Everything you need to know about Harvey Weinstein’s retrial – and why he still won’t be released from prison
Seven years after allegations against him first emerged online, Harvey Weinstein is back in court.
When the accusations surfaced in late 2017, the American actress Alyssa Milano tweeted: “If all the women who have been sexually harassed or assaulted wrote ‘Me too’ as a status, we might give people a sense of the magnitude of the problem.”
This gave birth to what we now know as the #MeToo movement and a flood of women – famous and not – sharing stories of gender-based violence and harassment.
Weinstein was jailed in 2020 and has been held at New York’s notorious Rikers Island prison complex ever since.
Today, jury selection begins for the case against the 73-year-old, where the original charges of rape and sexual assault will be heard again.
Here we look at why there’s a retrial – and why he will likely remain behind bars – and what has happened to #MeToo.
Why is there a retrial?
Weinstein is back in court because his first two convictions were overturned last April and are now being retried.
In 2020 he was sentenced to 23 years in prison after being found guilty of sexually assaulting ex-production assistant Mimi Haley in 2006 and raping former actor Jessica Mann in 2013.
Miriam (Mimi) Haley arrives at court in New York in 2020. Pic: AP
Jessica Mann outside court in Manhattan in July 2024. Pic: AP
But in April 2024, New York’s highest court overturned both convictions due to concerns the judge had made improper rulings, including allowing a woman to testify who was not part of the case.
At a preliminary hearing in January this year, the former Hollywood mogul, who has cancer and heart issues, asked for an earlier date on account of his poor health, however, that was denied.
Arriving at court for his original trial in New York in February 2020. Pic: Reuters
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When the retrial was decided upon last year, Judge Farber also ruled that a separate charge concerning a third woman should be added to the case.
In September 2024, the unnamed woman filed allegations that Weinstein forced oral sex on her at a hotel in Manhattan in 2006.
Defence lawyers tried to get the charge thrown out, claiming prosecutors were only trying to bolster their case, but Judge Farber decided to incorporate it into the current retrial.
Weinstein denies all the allegations against him and claims any sexual contact was consensual.
Why won’t he be released?
Even if the retrial ends in not guilty verdicts on all three counts, Weinstein will remain behind bars at Rikers Island.
This is because he was sentenced for a second time in February 2023 after being convicted of raping an actor in a Los Angeles hotel room in 2013.
At a pre-trial hearing in Los Angeles in July 2021. Pic: Reuters
He was also found guilty of forcible oral copulation and sexual penetration by a foreign object in relation to the same woman, named only in court as Jane Doe 1.
The judge ruled that the 16-year sentence should be served after the 23-year one imposed in New York.
Weinstein’s lawyers are appealing this sentence – but for now, the 16 years behind bars still stand.
Has #MeToo made a difference – and what’s changed?
“MeToo was another way of women testifying about sexual violence and harassment,” Dr Jane Meyrick, associate professor in health psychology at the University of West England (UWE), tells Sky News.
“It exposed the frustration around reporting cases and showed the legal system was not built to give women justice – because they just gave up on it and started saying it online instead.
“That was hugely symbolic – because most societies are built around the silencing of sexual violence and harassment.”
Women on a #MeToo protest march in Los Angeles in November 2017. Pic: Reuters
After #MeToo went viral in 2017, the statute of limitation on sexual assault cases was extended in several US states, giving victims more time to come forward, and there has been some reform of non-disclosure agreements (NDAs), which were regularly used by Weinstein.
This has resulted in more women speaking out and an increased awareness of gender-based violence, particularly among women, who are less inclined to tolerate any form of harassment, according to Professor Alison Phipps, a sociologist specialising in gender at Newcastle University.
“There’s been an increase in capacity to handle reports in some organisations and institutions – and we’ve seen a lot of high-profile men brought down,” she says.
“But the #MeToo movement has focused on individual men and individual cases – rather than the culture that allows the behaviour to continue.
“It’s been about naming and shaming and ‘getting rid’ of these bad men – by firing them from their jobs or creating new crimes to be able to send more of them to prison – not dealing with the problem at its root.”
Actress Alyssa Milano tweeted about #MeToo when the Weinstein accusations surfaced. Pic: AP
Dr Meyrick, who wrote the book #MeToo For Women And Men: Understanding Power Through Sexual Harassment, gives the example of the workplace and the stereotype of “bumping the perp”, or perpetrator.
“HR departments are still not designed to protect workers – they’re built to suppress and make things go away.” As a result, she says, men are often “quietly moved on” with “no real accountability”.
The same is true in schools, Prof Phipps adds, where she believes concerns around the popularity among young boys of self-proclaimed misogynist and influencer Andrew Tate are being dealt with too “punitively”.
“The message is ‘we don’t talk about Andrew Tate here’ and ‘you shouldn’t be engaging with him’,” she says. “But what we should be doing is asking boys and young men: ‘why do you like him?’, ‘what’s going on here?’ – that deeper conversation is missing,” she says.
The former film producer on the red carpet in Los Angeles in 2015. Pic: AP
Have high-profile celebrity cases helped?
Both experts agree they will have inevitably empowered some women to come forward.
But they stress they are often “nothing like” most other cases of sexual violence or harassment, which makes drawing comparisons “dangerous”.
Referencing the Weinstein case in the US and Gisele Pelicot‘s in France, Dr Meyrick says: “They took multiple people over a very long period of time to reach any conviction – a lot of people’s experiences are nothing like that.”
Prof Phipps adds: “They can create an idea that it’s only ‘real’ rape if it’s committed by a serial sex offender – and not every person who perpetrates sexual harm is a serial offender.”
A woman holds a ‘support Gisele Pelicot’ placard at a march in Paris during her husband’s rape case. Pic: AP
Gisele Pelicot outside court. Pic: Reuters
Part of her research has focused on ‘lad culture’ in the UK and associated sexual violence at universities.
She says: “A lot of that kind of violence happens in social spaces, where there are drugs and alcohol and young people thrown together who don’t know where the boundaries are.
“That doesn’t absolve them of any responsibility – but comparing those ‘lads’ to Harvey Weinstein seems inappropriate.”
Dr Meyrick says most victims she has spoken to through her research “wouldn’t go down the legal route” – and prosecution and conviction rates are still extremely low.
“Most don’t try for justice. They just want to be believed and heard – that’s what’s important and restorative,” she says.
But specialist services that can support victims in that way are underfunded – and not enough is being done to change attitudes through sex education and employment policy, she warns.
“Until we liberate men from the masculine roles they’re offered by society – where objectification of women is normalised as banter – they will remain healthy sons of the patriarchy.
“We need transformative, compassionate education for young men – and young women. That’s where the gap still is.”
Tom Hollander says he’s not worried about AI actors replacing real ones and thinks the creation of synthetic performers will only boost the value of authentic, live performance.
The 58-year-old plays entrepreneur Cameron Beck in The Iris Affair, a drama about the world’s most powerful quantum computer.
Dubbed “Charlie Big Potatoes” – it could eat ChatGPT for breakfast.
It’s a timely theme in a world where Artificial Intelligence is advancing at pace, and just last week, the world’s first AI starlet – Tilly Norwood – made her Hollywood debut.
Hollander is not impressed. He suggests rumours that Norwood is in talks with talent agencies are “a lot of old nonsense”, and questions the logistics of working with an AI actor, asking “Would it be, like a blue screen?”
Norwood – a pretty, 20-something brunette – is the creation of Dutch actor and comedian Eline Van der Velden and her AI production studio Particle6. It’s planning to launch its own AI talent studio, Xicoia, soon.
Hollander tells Sky News: “I’m perhaps not scared enough about it. I think the reaction against it is quite strong. And I think there’ll be some legal stuff. Also, it needs to be proven to be good. I mean, the little film that they did around her, I didn’t think was terribly interesting.”
The sketch – shared on social media and titled AI Commissioner – poked fun at the future of TV development in a post-AI world.
Stars including Emily Blunt, Natasha Lyonne and Whoopi Goldberg have objected to Norwood’s creation too, as has US actors’ union SAG-AFTRA.
Hollander compares watching an AI performer to watching a magic trick: “You know with your brain that you’re watching something that’s bullshit… If they don’t have to tell you, that would be difficult. But if they’ve told you it’s AI, then you’ll watch it with a different part of your brain.”
Pic: Sky Atlantic
Always screen-ready, with no ego and low salary requirements, Norwood is being billed as a studio’s dream hire. In line with Hollywood’s exacting standards for female beauty, she’ll also never age.
Hollander’s Iris Affair co-star Niamh Algar, who plays genius codebreaker Iris Nixon in the show, doesn’t feel threatened by this new kid on the block, poking fun at Norwood’s girl-next-door persona: “She’s a nightmare to work with. She’s always late. Takes ages in her trailer.”
But Algar adds: “I don’t want to work with an AI. No.”
She goes on, “I don’t think you can replicate. She’s a character, she’s not an actor.”
Pic: Sky Atlantic
Algar says the flaw in AI’s performance – scraped from the plethora of real performances that have come before it – is that we, as humans, are “excited by unpredictability”.
She says AI is “too perfect, we like flaws”.
Hollander agrees: “There’ll be a fight for authenticity. People will be going, ‘I refuse makeup. Give me less makeup, I want less makeup because AI can’t possibly mimic the blemishes on my face'”.
He even manages to pull a positive from the AI revolution: “It means that live performance will be more exciting than ever before…
“I think live performance is one antidote, and it’s certainly true in music, isn’t it? I mean, partly because they have to go on tour [to make money], but also because there’s just nothing like it and you can’t replace it.”
Algar enthusiastically adds: “Theatre’s going to kick off. It’s going to be so hot.”
Pic: Sky Atlantic
As for using AI themselves, while Hollander admits he’s used it recently for “a bit of problem solving”, Algar says she tries to avoid it, worrying “part of my brain is going to go dormant”.
Indeed, the impact of technology on our brains is a source of constant inspiration – and torture – for The Iris Affair screenwriter Neil Cross.
Cross, who also created psychological crime thriller Luther, tells Sky News: “We are at a hinge point in history.”
He says: “I’m interested in what technological revolution does to people. I have 3am thoughts about the poor man who invented the like button.
“He came up with a simple invention whose only intention was to increase levels of human happiness. How could something as simple as a like button go wrong? And it went so disastrously wrong.
“It’s caused so much misery and anxiety and unhappiness in the human race entire. If something as simple as a small like button can have such dire, cascading, unexpected consequences, what is this moment of revolution going to lead to?”
Indeed, Cross says he lives in “a perpetual state of terror”.
Supercomputer ‘Charlie Big Potatoes’. Pic: Sky Atlantic
He goes on: “I’m always going to be terrified of something. The world’s going to look very different. I think in 50 or 60 years’ time.
He takes a brief pause, then self-edits: “Probably 15 years’ time”.
With The Iris Affair’s central themes accelerating out of science fiction, and into reality, Cross’s examination of our instinctual fear of the unknown, coupled with our desire for knowledge that might destroy us is a powerful mix.
Cross concludes: “We’re in danger of creating God. And I think that’s the ultimate danger of AI. God doesn’t exist – yet.”
The Iris Affair is available from Thursday 16 October on Sky Atlantic and streaming service NOW
Entertainment
I Swear: The film fighting back against abuse and ‘cheap laughs’ at Tourette’s expense
When John Davidson was 10 years old, he experienced his first symptoms of Tourette syndrome – small facial tics and eye blinking.
By the time he was 13, the neurological condition was causing full-body movements so extreme he compares himself with the young heroine in horror film The Exorcist.
John tells Sky News: “There’s a scene where the girl’s on the bed and her whole body’s twitching about and screaming. That’s almost what it felt like. My tics became so extreme that I was hurting myself. I was pulling muscles. I was tired all the time.
“I would break down and cry so many times in a day because I was totally out of control. Something had completely taken over my mind and my body.”
John Davidson’s life story has been made into a film, with Robert Aramayo in the lead role. Pic: StudioCanal
Growing up in Galashiels in the Scottish Borders, John was repeatedly told his symptoms were in his head – or worse, intentional – when a chance meeting with a visiting junior doctor while in hospital led to a diagnosis.
Largely unheard of in the 1980s, today, high-profile figures including Scottish musician Lewis Capaldi and US star Billie Eilish have publicly spoken about living with Tourette’s.
Affecting more than 300,000 people in Britain, it’s more common than many think. One schoolchild in every hundred is estimated to be affected by the syndrome, according to NHS England.
While severity can range, there is currently no cure.
And while the University of Nottingham is working on a device which uses electrical pulses to suppress tic urges, the wristband – called Neupulse – is currently awaiting full medical approval.
John Davidson MBE, with his black Labrador Suki. Pic: StudioCanal
‘Medication turned me into a zombie’
Treated with drugs as a child, John suffered devastating side-effects: “Anti-psychotic medications turned me into a zombie. I’ve got probably about a two-year period in my teens where I have no real proper memories.”
Frustrated by the lack of support available to him growing up, John is now a Tourette syndrome campaigner, recognised for his work with an MBE.
But even that came with challenges unique to his condition. At the 2019 ceremony at Holyrood Palace, when collecting his award, John shouted “F*** the Queen” at Elizabeth II.
He says: “It was horrific for me. It was like the last thing I ever wanted to have to shout. And I think that’s the nature of the coprolalia, part of the condition, where it’s the worst possible thing you could say in that situation.”
Affecting a minority of the Tourette’s population, coprolalia is the involuntary utterance of socially inappropriate words or phrases.
While less common, it’s the feature of Tourette’s most often portrayed in the media.
John goes on: “It came as much of a shock to me as to everyone else, you know? But I’m the one in the moment having to deal with those emotions and feelings of wanting the ground to swallow me up. [Thinking] I don’t want to be here any more.”
Maxine Peake also stars in the film. Pic: StudioCanal
‘Living with it is absolutely awful’
Now, in a bid to tackle the stereotype, a film is being made about John’s life based on his 2025 memoir, with Game Of Thrones star Robert Aramayo playing the lead role.
No stranger to media exposure himself, John has appeared in numerous documentaries over the years, following on from the groundbreaking 1989 documentary about his life, John’s Not Mad. But it hasn’t always been a positive experience.
John says: “Every time they make a documentary, they make such a thing about the swearing part, which then stigmatises the condition because people are then left to assume that everyone with Tourette’s swears and shouts obscenities.”
In reality, coprolalia is not typical of the condition and only affects around one in 10 people with Tourette’s.
John acknowledges there is a comedic element to this: “When people think of uncontrollably swearing like that, it’s funny. ‘Oh my God’, you know, ‘shock, horror’. But for the one living with it, it’s absolutely awful.”
Scottish actor Peter Mullan with Robert Aramayo. Pic: StudioCanal
‘Let’s have sex!’
It’s a sentiment the film’s director echoes.
Kirk Jones first met John in 2022. Meeting him at his house to discuss the potential of making the film, John opened the door and, after inviting him in, shouted in his face: “Let’s have sex!”
His first introduction to John’s verbal ticks, the director admits it was a “steep learning curve”.
He tells Sky News: “There’s something about Tourette’s, which I don’t think has made it a very friendly or accessible condition. I think that’s down to the fact that people who have coprolalia come across as being aggressive or argumentative or difficult or upsetting people, and I think that’s unfair. They need as much support as anyone else.”
The director says it took him some time to gain John’s trust, showing he wanted to do more than just revisit tired stereotypes.
He says: “The Tourette’s community had been kind of abused in the past. They’ve been invited to appear on TV shows or radio or be in newspaper articles, under the guise of helping people to understand Tourette’s more. But what the TV channel or the radio show really wanted was just a cheap laugh.
“When I first met John and started talking about the idea of the film, he was understandably suspicious.”
Handing over some creative control, John is also an executive producer on the film.
Actor Francesco Piacentini-Smith as Murray. Pic: StudioCanal
‘When you laugh, it breaks the ice’
Now, at 54, and having lived with the condition for over 40 years, John believes people are becoming more tolerant of Tourette’s, but would love to see further acceptance.
“It’s about not being shocked. It’s not about being dead serious with a straight face. Feel free to laugh, because when you laugh, it breaks the ice.
“I wish people had the confidence to approach people with Tourette’s and just deal with it as if it was an everyday thing.”
The director, too, hopes the film will have a real-world impact and open people’s eyes to the reality of the condition.
He says: “I hope this film can play a small part in starting to refocus people’s attention on helping and supporting people rather than just laughing or mocking.”
I Swear is in UK and Irish cinemas from Friday 10 October.
Anyone looking for support or information about Tourette syndrome can access resources at Tourettes Action or Tourette Scotland for those living in Scotland.
Dolly Parton has declared she “ain’t dead yet” after her sister raised concerns about the singer’s health by asking people to pray for her.
“There are just a lot of rumours flying around. But I figured if you heard it from me, you’d know that I was okay,” the 79-year-old singer said in a new two-minute video posted on social media.
“I’m not ready to die yet. I don’t think God is through with me. And I ain’t done working,” she added.
In the footage, captioned “I ain’t dead yet!”, the 9 to 5 singer is seen on a set speaking directly to the camera.
On Tuesday, a Facebook post shared by her sister Freida Parton escalated concerns around Parton’s health when she wrote that she had been “up all night praying for my sister, Dolly”.
Hours later, Freida Parton followed up with a clarification. “I want to clear something up. I didn’t mean to scare anyone or make it sound so serious when asking for prayers for Dolly,” she wrote.
“She’s been a little under the weather, and I simply asked for prayers because I believe so strongly in the power of prayer.”
Dolly Parton during a concert in Nashville, Tennessee, in March. Pic: AP
Last month, Parton postponed her first Las Vegas residency in 32 years, citing “health challenges”.
She was scheduled to perform six shows at The Colosseum at Caesars Palace in December. The dates have been moved to next September
Parton offered her own clarification about her health condition in Wednesday’s video.
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“Everyone thinks that I am sicker than I am. Do I look sick to you? I’m working hard here! Anyway, I wanted to put everybody’s mind at ease, those of you who seem to be real concerned, which I appreciate,” she continued.
“And I appreciate your prayers because I’m a person of faith. I can always use the prayers for anything and everything.”
Dolly Parton performs with the Dallas Cowboys cheerleaders in 2023. Pic: Reuters
She also referenced her late husband of nearly 60 years Carl Dean who died earlier this year at the age of 82.
“I want you to know that I’m OK. I’ve got some problems as I’ve mentioned. Back when my husband Carl was very sick, that was for a long time, and then when he passed, I didn’t take care of myself. So I let a lot of things go that I should’ve been taking care of,” she said.
“So anyway, when I got around to it, the doctor said: ‘We need to take care of this. We need to take care of that.’ Nothing major, but I did have to cancel some things so I could be closer to home, closer to Vanderbilt, where I’m kind of having a few treatments here and there.”
And in true Parton fashion, she ended with a joke: “I wanted you to know that I’m not dying”.
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