For a specific generation of Koreans, playing the harmonica is a reminder of their youth and their home — whereas not playing the harmonica for decades reminds them of what they left behind to pursue something more.
This includes Donna Lee. Now that she’s 80 years old, Lee can look back on a life growing up in Seoul, where she played the harmonica as a child in music class. She immigrated to the United States, and that led her to Southern California. She found a place in Koreatown, near downtown Los Angeles, where she still lives to this day, and worked at a local hospital for nearly 30 years before retiring.
Retiring left her bored and wanting more. That drew her to the Koreatown Senior and Community Center of Los Angeles. The center offered Lee and many of her compatriots a chance to take classes and enjoy the life they worked so hard to create. Then, in 2023, Lee joined the center’s harmonica class, in which she and her classmates repeatedly practiced “The Star-Spangled Banner.”
“We have a weekly practice that’s one or two hours,” Lee said. “We’ve done it almost every week and have played it so many times I can’t count.”
With Los Angeles having the largest Korean community in the nation, the class was asked to perform at various events throughout the area. In January, the Los Angeles Kings reached out to the KSCC and invited the harmonica class to perform in March as part of the team’s Korean heritage night.
The response they received was so strong that they were invited to perform the national anthem before Game 1 of the Kings’ first-round Western Conference series against the Edmonton Oilers on April 21. Lee and 12 of her classmates donning hanbok — which is traditional Korean clothing — performed the national anthem and immediately went viral in a game the Kings won.
The performance was so popular that it led to the group being invited to perform at Game 2, which not only saw them gain more fans, but the Kings also won to take a 2-0 series lead. Since then? They’ve turned into a sensation that has not only caught the attention of the hockey world and Southern California, but it’s even getting attention in South Korea.
“I could have never imagined that this would happen,” Lee said.
IN THE SPAN of two years, the KSCC’s harmonica class went from only playing the national anthem in a classroom to performing in front of 18,000 fans on heritage night.
That was already the experience of a lifetime. But to receive an invite to perform at a Stanley Cup playoff game? Not only once, but twice? And to have nearly everyone in the building sing with their performance, and have social media go into a frenzy, with fans asking that they return for every home game?
It’s the sort of encounter that goes well beyond hockey, treading into a place that is deeper and more meaningful for Kwan-Il Park, a retired political journalist in South Korea who is now the KSCC’s executive director.
“There hasn’t been that many chances where the Korean community and the mainstream community was able to come together in this way,” Park said through Sandra Choi, who serves as an interpreter and is also a volunteer at the KSCC. “The key point in this is that the harmonica is not an expensive instrument. It’s $15 or $20 and it’s an everyday instrument for everybody.”
Park said the fact that the class was able to perform the national anthem with an instrument that is so universal created a moment that saw them feel immersed in their culture, while also paying homage to a place they’ve now called home for many years.
“We’ve always been perceived to be outsiders, immigrants with cultural barriers and language barriers,” Park said. “You come here, work straight for 30 or 40 years. This time, we were able to stand shoulder-to-shoulder as a Korean American and not just as an immigrant and to perform in front of 20,000 people? I don’t even know what the right word is for that.”
Park said Koreans first began immigrating to the U.S. in 1903, with many coming to cities along the Pacific Ocean. After the Korean War in the 1950s, there would be a second wave that contributed to the current landscape in which nearly 2 million Koreans live in the U.S.
Although Chicago, New York City and Washington D.C. have sizable Korean communities, Los Angeles has the largest, with 17% of all people of Korean descent in America living there, according to the Pew Research Center.
But what makes playing the national anthem on a harmonica so special? It’s because of how the instrument ties a life they once knew with the one they came to build for themselves and future generations.
KSCC chairperson Yong-Sin Shin said a certain generation of children growing up in South Korea were introduced to the harmonica in second grade as part of music class. While those children had a chance to play for a few more years, many of them stopped playing after immigrating to the U.S.
For the group at the KSCC, the harmonica connected them to those times.
Choi said that for many older Koreans, playing the harmonica was a chance for them to relax, which was something that often wasn’t afforded to a group that spent many of their years working to take care of their families.
“We would find a harmonica in my house because my dad had one,” Choi said. “If he plays it, it somehow rings a soul of my childhood as a Korean American. Even though I’m not from Korea, it has kind of a tie to all of us with the tone and the songs that we play on it.”
Shin said the KSCC was founded with the intent that older generations of Koreans could find community while providing them classes to fulfill them in their later years.
At first, the KSCC offered five classes per week. Since then, the center has expanded its offerings to 47 classes every Monday through Friday. Shin said the center attracts nearly 1,500 people per week.
Those classes range from developing skills that can be used in daily life to subjects that are meant as a hobby. For example, the KSCC offers multiple classes for those interested in improving their oral and written skills in English. They also provide beginner- and intermediate-level classes for those who want to learn how to use a smartphone.
Yet the crown jewel of the KSCC curriculum? It might be the 11:10 a.m. Wednesday harmonica class that lasts for 50 minutes.
Shin said the harmonica class started in 2021. The class started off by practicing for weeks at a time before they felt comfortable performing in public. Shin said the class would perform at events such as Mother’s Day, Thanksgiving or Seollal, which is Korean Lunar New Year in February. The profile of the class began to grow when the group was invited to perform at Los Angeles City Hall in 2023.
“Our senior harmonica class performed in front of 100 people and everybody liked it,” Shin said. “So, we continued to perform at our events at the senior center and they got better and better, and we started to get more invitations to play the harmonica.”
THERE’S A POINT that Park, Shin and Choi, even speaking outside of her role as an interpreter, all get across when it comes to the performance of the harmonica class and the popularity it achieved in such a short window.
Nobody saw this coming.
“I have a child in high school, and she even showed me the clip because it was so viral,” Choi said. “She said, ‘Isn’t this where we volunteer?'”
Part of the reason for that surprise can be measured through social media. It’s not easy to find a video of the group’s first performance for the Kings, probably because it was a regular-season game.
Compare that to the playoffs, when the anthem was televised nationally in North America.
Granted, anthem singers are no strangers to attention. But when it’s around a dozen Korean senior citizens performing — with harmonicas? Something that distinctive was bound to attract attention inside and outside the sport.
And it did, resulting in the group being invited back for Game 2, but this time instead of wearing traditional Korean clothing, they were decked out in Kings jerseys — while also having even more expectations now that the masses knew what was coming.
Their performances have led to people posting comments on social media that range from “Oilers comeback bid was cool but you ain’t beating the Kings in the house that the Korean Harmonica Grannies built” to an Oilers fan asking, “Does anyone in the Edmonton Korean Community play Harmonica? We need to fight fire with fire here.”
“We were not nervous,” Lee said of herself and her classmates. “It was my first time going to the arena because of the performance. So many people were surprised, and we just enjoyed the wonderful arena. It was a big place with a lot of people. We thought the performance was good and we just did a lot of preparing and practicing for the national anthem.”
Lee said she had never watched a Kings game but made a point to stay for Game 1 and immediately became a fan. She said there were some members of the class who stayed and others who went home.
But now?
“We’re all L.A. Kings fans now!” she said with a laugh.
Lee and Park said they have heard from family and friends in South Korea about how their performance has made headlines there. This is another detail nobody saw coming, but it adds to the visibility of Korean culture.
The Kings joined the Lakers, Dodgers and Clippers in having a Korean heritage night. Both the Rams and Chargers have also promoted initiatives during Asian American and Pacific Islander (AAPI) Month.
It’s also coming at a time when more Korean food, film, music and television hold a place in the mainstream.
“We have K-pop, K-drama, K-food, K-beauty — and now we have K-seniors,” Lee said.
ESPN baseball reporter. Covered the Washington Wizards from 2014 to 2016 and the Washington Nationals from 2016 to 2018 for The Washington Post before covering the Los Angeles Dodgers and MLB for the Los Angeles Times from 2018 to 2024.
NEW YORK — A blunder that typifies the current state of the New York Yankees, who find themselves in the midst of their second six-game losing streak in three weeks, happened in front of 41,401 fans at Citi Field on Saturday, and almost nobody noticed.
The Yankees were jogging off the field after securing the third out of the fourth inning of their 12-6 loss to the Mets when shortstop Anthony Volpe, as is standard for teams across baseball at the end of innings, threw the ball to right fielder Aaron Judge as he crossed into the infield from right field.
Only Judge wasn’t looking, and the ball nailed him in the head, knocking his sunglasses off and leaving a small cut near his right eye. The wound required a bandage to stop the bleeding, but Judge stayed in the game.
“Confusion,” Yankees manager Aaron Boone said. “I didn’t know what happened initially. [It just] felt like something happened. Of course I was a little concerned.”
Avoiding an injury to the best player in baseball was on the Yankees’ very short list of positives in another sloppy, draining defeat to their crosstown rivals. With the loss, the Yankees, who held a three-game lead over the Toronto Blue Jays in the American League East standings entering June 30, find themselves tied with the Tampa Bay Rays for second place three games behind the Blue Jays heading into Sunday’s Subway Series finale.
The nosedive has been fueled by messy defense and a depleted pitching staff that has encountered a wall.
“It’s been a terrible week,” said Boone, who before the game announced starter Clarke Schmidt will likely undergo season-ending Tommy John surgery.
For the second straight day, the Mets capitalized on mistakes and cracked timely home runs. After slugging three homers in Friday’s series opener, the Mets hit three more Saturday — a grand slam in the first inning from Brandon Nimmo to take a 4-0 lead and two home runs from Pete Alonso to widen the gap.
Nimmo’s blast — his second grand slam in four days — came after Yankees left fielder Jasson Dominguez misplayed a ball hit by the Mets’ leadoff hitter in the first inning. On Friday, he misread Nimmo’s line drive and watched it sail over his head for a double. On Saturday, he was slow to react to Starling Marte’s flyball in the left-center field gap and braked without catching or stopping it, allowing Marte to advance to second for a double. Yankees starter Carlos Rodon then walked two batters to load the bases for Nimmo, who yanked a mistake, a 1-2 slider over the wall.
“That slider probably needs to be down,” said Rodon, who allowed seven runs (six earned) over five innings. “A lot of misses today and they punished them.”
Jazz Chisholm Jr.’s throwing woes at third base — a position the Yankees have asked him to play to accommodate DJ LeMahieu at second base — continued in the second inning when he fielded Tyrone Taylor’s groundball and sailed a toss over first baseman Cody Bellinger’s head. Taylor was given second base and scored moments later on Marte’s RBI single.
The Yankees were charged with their second error in the Mets’ four-run seventh inning when center fielder Trent Grisham charged Francisco Lindor’s single up the middle and had it bounce off the heel of his glove.
The mistake allowed a run to score from second base without a throw, extending the Mets lead back to three runs after the Yankees had chipped their deficit, and allowed a heads-up Lindor to advance to second base. Lindor later scored on Alonso’s second home run, a three-run blast off left-hander Jayvien Sandridge in the pitcher’s major league debut.
“Just got to play better,” Judge said. “That’s what it comes down to. It’s fundamentals. Making a routine play, routine. It’s just the little things. That’s what it kind of comes down to. But every good team goes through a couple bumps in the road.”
This six-game losing skid has looked very different from the Yankees’ first. That rough patch, consisting of losses to the Boston Red Sox and Los Angeles Angels, was propelled by offensive troubles. The Yankees scored six runs in the six games and gave up just 16. This time, run prevention is the issue; the Yankees have scored 34 runs and surrendered 54 in four games against the Blue Jays in Toronto and two in Queens.
“The offense is starting to swing the bat, put some runs on the board,” Boone said. “The pitching, which has kind of carried us a lot this season, has really, really struggled this week. We haven’t caught the ball as well as I think we should.
“So, look, when you live it and you’re going through it, it sucks, it hurts. But you got to be able to handle it. You got to be able to deal with it. You got to be able to weather it and come out of this and grow.”
Bobby Jenks, a two-time All-Star pitcher for the Chicago White Sox who was on the roster when the franchise won the 2005 World Series, died Friday in Sintra, Portugal, the team announced.
Jenks, 44, who had been diagnosed with adenocarcinoma, a form of stomach cancer, this year, spent six seasons with the White Sox from 2005 to 2010 and also played for the Boston Red Sox in 2011. The reliever finished his major league career with a 16-20 record, 3.53 ERA and 173 saves.
“We have lost an iconic member of the White Sox family today,” White Sox chairman Jerry Reinsdorf said in a statement. “None of us will ever forget that ninth inning of Game 4 in Houston, all that Bobby did for the 2005 World Series champions and for the entire Sox organization during his time in Chicago. He and his family knew cancer would be his toughest battle, and he will be missed as a husband, father, friend and teammate. He will forever hold a special place in all our hearts.”
After Jenks moved to Portugal last year, he was diagnosed with a deep vein thrombosis in his right calf. That eventually spread into blood clots in his lungs, prompting further testing. He was later diagnosed with adenocarcinoma and began undergoing radiation.
In February, as Jenks was being treated for the illness, the White Sox posted “We stand with you, Bobby” on Instagram, adding in the post that the club was “thinking of Bobby as he is being treated.”
In 2005, as the White Sox ended an 88-year drought en route to the World Series title, Jenks appeared in six postseason games. Chicago went 11-1 in the playoffs, and he earned saves in series-clinching wins in Game 3 of the ALDS at Boston, and Game 4 of the World Series against the Houston Astros.
In 2006, Jenks saved 41 games, and the following year, he posted 40 saves. He also retired 41 consecutive batters in 2007, matching a record for a reliever.
“You play for the love of the game, the joy of it,” Jenks said in his last interview with SoxTV last year. “It’s what I love to do. I [was] playing to be a world champion, and that’s what I wanted to do from the time I picked up a baseball.”
A native of Mission Hills, California, Jenks appeared in 19 games for the Red Sox and was originally drafted by the then-Anaheim Angels in the fifth round of the 2000 draft.
Jenks is survived by his wife, Eleni Tzitzivacos, their two children, Zeno and Kate, and his four children from a prior marriage, Cuma, Nolan, Rylan and Jackson.
ESPN baseball reporter. Covered the Washington Wizards from 2014 to 2016 and the Washington Nationals from 2016 to 2018 for The Washington Post before covering the Los Angeles Dodgers and MLB for the Los Angeles Times from 2018 to 2024.
NEW YORK — The New York Yankees, digging for options to bolster their infield, have signed third baseman Jeimer Candelario to a minor league contract and assigned him to Triple-A Scranton/Wilkes-Barre, the affiliate announced Saturday.
Candelario, 31, was released by the Cincinnati Reds on June 23, halfway through a three-year, $45 million contract he signed before the start of last season. The decision was made after Candelario posted a .707 OPS in 2024 and batted .113 with a .410 OPS in 22 games for the Reds before going on the injured list in April with a back injury.
The performance was poor enough for Cincinnati to cut him in a move that Reds president of baseball operations Nick Krall described as a sunk cost.
For the Yankees, signing Candelario is a low-cost flier on a player who recorded an .807 OPS just two seasons ago as they seek to find a third baseman to move Jazz Chisholm Jr. to second base, his natural position.
Candelario is the second veteran infielder the Yankees have signed to a minor league contract in the past three days; they agreed to terms with Nicky Lopez on Thursday.