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The biggest night in British TV, this year’s BAFTA TV Awards saw the golden masks handed out to a wide spread of shows – with the BBC’s Mr Loverman the only show to take home two awards.

Hosted by Scottish actor and presenter Alan Cumming, the night kicked off with a Traitors skit, before handing out 29 awards, interspersed with a live performance or two.

While Baby Reindeer had gone into the night the most nominated, it took just one prize, as did the much talked about Mr Bates vs The Post Office. Meanwhile, Rivals and Slow Horses, which had also been hotly tipped, went home empty-handed.

Here are some of the top moments from the 2025 TV BAFTAs.

Baby Reindeer star Jessica Gunning won her first BAFTA. Pic: BAFTA
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Baby Reindeer star Jessica Gunning won her first BAFTA. Pic: John Phillips/BAFTA/Getty Images for BAFTA

‘Hello cheeky chops!’

Jessica Gunning took the first prize of the evening, greeting her award by saying: “Hello cheeky chops!”

Gunning, a first-time nominee, said Baby Reindeer had “changed my life”, reminiscing about her childhood playing make-believe and inventing imaginary friends, never knowing she would eventually end up using her dramatic skills to win a BAFTA.

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The role of Martha has already won her an Emmy, a SAG award and a Golden Globe in the US.

Gunning also wished her co-star and creator of Baby Reindeer, Richard Gadd, a happy birthday (his 36th), calling him “nipple”, a nickname her character Martha gave to Donny (Gadd’s character) in the show.

Toby Jones, Monica Dolan and Sir Alan Bates on stage with the limited drama award for Mr Bates Vs The Post Office. Pic: John Phillips/ Getty Images for BAFTA
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Cast and crew of Mr Bates vs The Post Office take their award. Pic: BAFTA Pic: John Phillips/ Getty Images for BAFTA

‘Liars and bullies’

Mr Bates vs The Post Office took the limited drama prize, with producer Patrick Spence telling the audience: “Our show didn’t change the law, the people of this nation did that,” before going on to say it showed the public “cannot abide liars and bullies.”

Flagging the journalists and the campaigners who covered the wrongful conviction of the sub postmasters convicted due to the Horizon IT scandal, he called making the show, “the greatest privilege of our lives”.

Later, when accepting the special award earned by ITV for commissioning the show, the channel’s managing director Kevin Lygo said he had “never seen anything quite like” the impact of Mr Bates vs The Post Office.

Flagging the large number of people impacted by the scandal who were still waiting for compensation, Lygo didn’t mince his words, demanding: “Hurry up and pay these people what they’re due.”

Danny Dyer in the press room after winning the Male Performance in a Comedy Programme Award for 'Mr Bigstuff' during the 2025 BAFTA Television Awards with P&O Cruises at Southbank Centre's Royal Festival Hall, London. Picture date: Sunday May 11, 2025.
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Danny Dyer is a proud – and sweary – BAFTA winner. Pic: PA

Watch your mouth

Several winners were so excited they could not refrain from a little blue language.

Accepting his first BAFTA for best male comedy performance, Danny Dyer dropped the f-bomb numerous times.

In his speech, Dyer thanked his co-star and the show’s creator, Ryan Sampson, calling him “one of the greatest things to have come out of Rotherham”.

He praised Sampson for “never doing the same thing twice”, adding with tongue in cheek, “It’s not something I can say”. Dyer concluded his speech with a nod to his family, and a final trademark “f***”.

Meanwhile, a very excited Sophie Willen stepped up to accept the prize for scripted comedy.

The Taskmaster alumni told the crowd: “I’m not allowed to swear and all I want to do is go beep, beep”, before calling her win “bloomin’ fabulous”.

Willen – whose part autobiographical comedy Alma’s Not Normal tackles the care system, drug addiction, mental illness, and terminal cancer – called her cast and crew “shit hot”, before catching herself, then repeating “shit, shit”.

Ruth Jones in the press room after winning the Female Performance in a Comedy Programme Award for 'Gavin & Stacey: The Finale' during the 2025 BAFTA Television Awards with P&O Cruises at Southbank Centre's Royal Festival Hall, London. Picture date: Sunday May 11, 2025.
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Ruth Jones with her BAFTA for Gavin & Stacey. Pic: Kate Green/BAFTA/Getty Images for BAFTA

‘I love you James’

Taking the prize for female performance in a comedy, Ruth Jones channelled her inner Nessa, saying: “I’m not going to lie, this is immense.”

Thanking the cast and crew, she became emotional as she added: “The person I would like to thank most is my dear, dear talented friend James Corden.” The cameras, of course, then panned to a chuffed-looking Corden, sitting in the audience.

She went on to say that without him, “Vanessa Shanessa Nessa Jenkins would not exist”, paying tribute to their 17 years writing together, adding, “long may it continue” – and so perhaps giving hope for a new Jones/Corden collaboration to follow Gavin And Stacey’s final act?

State Of Rage director Marcel Mettelsiefen. Pic: BAFTA
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State Of Rage director Marcel Mettelsiefen. Pic: John Phillips/BAFTA/Getty Images for BAFTA

War amid the awards

In a sobering moment amid the glitz and the glamour, the director of best single documentary, Ukraine: Enemy In The Woods – filmed by Ukrainian soldiers on the frontline – paid tribute to two contributors to the film who had since been killed in conflict.

Jamie Roberts spoke about two young men he had worked with on the film, before adding: “They are not here – they are now dead.”

The winner of the current affairs category, State Of Rage, also offered a heartfelt message as they accepted the award for the programme, which follows a Palestinian and Israeli family in the West Bank.

German State Of Rage director Marcel Mettelsiefen said: “It would be wrong to stand here without acknowledging what’s happening in Gaza.”

Speaking as a parent, he said: “This violence needs to stop now,” then adding, “let’s break this silence together.”

Kirsty Wark celebrates her fellowship. Pic: BAFTA
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Kirsty Wark celebrates her fellowship. Pic: John Phillips/BAFTA/Getty Images for BAFTA

‘I’ve interviewed musicians – and a few monsters’

Former Newsnight presenter Kirsty Wark received a standing ovation as she collected her BAFTA fellowship – the body’s highest accolade.

Accepting her award, Wark said: “Thank you so much to BAFTA. It is a privilege and an honour to have my name added to such an incredible roll call. My work continues to give me so much, not just wonderful friends and colleagues.”

The veteran broadcaster continued: “Things have changed so much, so radically, since the ’70s, not least the shoulder pads, the office drinks trolley, shooting on reversal for a fast edit, and film crews, the size of football teams, but always the chance to learn and grow and I’ve been lucky to interview everyone from politicians to painters, architects, economists, musicians and a few monsters.”

Wark added that the “most joyous change in television” has been “the number of women in senior roles”.

'Mr Cruises' aka Rob Brydon accepts Would I Lie To You's first BAFTA. Pic: BAFTA
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‘Mr Cruises’ aka Rob Brydon accepts Would I Lie To You’s first BAFTA. Pic: John Phillips/BAFTA/Getty Images for BAFTA

Would I Lie To You wins its first BAFTA

Everyone loves a conspiracy theory, and this year it could be courtesy of BAFTA and a big boat.

Accepting the entertainment award for perennial favourite Would I Lie To You, host Rob Brydon said: “This is a surprise.”

Team captain Lee Mack then added: “We’ve been nominated for eight years but now ‘Mr Cruises’ has done it for us,” referring to Brydon’s adverts for P&O Cruises – the sponsor of the event.

“The whiff of scandal is in the air,” quipped Brydon.

In Memoriam

The In Memoriam section of the night was accompanied by live music by concert violinist and social media sensation Esther Abrami.

Always a poignant moment in the evening, it included a wide variety of stars who passed away this year, including Shannon Doherty, Tony Slattery, Paul Danan, Henry Kelly, Linda Nolan, Michael Moseley, The Vivienne and Timothy West.

Sir David Suchet became Poirot - briefly - to hand out the best actress award. Pic: BAFTA
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Sir David Suchet became Poirot – briefly – to hand out the best actress award. Pic: John Phillips/BAFTA/Getty Images for BAFTA

Poirot presents best actress

Awarding the best actress prize, Sir David Suchet channelled his most famous on-screen character, Hercule Poirot, greeting the audience with “Mesdames, Messieurs” to wild applause.

He went on, in the words of the bumbling Belgian detective: “I expect you’re wondering why I’ve gathered you here tonight?”

In a surprise win, Industry star Marisa Abela took the prize and had to be helped up on to the stage due to the length and tightness of her sparkling black gown.

Clearly surprised by her win, and becoming tearful, as she paid tribute to her drama school teacher who she said was in the audience that night, she also thanked her mother, also an actress, without whom she said she’d never be on the stage accepting her first BAFTA aged just 28.

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Salt Path author Raynor Winn responds to claims she lied about ‘true’ story

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Salt Path author Raynor Winn responds to claims she lied about 'true' story

Salt Path author Raynor Winn has said claims she lied about her story are “highly misleading” and called suggestions her husband made up his illness “utterly vile”.

A report in The Observer disputed key aspects of the hit book, billed as an “inspiring and life-affirming true story” about a couple’s coastal trek.

Winn released a lengthy statement denying the paper’s claims and shared medical letters apparently sent to her husband, Moth, that appear to support a diagnosis for a rare neurological condition, Corticobasal Degeneration (CBD).

One letter mentions his prior “CBS [Corticobasal Syndrome] diagnosis”, while another concludes he has “an atypical form” of CBD.

The author said accusations he lied about having CBD/CBS are false and have “emotionally devastated” him.

Pic: Steve Tanner/Black Bear
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Raynor and husband Moth (centre) with actors Jason Isaacs (L) and Gillian Anderson (R). Pic: Steve Tanner/Black Bear

“I have charted Moth’s condition with such a level of honesty, that this is the most unbearable of the allegations,” Winn wrote on her website.

The Observer claimed to have spoken to experts who were “sceptical” about elements of his story, such as a “lack of acute symptoms and his apparent ability to reverse them”.

PSPA, a charity that supports people with CBD, ended their relationship with the family following The Observer’s claims.

Winn said she had never suggested walking was “some sort of miracle cure” and that there can be “symptoms for many years before they finally reach a diagnosis”.

“Even then, many sufferers’ symptoms present in an atypical way,” she wrote.

“They might not present with the same symptoms, occurring in the same order, or with the same severity.”

Pic: Steve Tanner/Black Bear
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The memoir was turned into a film, released. Pic: Steve Tanner/Black Bear

Winn also posted the letters on Instagram and said they are grateful Moth’s condition is slow-progressing.

She clarified it is now commonly referred to by specialists as CBS, “which describes the symptoms observed during life”.

The bestselling book was also recently released as a film, starring Jason Isaacs and Gillian Anderson, charting the couple’s 630-mile trek along the Cornish, Devon, and Dorset coast – a journey sparked by the devastation of losing their house.

The Observer claimed the portrayal of a failed investment in a friend’s business wasn’t true, rather they lost their home after Raynor Winn embezzled money from her employer, Martin Hemming, and had to borrow to pay it back and avoid police action.

Winn’s statement said the dispute with Mr Hemmings wasn’t the reason they lost their home – but admitted she may have made “mistakes” while in the job.

“For me it was a pressured time,” she wrote. “It was also a time when mistakes were being made in the business. Any mistakes I made during the years in that office, I deeply regret, and I am truly sorry.”

She admitted being questioned by police but said she wasn’t charged.

Winn added: “I reached a settlement with Martin Hemmings because I did not have the evidence required to support what happened. The terms of the settlement were willingly agreed by both parties.”

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The author reiterated the book’s version of events: that the loss of their home in Wales stemmed from an investment in a friend’s property portfolio that went sour.

Her statement goes into legal detail about how it transpired and admits – as The Observer suggested – that the couple at one point tried to raffle the house.

However, the author said they “quickly realised it was a mistake as it clearly wasn’t going to work. We cancelled it and refunded the few participants.”

The 63-year-old also denied having any outstanding debts and said it was “blatantly untrue” the couple were hiding behind pseudonyms after The Observer quoted people who said they knew them by the surname Walker.

“Winn is my maiden name and like most women who have married I’ve used both my maiden name, Winn, and married name, Walker,” said the statement.

She also explained she preferred the first name Raynor, rather than her birth name Sally Ann, so took that as her pen name; while Moth is an abbreviation of her husband’s name, Timothy.

“The legal names we use on our bank records, our utility bills etc. Our friends and neighbours use Sal and Tim interchangeably with Ray and Moth – there is nothing hiding in our names,” she said.

Sky News has contacted The Observer for a response to Winn’s statement.

Raynor Winn had been scheduled to make numerous appearances over the summer, performing with Saltlines, her collaboration with Gigspanner Big Band.

However, the band has since announced on social media that she will no longer be taking part in the tour.

She was also scheduled to take part in various Q&As, conversations, writing courses and festivals.

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Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

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Reservoir Dogs actor Michael Madsen died from heart failure, says cardiologist

Actor Michael Madsen, who starred in Reservoir Dogs and Thelma & Louise, died from heart failure, his cardiologist has said.

The 67-year-old was found unresponsive in his home in Malibu, California, last Thursday and pronounced dead.

His doctor said heart disease and alcoholism will be listed as factors which contributed to the star’s death, reported NBC Los Angeles.

With no suspicious circumstances and the death listed as being from natural causes, the Los Angeles Sheriff’s Department considers the case closed.

In a career spanning more than 40 years, Madsen’s film credits include Free Willy, Donnie Brasco and Sin City.

He was also known for his collaborations with director Quentin Tarantino, including in Kill Bill: Vol. 2, The Hateful Eight and Once Upon A Time In Hollywood.

The Chicago-born actor also linked up with Tarantino when he played Mr Blonde in 1992’s Reservoir Dogs.

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Michael Madsen played Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock
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Madsen played numerous roles, including Mr Blonde in Reservoir Dogs. Pic: THA/Shutterstock

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His sister, Oscar-nominated actress Virginia Madsen, paid tribute to her brother in a statement to Variety.

She wrote: “My brother Michael has left the stage.

“He was thunder and velvet. Mischief wrapped in tenderness. A poet disguised as an outlaw. A father, a son, a brother – etched in contradiction, tempered by love that left its mark.”

Madsen was preparing to release a new book called Tears For My Father: Outlaw Thoughts And Poems.

A statement by managers Susan Ferris and Smith, and publicist Liz Rodriguez, said the book by “one of Hollywood’s most iconic actors” was currently being edited.

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Fantasy v reality: Lena Dunham’s Too Much is a new spin on the London romcom

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Fantasy v reality: Lena Dunham's Too Much is a new spin on the London romcom

Horse-drawn carriages, picturesque gardens and endless cups of tea are just some of the stereotypical tropes that have shaped America’s romanticised image of England before even stepping foot on the island.

Thanks to classical literature and a steady stream of period dramas, Lena Dunham was no exception.

“I had so many fantasies,” she tells Sky News about growing up slightly obsessed with British culture.

“I loved Jane Austen, I loved Charlotte Bronte, I love British film, I was one of those little Anglophile kids.”

The writer and director believed it would be that area of classically depicted England that would fill her time when she first moved to “jolly old London” as a teenager with her mother for a brief time.

Instead, her attention was taken by another, and possibly equally influential group of artists.

“There was a pop show about S Club 7 and all I did was just sit in the hotel and obsessively watch things relating to [the group],” she said.

“So, I didn’t go home with all this cultural British knowledge. I went home with a deep abiding love of S Club 7 and came back to school when everyone was obsessed with the Backstreet Boys and NSYNC.

“For me, I was literally like, ‘Guys, you got to hear this hot track right off the presses, it’s called Reach For The Stars’.”

Lena Dunham in a clip from Netflix series Too Much. Pic: Netflix
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Pic: Netflix

It wasn’t until her 30s, when the actress moved again to the city, that reality took hold and she quickly learned the difference between the imagined London and the real city.

Some stereotypes hold true, like the universal love for Paddington. Still, TV tropes like renting a flat on a single income in the city does not necessarily mean you’ll be treated to lavish rooms and a picturesque garden.

She says it was social cues she found most challenging to adjust to, as well as the different dictionaries used when speaking, technically, the same language.

“You come to a new country and even though you speak the same language, you’re totally absent from those tools,” she says.

“And I found that really striking as an adult in my 30s, trying to make friends, trying to date. I found it confusing enough to be a person in my own city of origin, so this was extra confounding.”

Too Much, her new Netflix series, is loosely inspired by her own London chapter and follows a workaholic New Yorker in her 30s who is sent across the Atlantic to work on a new project.

The 10-episode show is produced by Working Title – the company behind Bridget Jones, Notting Hill, About A Boy and Love Actually – and stars Hacks breakout actress Megan Stalter and The White Lotus actor Will Sharpe.

Megan Stalter stars as Jessica in Lena Dunham's new Netflix comedy Too Much. Pic: Netflix
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Pic: Netflix

Dunham says she always wanted to write about her time in the UK, but it was a conversation with Irish actor Andrew Scott that got the ball rolling.

“Actually, he’s the reason that I came to know Meg as an actor because he loved her on Hacks and he loved her videos, and he said: ‘Have you watched this woman’s work? I feel like there’s a real connection between you two’, and I started watching because of him and built a show around her.”

In a full circle moment, Scott appears in the series briefly as an arrogantly odd man who crosses paths with Megan Stalter’s character Jessica.

Andrew Scott in Lena Dunham 's new Netflix comedy series Too Much. Pic: Netflix
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Pic: Netflix

The Ridley actor isn’t the only famous face joining the cast in a cameo role. Dunham put a call out to most of Hollywood, and luckily lots were on board.

To name just a few, guest stars include Jessica Alba, Stephen Fry, Adwoa Aboah, Kit Harington, Rita Wilson, Rita Ora, Richard E Grant, Emily Ratajkowski, Andrew Scott, Prasanna Puwanarajah and Jennifer Saunders.

“It was one of those situations where you just reach for the stars, literally, and then you can’t believe when they appear,” says Dunham.

“It was just a non-stop parade of people that I was fascinated by, wanted to be around, completely enamoured of.”

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Lena Dunham speaks to Sky's entertainment reporter Debbie Ridgard
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A whole host of high-profile cameos feature in Lena Dunham’s Too Much

She adds: “I remember asking Naomi Watson, thinking, there’s absolutely no way that you’re going to want to come play this slightly demented woman. And she’s so playful and she’s so joyful and she just wanted to come and engage.

“Also, Jennifer Saunders has meant so much to me for so long, I had the AbFab box set as a kid, and I just think Patsy and Edina are the ultimate kind of messy women.

“She really showed me what comedy could be and… the space that women could occupy in comedy, and so having her come and join the show was really incredible.

“That was an episode that someone else was directing, Alicia McDonald, an amazing director, so I just got to sit and watch at the monitor like I was watching a movie, and it was very surreal for me.”

Too Much is out on Netflix now.

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