Seven years after allegations against him first emerged online, Harvey Weinstein is back in court.
When the accusations surfaced in late 2017, the American actress Alyssa Milano tweeted: “If all the women who have been sexually harassed or assaulted wrote ‘Me too’ as a status, we might give people a sense of the magnitude of the problem.”
This gave birth to what we now know as the #MeToo movement and a flood of women – famous and not – sharing stories of gender-based violence and harassment.
Weinstein, 73, was jailed in 2020 and has been held at New York’s notorious Rikers Island prison complex ever since.
On 15 April, jury selection for his retrial got off to a false start, with none of the 12 potential candidates or six alternatives being deemed suitable. One, an actor, described Weinstein as a “really bad guy” and claimed he could not remain impartial. A woman also bowed out after declaring she had been the victim of sexual assault.
Once jurors are selected, the original charges of rape and sexual assault will be heard again, with opening statements and evidence due to start on 21 April.
Here we look at why there’s a retrial, why Weinstein will likely remain behind bars – and what has happened to #MeToo.
Why is there a retrial?
Weinstein is back in court because his first two convictions were overturned last April and are now being retried.
In 2020, he was sentenced to 23 years in prison after being found guilty of sexually assaulting ex-production assistant Mimi Haley in 2006 and raping former actor Jessica Mann in 2013.
Image: Miriam (Mimi) Haley arrives at court in New York in 2020. Pic: AP
Image: Jessica Mann outside court in Manhattan in July 2024. Pic: AP
But in April 2024, New York’s highest court overturned both convictions due to concerns the judge had made improper rulings, including allowing a woman to testify who was not part of the case.
At a preliminary hearing in January this year, the former Hollywood mogul, who has cancer and heart issues, asked for an earlier date on account of his poor health, but that was denied.
Image: Arriving at court for his original trial in New York in February 2020. Pic: Reuters
When the retrial was decided upon last year, Judge Farber also ruled that a separate charge concerning a third woman should be added to the case.
In September 2024, the unnamed woman filed allegations that Weinstein forced oral sex on her at a hotel in Manhattan in 2006.
Defence lawyers tried to get the charge thrown out, claiming prosecutors were only trying to bolster their case, but Judge Farber decided to incorporate it into the current retrial.
Weinstein denies all the allegations against him and claims any sexual contact was consensual.
Speaking outside court on 15 April, his lawyer Arthur Aidala, said he was “cautiously optimistic that when all the evidence is out, the jury will find that all of his relationships were consensual and therefore reach a verdict of not guilty”.
Why won’t he be released?
Even if the retrial ends in not guilty verdicts on all three counts, Weinstein will remain behind bars at Rikers Island.
This is because he was sentenced for a second time in February 2023 after being convicted of raping an actor in a Los Angeles hotel room in 2013.
Image: At a pre-trial hearing in Los Angeles in July 2021. Pic: Reuters
He was also found guilty of forcible oral copulation and sexual penetration by a foreign object in relation to the same woman, named only in court as Jane Doe 1.
The judge ruled that the 16-year sentence should be served after the 23-year one imposed in New York.
Weinstein’s lawyers are appealing this sentence – but for now, the 16 years behind bars still stand.
Has #MeToo made a difference – and what’s changed?
“MeToo was another way of women testifying about sexual violence and harassment,” Dr Jane Meyrick, associate professor in health psychology at the University of West England (UWE), tells Sky News.
“It exposed the frustration around reporting cases and showed the legal system was not built to give women justice – because they just gave up on it and started saying it online instead.
“That was hugely symbolic – because most societies are built around the silencing of sexual violence and harassment.”
Image: Women on a #MeToo protest march in Los Angeles in November 2017. Pic: Reuters
After #MeToo went viral in 2017, the statute of limitation on sexual assault cases was extended in several US states, giving victims more time to come forward, and there has been some reform of non-disclosure agreements (NDAs), which were regularly used by Weinstein.
This has resulted in more women speaking out and an increased awareness of gender-based violence, particularly among women, who are less inclined to tolerate any form of harassment, according to Professor Alison Phipps, a sociologist specialising in gender at Newcastle University.
“There’s been an increase in capacity to handle reports in some organisations and institutions – and we’ve seen a lot of high-profile men brought down,” she says.
“But the #MeToo movement has focused on individual men and individual cases – rather than the culture that allows the behaviour to continue.
“It’s been about naming and shaming and ‘getting rid’ of these bad men – by firing them from their jobs or creating new crimes to be able to send more of them to prison – not dealing with the problem at its root.”
Image: Actress Alyssa Milano tweeted about #MeToo when the Weinstein accusations surfaced. Pic: AP
Dr Meyrick, who wrote the book #MeToo For Women And Men: Understanding Power Through Sexual Harassment, gives the example of the workplace and the stereotype of “bumping the perp”, or perpetrator.
“HR departments are still not designed to protect workers – they’re built to suppress and make things go away.” As a result, she says, men are often “quietly moved on” with “no real accountability”.
The same is true in schools, Prof Phipps adds, where she believes concerns around the popularity among young boys of self-proclaimed misogynist and influencer Andrew Tate are being dealt with too “punitively”.
“The message is ‘we don’t talk about Andrew Tate here’ and ‘you shouldn’t be engaging with him’,” she says. “But what we should be doing is asking boys and young men: ‘why do you like him?’, ‘what’s going on here?’ – that deeper conversation is missing,” she says.
Image: The former film producer on the red carpet in Los Angeles in 2015. Pic: AP
Have high-profile celebrity cases helped?
Both experts agree they will have inevitably empowered some women to come forward.
But they stress they are often “nothing like” most other cases of sexual violence or harassment, which makes drawing comparisons “dangerous”.
Referencing the Weinstein case in the US and Gisele Pelicot‘s in France, Dr Meyrick says: “They took multiple people over a very long period of time to reach any conviction – a lot of people’s experiences are nothing like that.”
Prof Phipps adds: “They can create an idea that it’s only ‘real’ rape if it’s committed by a serial sex offender – and not every person who perpetrates sexual harm is a serial offender.”
Image: A woman holds a ‘support Gisele Pelicot’ placard at a march in Paris during her husband’s rape case. Pic: AP
Image: Gisele Pelicot outside court. Pic: Reuters
Part of her research has focused on “lad culture” in the UK and associated sexual violence at universities.
She says: “A lot of that kind of violence happens in social spaces, where there are drugs and alcohol and young people thrown together who don’t know where the boundaries are.
“That doesn’t absolve them of any responsibility – but comparing those ‘lads’ to Harvey Weinstein seems inappropriate.”
Dr Meyrick says most victims she has spoken to through her research “wouldn’t go down the legal route” – and prosecution and conviction rates are still extremely low.
“Most don’t try for justice. They just want to be believed and heard – that’s what’s important and restorative,” she says.
But specialist services that can support victims in that way are underfunded – and not enough is being done to change attitudes through sex education and employment policy, she warns.
“Until we liberate men from the masculine roles they’re offered by society – where objectification of women is normalised as banter – they will remain healthy sons of the patriarchy.
“We need transformative, compassionate education for young men – and young women. That’s where the gap still is.”
Mr Bates Vs The Post Office and Mr Loverman were among the big winners at this year’s BAFTA TV awards – with Danny Dyer and Ruth Jones picking up comedy prizes.
After Mr Bates was named the winner of the TV BAFTAfor best limited drama, ITV was also given a special award for commissioning a show that “brought dynamic change”.
The four-part series, which aired in January 2024, depicted how former subpostmasters and subpostmistresses were held liable by the Post Office for financial discrepancies thrown up by its computerised accounting system, Horizon – shining a light on one of the widest miscarriages of justice in UK legal history.
Producer Patrick Spence said the show could never have been made without ITV, as well as the journalists who covered the wrongful convictions, and those who campaigned about the scandal.
“Our show didn’t change the law, the people of this nation did that,” he said.
Image: Lennie James was named best actor for Mr Loverman. Pic: PA
Image: Marisa Abela won her prize for Industry. Pic: PA
Mr Bates stars Toby Jones and Monica Dolan missed out on prizes in the acting categories, with Marisa Abela named best actress for her performance in Industry and Lennie James named best actor for Mr Loverman, a series based on the novel of the same name by Booker Prize winner Bernadine Evaristo.
Both winners seemed shocked to receive the gongs, with first-time nominee Abela saying: “Oh my god, I really wasn’t expecting that at all… This is insane.”
James described the win as a “fantastic honour”.
Earlier in the night, his co-star Ariyon Bakare took home the prize for best supporting actor, while Baby Reindeer’s Jessica Gunning picked up the gong for best supporting actress.
Image: Ruth Jones with her comedy performance gong. Pic: PA
Image: Danny Dyer won his BAFTA for Mr Bigstuff. Pic: PA
Elsewhere, Dyer got one of the night’s biggest cheers as his first ever BAFTA was announced – the award for male performance in a comedy, for his role in Sky’s Mr Bigstuff – while Jones’s final performance as Nessa in the long-awaited Gavin & Stacey: The Finale earned her the female comedy performance gong.
Accepting his prize, Dyer said “the acting was so bad it was funny”, before he swore several times despite being warned about the rules. He also thanked his family, and writer and actor Ryan Sampson, who he called the “best thing to come out of Rotherham”.
“I’m not going to lie this is immense,” said Jones as she collected her award. “The person I would like to thank most his my dear, dear talented friend James Corden.”
She said without British actor Corden, her co-creator and co-star, “Vanessa Shanessa Nessa’ Jenkins would not exist”.
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Stars on the red carpet
Wins for other shows included best drama for Blue Lights, best soap for EastEnders, best scripted comedy for Alma’s Not Normal, best entertainment performance for Joe Lycett’s Late Night Lycett, and best entertainment programme for Would I Lie To You?
This year’s BAFTA Fellowship, the highest accolade given by the organisation, in recognition of an outstanding and exceptional contribution to film, games or television, was presented to broadcaster Kirsty Wark for her “unwavering dedication and unmatched legacy in the world of news and current affairs broadcasting”.
Two new categories celebrating children’s television were also introduced this yearm with CBeebies As You Like It at Shakespeare’s Globe taking home the inaugural prize for best children’s scripted, and Sky’s Disability and Me (FYI Investigates) winning the non-scripted prize.
The main ceremony, which was hosted by actor and presenter Alan Cumming at London’s Royal Festival Hall, came two weeks after the BAFTA craft ceremony for technical awards – where Baby Reindeer, Rivals and Slow Horses each picked up two prizes.
Stanley Tucci says he doesn’t understand why there has been a sudden rise in the “very far right”.
The 64-year-old actor, author and food connoisseur leads a new show aptly named Tucci In Italy, where he looks at the world-renowned cuisine and how its ingredients tell much more than just what is served on the plate.
Speaking to Sky News, he says painting the full picture of the Italian landscape was the driving force behind the show and that he made a conscious decision to include stories from all backgrounds.
Image: Stanley Tucci tries lampredotto while in Florence. Pic: National Geographic/Matt Holyoak
“I asked that we include a story about a gay couple and their children, whether it was adopted or surrogate or however, because I thought it was a really interesting story.
“I am confused as to the direction that so much of the world is heading now to the very far right and sort of vilifying the other, meaning people who aren’t like us, but I don’t quite know what that means because we are all so different.
“There is no us, right? We’re all different, so I don’t know what the problem is there.”
Image: Canci checi, a Ladin staple consisting of fried ravioli. Pic: National Geographic
Image: Tucci cooks at BBQ joint ristoro mucciante in Abruzzo with one of the owners, Rodolfo Mucciante, right. Pic: National Geographic/Matt Holyoak
Tucci adds that he wants to “look at what’s happening in Italy politically and how it’s affecting people but, of course, all through the prism of food”.
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“Those people are sitting there having a traditional Sunday lunch with the grandparents, with the grandkid, and they’re a family and yet the government says they’re not a family.
“I think that’s really interesting because Italy puts so much emphasis on family and for all practical purposes, Italy has a negative birth rate so why wouldn’t you want to welcome more children into your society who are Italian?”
Image: Chef and owner Matilde Pettini opened Dalla Lola in 2021 and discusses their dishes with Tucci. Pic: National Geographic/Matt Holyoak
Image: Ramadan El Sabawy hands Tucci a plate with his son’s crispy margherita pizza. Pic: National Geographic
In 2016, Italy passed a law that now recognises civil unions for same-sex couples in the country.
It grants couples many of the same rights and financial protections as married heterosexual couples, however, it doesn’t give LGBT+ couples the right to joint adoption or in vitro fertilisation.
In 2023, the Italian government extended its initial ban on surrogacy to include arrangements made by its citizens abroad.
Its legislation subjects any intended parent who breaks the law to jail terms of up to two years and fines of up to €1m (£846,000).
The law doesn’t include those children who were already registered before it came into effect.
Image: Tucci holding a cheese made in Lazio. Pic: National Geographic/Matt Holyoak
Image: Torcinello, a traditional sausage, served with scampi, sea asparagus, and sweet pepper sauce. Pic: National Geographic
The buzzword on social media over the last few weeks has been “conclave” following the death of Pope Francis and of course, the Oscar-winning film of the same name.
Our interview took place just before the real conclave took place, which resulted in Pope Leo XIV becoming the first American-born leader of the Catholic Church.
Starring in the film alongside Ralph Fiennes, Tucci became inadvertently connected to the news agenda when life began to imitate art.
“It’s fascinating. I mean, look, I don’t know anything about it, really, other than I made a movie about it. That’s all I know. But it is, the timing of it is unfortunate, but it’s also oddly coincidental.”
Tucci In Italy looks at traditional Italian cuisine but also explores the impact history, changing political landscapes, migration and culture can have on a dinner plate.
Image: Timballo being cut, revealing the intricate layers of crespelle and meatballs inside. Pic: National Geographic
Image: Mr Tucci fly fishes in a glacial river with locals in Trentino-Alto Adige. Pic: National Geographic/Matt Holyoak
Image: Hay soup in a loaf of homemade bread, served in the restaurant Gostner Schwaige. Pic: National Geographic
He visits the northern area of Trentino-Alto Adige, which borders Austria, to look at how Mussolini’s intense policies regarding German identity shaped the area and people today.
“It’s an incredibly beautiful region, but also it’s the way those two cultures have figured out a way to get along without violence, without blame, without hating each other, without divisiveness.
“I think it’s really wonderful. It’s a testament to… How easy it can be for us to get along.”
Tucci In Italy premieres 21 May at 8pm on National Geographic and all episodes stream from 19 May on Disney+.