He is the man behind the biggest-selling electronica record of all time, but the success of Moby’s album Play came with some unwanted side effects.
His fifth record, the album charted at 33 upon its release in the UK in May 1999, and fell out of the Top 40 after just a week. But despite the lacklustre initial response, Play started to pick up steam, slowly climbing the chart until it reached number one in April 2000.
It stayed there for five weeks and remained in the Top 40 until March 2001, re-entering the Top 100 several times over the next few years.
While Moby had experienced success with Go, the breakthrough 1991 single from his self-titled debut album, Play was next level. Even if you don’t know the album, you’ll know at least some of the songs – Porcelain, Why Does My Heart Feel So Bad?, Honey, and Natural Blues. The record was ubiquitous and fame hard to escape.
Image: Pic: Adam Warzawa/EPA/Shutterstock
“I think fame and fortune are, probably, empirically two of the most destructive forces on the planet,” he says, speaking from his home in Los Angeles. “I mean, if fame and fortune fixed things, Kurt Cobain and Amy Winehouse would still be making records.
“I guess it’s a very easy system to buy into, especially in a place like… in New York, in Los Angeles, in these big cities that are driven by ostentation and consumption and the need for external validation. It’s hard to resist those temptations. But then… you look at the consequences of that.
“I’d rather try and live a rational life and not necessarily let other people’s concerns dictate what my concerns should be.”
Now sober and with a few years between him and those heady days of peak fame, in recent years Moby has been doing something few established stars in his position would do – giving his compositions away for free.
“I have a house, I have a car, I have some hoodies, I have food in the fridge, I don’t really need anything more,” he insists. “To live and work in a way where I’m not driven by money, why not use that as an opportunity?”
Selfless selfishness or selfish selflessness
Image: Pic: Wael Hamzeh/EPA/Shutterstock
Over a decade ago, the musician came up with the quietly radical idea of making a free music licensing platform, MobyGratis. The idea was simple and rather exciting, he admits – to allow anyone unrestricted access to hundreds of his compositions to use them however they wish. From film scores to remixes, whatever.
“It’s either selfless selfishness or selfish selflessness, meaning I’m giving these things away but the benefit to me is I get to see what people do with it,” he says.
“There are a lot of things about the current digital media climate that are terrifying and baffling and confusing, but one of the things I love is the egalitarian nature of it.”
The idea of giving his music away for free runs somewhat contrary to the AI copyright battle many artists are currently speaking out over, with the likes of Ed Sheeran and Damon Albarn calling for greater protections in law to prevent artificial intelligence software from scraping their work to learn from it.
Remix culture and creative processes
“I completely appreciate and respect the concerns that other people have,” says Moby. “I think they’re incredibly valid… but for me personally, I don’t know. Maybe it’s naive and stupid of me, but I kind of just ignore it.
“I put this music out there and you sort of hope for the best, which probably is completely dim-witted of me. Part of remix culture is seeing how people reinterpret your work; sometimes it’s mediocre, sometimes it is bad, but sometimes it is so inspired, and I can actually learn a lot from other creative processes.”
The dance artist also takes issue with how the act of giving and compassion more generally has come to be seen, and references Elon Musk‘s comments on Joe Rogan’s podcast in April, when the billionaire said: “We’ve got civilizational suicidal empathy going on.”
Moby says that while “we live in this world of fear, selfishness, desperation and viciousness”, he supports “anything that is a rejection of the manosphere… anything that rejects Elon and the idea that empathy is a weakness and reminds people that life can be simple and decent.”
He jokes: “I’m definitely becoming like the weird old guy that you’ll see in the mountains, sort of like not making eye contact and mumbling about chemtrails or something.”
This is a man who is aware his approach to fame, fortune and giving stuff away is somewhat out-of-keeping with the times we’re living in – but the thing is, Moby doesn’t seem to care.
The growing popularity and reach of the Premier League globally is leaving rival European football competitions struggling to compete.
Not only to find an audience, but to find outlets to even show the matches.
So German football had to think differently – going to where Gen Z is engaging with football through content creators.
And that’s why tonight, Harry Kane’s Bayern Munich will begin their defence of the Bundesliga title live to 1.4 million subscribers on the That’s Football channel on YouTube.
Image: Harry Kane in Bundesliga action last season. Pic: Reuters
It’s run by Mark Goldbridge, known for passionate but often provocative, punchy commentary about players on streams going viral.
His brand was built by being filmed reacting to watching Manchester United matches.
“People need to appreciate that we have a certain content style, and that’s very, very popular,” Goldbridge told Sky News.
“That is an area that needs to be catered [to] and that’s why, without the rights, we’ve had such big, big audiences.”
Goldbridge revealed he isn’t paying to show his 20 Friday night matches this season – reinforcing how the Bundesliga struggled to find a buyer in Britain.
Sky Sports previously had a four-year rights deal to exclusively show those German matches here, but will now only show the prestige Saturday evening slot live.
Image: Bundesliga teams Eintracht Frankfurt and RB Leipzig during their match in April. Pic: Reuters
European leagues are finding it increasingly difficult in this market to sell their rights because domestic football is so dominant and appealing.
The focus of football budgets is on domestic games for Sky as well as Discovery-owned TNT Sports, which also focuses its European football coverage on men’s continental competitions, including the Champions League.
More Premier League matches will be shown live than ever before – with at least 215 on Sky, the parent company of Sky News, and others on TNT.
Sky Sports also has live men’s rights to the English Football League and Scottish matches, as well as sharing the Women’s Super League with the BBC.
The Bundesliga is also making the games broadcast by Goldbridge’s channel available to the BBC to stream online. They will further be on The Overlap, a YouTube channel part-owned by Gary Neville.
Image: Behind the scenes of covering a Premier League game
‘A progressive step’
Bundesliga International CEO Peer Naubert said: “Our approach is as diverse as our supporters: by combining established broadcasters with digital platforms and content creators, we are taking a progressive step in how top-level football can be experienced.
“This multi-layered strategy allows us to connect with more audiences across the UK and Ireland, giving every supporter the chance to engage … in the way that suits them best.”
While the former England and Manchester United player is a star pundit on Sky, he could also be seen as a rival to the Comcast-owned broadcaster by attracting fans to newer outlets of his channel.
Goldbridge doesn’t see himself as a rival yet to long-established broadcasters.
“We’re not looking to replace what you can find on Sky or the BBC or anything like that,” he said. “This is a community that will be live with us, watching the Bundesliga, learning about it.
“And if I get a pronunciation wrong, or I don’t know about a player, then I’ve got my community there to back me up. I don’t profess to know everything.”
Image: Kane celebrates the Bundesliga title with his Bayern Munich teammates. Pic: Reuters
‘This is the future’
But he can be relatable to audiences, with more than two million subscribing to his The United Stand channel, earning him millions of pounds over the last decade.
“We’ve been there growing in the background and I think certain media outlets have ignored that, maybe hoping it would go away,” he said.
“I certainly think synergy and collaboration need to happen more because there are things in the mainstream that I don’t like and there will be people out there that really don’t like the way we watch football, but a lot of people do.
“And it’s about offering that choice to people and there are different ways people listen to football on the radio, people watch it with a commentator, some people turn the audio off completely, some people watch things like this (watch-a-long).
“And I think that is the future, to offer more choice.”
Thirteen unreleased Beatles tracks are set to feature on a new Anthology compilation – almost 30 years since the last.
The announcement comes following a big hint from Sir Paul McCartney and the other official Beatles social media channels, which all shared a carousel of images containing the numbers one to four on Instagram the day before the announcement.
Anthology 4 will feature 13 demos, session recordings and other rare tracks that have never been released before, similar to the first three Anthology compilations, which were released between 1995 and 1996.
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Details of a full track listing are yet to be revealed. There is no indication the release will feature any completely previously unheard songs.
A book and documentary series, The Beatles Anthology, is also being remastered and streamed on Disney+, billed as “The Beatles’ story, in their own words”.
The series will include a new ninth episode featuring previously unseen behind-the-scenes footage of Sir Paul, George Harrison and Ringo Starr, filmed as they made the collections.
Beatles producer George Martin’s son Giles has remastered versions of Anthology 1, 2 and 3, and all four will be released in a new box set in November.
The 191-track set will also feature new mixes of Free As A Bird and Real Love – the singles from Anthology 1 and 2 – using the late John Lennon‘s vocals. These have been mixed by the songs’ original producer, Electric Light Orchestra frontman Jeff Lynne.
The box set will also include the original liner notes for the first three anthologies as well as a new set of notes on Anthology 4 by Beatles author Kevin Howlett, and an introduction compiled from 1996 interviews recorded with The Beatles’ close friend and adviser Derek Taylor.
The Beatles are the best-selling musical act of all time, having achieved 18 number one singles and 15 number one albums in the UK alone since they formed in 1960.
Prosecutors in the Sean “Diddy” Combs case have urged the judge to reject a request by the hip-hop mogul for acquittal or retrial on prostitution-related charges.
He was cleared of more serious charges of racketeering conspiracy and sex-trafficking. The trial would have been “totally different” if these charges had not been included, his defence team argued, saying they lacked credibility.
Image: File pic: Matt Sayles/Invision/AP
Now, prosecutors have responded to the request for the conviction to be thrown out, or for a retrial, saying in a court document that there was “ample evidence” presented during the trial that supported the jury’s convictions.
“[Combs] masterminded every aspect of freak offs,” the document says. “He transported escorts across state lines to engage in freak offs for pay. He directed the sexual activity of escorts… for his own sexual gratification. And he personally engaged in sexual activity during freak offs.”
The two transportation for prostitution charges Combs was convicted of fall under America’s Mann Act, which prohibits interstate commerce related to prostitution.
The rapper’s lawyers have argued that, to their knowledge, he is “the only person” ever convicted of these charges for the conduct he was accused of in court.
Image: Combs’s reaction after hearing the verdicts following his trial. Pic: Reuters/Jane Rosenberg
“The men chose to travel and engage in the activity voluntarily,” the defence team said in their submission to the judge for acquittal. “The verdict confirms the women were not vulnerable or exploited or trafficked or sexually assaulted during the freak offs or hotel nights.”
In their response, prosecutors said “evidence of the defendant’s guilt on the Mann Act counts was overwhelming”.
Combs, one of the most influential hip-hop producers of all time, is due to be sentenced in October. Each charge carries a potential jail sentence of 10 years.
He would have been facing a mandatory 15 years – and up to life – in prison had he been convicted of the charges of racketeering conspiracy and sex trafficking, of which he was exonerated.
Combs fell to his knees when the verdicts were read out, and his team later hailed it a “victory”.
The rapper has already served nearly a year at a federal jail in Brooklyn, where he has been since his arrest in September 2024.
He has been in contact with Donald Trump about a pardon, a source close to the rapper’s legal team told Sky News’ US partner network NBC News earlier this month, but the president has cast doubt on this actually happening.
Judge Arun Subramanian, who heard the trial, said Combs has not met the burden of showing by clear and convincing evidence a “lack of danger to any person or the community”.