Disney’s use of CGI to create the seven miners at the heart of the live-action remake of Snow White And The Seven Dwarves has left little people feeling “disregarded” and “erased,” according to a disability activist.
Comedian, model and content creator Fats Timbo, who has spoken about being bullied as a child, told Sky News she believes Disney has missed a golden opportunity to educate children in what is likely to be their first encounter with someone with dwarfism.
Image: Fats Timbo is a comedian, model, author and content creator
Timbo, who has dedicated her activism to raising the profile of people of short stature, has achondroplasia, a genetic condition that inhibits growth and affects around one in 27,500 people.
Award-winning actor Peter Dinklage, who has the same condition, previously criticised the film, telling the WTF With Marc Maron podcast: “It makes no sense to me. You’re progressive in one way, but then you’re still making that f***ing backward story about seven dwarves living in a cave together?”
Following the remarks, Disney said it consulted with members of the dwarfism community to “avoid reinforcing stereotypes from the original animated film”.
It was the 1937 classic that established Disney’s name as an industry leader. But the remake has been beset by controversy.
Early on it was labelled “woke” due to its casting of Latina actress Rachel Zegler, who is of Colombian-Polish descent, in the lead role.
Zegler also faced backlash after suggesting the early version of the film had content that was unsuitable for the 21st century – namely the fact the prince “literally stalks” Snow White.
There was then speculation as to whether Zegler and Israeli actress Gal Gadot, who plays the evil queen, got on as they have previously expressed very different views over the Gaza war.
Image: Pic: Disney
Image: Gal Gadot as the evil queen. Pic: Disney
Not dwarves but ‘animated magical creatures’
Now the erasing of the dwarves – first from the title, then from the film, at least in human form – is proving highly divisive.
Disney used computer-generated images (CGI) to create what they called “animated magical creatures” rather than using little people in the roles.
Timbo tells Sky News: “Our representation is already small as it is – no pun intended. It’s already limited. To erase that and use CGI, like we’re mythical creatures or people that could be made on computers, it’s disregarding us in general.”
She goes on: “Let’s say kids have never seen somebody that has my condition and they’ve seen a CGI version of me. It’s going to be a bit baffling to children. It could have been a real educational piece to have actors that have the condition and give them the role they deserve.”
Timbo says lack of visibility for small people has real-world consequences.
“I used to get made fun of all the time. [Kids would be] saying ‘You’re one of the dwarves from Snow White,’ that kind of thing. I think now when somebody sees a little person, they’re not going to believe it’s real. They’re going to see that CGI version on Snow White instead of seeing a real little person that has real character with real depth.”
Image: Timothee Chalamet and Hugh Grant in Wonka. Pic: Warner Bros Pictures
‘Snow White And The Little People’
Timbo says other children’s films were also used to taunt her, including Charlie And The Chocolate Factory: “The Oompa Loompas – I got called that all the time.”
In the Snow White remake, Martin Klebba voices CGI Grumpy, while George Appleby has a physical character, playing one of a band of seven robbers – both actors are little people.
But the decision not to use people of small stature to play all seven dwarves on-screen has left many scratching their heads.
And it’s not the first time small people have been edited out of movies.
Charlie And The Chocolate Factory’s 2023 re-make, Wonka, used special effects to shrink down Hugh Grant to play an Oompa Loompa, while 2012 film Snow White And The Huntsman replaced its dwarves with able-bodied actors Ian McShane, Ray Winstone and Nick Frost.
Not a fan of the term dwarfism, Timbo says she thinks Disney would also have done well to tackle the title differently, too: “If they had put a different spin on it where it was Snow White And The Little People, that would have sounded great.”
She says that in an attempt to avoid controversy, Disney chose “the safe option” of simply cutting the physical roles completely, and letting CGI fill the void.
It’s a decision Timbo calls “upsetting,” due to the fact it “reaffirms the negative stereotypes of little people not being actual people”.
Image: Pic: Disney
Disney’s poisoned apple
Timbo’s 2023 book Main Character Energy, about living fearlessly in the face of adversity, seems like it could be a good read for the bosses of Disney right now, as they face growing criticism over the decision.
With a muted release (no Leicester Square premiere, and a limited LA debut) it’s been a less-than-fairytale opening for a movie which had been intended to rival the success of 2017 remake Beauty And The Beast. Many might say it has turned into something of a poisoned apple.
Proving controversial and polarising, the response couldn’t be more removed from Disney’s brand proposition if it tried. Early reviews are so far mixed.
Timbo says she will give the movie a shot: “I want to see if it lives up to the hype or the bad press.”
Box office figures and audience ratings will soon deliver a verdict, and Timbo remains generous despite reservations: “I want it to surprise me, I want to enjoy it… I hope it does do well. But obviously, I think Disney could have done things a bit differently.”
It is “pretty surreal”, Academy Award winner Reese Witherspoon admits, finding herself at the top of The New York Times bestsellers list.
When I meet the actress alongside her co-writer, best-selling author Harlan Coben, overnight the pair have learned that their thriller is now at number one.
He jokes: “I was texting her last night and saying you’ll now have to call yourself number one bestselling novelist, forget about Oscar winner!”
Image: Reese Witherspoon and Harlan Coben told Katie Spencer about their novel Gone Before Goodbye
As one of the most successful authors in the world, Coben has sold over 80 million books to date, while for Witherspoon this is new ground.
Not content with running a hugely successful production company responsible for a string of hits, as well as one of the most successful book clubs in the world, she explains she felt compelled to give writing a try.
“People want you to stay in your lane… as a creative person I think it’s impossible to just choose one kind of life.
“Creativity is infinite and who I was as a creative person when I was 20 is very different from the person I am now at 49.”
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Gone Before Goodbye, a thriller about a talented surgeon who finds herself caught up in a deadly conspiracy, is the result of Witherspoon daring to put her head above the parapet.
Image: Witherspoon says she felt compelled to give writing a try
Coben admits he was “a little wary” at first.
“I don’t co-write novels but when she made the pitch and started talking about it, I was like ‘dang that’s good, we can do something with that’.”
While countless celebrities work with ghostwriters, Coben says: “I said to her from day one ‘it’s only going to be you and me in here… no third person in here, I don’t do that’. So every word you [read] comes from Reese and me.”
Image: Coben has sold over 80 million books to date, while for Witherspoon this is new ground
Witherspoon explains: “He was like ‘if we’re going to do this, it’s going to have to be at a really high level because people going to expect a lot, so our bar was really high.”
“I said to her, in the beginning, novels are like a sausage,” Coben laughs. “You might like the final taste, but you don’t want to see how it was made and Reese got to see the full sausage getting made here.”
When it came to writing, Coben says they “fell into a rhythm right away”, working together in three-hour stints, “back and forth with a yellow legal pad – what about this? What about that?”
Image: Coben says they ‘fell into a rhythm right away’
Witherspoon says it “feels really deeply personal” to have their work now in print.
“Usually, as an actor, I walk into other people’s worlds and it’s already set up… but this was creating the whole world with Harlan and just from beginning to end feels very personal.”
While the story seems an obvious fit for being adapted to the screen, perhaps with a certain blonde actress in the leading role, Coben says that was never their intention.
“The biggest, biggest mistake novelists make when you write a book is to say ‘this would make a really great movie’. A book is a book, a movie is a movie, and we both focused on wanting this to be just a great reading experience.”
Given that their collaboration is already selling in big numbers, will the pair team up again to write a second?
Witherspoon says: “Let’s just see what people think of this one first.”
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Associate professor of neurology Dr Laura Stein told Sky’s US partner NBC News: ” The most well-described risk factors include a predisposition [family history of aneurysm], high blood pressure, cigarette smoking and inflammation.”
She went on to explain that most fatal ruptured aneurysms are in the brain, killing about one in three patients.
“When it’s a blood vessel that’s in the head and it bleeds, there’s a much higher risk of having a very bad problem just because the brain is enclosed in a fixed space,” Dr Stein added.
Low-risk aneurysms are monitored by doctors for growth or abnormalities, and there are a series of potential treatment options for those considered dangerous.
Elsewhere in The Kardashians clip, Kim admitted that her ex-husband Kanye West will be in her life “no matter what” because of the four kids they share together.
Manchester Pride has been put into voluntary liquidation – and the future of the event is now in doubt.
Artists and suppliers are owed money following this year’s event, according to an Instagram statement issued by Pride’s board of trustees.
Pride’s organisers cited rising costs, declining ticket sales and an unsuccessful bid to host Euro Pride as factors behind the decision.
The organisation is a charity and limited company that campaigns for LGBTQ+ equality and offers training, research, policy analysis, advocacy and outreach activities, as well as putting on the annual parade and live event.
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The statement said: “It is with enormous sadness that we announce that Manchester Pride has started the legal process of voluntary liquidation.
“A combination of rising costs, which are affecting the entire events and hospitality industries, declining ticket sales and an ambitious refresh of the format aimed to challenge these issues, along with an unsuccessful bid to host Euro Pride, has led to the organisation no longer being financially viable.
“We regret the delays in communicating the current situation; however, we were keen not to jeopardise financial opportunities while our discussions were ongoing.
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“We were proactive and determined to identify solutions to the financial issues. We’ve been actively working with several partners, including legal and financial advisors, to do everything we could to find a positive solution.
“We had hoped to be able to find a way to continue, and, most importantly, to support our artists, contractors and partners.
Image: A scene from Manchester Pride 2024. The future of the event is in doubt. Pic: AP
“Despite our best efforts, sadly, this has not proved to be possible. We are sincerely sorry for those who will now lose out financially from the current situation.
“The volunteer board of trustees are devastated at this situation and sad to share that our staff team will be made redundant.
“We, along with the team, have put our hearts and souls into the celebration and community activities over two decades and are very distressed at the position in which we find ourselves.”
“The Manchester Pride team have now handed over the details of suppliers and artists who are owed money to the liquidators who will be handling the affairs of the charity and contacting everyone.”