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Seven years after allegations against him first emerged online, Harvey Weinstein is back in court.

When the accusations surfaced in late 2017, the American actress Alyssa Milano tweeted: “If all the women who have been sexually harassed or assaulted wrote ‘Me too’ as a status, we might give people a sense of the magnitude of the problem.”

This gave birth to what we now know as the #MeToo movement and a flood of women – famous and not – sharing stories of gender-based violence and harassment.

Weinstein was jailed in 2020 and has been held at New York’s notorious Rikers Island prison complex ever since.

Today, jury selection begins for the case against the 73-year-old, where the original charges of rape and sexual assault will be heard again.

Here we look at why there’s a retrial – and why he will likely remain behind bars – and what has happened to #MeToo.

Why is there a retrial?

Weinstein is back in court because his first two convictions were overturned last April and are now being retried.

In 2020 he was sentenced to 23 years in prison after being found guilty of sexually assaulting ex-production assistant Mimi Haley in 2006 and raping former actor Jessica Mann in 2013.

Miriam (Mimi) Haley arrives at court in New York in 2020. Pic: AP
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Miriam (Mimi) Haley arrives at court in New York in 2020. Pic: AP

Jessica Mann outside court in Manhattan in July 2024. Pic: AP
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Jessica Mann outside court in Manhattan in July 2024. Pic: AP

But in April 2024, New York’s highest court overturned both convictions due to concerns the judge had made improper rulings, including allowing a woman to testify who was not part of the case.

At a preliminary hearing in January this year, the former Hollywood mogul, who has cancer and heart issues, asked for an earlier date on account of his poor health, however, that was denied.

Film producer Harvey Weinstein arrives at New York Criminal Court for his sexual assault trial in the Manhattan borough of New York City, New York, U.S., February 5, 2020. REUTERS/Lucas Jackson
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Arriving at court for his original trial in New York in February 2020. Pic: Reuters

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When the retrial was decided upon last year, Judge Farber also ruled that a separate charge concerning a third woman should be added to the case.

In September 2024, the unnamed woman filed allegations that Weinstein forced oral sex on her at a hotel in Manhattan in 2006.

Defence lawyers tried to get the charge thrown out, claiming prosecutors were only trying to bolster their case, but Judge Farber decided to incorporate it into the current retrial.

Weinstein denies all the allegations against him and claims any sexual contact was consensual.

Why won’t he be released?

Even if the retrial ends in not guilty verdicts on all three counts, Weinstein will remain behind bars at Rikers Island.

This is because he was sentenced for a second time in February 2023 after being convicted of raping an actor in a Los Angeles hotel room in 2013.

Harvey Weinstein, who was extradited from New York to Los Angeles to face sex-related charges, listens in court during a pre-trial hearing, in Los Angeles, California, U.S., July 29, 2021. Etienne Laurent/Pool via REUTERS
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At a pre-trial hearing in Los Angeles in July 2021. Pic: Reuters

He was also found guilty of forcible oral copulation and sexual penetration by a foreign object in relation to the same woman, named only in court as Jane Doe 1.

The judge ruled that the 16-year sentence should be served after the 23-year one imposed in New York.

Weinstein’s lawyers are appealing this sentence – but for now, the 16 years behind bars still stand.

Has #MeToo made a difference – and what’s changed?

“MeToo was another way of women testifying about sexual violence and harassment,” Dr Jane Meyrick, associate professor in health psychology at the University of West England (UWE), tells Sky News.

“It exposed the frustration around reporting cases and showed the legal system was not built to give women justice – because they just gave up on it and started saying it online instead.

“That was hugely symbolic – because most societies are built around the silencing of sexual violence and harassment.”

Women on a #MeToo protest march in Los Angeles in November 2017. Pic: Reuters
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Women on a #MeToo protest march in Los Angeles in November 2017. Pic: Reuters

After #MeToo went viral in 2017, the statute of limitation on sexual assault cases was extended in several US states, giving victims more time to come forward, and there has been some reform of non-disclosure agreements (NDAs), which were regularly used by Weinstein.

This has resulted in more women speaking out and an increased awareness of gender-based violence, particularly among women, who are less inclined to tolerate any form of harassment, according to Professor Alison Phipps, a sociologist specialising in gender at Newcastle University.

“There’s been an increase in capacity to handle reports in some organisations and institutions – and we’ve seen a lot of high-profile men brought down,” she says.

“But the #MeToo movement has focused on individual men and individual cases – rather than the culture that allows the behaviour to continue.

“It’s been about naming and shaming and ‘getting rid’ of these bad men – by firing them from their jobs or creating new crimes to be able to send more of them to prison – not dealing with the problem at its root.”

Actress Alyssa Milano at the Emmy awards in September 2017. Pic: AP
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Actress Alyssa Milano tweeted about #MeToo when the Weinstein accusations surfaced. Pic: AP

Dr Meyrick, who wrote the book #MeToo For Women And Men: Understanding Power Through Sexual Harassment, gives the example of the workplace and the stereotype of “bumping the perp”, or perpetrator.

“HR departments are still not designed to protect workers – they’re built to suppress and make things go away.” As a result, she says, men are often “quietly moved on” with “no real accountability”.

The same is true in schools, Prof Phipps adds, where she believes concerns around the popularity among young boys of self-proclaimed misogynist and influencer Andrew Tate are being dealt with too “punitively”.

“The message is ‘we don’t talk about Andrew Tate here’ and ‘you shouldn’t be engaging with him’,” she says. “But what we should be doing is asking boys and young men: ‘why do you like him?’, ‘what’s going on here?’ – that deeper conversation is missing,” she says.

Weinstein in his heyday, pictured on a red carpet in 2015
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The former film producer on the red carpet in Los Angeles in 2015. Pic: AP

Have high-profile celebrity cases helped?

Both experts agree they will have inevitably empowered some women to come forward.

But they stress they are often “nothing like” most other cases of sexual violence or harassment, which makes drawing comparisons “dangerous”.

Referencing the Weinstein case in the US and Gisele Pelicot‘s in France, Dr Meyrick says: “They took multiple people over a very long period of time to reach any conviction – a lot of people’s experiences are nothing like that.”

Prof Phipps adds: “They can create an idea that it’s only ‘real’ rape if it’s committed by a serial sex offender – and not every person who perpetrates sexual harm is a serial offender.”

People take part in a gathering in support of 71-year-old Gisele Pelicot who was allegedly drugged by her ex-husband and raped by dozens of men while unconscious, Saturday, Sept. 14, 2024 in Paris. Placard reads, "support for Gisle Pelicot." (AP Photo/Michel Euler)
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A woman holds a ‘support Gisele Pelicot’ placard at a march in Paris during her husband’s rape case. Pic: AP

Gisele Pelicot. Pic: Reuters
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Gisele Pelicot outside court. Pic: Reuters

Part of her research has focused on ‘lad culture’ in the UK and associated sexual violence at universities.

She says: “A lot of that kind of violence happens in social spaces, where there are drugs and alcohol and young people thrown together who don’t know where the boundaries are.

“That doesn’t absolve them of any responsibility – but comparing those ‘lads’ to Harvey Weinstein seems inappropriate.”

Dr Meyrick says most victims she has spoken to through her research “wouldn’t go down the legal route” – and prosecution and conviction rates are still extremely low.

“Most don’t try for justice. They just want to be believed and heard – that’s what’s important and restorative,” she says.

But specialist services that can support victims in that way are underfunded – and not enough is being done to change attitudes through sex education and employment policy, she warns.

“Until we liberate men from the masculine roles they’re offered by society – where objectification of women is normalised as banter – they will remain healthy sons of the patriarchy.

“We need transformative, compassionate education for young men – and young women. That’s where the gap still is.”

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Ochuko Ojiri: Bargain Hunt expert charged as part of police investigation into terrorist financing

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Ochuko Ojiri: Bargain Hunt expert charged as part of police investigation into terrorist financing

An antiques expert from the TV show Bargain Hunt has been charged by police following an investigation into terrorist financing.

Oghenochuko ‘Ochuko’ Ojiri, 53, is accused of eight counts of “failing to make a disclosure during the course of business within the regulated sector”, the Met Police said.

The force said he was the first person to be charged with that specific offence under the Terrorism Act 2000.

Mr Ojiri, from west London, is due to appear at Westminster Magistrates’ Court on Friday.

It comes “following an investigation into terrorist financing” and relates to the period from October 2020 to December 2021, a police spokesperson said.

They added that the probe had been carried out in partnership with Treasury officials, HMRC and the Met’s Arts & Antiques Unit.

Mr Ojiri, who police described as an “art dealer”, has been on Bargain Hunt since 2019.

He has also appeared on the BBC‘s Antiques Road Trip programme.

In a statement, the BBC said: “It would not be appropriate to comment on ongoing legal proceedings.”

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Man accused of harassing Jennifer Aniston for two years before crashing car through gates of her home

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Man accused of harassing Jennifer Aniston for two years before crashing car through gates of her home

A man has been charged after allegedly harassing Hollywood actress Jennifer Aniston for two years before crashing his car through the front gate of her home, prosecutors have said.

Jimmy Wayne Carwyle, of New Albany, Mississippi, is accused of having repeatedly sent the Friends star unwanted voicemail, email and social media messages since 2023.

The 48-year-old is then alleged to have crashed his grey Chrysler PT Cruiser through the front gate of Aniston’s home in the wealthy Bel Air neighbourhood of Los Angeles early on Monday afternoon.

Prosecutors said the collision caused major damage.

Police have said Aniston was at home at the time.

A security guard stopped Carwyle on her driveway before police arrived and arrested him.

There were no reports of anyone being injured.

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Carwyle has been charged with felony stalking and vandalism, prosecutors said on Thursday.

He also faces an aggravating circumstance of the threat of great bodily harm, Los Angeles County district attorney Nathan Hochman said.

Carwyle, who has been held in jail since his arrest on Monday, is set to appear in court on Thursday.

His bail has been set at $150,000 dollars (£112,742).

He is facing up to three years in prison if he is convicted as charged.

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“My office is committed to aggressively prosecuting those who stalk and terrorise others, ensuring they are held accountable,” Mr Hochman said in a statement.

Aniston bought her mid-century mansion in Bel Air on a 3.4-acre site for about 21 million dollars (£15.78m) in 2012, according to reporting by Architectural Digest.

She became one of the biggest stars on television in her 10 years on NBC’s Friends.

Aniston won an Emmy Award for best lead actress in a comedy for the role, and she has been nominated for nine more.

She has appeared in several Hollywood films and currently stars in The Morning Show on Apple TV+.

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Giles Martin on AI plans: ‘It’s like saying you can burgle my house unless I ask you not to’

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Giles Martin on AI plans: 'It's like saying you can burgle my house unless I ask you not to'

Producer Giles Martin has said plans to allow AI firms to use artists’ work without permission, unless creators opt out, is like criminals being given free rein to burgle houses unless they are specifically told not to.

Martin, who is the son of Beatles producer George Martin and worked with Sir Paul McCartney on the Get Back documentary series and the 2023 Beatles track Now And Then, spoke to Sky News at a UK Music protest at Westminster coinciding with a parliamentary debate on the issue.

Under the plans, an exemption to copyright would be created for training artificial intelligence (AI), so tech firms would not need a licence to use copyrighted material – rather, creators would need to opt out to prevent their work from being used.

Creatives say if anything it should be opt-in rather than out, and are calling on the government to scrap the proposals and stop AI developers “stealing” their work “without payment or permission”.

Giles Martin at the 2025 Grammy Awards. Pic: Jordan Strauss/Invision/AP
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Giles Martin at the 2025 Grammy Awards. Pic: Jordan Strauss/Invision/AP

“If you create something unique it should be unique to you,” says Martin. “It shouldn’t be able to be harvested and then used by other people. Or if it is, it should be with your permission… it shouldn’t be up to governments or big tech.”

Sir Elton John and Simon Cowell are among the celebrities who have backed a campaign opposing the proposals, and Sir Paul has also spoken out against them.

“This is about young artists,” says Martin. “If a young Paul McCartney at the age of 20 or 22 wrote Yesterday, now… big tech would almost be able to harvest that song and use it for their own means. It doesn’t make any sense, this ruling of opting out – where essentially it’s like saying, ‘you can burgle my house unless I ask you not to’.”

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‘I’m not anti-AI – it’s a question of permission’

The Beatles’ track Now And Then was written and recorded by John Lennon in New York in the late 1970s, and AI was used to extract his vocals for the 2023 release. The Get Back documentary also used audio restoration technology, allowing music and vocals to be isolated.

The Beatles have released a music video to accompany the last “new” Beatles song.
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AI was used to release The Beatles’ track Now And Then in 2023. Pic: Apple Corps Ltd

“I’m not anti [AI], I’m not saying we should go back to writing on scribes,” Martin said. “But I do think that it’s a question of artist’s permission.”

Using AI to “excavate” Lennon’s voice was with the permission of the late singer’s estate, he said, and is “different from me getting a 3D printer to make a John Lennon”.

He added: “The idea of, for example, whoever your favourite artist is – the future is, you get home from work and they’ll sing you a song, especially designed for you, by that artist, by that voice. And it’ll make you feel better because AI will know how you’re feeling at that time. That’s maybe a reality. Whoever that artist is, they should probably have a say in that voice.”

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Crispin Hunt, of 1990s band The Longpigs, who also attended the protest, said “all technology needs some kind of oversight”.

“If you remove the ability for the world to make a living out of creativity, or if you devalue creativity to such an extent that that it becomes a hobby and worthless to do, then humanity in life will be far less rich because it’s art and culture that makes life richer,” he said. “And that’s why the companies want it for free.”

The Data (Use and Access) Bill primarily covers data-sharing agreements, but transparency safeguards were removed at committee stage.

Critics say changes need to be made to ensure that companies training generative AI models disclose whether work by a human creator has been used and protect creatives under existing copyright rules.

In February, more than 1,000 artists and musicians including Kate Bush, Damon Albarn, Sam Fender and Annie Lennox released a silent album in protest at the proposed changes.

At that time, a government spokesperson said the UK’s current rules were “holding back the creative industries, media and AI sector from realising their full potential – and that cannot continue”.

The spokesperson said they were consulting on proposals that better protect the “interests of both AI developers and right holders” and to deliver a solution “which allows both to thrive”.

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