The biggest night in British TV, this year’s BAFTA TV Awards saw the golden masks handed out to a wide spread of shows – with the BBC’s Mr Loverman the only show to take home two awards.
Hosted by Scottish actor and presenter Alan Cumming, the night kicked off with a Traitors skit, before handing out 29 awards, interspersed with a live performance or two.
While Baby Reindeer had gone into the night the most nominated, it took just one prize, as did the much talked about Mr Bates vs The Post Office. Meanwhile, Rivals and Slow Horses, which had also been hotly tipped, went home empty-handed.
Here are some of the top moments from the 2025 TV BAFTAs.
Image: Baby Reindeer star Jessica Gunning won her first BAFTA. Pic: John Phillips/BAFTA/Getty Images for BAFTA
‘Hello cheeky chops!’
Jessica Gunning took the first prize of the evening, greeting her award by saying: “Hello cheeky chops!”
Gunning, a first-time nominee, said Baby Reindeer had “changed my life”, reminiscing about her childhood playing make-believe and inventing imaginary friends, never knowing she would eventually end up using her dramatic skills to win a BAFTA.
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The role of Martha has already won her an Emmy, a SAG award and a Golden Globe in the US.
Gunning also wished her co-star and creator of Baby Reindeer, Richard Gadd, a happy birthday (his 36th), calling him “nipple”, a nickname her character Martha gave to Donny (Gadd’s character) in the show.
Image: Cast and crew of Mr Bates vs The Post Office take their award. Pic: BAFTA Pic: John Phillips/ Getty Images for BAFTA
‘Liars and bullies’
Mr Bates vs The Post Office took the limited drama prize, with producer Patrick Spence telling the audience: “Our show didn’t change the law, the people of this nation did that,” before going on to say it showed the public “cannot abide liars and bullies.”
Flagging the journalists and the campaigners who covered the wrongful conviction of the sub postmasters convicted due to the Horizon IT scandal, he called making the show, “the greatest privilege of our lives”.
Later, when accepting the special award earned by ITV for commissioning the show, the channel’s managing director Kevin Lygo said he had “never seen anything quite like” the impact of Mr Bates vs The Post Office.
Flagging the large number of people impacted by the scandal who were still waiting for compensation, Lygo didn’t mince his words, demanding: “Hurry up and pay these people what they’re due.”
Image: Danny Dyer is a proud – and sweary – BAFTA winner. Pic: PA
Watch your mouth
Several winners were so excited they could not refrain from a little blue language.
Accepting his first BAFTA for best male comedy performance, Danny Dyer dropped the f-bomb numerous times.
In his speech, Dyer thanked his co-star and the show’s creator, Ryan Sampson, calling him “one of the greatest things to have come out of Rotherham”.
He praised Sampson for “never doing the same thing twice”, adding with tongue in cheek, “It’s not something I can say”. Dyer concluded his speech with a nod to his family, and a final trademark “f***”.
Meanwhile, a very excited Sophie Willen stepped up to accept the prize for scripted comedy.
The Taskmaster alumni told the crowd: “I’m not allowed to swear and all I want to do is go beep, beep”, before calling her win “bloomin’ fabulous”.
Willen – whose part autobiographical comedy Alma’s Not Normal tackles the care system, drug addiction, mental illness, and terminal cancer – called her cast and crew “shit hot”, before catching herself, then repeating “shit, shit”.
Image: Ruth Jones with her BAFTA for Gavin & Stacey. Pic: Kate Green/BAFTA/Getty Images for BAFTA
‘I love you James’
Taking the prize for female performance in a comedy, Ruth Jones channelled her inner Nessa, saying: “I’m not going to lie, this is immense.”
Thanking the cast and crew, she became emotional as she added: “The person I would like to thank most is my dear, dear talented friend James Corden.” The cameras, of course, then panned to a chuffed-looking Corden, sitting in the audience.
She went on to say that without him, “Vanessa Shanessa Nessa Jenkins would not exist”, paying tribute to their 17 years writing together, adding, “long may it continue” – and so perhaps giving hope for a new Jones/Corden collaboration to follow Gavin And Stacey’s final act?
Image: State Of Rage director Marcel Mettelsiefen. Pic: John Phillips/BAFTA/Getty Images for BAFTA
War amid the awards
In a sobering moment amid the glitz and the glamour, the director of best single documentary, Ukraine: Enemy In The Woods – filmed by Ukrainian soldiers on the frontline – paid tribute to two contributors to the film who had since been killed in conflict.
Jamie Roberts spoke about two young men he had worked with on the film, before adding: “They are not here – they are now dead.”
The winner of the current affairs category, State Of Rage, also offered a heartfelt message as they accepted the award for the programme, which follows a Palestinian and Israeli family in the West Bank.
German State Of Rage director Marcel Mettelsiefen said: “It would be wrong to stand here without acknowledging what’s happening in Gaza.”
Speaking as a parent, he said: “This violence needs to stop now,” then adding, “let’s break this silence together.”
Image: Kirsty Wark celebrates her fellowship. Pic: John Phillips/BAFTA/Getty Images for BAFTA
‘I’ve interviewed musicians – and a few monsters’
Former Newsnight presenter Kirsty Wark received a standing ovation as she collected her BAFTA fellowship – the body’s highest accolade.
Accepting her award, Wark said: “Thank you so much to BAFTA. It is a privilege and an honour to have my name added to such an incredible roll call. My work continues to give me so much, not just wonderful friends and colleagues.”
The veteran broadcaster continued: “Things have changed so much, so radically, since the ’70s, not least the shoulder pads, the office drinks trolley, shooting on reversal for a fast edit, and film crews, the size of football teams, but always the chance to learn and grow and I’ve been lucky to interview everyone from politicians to painters, architects, economists, musicians and a few monsters.”
Wark added that the “most joyous change in television” has been “the number of women in senior roles”.
Image: ‘Mr Cruises’ aka Rob Brydon accepts Would I Lie To You’s first BAFTA. Pic: John Phillips/BAFTA/Getty Images for BAFTA
Would I Lie To You wins its first BAFTA
Everyone loves a conspiracy theory, and this year it could be courtesy of BAFTA and a big boat.
Accepting the entertainment award for perennial favourite Would I Lie To You, host Rob Brydon said: “This is a surprise.”
Team captain Lee Mack then added: “We’ve been nominated for eight years but now ‘Mr Cruises’ has done it for us,” referring to Brydon’s adverts for P&O Cruises – the sponsor of the event.
“The whiff of scandal is in the air,” quipped Brydon.
In Memoriam
The In Memoriam section of the night was accompanied by live music by concert violinist and social media sensation Esther Abrami.
Always a poignant moment in the evening, it included a wide variety of stars who passed away this year, including Shannon Doherty, Tony Slattery, Paul Danan, Henry Kelly, Linda Nolan, Michael Moseley, The Vivienne and Timothy West.
Image: Sir David Suchet became Poirot – briefly – to hand out the best actress award. Pic: John Phillips/BAFTA/Getty Images for BAFTA
Poirot presents best actress
Awarding the best actress prize, Sir David Suchet channelled his most famous on-screen character, Hercule Poirot, greeting the audience with “Mesdames, Messieurs” to wild applause.
He went on, in the words of the bumbling Belgian detective: “I expect you’re wondering why I’ve gathered you here tonight?”
In a surprise win, Industry star Marisa Abela took the prize and had to be helped up on to the stage due to the length and tightness of her sparkling black gown.
Clearly surprised by her win, and becoming tearful, as she paid tribute to her drama school teacher who she said was in the audience that night, she also thanked her mother, also an actress, without whom she said she’d never be on the stage accepting her first BAFTA aged just 28.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.