trying to cover his tracks in some way”.
Clarke’s denial
Clarke denies the allegations Mila has made, and in his witness statement, said: “The reiteration of the scene is highly distorted and exaggerated.
“This scene was not filmed to procure any kind of personal or sexual gratification, nor was that ever the intention.”
He added: “I did not comment in the way pleaded, and did not ask Mila to bend over in any way which made her uncomfortable, or in a way which was not true to the script.”
In relation to the phone call, Clarke said he got in contact with Mila after being made aware of comments she had made about her experience filming the nude scene.
He added: “I apologised for any hardship she may have felt or if, in retrospect, Mila felt uncomfortable.
“I confirmed that no untoward behaviour had been engaged in, and reassured her that protocol had been followed by the crew at all times.
“Mila accepted my apology, admitting that in retrospect, she had changed her mind about her involvement in the scene, and felt uncomfortable taking part in an explicit scene.”
The hearing before Mrs Justice Steyn is due to conclude in April, with a decision expected in writing at a later date.
Becks, Goldenballs and now officially Sir David – football star David Beckham has received his knighthood from the King.
After years in the running following his OBE in 2003, the former England captain and Manchester United star has now been honoured for his services to sport and charity at an investiture ceremony at Windsor Castle.
Nobel Prize-winning novelist Sir Kazuo Ishiguro and West End performer Dame Elaine Paige were also among the stars set to be recognised at the event.
Sir David, 50, who has described himself as a “huge royalist”, was last year named an ambassador for the King’s Foundation, an educational charity established by Charles in 1990.
The football star, who grew up in northeast London, made his Premier League debut for Manchester United in 1995 and was part of the team that earned a dramatic Champions League final victory in 1999 – when they beat Bayern Munich with two nail-biting late goals.
It was the year they famously won the treble, also taking home the Premier League and FA Cup silverware.
During his time with the club, Sir David scored 85 goals and collected honours including six Premier League titles and two FA Cups, before going on to play for clubs including Real Madrid, AC Milan, LA Galaxy, and Paris Saint-Germain.
He retired from the sport in 2013.
Alongside his football career, he is also known for his charity work, including serving as a goodwill ambassador for humanitarian aid organisation UNICEF since 2005.
Sir David’s wife Victoria, the Spice Girl turned fashion designer, joined him at the ceremony. The couple married in 1999 and have four children together – Brooklyn, Romeo, Cruz and Harper.
American actress and Wild at Heart star Diane Ladd has died aged 89.
Laura Dern, Ladd’s daughter who is also an actress, announced her mother’s death on Monday.
Ladd was a triple Academy Award nominee for her supporting roles in Alice Doesn’t Live Here Anymore, Wild at Heart and Rambling Rose.
She also starred in 1973 film White Lightning and HBO’s Enlightened in 2011 with her daughter. Often, they played mother and daughter together.
For the 1991 drama Rambling Rose they were the first, and only, mother and daughter duo to receive Oscar nominations for the same film in the same year.
Image: Diane Ladd pictured with daughter Laura Dern, holding her award for Enlightened in 2012. Pic: Reuters
‘She doesn’t care what anybody thinks’
Ms Dern, who starred in Jurassic Park, said of her mother in 2019: “She is just the greatest actress, ever. You don’t even use the word brave because she just shows up like that in life. She doesn’t care what anybody thinks.
“She leads with a boundarylessness.”
In 2023 they released a joint memoir together titled Honey, Baby, Mine: A Mother and Daughter Talk Life, Death, Love.
The book was based on their conversations together during daily walks after Ladd was given only months to live, after she was diagnosed with lung disease.
Ms Dern said at the time: “The more we talked and the deeper and more complicated subjects we shared, my mother got better and better and better.
“It’s been a great gift.”
Ladd was married three times and worked into her 80s.
Culture lovers have long believed in the healing power art. Now, science has caught up, with new research showing it has measurable benefits on the body.
A study from King’s College London has found that looking at original artworks, in a gallery, doesn’t just lift us emotionally – it also has a positive impact on our physical health.
Fifty people aged between 18 and 40 were shown art by a selection of leading 19th-century artists: Toulouse-Lautrec, Manet, van Gogh and Gauguin.
Image: Henri de Toulouse-Lautrec (1864 – 1901), Jane Avril in the Entrance to the Moulin Rouge (c. 1892)
Image: Édouard Manet (1832 – 1883), Banks of the Seine at Argenteuil (1874)
Image: Édouard Manet (1832 – 1883), A Bar at the Folies-Bergere (1882)
Image: Vincent van Gogh (1853 – 1890), Self-Portrait with Bandaged Ear (1889)
Image: Paul Gauguin (1848 – 1903), Te Rerioa (The Dream) (1897)
Participants viewed five paintings for three minutes each, in a 20-minute session.
But while half viewed the original paintings in the Courtauld Gallery in London, the others looked at reproductions in a neutral setting.
Their heart rates and skin temperature were measured with research-grade digital watches to indicate levels of interest and arousal, and saliva samples were taken with swabs before and after the session to measure stress hormones.
The results in those looking at the results in the gallery were significant, and immediate: The stress hormone cortisol fell by 22% and inflammatory markers linked to health problems including heart disease, diabetes and depression were reduced by as much as 30%.
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No change was observed in the reproduction group.
Image: Dr Tony Woods, researcher at King’s College London
Dr Tony Woods of King’s College London, who was the study’s lead researcher, told Sky News: “The magnitude of the difference between being in here and looking at the real art, looking at the copies in the laboratory, the difference between the two participant groups was quite enormous.”
It’s good news for the NHS, which is increasing its use of social prescribing, which can include visits to galleries.
Dr Woods went on: “The government’s health strategy is all about prevention. And this is a gift to [Health Secretary] Wes Streeting. Art is very well worth investing in because of the return on investment – it will keep people out of hospitals.”
Over one and a half million people in the UK accessed social prescribing between September and August this year across the UK, and NHS England told Sky News their ambition is to make it available to every person in England.
Dr Woods says the next steps of the study will be to find out how long the positive effects last, and research further into the effects of art on older participants.
Russell Tovey, actor, art lover and co-host of Talk Art, chatted to Sky News about his favourite piece at the gallery – van Gogh’s Self-Portrait with Bandaged Ear (1889).
Image: Talk Art podcast hosts Russell Tovey and Robert Diament
Tovey jokes: “Look at this painting here. It’s quite a troublesome picture, especially for me with my ears…
“But you can look at the surface and the way that he makes brushstrokes and the scale of the things and the colour he used. And you think about his life at the time and where he was living, and all those questions and answers will reveal the painting.”
Tovey adds: “Art is intrinsic to humanity,” and “shows us who we are”.
And now with the new findings, the hope is that gallery visits will be considered just as good as your ‘five-a-day’.
Tovey goes on: “It’s good for your health, it’s beneficial to your mental health and to your wellbeing to be in a museum and to be around art…
“If you eat well, go to the gym and go to a regular art gallery visit, then your health will be through the roof.”
Tovey’s podcast co-host, gallery owner Robert Diament, agrees: “I think it’s really important just to slow down a bit. Going to a museum or gallery can be part of your self-care routine… It will improve your life.”
Amid rising costs, reduced funding and dwindling visitor numbers, the findings could also provide a boost to galleries.
Jenny Waldman, Art Fund director, told Sky News: “These museums and galleries were set up in all cities and towns by people, you know, hundreds of years ago, who felt that it was good for people. So, this is the evidence, finally, that they were right.”
Image: Jenny Waldman, Art Fund director
The national charity for museums and galleries, Art Fund champions art around the country, with initiatives including the National Art Pass which offers free or discounted entry to hundreds of museums, galleries and historic places around the UK.
So, what do gallery visitors think of the news that their time looking at art will positively impact their wellbeing?
Charlie, 10, from London said: “It makes me feel quite calm, and it draws me in.”
His dad Patrick, who had brought Charlie with his two young brothers to see the exhibition, added: “Looking at them on screens, or even in books, you just don’t get the full impression.”
Taeseok, an arts student from Amsterdam visiting the UK for the first time, said it felt good to stand and focus on just one thing, with no distractions. He summed it up: “Things around you start to not matter at all… It’s just you and the artwork.”
Re-framed as a course of treatment instead of an indulgent pastime, could the hard edge of science change the role galleries play in society?
If so, it could be a fitting reminder to the government of the true power of art, at a time when so many institutions are struggling to survive.