Grand Theft Auto VI is the most anticipated game of the year.
The long-awaited sequel by developer Rockstar Games is expected in the autumn – 12 years on from the record-breaking GTA V.
While gamers excitedly await its release, the industry itself is buzzing with anticipation over rumblings the base game could command a premium $100 (about £80) price point and still achieve colossal sales.
Setting this precedent could lead to other game publishers wanting a slice of the action by increasing their own starting prices.
However, the GTA series boasts two winning ingredients that some other games do not have – brand power and fan loyalty.
Image: Gamers queuing up outside a Game store in London for the release of GTA V in 2013. Pic: PA
Expert research analyst Michael Pachter told Sky News he believes Rockstar and parent company Take-Two Interactive Software will be able to charge $100 with little complaint.
Mr Pachter, a managing director at US-based Wedbush Securities, highlighted the rising cost of entertainment since GTA V was released in September 2013.
More on Edinburgh
Related Topics:
He said: “Realistically, video games are the only form of entertainment that hasn’t kept up pricing with inflation.
“Look at movie tickets, concerts, Disneyland, video on demand (VOD) – all have doubled.”
Mr Pachter said the key to “charging” more is to justify the value to the consumer.
He explained: “I expect GTA VI to be fully integrated with GTA Online, and Rockstar can offer premium edition purchasers $100-worth of in-game items – currency, skins, vehicles, weapons, etc – as a trade-off for the higher price point.
“The level of integration will make the in-game items more valuable, and I don’t expect a lot of pushback.
“I think $100 or so makes sense, and don’t expect that we will ever see a $500 game.”
Image: The GTA V release in California. Pic: Reuters
If history repeats itself, GTA Online will be the moneymaker.
The persistent online world offers endless monetisation opportunities – with gamers enticed to splash out on new vehicles, weapons, properties, businesses and cosmetic upgrades.
Mr Pachter said GTA VI’s integration with its online offering provides an “excuse” for engaged players to spend more money.
He added: “Some players will spend an additional $500 and most won’t, but those who spend more than $100 will do so if they perceive there is value derived from the purchase.”
Image: The Rockstar North studio in Edinburgh. Pic: Thomas Ortega/iStock
The GTA series – which was created in Dundee, Scotland – is one of the biggest franchises in the industry.
GTA V became the fastest entertainment product in history to make $1bn (in its first three days) and has since sold more than 210 million copies worldwide.
Developer Rockstar North (formerly DMA Design), based in Edinburgh, has achieved additional success by collaborating with fellow studio Rockstar San Diego on the Red Dead Redemption games.
When GTA V made its debut, it launched on PlayStation 3 and Xbox 360. That was two consoles ago, with the new game set to arrive via PlayStation 5 and Xbox Series X/S.
AAA (Triple-A) games – big budget, high-profile productions – are now taking longer to make as gamers demand seamless multiplayer experiences, cross-device gaming capabilities, visually impressive graphics, and fully immersive storylines.
From the GTA VI trailer footage, players will be returning to the Miami-flavoured metropolis of Vice City in the fictional state of Leonida.
YouTube
This content is provided by YouTube, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable YouTube cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to YouTube cookies.
To view this content you can use the button below to allow YouTube cookies for this session only.
The Bonnie and Clyde-style story is set to include the first playable female character in the series’ history.
GTA has always poked fun at American culture, with the nation’s past decade of politics like something out of the game.
GTA VI looks certain to continue the series’ tradition of satire, but the trailer also shows that no expense has been spared in regards to bringing the sun-soaked streets of Vice City to life.
The cost of creating a game can vary widely based on a multitude of factors, including the studio size, staff skill level, and development time.
Given the size of Rockstar’s workforce and the number of years the game has been in development, Mr Pachter believes the cost of GTA VI “is highly likely to be nearly $1bn”.
Mr Pachter said: “They spent this much time because they can, and the scope of the game is typically immense.”
Rockstar has so far remained tight-lipped over its budget and whether GTA VI is indeed the most expensive video game ever made.
Not easy to share games in a digital download age
The gateway toy that sparked my love for gaming was the Tomytronic Shark Attack 3D device.
It was the early 1980s and I’d received the binocular-style game for Christmas.
I soon upgraded to the ZX Spectrum, and as the years have passed I’ve been fortunate to enjoy many of the consoles released via Nintendo, PlayStation and Xbox.
Let me be clear, I’m a console gamer. If I had the spare money and patience, maybe I would build my own gaming PC – but I don’t see that in my future.
I love the GTA series and rank Rockstar Games’ Red Dead Redemption, L.A. Noire, Bully (Canis Canem Edit) and The Warriors amongst my top favourites.
Although the GTA games are meant for adults, I expect many youths across the UK will either want it on day one or will add it to their Christmas list.
Rolling back to when I was in primary school, I was able to borrow ZX Spectrum games from the local library.
My friends and I would share these around between ourselves, and in later years we would continue to swap our own Nintendo, PlayStation and Xbox games.
This meant that someone like myself – who didn’t come from money – was able to play a game I otherwise wouldn’t have been able to afford.
I highlight this because some of the newer consoles don’t have a disc drive, and most games are now bought and downloaded digitally.
I certainly don’t begrudge the price of video games rising to ensure a good quality product, but by making it more difficult to share them with friends is a hindrance.
With the cost of living crisis affecting households right across the UK, there may be parents who do not have the money to buy a new game on release or even while on sale for their children.
Speaking from experience, some of my greatest gaming nights have been round at friends’ houses watching them play their new game while having a little go myself.
You see, that’s the beauty of the gaming community – it’s a supportive sharing space where we want to see everyone join in on the fun.
After COVID all but wiped out trips to see a movie on the silver screen, film studios are now having to contend with the cost of living crisis and audiences preferring to wait for digital releases instead of spending money at the cinema.
For those concerned about a $100 starting point for GTA VI, or indeed if it becomes the new standard for video games, Mr Pachter is advising to similarly wait it out.
He said: “Like theatrical releases, game prices decline over time.
“Rockstar can charge $100 for six months, can drop to $70 for six months, then drop periodically thereafter.
“Nobody has to ‘afford’ $100; they all know they can wait.”
Even if GTA VI fans do wait it out for a cheaper price or for it to potentially drop via Xbox Games Pass, Mr Pachter is confident that will not affect Rockstar’s overall success.
He said: “There is no question they will sell 100 million copies – or more – eventually.”
Image: Pic: Reuters
So, while there is little doubt all eyes will be on GTA VI’s launch, the lasting question is whether other studios will attempt to follow suit if we do indeed see a price rise.
But a word to the wise, there are few games with a legacy as formidable as GTA and any price increase may turn out to be the exception rather than the rule.
As career criminal and former bank robber Trevor Philips (GTA V character) nicely put it: “I said something nice, not expensive.”
Irish band Kneecap have had a meteoric rise in the music industry, with tens of millions of streams on Spotify alone and widespread critical acclaim.
The trio’s genre-bending rap/hip hop tracks, performed in a mixture of English and Irish-language, have clearly resonated with a mainstream audience, but their many controversial moments – some of them seemingly intentional – have helped them hit such heights.
Here’s what you need to know about the band and their most notorious moments.
Who’s in the band?
The group is made up of three friends from Belfast: Mo Chara (Liam Og O Hannaidh), Moglai Bap (Naoise O Caireallain) and DJ Provai (JJ O Dochartaigh).
The latter is a former teacher who still wears a balaclava, initially to disguise himself from his students when the band started out in 2017.
Image: Kneecap performing in Belfast last year. Pic: PA
They were controversial from the get-go – and seemingly by design.
More from Ents & Arts
Their debut track – CEARTA – is based on how band member Bap was stopped by police for spray-painting cearta, the Irish word for rights, on a bus stop.
Before fame, Bap and Chara, who have known each other for around 15 years, transformed a former youth club into party hub, where they would play their favourite tracks.
And it was through this venture into the club space that they later met DJ Provai.
The group called themselves Kneecap in reference to kneecapping, a common form of paramilitary punishment in Northern Ireland during The Troubles which sees someone shot or hit repeatedly on both knees.
From cult heroes to mainstream success
Kneecap released their first mixtape, 3cag, in 2018 to critical acclaim, and their 2019 single HOOD is their most streamed single to date.
Image: Kneecap played a headline-worthy set at Glastonbury
The band then ventured into the film industry with a self-titled biopic about their rise to prominence, set in post-Troubles Belfast, starring themselves alongside Irish actor Michael Fassbender.
Before its full release last summer, it had been the talk of various film festivals, including Tribeca in New York.
Speaking to Sky News at Glastonbury last year, the band said the reaction had been “crazy”.
Since then it’s got crazier, with the film getting six BAFTA nominations and earning its writer and director Rich Peppiatt a win for Outstanding Debut.
Image: Kneecap on the BAFTA Film Awards 2025 red carpet with film director Rich Peppiatt. Pic: PA
The band cracked the UK and are now following suit in the US, having sold out several shows there.
Court battle with the UK government
It would take a long time to cover all of Kneecap’s controversial moments; much of it is a part of their music itself.
They have been banned from Irish public service broadcaster RTE for their references to drug-taking.
But there have been some particularly high-profile incidents since 2024.
Image: Kneecap fans during the Electric Picnic Festival in 2022. File pic: PA
The first was their legal battle with the then-Conservative UK government, who blocked a grant for the band which was initially approved by the British Phonographic Industry.
The group’s application to the Music Export Growth Scheme, which supports UK-registered artists in global markets, was for £14,250, but Kemi Badenoch, then business secretary, stopped it.
At the time, a government spokesperson said it fully supported freedom of speech, but that it was “hardly surprising” it did not want to hand out UK taxpayers’ money to those opposed to the United Kingdom.
One of their most famous tracks had been 2019’s Get Your Brits Out, which had been criticised for being anti-British.
The trio have always denied this being the case.
Chara told Sky News after their Glastonbury set: “This is a thing that people love to spin, like we’re some anti-British band.
“We have English family. We have loads of good friends who call themselves British. It’s the British government we don’t like.”
Image: Left to right: Band members Mo Chara, DJ Provai and Moglai Bap. Pic: PA
DJ Provai said the band’s motivation was “equality”.
“For us, this action was never about £14,250; it could have been 50p,” he said, after the band said it would donate the funds to two Belfast charities.
“This was an attack on artistic culture, an attack on the Good Friday Agreement itself and an attack on Kneecap and our way of expressing ourselves.”
The member is alleged to have said: “The only good Tory is a dead Tory. Kill your local MP.”
Two British MPs have been murdered in the past 10 years – Labour’s Jo Cox in 2016 and Conservative Sir David Amess in 2021.
Please use Chrome browser for a more accessible video player
6:31
MPs daughter calls for Kneecap apology on The Sarah-Jane Mee Show
In a statement, Kneecap said they rejected “any suggestion that we would seek to incite violence against any MP or individual. Ever.”
They added: “An extract of footage, deliberately taken out of all context, is now being exploited and weaponised, as if it were a call to action.
“To the Amess and Cox families, we send our heartfelt apologies, we never intended to cause you hurt.”
Pro-Palestinian messages at gigs
The investigation into the MP comments was announced several days after the Met said it had referred a different video from a Kneecap gig to be reviewed by counter-terror police.
Footage from that gig, at London’s Kentish Town Forum last November, appeared to show one member of the group shouting “up Hamas, up Hezbollah”.
Hamas and Hezbollah are both proscribed as terrorist groups in the UK. Under Section 12 of the Terrorism Act 2000, it is an offence to express “an opinion or belief that is supportive of a proscribed organisation”.
The police say they are “assessing” both clips to “determine whether further police investigation is required”.
Kneecap have said they are facing a “co-ordinated smear campaign” after speaking out about “the ongoing genocide against the Palestinian people”.
Image: Kneecap fans at one of their concerts in 2022. File pic: PA
In their statement, they said: “Let us be unequivocal: we do not, and have never, supported Hamas or Hezbollah. We condemn all attacks on civilians, always. It is never okay. We know this more than anyone, given our nation’s history.
“Kneecap’s message has always been – and remains – one of love, inclusion, and hope. This is why our music resonates across generations, countries, classes and cultures and has brought hundreds of thousands of people to our gigs.”
Investigation comes after Coachella fallout
Just days before the police investigations were announced, TV personality Sharon Osbourne called for Kneecap’s US work visas to be revoked after accusing them of making “aggressive political statements” including “projections of anti-Israel messages and hate speech” at Coachella Music and Arts Festival.
As the band performed on the second night, they displayed words on the big screen reading: “Israel is committing genocide against the Palestinian people.
“It is being enabled by the US government who arm and fund Israel despite their war crimes. F*** Israel. Free Palestine”.
Israel’s ongoing offensive in Gaza, which came after Hamas gunmen launched an attack killing 1,200 people in Israel on 7 October 2023, has seen at least 52,000 people killed, according to the Gaza health ministry.
Speaking to Rolling Stone after Osbourne’s comments, Kneecap member Mo Chara said: “Her rant has so many holes in it that it hardly warrants a reply, but she should listen to War Pigs that was written by Black Sabbath [led by Ozzy Osbourne, her husband].”
He also told the outlet: “We believe we have an obligation to use our platform when we can to raise the issue of Palestine, and it was important for us to speak out at Coachella as the USA is the main funder and supplier of weapons to Israel as they commit genocide in Gaza.”
Kneecap has been continually outspoken in favour of Palestinians at gigs.
In November, DJ Provai arrived for the court verdict against the UK government in a vehicle bearing the Irish and Palestinian flags and blaring loud music.
A performance by Belfast rap trio Kneecap at the Eden Project has been cancelled.
It comes after a row in which one of the group appeared to call for Tory MPs to be killed and another appeared to shout “up Hamas, up Hezbollah” in historical footage of a gig.
A spokesperson for Eden Sessions, which organises the gigs at the Cornwall venue, said: “Eden Sessions Limited announced today that the Kneecap show at Eden Project scheduled for July 4, 2025 has been cancelled.
“Ticket purchasers will be contacted directly and will be fully refunded.
“The refund process will commence from Wednesday, April 30 2025. Refunds will be processed against the original payment cards used. Purchasers should allow six working days for funds to be received into their accounts.”
On Monday, the band apologised to the families of murdered MPs Sir David Amess and Jo Cox after footage emerged of one of its members appearing to say “kill your local MP”.
But Katie Amess, daughter of Sir David, dismissed their apology, accusing them of “deflection and excuses and gaslighting”.
In a statement posted on Instagram, the group, comprising Liam Og O Hannaidh, Naoise O Caireallain and JJ O Dochartaigh, said they “reject any suggestion that we would seek to incite violence against any MP or individual.
“Kneecap’s message has always been – and remains – one of love, inclusion, and hope. This is why our music resonates across generations, countries, classes and cultures and has brought hundreds of thousands of people to our gigs. No smear campaign will change that,” they added.
The footage had been “exploited and weaponised,” they said.
Their statement didn’t impress Ms Amess, however, who on Tuesday accused them of “gaslighting”, saying their comments were “absurd” and “not an apology”.
“They don’t understand what they’re talking about, they obviously aren’t educated enough in what they’re speaking about to think that they can use those excuses and everybody will be like, ‘oh, never mind, let’s move on to something else’. They haven’t taken any accountability.
“These words that they are using are extremely dangerous and they have not acknowledged that.
He said Downing Street “completely reject in the strongest possible terms the comments that they’ve made, particularly in relation to MPs and intimidation as well as obviously the situation in the Middle East.
Image: Sir David Amess. File pic: PA
Image: Jo Cox was murdered in 2016. Pic: PA
“It’s right that the police are looking into these videos.”
Mrs Badenoch said she thought they were apologising “because they realise that people don’t like the kind of things that they’ve been saying” and are “worried they’re going to lose their slot at Glastonbury“.
The Metropolitan Police are assessing footage from a November 2023 gig appearing to show one member of the group saying: “The only good Tory is a dead Tory. Kill your local MP.”, along with a video clip from a different concert in November 2024 in which a member of the band appeared to shout “up Hamas, up Hezbollah” – groups which are banned as terrorist organisations in the UK.
In Monday’s statement, Kneecap insisted they have “never supported” Hamas or Hezbollah.
Ministers also put pressure on the organisers of the Glastonbury Festival over the band’s inclusion in this year’s line-up.
In the Commons, security minister Dan Jarvis said ministers “would urge organisers of the Glastonbury Festival to think very carefully about who is invited to perform there later this year”.
This breaking news story is being updated and more details will be published shortly.
“Powerful individuals” at the BBC are making the lives of their colleagues “unbearable”, the corporation’s chairman has said, after a review into its workplace culture.
The independent report, sparked by the Huw Edwards scandal, was carried out by Change Associates, the same management consultancy that led a similar review in 2013, following the Jimmy Savile scandal.
BBC chairman Samir Shah told staff ahead of the report’s release on Monday morning: “There is a minority of people whose behaviour is simply not acceptable. And there are still places where powerful individuals – on and off screen – can abuse that power to make life for their colleagues unbearable.”
He said the report made recommendations to “prioritise action over procedural change”, as well as addressing “deep-seated issues” including staff not feeling confident enough to speak up.
Mr Shah added: “In the end, it’s quite simple: if you are a person who is prepared to abuse power or punch down or behave badly, there is no place for you at the BBC.”
While the review, which heard from around 2,500 employees and freelancers from 19 different countries, found no evidence of a toxic culture within the corporation, some staff said there was “a minority of people at the BBC – both on and off-air – who were able to behave unacceptably without it being addressed”.
The report said: “Even though they are small in number, their behaviour creates large ripples which negatively impact the BBC’s culture and external reputation.”
More on Bbc
Related Topics:
It said these people were “dotted across the organisation in different functions and departments”, and were “often in positions where power could be abused”.
While no specific names were mentioned in the report, it did note “some names were mentioned several times”.
Image: Huw Edwards was handed a six-month suspended jail sentence in September. Pic: PA
Some considered ‘indispensable’
One example of poor behaviour given included an “untouchable” presenter being “called out for exceptionally inappropriate language”. It said that while “a report was made” and sanctions promised, a senior manager who was in the room at the time of the incident was “perceived as deferring so as not to rock the boat”.
It said a blind eye could be turned to poor behaviours “when productions were award winning or attracting large audiences”.
The report went on to warn that, “at its worst”, the corporation “rewards” such individuals “by providing little or no consequence to their actions”.
It recognised that some of those displaying “unacceptable behaviour” were perceived as “indispensable” to the corporation, and that by moving “potentially vexatious issues” to formal grievance without appropriate due diligence, the BBC was “tolerating” the problem.
It also said that by keeping those who formally raised an issue “in the dark about progress and outcomes,” it was unfairly punishing them.
The BBC board has fully accepted the report and its findings, as has BBC management.
Image: BBC chairman Samir Shah. Pic: PA
BBC director-general Tim Davie called the report “an important moment for the BBC and the wider industry”.
He said the corporation would implement the recommendations “at pace”, making sure that BBC values are “lived and championed by the whole organisation each and every day.”
Actions being taken include:
• A strengthened code of conduct, with specific guidance for on-air presenters • A more robust disciplinary policy, with updated examples of misconduct and clear consequences • All TV production partners must meet Creative Industries Independent Standards Authority (CIISA) industry standards • A new “Call It Out” campaign to promote positive behaviour, empower informal resolution and challenge poor conduct • Clear pledges for anyone raising concerns, setting out what they can expect from the BBC
Further actions include succession planning for the most senior on-air roles, a new “resolving concerns helpline”, more training for managers and clearer behaviour expectations for freelancers.
A difficult year for the BBC
The BBC has been under pressure to act after a string of complaints against some of its top talent over the last 12 months.
Brand, who worked for BBC Radio 2 and 6 Music between 2006 and 2008, denies all allegations against him and says all his sexual encounters were consensual.
The BBC also apologised in January after a review found it “did not take adequate action” upon learning about concerns over former Radio 1 DJ Tim Westwood following claims of “bullying and misogynistic behaviour”.
And late last year, Greg Wallace stepped down from his presenting role on MasterChef after multiple historical allegations of misconduct.
Wallace’s lawyers have said it is “entirely false that he engages in behaviour of a sexually harassing nature”. Wallace has since said he is seeking “space to heal”.