Mr Bates Vs The Post Office and Mr Loverman were among the big winners at this year’s BAFTA TV awards – with Danny Dyer and Ruth Jones picking up comedy prizes.

After Mr Bates was named the winner of the TV BAFTA for best limited drama, ITV was also given a special award for commissioning a show that “brought dynamic change”.

The four-part series, which aired in January 2024, depicted how former subpostmasters and subpostmistresses were held liable by the Post Office for financial discrepancies thrown up by its computerised accounting system, Horizon – shining a light on one of the widest miscarriages of justice in UK legal history.

Producer Patrick Spence said the show could never have been made without ITV, as well as the journalists who covered the wrongful convictions, and those who campaigned about the scandal.

“Our show didn’t change the law, the people of this nation did that,” he said.

Mr Bates stars Toby Jones and Monica Dolan missed out on prizes in the acting categories, with Marisa Abela named best actress for her performance in Industry and Lennie James named best actor for Mr Loverman, a series based on the novel of the same name by Booker Prize winner Bernadine Evaristo.

Both winners seemed shocked to receive the gongs, with first-time nominee Abela saying: “Oh my god, I really wasn’t expecting that at all… This is insane.”

James described the win as a “fantastic honour”.

Earlier in the night, his co-star Ariyon Bakare took home the prize for best supporting actor, while Baby Reindeer’s Jessica Gunning picked up the gong for best supporting actress.

Elsewhere, Dyer got one of the night’s biggest cheers as his first ever BAFTA was announced – the award for male performance in a comedy, for his role in Sky’s Mr Bigstuff – while Jones’s final performance as Nessa in the long-awaited Gavin & Stacey: The Finale earned her the female comedy performance gong.

Accepting his prize, Dyer said “the acting was so bad it was funny”, before he swore several times despite being warned about the rules. He also thanked his family, and writer and actor Ryan Sampson, who he called the “best thing to come out of Rotherham”.

“I’m not going to lie this is immense,” said Jones as she collected her award. “The person I would like to thank most his my dear, dear talented friend James Corden.”

She said without British actor Corden, her co-creator and co-star, “Vanessa Shanessa Nessa’ Jenkins would not exist”.

Read more:
The full list of winners
The red carpet in pictures
TV Awards – as it happened

Wins for other shows included best drama for Blue Lights, best soap for EastEnders, best scripted comedy for Alma’s Not Normal, best entertainment performance for Joe Lycett’s Late Night Lycett, and best entertainment programme for Would I Lie To You?

This year’s BAFTA Fellowship, the highest accolade given by the organisation, in recognition of an outstanding and exceptional contribution to film, games or television, was presented to broadcaster Kirsty Wark for her “unwavering dedication and unmatched legacy in the world of news and current affairs broadcasting”.

Two new categories celebrating children’s television were also introduced this yearm with CBeebies As You Like It at Shakespeare’s Globe taking home the inaugural prize for best children’s scripted, and Sky’s Disability and Me (FYI Investigates) winning the non-scripted prize.

The main ceremony, which was hosted by actor and presenter Alan Cumming at London’s Royal Festival Hall, came two weeks after the BAFTA craft ceremony for technical awards – where Baby Reindeer, Rivals and Slow Horses each picked up two prizes.

Stanley Tucci says he doesn’t understand why there has been a sudden rise in the “very far right”.

The 64-year-old actor, author and food connoisseur leads a new show aptly named Tucci In Italy, where he looks at the world-renowned cuisine and how its ingredients tell much more than just what is served on the plate.

Speaking to Sky News, he says painting the full picture of the Italian landscape was the driving force behind the show and that he made a conscious decision to include stories from all backgrounds.

“I asked that we include a story about a gay couple and their children, whether it was adopted or surrogate or however, because I thought it was a really interesting story.

“I am confused as to the direction that so much of the world is heading now to the very far right and sort of vilifying the other, meaning people who aren’t like us, but I don’t quite know what that means because we are all so different.

“There is no us, right? We’re all different, so I don’t know what the problem is there.”

Tucci adds that he wants to “look at what’s happening in Italy politically and how it’s affecting people but, of course, all through the prism of food”.

“Those people are sitting there having a traditional Sunday lunch with the grandparents, with the grandkid, and they’re a family and yet the government says they’re not a family.

“I think that’s really interesting because Italy puts so much emphasis on family and for all practical purposes, Italy has a negative birth rate so why wouldn’t you want to welcome more children into your society who are Italian?”

In 2016, Italy passed a law that now recognises civil unions for same-sex couples in the country.

It grants couples many of the same rights and financial protections as married heterosexual couples, however, it doesn’t give LGBT+ couples the right to joint adoption or in vitro fertilisation.

In 2023, the Italian government extended its initial ban on surrogacy to include arrangements made by its citizens abroad.

Its legislation subjects any intended parent who breaks the law to jail terms of up to two years and fines of up to €1m (£846,000).

The law doesn’t include those children who were already registered before it came into effect.

The buzzword on social media over the last few weeks has been “conclave” following the death of Pope Francis and of course, the Oscar-winning film of the same name.

Our interview took place just before the real conclave took place, which resulted in Pope Leo XIV becoming the first American-born leader of the Catholic Church.

Starring in the film alongside Ralph Fiennes, Tucci became inadvertently connected to the news agenda when life began to imitate art.

“It’s fascinating. I mean, look, I don’t know anything about it, really, other than I made a movie about it. That’s all I know. But it is, the timing of it is unfortunate, but it’s also oddly coincidental.”

Tucci In Italy looks at traditional Italian cuisine but also explores the impact history, changing political landscapes, migration and culture can have on a dinner plate.

Read more from Sky News:
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He visits the northern area of Trentino-Alto Adige, which borders Austria, to look at how Mussolini’s intense policies regarding German identity shaped the area and people today.

“It’s an incredibly beautiful region, but also it’s the way those two cultures have figured out a way to get along without violence, without blame, without hating each other, without divisiveness.

“I think it’s really wonderful. It’s a testament to… How easy it can be for us to get along.”

Tucci In Italy premieres 21 May at 8pm on National Geographic and all episodes stream from 19 May on Disney+.

He is the man behind the biggest-selling electronica record of all time, but the success of Moby’s album Play came with some unwanted side effects.

His fifth record, the album charted at 33 upon its release in the UK in May 1999, and fell out of the Top 40 after just a week. But despite the lacklustre initial response, Play started to pick up steam, slowly climbing the chart until it reached number one in April 2000.

It stayed there for five weeks and remained in the Top 40 until March 2001, re-entering the Top 100 several times over the next few years.

While Moby had experienced success with Go, the breakthrough 1991 single from his self-titled debut album, Play was next level. Even if you don’t know the album, you’ll know at least some of the songs – Porcelain, Why Does My Heart Feel So Bad?, Honey, and Natural Blues. The record was ubiquitous and fame hard to escape.

“I think fame and fortune are, probably, empirically two of the most destructive forces on the planet,” he says, speaking from his home in Los Angeles. “I mean, if fame and fortune fixed things, Kurt Cobain and Amy Winehouse would still be making records.

“I guess it’s a very easy system to buy into, especially in a place like… in New York, in Los Angeles, in these big cities that are driven by ostentation and consumption and the need for external validation. It’s hard to resist those temptations. But then… you look at the consequences of that.

“I’d rather try and live a rational life and not necessarily let other people’s concerns dictate what my concerns should be.”

Now sober and with a few years between him and those heady days of peak fame, in recent years Moby has been doing something few established stars in his position would do – giving his compositions away for free.

“I have a house, I have a car, I have some hoodies, I have food in the fridge, I don’t really need anything more,” he insists. “To live and work in a way where I’m not driven by money, why not use that as an opportunity?”

Selfless selfishness or selfish selflessness

Over a decade ago, the musician came up with the quietly radical idea of making a free music licensing platform, MobyGratis. The idea was simple and rather exciting, he admits – to allow anyone unrestricted access to hundreds of his compositions to use them however they wish. From film scores to remixes, whatever.

“It’s either selfless selfishness or selfish selflessness, meaning I’m giving these things away but the benefit to me is I get to see what people do with it,” he says.

“There are a lot of things about the current digital media climate that are terrifying and baffling and confusing, but one of the things I love is the egalitarian nature of it.”

The idea of giving his music away for free runs somewhat contrary to the AI copyright battle many artists are currently speaking out over, with the likes of Ed Sheeran and Damon Albarn calling for greater protections in law to prevent artificial intelligence software from scraping their work to learn from it.

Remix culture and creative processes

“I completely appreciate and respect the concerns that other people have,” says Moby. “I think they’re incredibly valid… but for me personally, I don’t know. Maybe it’s naive and stupid of me, but I kind of just ignore it.

“I put this music out there and you sort of hope for the best, which probably is completely dim-witted of me. Part of remix culture is seeing how people reinterpret your work; sometimes it’s mediocre, sometimes it is bad, but sometimes it is so inspired, and I can actually learn a lot from other creative processes.”

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David Attenborough’s Ocean is ‘biggest message’ he’s ever told

The dance artist also takes issue with how the act of giving and compassion more generally has come to be seen, and references Elon Musk‘s comments on Joe Rogan’s podcast in April, when the billionaire said: “We’ve got civilizational suicidal empathy going on.”

Moby says that while “we live in this world of fear, selfishness, desperation and viciousness”, he supports “anything that is a rejection of the manosphere… anything that rejects Elon and the idea that empathy is a weakness and reminds people that life can be simple and decent.”

He jokes: “I’m definitely becoming like the weird old guy that you’ll see in the mountains, sort of like not making eye contact and mumbling about chemtrails or something.”

This is a man who is aware his approach to fame, fortune and giving stuff away is somewhat out-of-keeping with the times we’re living in – but the thing is, Moby doesn’t seem to care.