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He is the man behind the biggest-selling electronica record of all time, but the success of Moby’s album Play came with some unwanted side effects.

His fifth record, the album charted at 33 upon its release in the UK in May 1999, and fell out of the Top 40 after just a week. But despite the lacklustre initial response, Play started to pick up steam, slowly climbing the chart until it reached number one in April 2000.

It stayed there for five weeks and remained in the Top 40 until March 2001, re-entering the Top 100 several times over the next few years.

While Moby had experienced success with Go, the breakthrough 1991 single from his self-titled debut album, Play was next level. Even if you don’t know the album, you’ll know at least some of the songs – Porcelain, Why Does My Heart Feel So Bad?, Honey, and Natural Blues. The record was ubiquitous and fame hard to escape.

Adam Warzawa/EPA/Shutterstock
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Pic: Adam Warzawa/EPA/Shutterstock

“I think fame and fortune are, probably, empirically two of the most destructive forces on the planet,” he says, speaking from his home in Los Angeles. “I mean, if fame and fortune fixed things, Kurt Cobain and Amy Winehouse would still be making records.

“I guess it’s a very easy system to buy into, especially in a place like… in New York, in Los Angeles, in these big cities that are driven by ostentation and consumption and the need for external validation. It’s hard to resist those temptations. But then… you look at the consequences of that.

“I’d rather try and live a rational life and not necessarily let other people’s concerns dictate what my concerns should be.”

Now sober and with a few years between him and those heady days of peak fame, in recent years Moby has been doing something few established stars in his position would do – giving his compositions away for free.

“I have a house, I have a car, I have some hoodies, I have food in the fridge, I don’t really need anything more,” he insists. “To live and work in a way where I’m not driven by money, why not use that as an opportunity?”

Selfless selfishness or selfish selflessness

Pic: Wael Hamzeh/EPA/Shutterstock
Image:
Pic: Wael Hamzeh/EPA/Shutterstock

Over a decade ago, the musician came up with the quietly radical idea of making a free music licensing platform, MobyGratis. The idea was simple and rather exciting, he admits – to allow anyone unrestricted access to hundreds of his compositions to use them however they wish. From film scores to remixes, whatever.

“It’s either selfless selfishness or selfish selflessness, meaning I’m giving these things away but the benefit to me is I get to see what people do with it,” he says.

“There are a lot of things about the current digital media climate that are terrifying and baffling and confusing, but one of the things I love is the egalitarian nature of it.”

The idea of giving his music away for free runs somewhat contrary to the AI copyright battle many artists are currently speaking out over, with the likes of Ed Sheeran and Damon Albarn calling for greater protections in law to prevent artificial intelligence software from scraping their work to learn from it.

Remix culture and creative processes

“I completely appreciate and respect the concerns that other people have,” says Moby. “I think they’re incredibly valid… but for me personally, I don’t know. Maybe it’s naive and stupid of me, but I kind of just ignore it.

“I put this music out there and you sort of hope for the best, which probably is completely dim-witted of me. Part of remix culture is seeing how people reinterpret your work; sometimes it’s mediocre, sometimes it is bad, but sometimes it is so inspired, and I can actually learn a lot from other creative processes.”

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The dance artist also takes issue with how the act of giving and compassion more generally has come to be seen, and references Elon Musk‘s comments on Joe Rogan’s podcast in April, when the billionaire said: “We’ve got civilizational suicidal empathy going on.”

Moby says that while “we live in this world of fear, selfishness, desperation and viciousness”, he supports “anything that is a rejection of the manosphere… anything that rejects Elon and the idea that empathy is a weakness and reminds people that life can be simple and decent.”

He jokes: “I’m definitely becoming like the weird old guy that you’ll see in the mountains, sort of like not making eye contact and mumbling about chemtrails or something.”

This is a man who is aware his approach to fame, fortune and giving stuff away is somewhat out-of-keeping with the times we’re living in – but the thing is, Moby doesn’t seem to care.

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Lil Nas X: Rapper arrested and taken to hospital after wandering LA street in underwear

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Lil Nas X: Rapper arrested and taken to hospital after wandering LA street in underwear

US rapper Lil Nas X has been arrested and taken to hospital after being found walking in his underwear on a Los Angeles street and allegedly charging at officers and punching one.

Police said in a statement that officers responded shortly before 6am on Thursday (2pm UK time) following reports of a naked man, according to Sky’s US partner NBC News.

The LA force said that as officers went to the 11000 block of Ventura Boulevard in Studio City, the man rushed towards them.

“He was transported to a local hospital for a possible overdose and placed under arrest for battery on a police officer,” police said.

A law enforcement source confirmed to NBC News that the suspect was Montero Lamar Hill, also known as Lil Nas X.

The Old Town Road rapper punched an officer twice in the face during the encounter, according to the NBC source.

Officers were unsure whether he was on any substances or in mental distress, the source said.

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A representative for Hill did not immediately respond to a request for comment.

NBC News cited TMZ footage where Hill was seen walking down the middle of Ventura Boulevard at 4am on Thursday in a pair of white briefs and cowboy boots.

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In the videos, Hill tells a driver to “come to the party” in one clip and in another tells the person, “Didn’t I tell you to put the phone down?”

“Uh oh, someone’s going to have to pay for that,” Hill says as he continues to walk away.

In some clips, Hill struts as if he’s on a catwalk, posing for onlookers, and at one point he places an orange traffic cone on his head.

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Noel Clarke loses libel case against Guardian publisher over sexual misconduct allegations

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Noel Clarke loses libel case against Guardian publisher over sexual misconduct allegations

Actor Noel Clarke has lost his High Court libel case against the publisher of The Guardian, over a series of news articles which featured claims from a number of women.

The first article, published in April 2021, said some 20 women who knew Clarke in a professional capacity had come forward with allegations of sexual misconduct.

The 49-year-old actor, writer and director, best known for his 2006 film Kidulthood and starring in Doctor Who, sued the publisher and vehemently denied “any sexual misconduct or wrongdoing” – but the court has found Guardian News and Media (GNM) successfully defended the legal action on the grounds of truth and public interest.

Noel Clarke outside court during the trial in April. Pic: PA
Image:
Noel Clarke outside court during the trial in April. Pic: PA

The meanings of all eight of the newspaper’s publications were found to be “substantially true”, the judge, Mrs Justice Steyn, said in a summary of the findings.

“I have accepted some of Mr Clarke’s evidence… but overall I find that he was not a credible or reliable witness,” she said.

In her ruling, the judge also said suggestions that more than 20 witnesses, “none of whom are parties or have a stake in this case, as [Clarke] does” had come to court to lie was “inherently implausible”.

From the evidence heard, it was “clear that women have been speaking about their experiences of working with Mr Clarke for many years”, she said.

‘A deserved victory for women who suffered’

Lucy Osborne and Sirin Kale, the journalists who carried out the investigation, told Sky News they had always been confident in everything published.

“I think that this is not a problem that’s going to go away,” said Osborne. “This kind of behaviour very much still happens in the TV and film industry and other industries. So I do hope this judgment gives other women the confidence to speak out about what they’ve experienced.”

Clarke rose to fame with his 2006 film Kidulthood. Pic: PA
Image:
Clarke rose to fame with his 2006 film Kidulthood. Pic: PA

Guardian editor-in-chief Katharine Viner described the ruling as “a deserved victory for those women who suffered because of the behaviour of Noel Clarke”.

She continued: “Going to court is difficult and stressful, yet more than 20 women agreed to testify in the High Court, refusing to be bullied or intimidated.

“This is also a landmark judgment for Guardian journalism, and for investigative journalism in Britain… The judgment is clear that our investigation was thorough and fair, a template for public interest journalism.”

Clarke’s response

Clarke described the result as disappointing and maintained he believes the newspaper’s reporting was “inaccurate and damaging”.

“I have never claimed to be perfect,” he said. “But I am not the person described in these articles. Overnight I lost everything.”

He said he wanted to thank witnesses who supported his case, as well as his family, “who never stopped believing there was something worth fighting for”.

What happened during the trial?

The trial took place from early March to early April 2025, hearing evidence from multiple witnesses who made accusations against Clarke, including that he had allegedly shared nude photographs of them without their consent, groped them, and asked them to look at him when he was exposed.

Clarke also gave evidence over several days. At one stage, the actor appeared visibly emotional as he claimed the publisher had “smashed my life” with its investigation.

His lawyer told the court he had been made a “scapegoat” and was an “easy target”, as a star at the height of his success when the media industry “zealously sought to correct itself” following the #MeToo movement.

The actor had been handed the outstanding British contribution to cinema award at the BAFTAs just a few weeks before the report was published. Following the article, BAFTA announced it had suspended his membership.

But lawyers for The Guardian told how newspaper’s investigation was “careful and thorough”, saying it had been carried out “conscientiously” by the journalists involved.

In March 2022, police said the actor would not face a criminal investigation over the allegations.

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Why Germany’s top football league is turning to this man

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Viral YouTuber on the path to become one of football's most powerful men

The growing popularity and reach of the Premier League globally is leaving rival European football competitions struggling to compete.

Not only to find an audience, but to find outlets to even show the matches.

So German football had to think differently – going to where Gen Z is engaging with football through content creators.

And that’s why tonight, Harry Kane’s Bayern Munich will begin their defence of the Bundesliga title live to 1.4 million subscribers on the That’s Football channel on YouTube.

Harry Kane in Bundesliga action last season. Pic: Reuters
Image:
Harry Kane in Bundesliga action last season. Pic: Reuters

It’s run by Mark Goldbridge, known for passionate but often provocative, punchy commentary about players on streams going viral.

His brand was built by being filmed reacting to watching Manchester United matches.

“People need to appreciate that we have a certain content style, and that’s very, very popular,” Goldbridge told Sky News.

“That is an area that needs to be catered [to] and that’s why, without the rights, we’ve had such big, big audiences.”

Goldbridge revealed he isn’t paying to show his 20 Friday night matches this season – reinforcing how the Bundesliga struggled to find a buyer in Britain.

Sky Sports previously had a four-year rights deal to exclusively show those German matches here, but will now only show the prestige Saturday evening slot live.

Bundesliga teams Eintracht Frankfurt and RB Leipzig during their match in April. Pic: Reuters
Image:
Bundesliga teams Eintracht Frankfurt and RB Leipzig during their match in April. Pic: Reuters

European leagues are finding it increasingly difficult in this market to sell their rights because domestic football is so dominant and appealing.

The focus of football budgets is on domestic games for Sky as well as Discovery-owned TNT Sports, which also focuses its European football coverage on men’s continental competitions, including the Champions League.

More Premier League matches will be shown live than ever before – with at least 215 on Sky, the parent company of Sky News, and others on TNT.

Sky Sports also has live men’s rights to the English Football League and Scottish matches, as well as sharing the Women’s Super League with the BBC.

The Bundesliga is also making the games broadcast by Goldbridge’s channel available to the BBC to stream online. They will further be on The Overlap, a YouTube channel part-owned by Gary Neville.

Behind the scenes of covering a Premier League game
Image:
Behind the scenes of covering a Premier League game

‘A progressive step’

Bundesliga International CEO Peer Naubert said: “Our approach is as diverse as our supporters: by combining established broadcasters with digital platforms and content creators, we are taking a progressive step in how top-level football can be experienced.

“This multi-layered strategy allows us to connect with more audiences across the UK and Ireland, giving every supporter the chance to engage … in the way that suits them best.”

While the former England and Manchester United player is a star pundit on Sky, he could also be seen as a rival to the Comcast-owned broadcaster by attracting fans to newer outlets of his channel.

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Goldbridge doesn’t see himself as a rival yet to long-established broadcasters.

“We’re not looking to replace what you can find on Sky or the BBC or anything like that,” he said. “This is a community that will be live with us, watching the Bundesliga, learning about it.

“And if I get a pronunciation wrong, or I don’t know about a player, then I’ve got my community there to back me up. I don’t profess to know everything.”

Kane celebrates the Bundesliga title with his Bayern Munich teammates. Pic: Reuters
Image:
Kane celebrates the Bundesliga title with his Bayern Munich teammates. Pic: Reuters

‘This is the future’

But he can be relatable to audiences, with more than two million subscribing to his The United Stand channel, earning him millions of pounds over the last decade.

“We’ve been there growing in the background and I think certain media outlets have ignored that, maybe hoping it would go away,” he said.

“I certainly think synergy and collaboration need to happen more because there are things in the mainstream that I don’t like and there will be people out there that really don’t like the way we watch football, but a lot of people do.

“And it’s about offering that choice to people and there are different ways people listen to football on the radio, people watch it with a commentator, some people turn the audio off completely, some people watch things like this (watch-a-long).

“And I think that is the future, to offer more choice.”

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