One of France’s most successful actors has been accused of sexually assaulting two women on the set of one of his films.
Gerard Depardieu, 76, has starred in more than 200 films over five decades, winning two best lead actor awards at the Cesars, as well as being nominated for an Oscar and 15 other Cesars.
On Tuesday, judges at the Tribunal de Paris are expected to reveal whether he has been found guilty of the two counts of sexual assault alleged to have happened in 2021, both of which he denies.
If convicted, he faces up to five years in prison or a fine of€75,000 (£62,000).
While the #MeToo movement ultimately led to the downfall of Hollywood film director Harvey Weinstein in the US, France’s #balancestonporc equivalent has struggled to gain momentum.
But Depardieu’s court case, coming soon after that of Gisele Pelicot, who waived her anonymity to reveal her husband had orchestrated her drugging and rape by more than 50 men, is proof for many that France is finally getting its own #MeToo moment.
Here, Sky News looks at the case – and what it means for women’s rights in France.
Image: Gerard Depardieu arrives at court. Pic Reuters
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Depardieu arrives for sexual assault trial.
What is he accused of?
Depardieu is accused of sexually assaulting two female crew members on the set of the film Les Volets Verts (Green Shutters) in 2021.
The anonymous women both claim the actor forced himself on them on multiple occasions, touching them over their clothes, the court was told.
Image: Pic Reuters
The first woman said in one incident, as she passed him in a corridor he grabbed her, pinned her down between his legs and rubbed himself against her waist, hips, and chest, making accompanying gestures and lewd comments.
The other woman claimed he touched her buttocks in public on more than one occasion, as well as touching her chest.
Depardieu denies the allegations and appeared in person at the Tribunal de Paris, telling the court: “I’ve always been told I have a Russian nature, I don’t know if it’s because of the drinking or the vulgarity.”
But he added: “I’m not touching the butts of women.”
One of the alleged victims claimed he behaved “like a madman” who took “pleasure in frightening me”.
Depardieu responded: “I understand perfectly if she’s a bit upset. I am capable of trash talk… I don’t have to talk like that, get angry like that, voila.”
He also claimed that he had been in a “bad mood” because the set was hot, which was difficult for him, being overweight.
The trial was due to start in October but was postponed until March after Depardieu’s legal team asked for a six-month delay due to his poor health. Suffering complications from diabetes and high blood pressure, they said he was unable to sit for long periods.
Image: In Cannes in 1997. Pic: Reuters
Separately, he also remains under investigation for the alleged rape and sexual assault of a 22-year-old actress. The woman claims Depardieu sexually assaulted her twice at his home.
She originally reported the alleged incidents in 2018 but the charges were dropped in 2019 following a nine-month investigation.
However, the case was reopened in October 2020 when the woman refiled the complaint.
In March 2022, Depardieu’s bid to get the case thrown out was rejected by Paris’s court of appeal, with authorities saying he would remain under investigation until the matter is either sent to trial or dismissed. He denies the allegations.
In April 2023, investigative French media outlet Mediapart reported claims of 13 women who said Depardieu sexually assaulted or harassed them between 2004 and 2022.
In an open letter in the newspaper Le Figaro that October, Depardieu said he had “never abused a woman”.
A group of 50 French stars, including singer and wife of former French President Nicolas Sarkozy Carla Bruni, wrote their own open letter defending him in Le Monde, condemning what they described as his “lynching” and describing him as “probably the greatest” French actor.
A week later, President Emmanuel Macron condemned the “manhunt” for Depardieu, calling him an “immense actor” who “makes France proud”.
Image: A women’s rights activist during a protest in January 2024 in Paris. Pic: AP
Who is Gerard Depardieu?
Depardieu was born in Chateauroux, central France in 1948. He left home at the age of 16 for Paris, where he got his first acting job with a travelling theatre company.
After a few minor film roles, his break came in 1973 with a lead part in Bertrand Blier’s film Les Valseuses (Going Places) – alongside his former theatre friends Patrick Dewaere and Miou Miou.
From there his popularity boomed and he became one of the most prolific French actors of the 1980s and 1990s.
He won awards for his roles in The Last Metro and Cyrano de Bergerac, which also received an Oscar nomination. He was made president of the Cannes Film Festival jury in 1992.
His success also saw him become a Chevalier of France’s Legion d’Honneur and its Ordre national du Merite – two of the country’s most prestigious honours.
Image: Former French President Jacques Chevalier awards Depardieu the Chevallier de la Legion d’Honneur at the Elysee Palace in 1996. Pic: Reuters
Across roughly 250 films, he has worked with more than 150 directors, including Jean-Luc Godard and Ridley Scott.
He became close friends with Robert De Niro after they starred together in Bernardo Bertolucci’s film 1900 in 1976.
Depardieu married fellow actor Elisabeth Depardieu in 1971. She starred alongside him in Jean de Florette and Manon Of The Spring in 1986. They had two children, who both became actors. Their son Guillaume died from pneumonia aged 37 in 2008. The couple divorced in 1996.
He announced his retirement from acting in 2005, claiming he had made “enough” films and wished to pursue other things.
In 2012 he moved to Belgium to avoid paying taxes in France. He wrote an open letter to the then prime minister, saying he was surrendering his French passport because he wanted “nothing to do” with his home country and the government was trying to “punish success”.
Image: With Russian President Vladimir Putin in Sochi in 2013. Pic: AP
Vladimir Putin personally signed an executive order to give him Russian citizenship in 2013. Two years later his films were banned in Ukraine over comments he made questioning the country’s sovereignty as an independent state. He has since condemned Russia’s war there.
He also claims to have been given citizenship by the United Arab Emirates.
In 2023 he was stripped of his National Order of Quebec after a documentary revealed him making lewd comments and sexual gestures on a trip to North Korea in 2018, which the region’s premier described as “shocking”.
Image: At the Netflix premiere of the series Marseille in the city in 2016. Pic: Reuters
Why is the Depardieu case so important in France?
The #MeToo and #TimesUp movements in the US saw women in the creative industries calling out sexual harassment and assault by their male counterparts.
But it “didn’t really take off in France” in the same way, Sarah McGrath, chief executive of Women For Women France, an organisation fighting against gender-based violence, tells Sky News.
While she saw colleagues around the world “thrilled that victims could finally feel confident to talk about the crimes they’d be subjected to”, she says in France “we had a very different experience”.
In 2018, dozens of female French stars and intellectuals signed an “anti-MeToo manifesto”, condemning the movement as a “witch hunt” and defending men’s sexual freedom to proposition women.
Although some, notably Depardieu’s co-star and friend Catherine Deneuve, have publicly U-turned on the issue, it demonstrated a resistance to change in French society.
Image: With actor and co-star Catherine Deneuve in Cannes in 1984. Pic: AP
Blanche Sabbah, a French feminist activist and comic book author, says: “We love to talk about being the cultural exception in France.
“We have this idea that if you are some kind of artistic genius then you are less accountable for bad behaviour – and that we’re more sexually liberated – and don’t concern ourselves with moral panics like in the US. I think that stopped the [MeToo] movement in its tracks.”
Ms McGrath describes this “cultural exception” as “an attitude that a man’s reputation and livelihood is more important than victims”.
Both women also point to a “general distrust” of claimants and “false ideas” they are bypassing the courts and telling their stories in the media to “get money”.
“It’s simply not true and comes from a lack of understanding that the French justice system does not play a protective role for victims of sexual violence,” she says.
“Victims are actually more likely to come out with debts of thousands of euros if they go through the justice system, which far exceeds any compensation they might get.”
Image: Gisele Pelicot outside court after her husband’s conviction. Pic: Reuters
But while the “balancestonporc” – report your pig – hashtag struggled to gain momentum in 2018, the women say they have seen a shift – particularly following the case of Gisele Pelicot and the conviction of her husband for raping and inviting at least 50 other men to rape her while she was drugged and unconscious.
“It’s taken time, but finally we’re getting somewhere,” Ms Sabbah says. “Gisele’s case serves as a reminder that our culture has a huge influence on how we behave.”
Those found guilty in the Pelicot case were aged between 20 and 70 and included a journalist, nurse, firefighters, and a DJ.
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Mass rape trial that ignited a movement
“She has proven that this is the problem of every man – that what you think your favourite movie star can do serves as an argument for justifying what crimes you would commit as a ‘normal’ person’,” Ms Sabbah adds.
Regardless of the outcome of the Depardieu case, both women agree that his prosecution represents a “huge step forward” for women’s rights and victims of gender-based violence.
“There have been three or four convictions [of men for gender-based violence] recently, so I think the way those cases are perceived now is different to how it was in 2018,” Ms Sabbah says.
“We have gone from ‘classement sans suite’ (no further action) to movie stars on trial.”
Playwright Sir Tom Stoppard, who won an Oscar and a Golden Globe for Shakespeare In Love, has died at the age of 88.
A statement from United Agents said: “We are deeply saddened to announce that our beloved client and friend, Tom Stoppard, has died peacefully at home in Dorset, surrounded by his family.
“He will be remembered for his works, for their brilliance and humanity, and for his wit, his irreverence, his generosity of spirit and his profound love of the English language.
“It was an honour to work with Tom and to know him.”
King Charles said in a tribute: “My wife and I are deeply saddened to learn of the death of one of our greatest writers, Sir Tom Stoppard. A dear friend who wore his genius lightly, he could, and did, turn his pen to any subject, challenging, moving and inspiring his audiences, borne from his own personal history.
“We send our most heartfelt sympathy to his beloved family. Let us all take comfort in his immortal line: ‘Look on every exit as being an entrance somewhere else’.”
Sir Tom’s entertainment career spanned more than six decades, in which he won a host of Tony and Olivier awards, as well as the Golden Globe and Academy Award with Marc Norman for their 1998 screenplay Shakespeare In Love – starring fellow Oscar-winner Gwyneth Paltrow.
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Image: Sir Tom Stoppard in 1999. Pic: PA
His work, known to blend intellect, emotion and humour, often explored philosophical and political themes, challenging societal norms to remind audiences of the power of thought.
His other award-winning plays included Rosencrantz And Guildenstern Are Dead, The Real Thing and Travesties.
The playwright also wrote prolifically for TV, radio and film, including adapting Leo Tolstoy’s novel Anna Karenina for the 2012 film starring Keira Knightley and Jude Law, and TV series Parade’s End with Benedict Cumberbatch and Rebecca Hall – adapted from novels by Ford Madox Ford.
He received countless accolades and honours during his career, including being knighted by the late Queen for his services to literature in 1997.
Image: Queen Elizabeth II shakes Sir Tom’s hand before presenting him with the insignia of a Member of the Order of Merit in 2000. File pic: PA
Image: Sir Tom meets then Prince Charles in 2009. File pic: PA
He won the David Cohen Prize For Literature in 2017, following in the footsteps of laureates Harold Pinter, Hilary Mantel and Seamus Heaney.
Sir Tom released his semi-autobiographical work titled Leopoldstadt in 2020 – set in the Jewish quarter of early 20th century Vienna – which later won him an Olivier award for best new play and also scooped four Tony awards.
The West End play, which featured his son Ed Stoppard, also saw him honoured by PEN America, the literary and human rights organisation, which handed him the Mike Nichols Writing for Performance Award.
Image: Pic: Matt Humphrey/PA
From refugee to playwrighting sensation
Sir Tom was born Tomas Straussler in Czechoslovakia, but fled and changed his name amid the Nazi occupation, finding refuge in Britain in 1946.
He became a journalist in Bristol in 1954 before becoming a theatre critic and writing plays for radio and TV, including The Stand-Ins, later revised as The Real Inspector Hound, and Albert’s Bridge first broadcast by BBC Radio.
His career took off with hit play Rosencrantz And Guildenstern Are Dead, which premiered at the Edinburgh Fringe Festival in 1966, before it was produced for the National Theatre and on Broadway, winning four Tony awards in 1968 including best play.
Image: Sir Tom Stoppard and Dame Judi Dench at a photocall in London in 1999. File pic: PA
Sir Tom began advocating on behalf of Soviet and Eastern Bloc dissidents after writing Every Good Boy Deserves Favour, a play inspired by his friendship with Viktor Fainberg, who had been imprisoned in Czechoslovakia by the Soviets.
Much later, in 2002, his trilogy of plays set in 19th century Russia, The Coast Of Utopia, were staged at the National Theatre.
His most recent plays include Heroes, Rock ‘n’ Roll and The Hard Problem.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”