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The biggest night in British TV, this year’s BAFTA TV Awards saw the golden masks handed out to a wide spread of shows – with the BBC’s Mr Loverman the only show to take home two awards.

Hosted by Scottish actor and presenter Alan Cumming, the night kicked off with a Traitors skit, before handing out 29 awards, interspersed with a live performance or two.

While Baby Reindeer had gone into the night the most nominated, it took just one prize, as did the much talked about Mr Bates vs The Post Office. Meanwhile, Rivals and Slow Horses, which had also been hotly tipped, went home empty-handed.

Here are some of the top moments from the 2025 TV BAFTAs.

Baby Reindeer star Jessica Gunning won her first BAFTA. Pic: BAFTA
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Baby Reindeer star Jessica Gunning won her first BAFTA. Pic: John Phillips/BAFTA/Getty Images for BAFTA

‘Hello cheeky chops!’

Jessica Gunning took the first prize of the evening, greeting her award by saying: “Hello cheeky chops!”

Gunning, a first-time nominee, said Baby Reindeer had “changed my life”, reminiscing about her childhood playing make-believe and inventing imaginary friends, never knowing she would eventually end up using her dramatic skills to win a BAFTA.

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The role of Martha has already won her an Emmy, a SAG award and a Golden Globe in the US.

Gunning also wished her co-star and creator of Baby Reindeer, Richard Gadd, a happy birthday (his 36th), calling him “nipple”, a nickname her character Martha gave to Donny (Gadd’s character) in the show.

Toby Jones, Monica Dolan and Sir Alan Bates on stage with the limited drama award for Mr Bates Vs The Post Office. Pic: John Phillips/ Getty Images for BAFTA
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Cast and crew of Mr Bates vs The Post Office take their award. Pic: BAFTA Pic: John Phillips/ Getty Images for BAFTA

‘Liars and bullies’

Mr Bates vs The Post Office took the limited drama prize, with producer Patrick Spence telling the audience: “Our show didn’t change the law, the people of this nation did that,” before going on to say it showed the public “cannot abide liars and bullies.”

Flagging the journalists and the campaigners who covered the wrongful conviction of the sub postmasters convicted due to the Horizon IT scandal, he called making the show, “the greatest privilege of our lives”.

Later, when accepting the special award earned by ITV for commissioning the show, the channel’s managing director Kevin Lygo said he had “never seen anything quite like” the impact of Mr Bates vs The Post Office.

Flagging the large number of people impacted by the scandal who were still waiting for compensation, Lygo didn’t mince his words, demanding: “Hurry up and pay these people what they’re due.”

Danny Dyer in the press room after winning the Male Performance in a Comedy Programme Award for 'Mr Bigstuff' during the 2025 BAFTA Television Awards with P&O Cruises at Southbank Centre's Royal Festival Hall, London. Picture date: Sunday May 11, 2025.
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Danny Dyer is a proud – and sweary – BAFTA winner. Pic: PA

Watch your mouth

Several winners were so excited they could not refrain from a little blue language.

Accepting his first BAFTA for best male comedy performance, Danny Dyer dropped the f-bomb numerous times.

In his speech, Dyer thanked his co-star and the show’s creator, Ryan Sampson, calling him “one of the greatest things to have come out of Rotherham”.

He praised Sampson for “never doing the same thing twice”, adding with tongue in cheek, “It’s not something I can say”. Dyer concluded his speech with a nod to his family, and a final trademark “f***”.

Meanwhile, a very excited Sophie Willen stepped up to accept the prize for scripted comedy.

The Taskmaster alumni told the crowd: “I’m not allowed to swear and all I want to do is go beep, beep”, before calling her win “bloomin’ fabulous”.

Willen – whose part autobiographical comedy Alma’s Not Normal tackles the care system, drug addiction, mental illness, and terminal cancer – called her cast and crew “shit hot”, before catching herself, then repeating “shit, shit”.

Ruth Jones in the press room after winning the Female Performance in a Comedy Programme Award for 'Gavin & Stacey: The Finale' during the 2025 BAFTA Television Awards with P&O Cruises at Southbank Centre's Royal Festival Hall, London. Picture date: Sunday May 11, 2025.
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Ruth Jones with her BAFTA for Gavin & Stacey. Pic: Kate Green/BAFTA/Getty Images for BAFTA

‘I love you James’

Taking the prize for female performance in a comedy, Ruth Jones channelled her inner Nessa, saying: “I’m not going to lie, this is immense.”

Thanking the cast and crew, she became emotional as she added: “The person I would like to thank most is my dear, dear talented friend James Corden.” The cameras, of course, then panned to a chuffed-looking Corden, sitting in the audience.

She went on to say that without him, “Vanessa Shanessa Nessa Jenkins would not exist”, paying tribute to their 17 years writing together, adding, “long may it continue” – and so perhaps giving hope for a new Jones/Corden collaboration to follow Gavin And Stacey’s final act?

State Of Rage director Marcel Mettelsiefen. Pic: BAFTA
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State Of Rage director Marcel Mettelsiefen. Pic: John Phillips/BAFTA/Getty Images for BAFTA

War amid the awards

In a sobering moment amid the glitz and the glamour, the director of best single documentary, Ukraine: Enemy In The Woods – filmed by Ukrainian soldiers on the frontline – paid tribute to two contributors to the film who had since been killed in conflict.

Jamie Roberts spoke about two young men he had worked with on the film, before adding: “They are not here – they are now dead.”

The winner of the current affairs category, State Of Rage, also offered a heartfelt message as they accepted the award for the programme, which follows a Palestinian and Israeli family in the West Bank.

German State Of Rage director Marcel Mettelsiefen said: “It would be wrong to stand here without acknowledging what’s happening in Gaza.”

Speaking as a parent, he said: “This violence needs to stop now,” then adding, “let’s break this silence together.”

Kirsty Wark celebrates her fellowship. Pic: BAFTA
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Kirsty Wark celebrates her fellowship. Pic: John Phillips/BAFTA/Getty Images for BAFTA

‘I’ve interviewed musicians – and a few monsters’

Former Newsnight presenter Kirsty Wark received a standing ovation as she collected her BAFTA fellowship – the body’s highest accolade.

Accepting her award, Wark said: “Thank you so much to BAFTA. It is a privilege and an honour to have my name added to such an incredible roll call. My work continues to give me so much, not just wonderful friends and colleagues.”

The veteran broadcaster continued: “Things have changed so much, so radically, since the ’70s, not least the shoulder pads, the office drinks trolley, shooting on reversal for a fast edit, and film crews, the size of football teams, but always the chance to learn and grow and I’ve been lucky to interview everyone from politicians to painters, architects, economists, musicians and a few monsters.”

Wark added that the “most joyous change in television” has been “the number of women in senior roles”.

'Mr Cruises' aka Rob Brydon accepts Would I Lie To You's first BAFTA. Pic: BAFTA
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‘Mr Cruises’ aka Rob Brydon accepts Would I Lie To You’s first BAFTA. Pic: John Phillips/BAFTA/Getty Images for BAFTA

Would I Lie To You wins its first BAFTA

Everyone loves a conspiracy theory, and this year it could be courtesy of BAFTA and a big boat.

Accepting the entertainment award for perennial favourite Would I Lie To You, host Rob Brydon said: “This is a surprise.”

Team captain Lee Mack then added: “We’ve been nominated for eight years but now ‘Mr Cruises’ has done it for us,” referring to Brydon’s adverts for P&O Cruises – the sponsor of the event.

“The whiff of scandal is in the air,” quipped Brydon.

In Memoriam

The In Memoriam section of the night was accompanied by live music by concert violinist and social media sensation Esther Abrami.

Always a poignant moment in the evening, it included a wide variety of stars who passed away this year, including Shannon Doherty, Tony Slattery, Paul Danan, Henry Kelly, Linda Nolan, Michael Moseley, The Vivienne and Timothy West.

Sir David Suchet became Poirot - briefly - to hand out the best actress award. Pic: BAFTA
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Sir David Suchet became Poirot – briefly – to hand out the best actress award. Pic: John Phillips/BAFTA/Getty Images for BAFTA

Poirot presents best actress

Awarding the best actress prize, Sir David Suchet channelled his most famous on-screen character, Hercule Poirot, greeting the audience with “Mesdames, Messieurs” to wild applause.

He went on, in the words of the bumbling Belgian detective: “I expect you’re wondering why I’ve gathered you here tonight?”

In a surprise win, Industry star Marisa Abela took the prize and had to be helped up on to the stage due to the length and tightness of her sparkling black gown.

Clearly surprised by her win, and becoming tearful, as she paid tribute to her drama school teacher who she said was in the audience that night, she also thanked her mother, also an actress, without whom she said she’d never be on the stage accepting her first BAFTA aged just 28.

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‘I’m shocked at how fragile I am still’: Cumberbatch and Colman on protecting their sanity from perils of social media

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'I'm shocked at how fragile I am still': Cumberbatch and Colman on protecting their sanity from perils of social media

Actor Benedict Cumberbatch says he’s shocked at how “fragile” he still is – despite years in the spotlight and success in the industry.

It might seem like the Doctor Strange star and The Crown actress Olivia Colman have it all when it comes to money and success – but they are also human like the rest of us.

The pair lead the cast of new satirical black comedy The Roses, which sees picture-perfect couple Ivy and Theo Rose – a rising star chef and ambitious architect – raise their two children in California, while chasing their own dreams.

‘I am shocked at how fragile I am’

But behind its dark humour and comic language, the film also looks at the realities of power imbalance, insecurity and wounded pride – in even the strongest of relationships.

And 49-year-old Cumberbatch – whose character faces a major setback in his career – tells Sky News that in real life the glare of social media only intensifies those type of situations.

“I am shocked at how fragile I am still.

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“I don’t go anywhere near it [social media] because of that.

“It’s like walking into a place where people want to marry you or kill you. Those extremes.

“I think we will get to a stage, a corporate culture that’s now manifested around it where people are obliged to do that in order to sell their lives, and therefore their brand and what they do for a living.”

Co-star Colman – who’s long-shunned the online world – agrees.

Cumberbatch and Colman in The Roses. Pic: Jaap Buitendijk/ Searchlight Pictures
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Cumberbatch and Colman in The Roses. Pic: Jaap Buitendijk/ Searchlight Pictures

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“I’m afraid I am very thin-skinned.

“I don’t look at any of it. My husband will look at a review and if it’s nice he’ll show me – but if it’s anything mean he knows to just go ‘don’t look – don’t look.’

“You just have to learn to be thicker-skinned.

“But actually, I think we need people who are sensitive and kind.”

‘Don’t do it… delete it all’

Colman – now 51, and whose leading role in The Favourite bagged her an Academy Award in 2019 – says no amount of experience and success can shield her from criticism.

“My advice to a young’un – sort of dipping their toe into the world of social media for the first time is absolutely don’t do it.

“Delete it all. If you want a happy life, don’t have any of it. I’ve never had it.”

The movie – directed by Meet The Parents’ Jay Roach with The Favourite screenwriter Tony McNamara – also calls into question the notion of success – asking, is it really possible to have it all?

Or is sacrifice inevitable when it comes to spinning the plates of a high-flying career, marriage and parenthood?

Cumberbatch admits “you can’t do it all without there being a cost”.

“You just have to weigh up what those balances are,” he adds.

Colman says “there are I suppose little sacrifices along the way” – from both sides of a relationship.

The comedy drama offers a fresh take on Warren Adler’s novel The War Of The Roses – and the 1989 hit film adaptation- starring Michael Douglas and Kathleen Turner.

Colman and Cumberbatch – both producers on the film – insist they weren’t daunted by that though.

“We wanted to find a project to do together, and we have utter respect for the iconic status of the film and book,” explains Cumberbatch.

“Hopefully this will have its own place in the culture – it’s very different, it’s not a remake – it’s a reimagined jumping-on point.”

“But beyond that, it’s very different,” adds Colman.

Former Doctor Who Ncuti Gatwa and Barbie’s Kate McKinnon also form the cast.

The Roses is out in UK cinemas now.

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Top Boy and Eddington actor Micheal Ward granted bail as he appears in court on rape charges

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Top Boy and Eddington actor Micheal Ward granted bail as he appears in court on rape charges

BAFTA-winning actor Micheal Ward has been granted bail after appearing in court charged with two counts of rape.

The 27-year-old, who appeared at Thames Magistrates’ Court this morning, is also accused of two counts of assault by penetration, and one count of sexual assault.

The offences relate to one woman and are reported to have taken place in January 2023.

Ward, who starred in the popular British series Top Boy and was awarded BAFTA‘s rising star honour in 2020, spoke to confirm his name, address and date of birth during a short court hearing.

He did not enter any pleas and was granted conditional bail until a further hearing at Snaresbrook Crown Court on 25 September.

In a statement issued after the charges were announced last month, Ward denied them “entirely” and said he had co-operated with police throughout their investigation.

The actor’s film credits include Blue Story, The Old Guard and Empire of Light, as well as the current Hollywood Western Eddington.

He was also twice nominated for BAFTA’s best supporting actor prize.

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Banksy’s piranhas police box put in protective storage ahead of museum display

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Banksy's piranhas police box put in protective storage ahead of museum display

A Banksy artwork, where a glass police box looks like a tank of piranhas, has been moved into protective storage ahead of its display at the London Museum’s new location.

The artwork made headlines last summer when it featured as part of the street artist’s animal-themed collection in the capital, which concluded with a gorilla appearing to lift up a shutter on the entrance to London Zoo.

The piranhas piece is now in the care of the London Museum and will be kept in secure storage before it becomes accessible to the public as part of a permanent display at the museum’s Smithfield location, which is opening in 2026.

The artwork is moved from London's Guildhall. Pic: PA
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The artwork is moved from London’s Guildhall. Pic: PA

The police box had stood in Ludgate Hill since the 1990s before it was painted to resemble a fish tank.

The box was temporarily relocated by the City Of London Corporation to Guildhall Yard, where thousands of visitors viewed it from behind safety barriers, after Banksy confirmed he was responsible for the artwork.

It was later moved to Guildhall’s South Ambulatory.

Banksy’s London animals collection was made up of nine works including a rhino seemingly mounting a silver Nissan Micra, two elephant silhouettes with their trunks stretched out towards each other, and three monkeys that appeared as though they were swinging on a bridge.

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Some of the works, which also included a howling wolf on a satellite dish, were removed, covered up or vandalised, after being painted across the city from 5 to 13 August 2024.

Chris Hayward, policy chairman of the City of London Corporation, said: “Banksy stopped Londoners in their tracks when this piece appeared in the Square Mile – and now, we’re making it available to millions.

“By securing it for London Museum, we’re not only protecting a unique slice of the City’s story, but also adding an artwork that will become one of the museum’s star attractions.”

The artwork after it first emerged. Pic: PA
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The artwork after it first emerged. Pic: PA

Brendan Barns, chairman of the City of London Corporation’s culture, heritage, and libraries committee, said: “Banksy’s Piranhas are already part of City legend – and soon, they’ll be part of London’s story, too.

“Moving this piece into the care of London Museum guarantees that millions of people will be able to enjoy it, alongside an extraordinary collection that celebrates the capital’s creativity and diversity.”

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Glyn Davies, head of curatorial at London Museum, added: “With the arrival of Banksy’s Piranhas, our collection now spans from Roman graffiti to our first piece of contemporary street art.

“This work by one of the world’s most iconic artists now belongs to Londoners, and will keep making waves when it goes on show next year in the Museum’s new Smithfield home.”

London Museum’s London Wall site opened in 1976 and closed in December 2022 in preparation for the move to Smithfield.

London Museum Docklands remains open.

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