For a specific generation of Koreans, playing the harmonica is a reminder of their youth and their home — whereas not playing the harmonica for decades reminds them of what they left behind to pursue something more.
This includes Donna Lee. Now that she’s 80 years old, Lee can look back on a life growing up in Seoul, where she played the harmonica as a child in music class. She immigrated to the United States, and that led her to Southern California. She found a place in Koreatown, near downtown Los Angeles, where she still lives to this day, and worked at a local hospital for nearly 30 years before retiring.
Retiring left her bored and wanting more. That drew her to the Koreatown Senior and Community Center of Los Angeles. The center offered Lee and many of her compatriots a chance to take classes and enjoy the life they worked so hard to create. Then, in 2023, Lee joined the center’s harmonica class, in which she and her classmates repeatedly practiced “The Star-Spangled Banner.”
“We have a weekly practice that’s one or two hours,” Lee said. “We’ve done it almost every week and have played it so many times I can’t count.”
With Los Angeles having the largest Korean community in the nation, the class was asked to perform at various events throughout the area. In January, the Los Angeles Kings reached out to the KSCC and invited the harmonica class to perform in March as part of the team’s Korean heritage night.
The response they received was so strong that they were invited to perform the national anthem before Game 1 of the Kings’ first-round Western Conference series against the Edmonton Oilers on April 21. Lee and 12 of her classmates donning hanbok — which is traditional Korean clothing — performed the national anthem and immediately went viral in a game the Kings won.
The performance was so popular that it led to the group being invited to perform at Game 2, which not only saw them gain more fans, but the Kings also won to take a 2-0 series lead. Since then? They’ve turned into a sensation that has not only caught the attention of the hockey world and Southern California, but it’s even getting attention in South Korea.
“I could have never imagined that this would happen,” Lee said.
IN THE SPAN of two years, the KSCC’s harmonica class went from only playing the national anthem in a classroom to performing in front of 18,000 fans on heritage night.
That was already the experience of a lifetime. But to receive an invite to perform at a Stanley Cup playoff game? Not only once, but twice? And to have nearly everyone in the building sing with their performance, and have social media go into a frenzy, with fans asking that they return for every home game?
It’s the sort of encounter that goes well beyond hockey, treading into a place that is deeper and more meaningful for Kwan-Il Park, a retired political journalist in South Korea who is now the KSCC’s executive director.
“There hasn’t been that many chances where the Korean community and the mainstream community was able to come together in this way,” Park said through Sandra Choi, who serves as an interpreter and is also a volunteer at the KSCC. “The key point in this is that the harmonica is not an expensive instrument. It’s $15 or $20 and it’s an everyday instrument for everybody.”
Park said the fact that the class was able to perform the national anthem with an instrument that is so universal created a moment that saw them feel immersed in their culture, while also paying homage to a place they’ve now called home for many years.
“We’ve always been perceived to be outsiders, immigrants with cultural barriers and language barriers,” Park said. “You come here, work straight for 30 or 40 years. This time, we were able to stand shoulder-to-shoulder as a Korean American and not just as an immigrant and to perform in front of 20,000 people? I don’t even know what the right word is for that.”
Park said Koreans first began immigrating to the U.S. in 1903, with many coming to cities along the Pacific Ocean. After the Korean War in the 1950s, there would be a second wave that contributed to the current landscape in which nearly 2 million Koreans live in the U.S.
Although Chicago, New York City and Washington D.C. have sizable Korean communities, Los Angeles has the largest, with 17% of all people of Korean descent in America living there, according to the Pew Research Center.
But what makes playing the national anthem on a harmonica so special? It’s because of how the instrument ties a life they once knew with the one they came to build for themselves and future generations.
KSCC chairperson Yong-Sin Shin said a certain generation of children growing up in South Korea were introduced to the harmonica in second grade as part of music class. While those children had a chance to play for a few more years, many of them stopped playing after immigrating to the U.S.
For the group at the KSCC, the harmonica connected them to those times.
Choi said that for many older Koreans, playing the harmonica was a chance for them to relax, which was something that often wasn’t afforded to a group that spent many of their years working to take care of their families.
“We would find a harmonica in my house because my dad had one,” Choi said. “If he plays it, it somehow rings a soul of my childhood as a Korean American. Even though I’m not from Korea, it has kind of a tie to all of us with the tone and the songs that we play on it.”
Shin said the KSCC was founded with the intent that older generations of Koreans could find community while providing them classes to fulfill them in their later years.
At first, the KSCC offered five classes per week. Since then, the center has expanded its offerings to 47 classes every Monday through Friday. Shin said the center attracts nearly 1,500 people per week.
Those classes range from developing skills that can be used in daily life to subjects that are meant as a hobby. For example, the KSCC offers multiple classes for those interested in improving their oral and written skills in English. They also provide beginner- and intermediate-level classes for those who want to learn how to use a smartphone.
Yet the crown jewel of the KSCC curriculum? It might be the 11:10 a.m. Wednesday harmonica class that lasts for 50 minutes.
Shin said the harmonica class started in 2021. The class started off by practicing for weeks at a time before they felt comfortable performing in public. Shin said the class would perform at events such as Mother’s Day, Thanksgiving or Seollal, which is Korean Lunar New Year in February. The profile of the class began to grow when the group was invited to perform at Los Angeles City Hall in 2023.
“Our senior harmonica class performed in front of 100 people and everybody liked it,” Shin said. “So, we continued to perform at our events at the senior center and they got better and better, and we started to get more invitations to play the harmonica.”
THERE’S A POINT that Park, Shin and Choi, even speaking outside of her role as an interpreter, all get across when it comes to the performance of the harmonica class and the popularity it achieved in such a short window.
Nobody saw this coming.
“I have a child in high school, and she even showed me the clip because it was so viral,” Choi said. “She said, ‘Isn’t this where we volunteer?'”
Part of the reason for that surprise can be measured through social media. It’s not easy to find a video of the group’s first performance for the Kings, probably because it was a regular-season game.
Compare that to the playoffs, when the anthem was televised nationally in North America.
Granted, anthem singers are no strangers to attention. But when it’s around a dozen Korean senior citizens performing — with harmonicas? Something that distinctive was bound to attract attention inside and outside the sport.
And it did, resulting in the group being invited back for Game 2, but this time instead of wearing traditional Korean clothing, they were decked out in Kings jerseys — while also having even more expectations now that the masses knew what was coming.
Their performances have led to people posting comments on social media that range from “Oilers comeback bid was cool but you ain’t beating the Kings in the house that the Korean Harmonica Grannies built” to an Oilers fan asking, “Does anyone in the Edmonton Korean Community play Harmonica? We need to fight fire with fire here.”
“We were not nervous,” Lee said of herself and her classmates. “It was my first time going to the arena because of the performance. So many people were surprised, and we just enjoyed the wonderful arena. It was a big place with a lot of people. We thought the performance was good and we just did a lot of preparing and practicing for the national anthem.”
Lee said she had never watched a Kings game but made a point to stay for Game 1 and immediately became a fan. She said there were some members of the class who stayed and others who went home.
But now?
“We’re all L.A. Kings fans now!” she said with a laugh.
Lee and Park said they have heard from family and friends in South Korea about how their performance has made headlines there. This is another detail nobody saw coming, but it adds to the visibility of Korean culture.
The Kings joined the Lakers, Dodgers and Clippers in having a Korean heritage night. Both the Rams and Chargers have also promoted initiatives during Asian American and Pacific Islander (AAPI) Month.
It’s also coming at a time when more Korean food, film, music and television hold a place in the mainstream.
“We have K-pop, K-drama, K-food, K-beauty — and now we have K-seniors,” Lee said.
CHICAGO — When Aaron Judge returned to the dugout after his first-inning homer, New York Yankees manager Aaron Boone yelled “Yogi!” in the direction of his star slugger.
Yogi indeed.
Judge moved into a tie with Hall of Fame catcher Yogi Berra for fifth in franchise history when hitting his 358th career homer during Sunday’s 3-2 loss to the Chicago White Sox.
“Not getting [the win] kind of stings,” Judge said, “but you know, get a chance to tie one of the greatest if not the greatest Yankee in homers is, it’s pretty special. The way Yogi played the game, what he meant to these pinstripes, you knew how much it meant being a New York Yankee to him. I feel the same way.
“I’m honored to wear this jersey, so it’s pretty cool to be on that list with him.”
Judge drove an 0-2 cutter from Martin Perez deep to center for a one-out solo shot. Judge’s 43rd homer of the season had a 112.6 mph exit velocity and traveled 426 feet.
He made a bid for another homer in the third, but his drive went off the wall in center for a double. He also singled in the fifth and popped out for the final out of the seventh.
Batting with a runner aboard and one out in the ninth, he flied to center.
“Just missed the last one,” Boone said. “I thought he made the right move on the pitch. Looked like he got a hanger there that I thought he put a great swing on. He got under it a little bit and hit it straight up in the air. So those things happen.”
Judge, 33, also connected for a solo homer in New York’s 11-inning victory at Chicago on Saturday night. The two-time American League MVP and seven-time All-Star batted .241 (20-for-83) with 6 homers, 12 RBIs and a .417 on-base percentage in 24 games in August.
Next up for Judge and the Yankees is four consecutive series against playoff contenders, beginning with the opener of a three-game set at Houston on Tuesday night.
“That’s what we want,” said Judge, who signed a $360 million, nine-year contract with New York in December 2022. “It’s coming down to the wire. We want to play the best teams and especially getting down the stretch here into the postseason, this is what it’s all about.”
Hall of Famers Babe Ruth (659 homers), Mickey Mantle (536), Lou Gehrig (493) and Joe DiMaggio (361) are on top of the Yankees’ career home runs list. Judge’s drive produced the first change in the franchise’s top five since Mantle hit his 203rd career homer Aug. 7, 1957, snapping a tie with Bill Dickey.
Judge was selected by New York in the first round of the 2013 amateur draft and made his debut with the Yankees in 2016. Berra was 90 when he died in 2015.
“Didn’t get to see him too much. He was definitely around over at big league camp,” Judge said. “But he was a special individual. A lot of the veteran guys talk highly of him. It was probably some of their favorite memories, you know, coming to spring training was having a chance to talk with him during camp, just hear some of his stories.”
Judge was activated from the 10-day injured list Aug. 5 after being sidelined by a flexor strain in his right elbow. He has been serving as the team’s designated hitter, but he could return to the outfield at some point this season.
While Raleigh’s season hasn’t exactly come out of nowhere — he reached 30 home runs the previous two years — the fact that we’re not even in September yet certainly makes his power exploits even more impressive.
In honor of his record-breaking season, let’s dig into some of the numbers around his 2025 campaign. And with Raleigh now at 50 home runs, we’ll also break down where his season ranks among the most surprising 50-homer seasons in MLB history.
So, is this the greatest power-hitting season ever from a catcher?
If you want to get technical about it, this is open for discussion. Like Perez with the Kansas City Royals in 2021, Raleigh has benefited from some DH time, with nine of his home runs coming as a DH. Perez’s figures were even more extreme, with 15 of his 48 home runs coming as a DH.
The record for home runs while only playing catcher belongs to Javy Lopez, who hit 42 for the Atlanta Braves in 2003 in just 117 games (he hit one more as a pinch-hitter). That was an impressive season for Lopez, who hit .328/.378/.687 with a 1.065 OPS. He fell seven plate appearances short of the 502 needed for official qualification, otherwise his OPS would rank as the second-highest ever for a catcher (behind Mike Piazza’s 1.070 in 1997) and his .687 slugging as the highest ever (Piazza slugged .638 in ’97). (And we would be remiss not to mention Josh Gibson’s hitting heroics in the Negro Leagues, as he topped both those figures multiple times.)
Raleigh leads the majors in home runs, which would put him alongside Johnny Bench as the only catcher to lead the majors if he maintains his lead over Kyle Schwarber and Shohei Ohtani. Bench, who topped the majors with 45 home runs in 1970 and 40 in 1972, played 158 games in 1970 and 147 in 1972, occasionally playing other positions when he wasn’t catching in lieu of the option to DH.
Could any other catcher in history have hit this many?
Lopez would have been the obvious candidate. Raleigh will soar past 600 plate appearances; Lopez’s home run rate prorated to 625 plate appearances gets him to 54 home runs. Piazza hit 40 home runs in 1997, but did bat 633 times while playing in 152 games, so you can’t really fudge more than a few extra home runs, even if he had more DH opportunities. Roy Campanella hit 41 for Brooklyn in 1953, batting 590 times while playing 144 games (although starting just 130). Give him the 162-game schedule and some DH starts and maybe he gets close to 50. Todd Hundley is the only other catcher with a 40-homer season, hitting 41 for the 1996 New York Mets in 624 plate appearances.
While Raleigh has slowed down since the All-Star break, especially in the batting average department, his season is also particularly impressive because he’s doing this in a very pitcher-friendly home park. He’s hitting .223/.317/.572 with 24 home runs at home and .269/.385/.614 with 25 home runs on the road. His home run rate is similar, but no doubt he has lost a few home runs to the marine layer in Seattle. To hit 50 home runs in a tough home run park as a catcher playing almost every game is a stunning accomplishment.
Are there any other records Raleigh can break?
Glad you asked. It feels like the record for home runs by a switch-hitter isn’t getting enough publicity. Mickey Mantle — now that’s a big name — holds the mark with 54 in 1961. Indeed, he is the only other switch-hitter with a 50-homer season, also hitting 52 in 1956. Raleigh is now third on the all-time list, having soared past Lance Berkman and Chipper Jones, who had 45 in their best seasons. He’s projected to surpass that 54 mark, so this could be the next record to fall.
Then there’s the Mariners team record: Ken Griffey Jr. had back-to-back 56-homer seasons in 1997 and ’98. With 31 games left on the Mariners’ schedule, Raleigh has certainly put that total in play as well.
What were the most surprising 50-homer seasons?
Once he hits No. 50, Raleigh will have the 51st season in MLB history with 50 home runs — by 33 different players.
Which of those were most surprising? Obviously, there were a lot of goofy home run totals from the steroid eras, and a couple of those seasons crack our top seven list:
Gonzalez topped 30 home runs just one other time in his career (31 in 2000) but hit .325/.429/.688 with 57 home runs and 142 RBIs in the D-backs’ World Series-winning season. The offensive numbers were so extreme in the NL in 2001, however, that Gonzalez finished just third in home runs (behind Barry Bonds and Sammy Sosa) and third in the MVP voting.
Maris’ historic season obviously can’t be considered a complete fluke considering he hit 39 home runs and won the AL MVP Award in 1960, but breaking Babe Ruth’s home run record of 60 set in 1927 is one of the great achievements in MLB history. That was the year that MLB expanded, and Maris’ teammate Mickey Mantle also hit 54 home runs, while three other American Leaguers hit at least 45.
Foster had hit 29 home runs in 1976 and would follow up his 1977 MVP season with 40 home runs in 1978, but he hit 30 home runs just one other time (30 in 1979). His ’77 season also stands out because it was the only 50-homer season between Willie Mays in 1965 and Cecil Fielder in 1990. Foster did benefit from a new, livelier ball, after MLB switched its manufacturer from Spalding to Rawlings. The NL batting average increased from .255 to .262 in 1977 and home runs per game increased 47%, from .057 to 0.84.
These seasons don’t look so surprising in retrospect, but both were shocking at the time since they occurred in their rookie seasons, with Judge setting a record in 2017 and then Alonso breaking it just two years later. Both were regarded as good prospects — but not great ones. Judge was No. 44 on ESPN’s preseason Top 100 list in 2017 while Alonso was No. 90 in 2019. Judge had hit just 19 home runs in the minors in 2016 (in 93 games), although his raw power was obvious; Alonso had hit 36 in the minors, so at least looked like your more prototypical hitting prospect.
Alonso’s year, in particular, is fascinating because he wasn’t even guaranteed a roster spot entering the season — the Mets had publicly mentioned his defense as a reason he hadn’t been called up in 2018. They also had a crowded field contending for first base in spring training: former top prospect Dominic Smith, Todd Frazier and J.D. Davis (both couldn’t play third base), as well as Jed Lowrie, who the Mets had signed as a free agent but couldn’t play at second base because they had traded for Robinson Cano. Lowrie hurt his left knee in spring training and Frazier was also injured at the start of the season while Alonso had a strong spring, earning the starting job over Smith.
Bautista was a 29-year-old journeyman coming off a 13-homer season, so he stunned everyone with this 54-homer season. He had overhauled his swing and started not only hitting the ball in the air more but pulling it much more often (his pull rate improved from 34% to 49%). He would prove it wasn’t a fluke, hitting 43 home runs in 2011 and 40 in 2015.
Anderson’s season still stands out as one of the fluke home run seasons of all time — his second-highest total was 24 home runs in 1999. Considering he was 32 years old at the time and coming off a 16-homer season, conspiracy theorists attribute his power spike to performance-enhancing drugs, which Anderson has consistently denied he used. Like Bautista, he pulled the ball more than ever that year while also hitting more fly balls. He played through a broken rib the following season and then he played through neck and back issues in 1998, both of which might have affected his power output. But that 50-homer season will live forever.
So where does Raleigh rank?
Probably along the lines of Gonzalez and Foster — a good power hitter having a career season, except Raleigh gets a little extra surprise credit for doing it as a catcher. Of course, we don’t know what he’ll do in the future, although you do wonder if he can keep playing this many games season after season. He has missed just three games all season, including just one since the All-Star break, but with the Mariners battling for both the division title and a wild-card spot, it’s going to be exceedingly difficult for manager Dan Wilson to rest Raleigh. The strikeouts have really piled up in August, including one five-strikeout game and three three-strikeout games, so it feels like he could use a day off or two. For now, the Mariners will hope he can keep grinding and keep hitting home runs.
Kiner-Falefa, who has played shortstop, third base and outfield, spent 2024 with the Blue Jays before being traded to the Pirates on July 30.
The 30-year-old will be eligible to play this postseason. He is hitting .264 with 1 home run, 35 RBIs, 40 runs scored and 15 stolen bases in 119 games.
To make room on the roster, Toronto transferred injured right-hander Yimi García to the 60-day injured list. García needs elbow surgery and is out for the year.
An eight-year veteran who has also played for Texas and the New York Yankees, Kiner-Falefa signed a two-year, $15 million contract with Toronto ahead of the 2024 season. He played 83 games for the Blue Jays before he was traded to Pittsburgh at last year’s deadline.
The Pirates on Sunday also recalled outfield Ryan Kreidler from Triple-A Indianapolis.