Stylist Simone Harouche has told a court that on the night Kim Kardashian was robbed in Paris she was woken by the US star’s screams of terror and feared she had been “raped or violated”.
Wearing a black jacket and bulky gold necklace, Ms Harouche, 45, spoke to Judge David de Pas in the Voltaire room of Paris’s criminal court via an interpreter, describing the robbery that took place in the French capital nearly a decade ago.
Ms Harouche, who says she has worked for Kardashian for many years and has been friends with her from childhood, told the court she was woken by “a sound I had never heard from Kim… It was terror”.
Sleeping in a separate apartment, on the next floor down from Kardashian’s, she went on: “What I heard specifically was [Kim saying], ‘I have babies and I need to live – that is what she kept saying… Take everything. I need to live'”.
She told the judge: “When I realised something terrible was going on upstairs and I realised it was not friends [in Kim’s room] I started looking for my telephone and I started looking for something to help save mine and Kim’s life.”
She went on to lock herself in her bathroom and hide in her shower, where she called Kardashian’s sister Kourtney and texted her security guard, Pascal Duvier, telling them, “Something is very wrong… Kim is upstairs with men and we need help.”
She says minutes later, Kardashian entered her room, explaining: “To see my friend with her feet taped and a very light robe with nothing under, and all messed up and pulled, I thought she could have been raped or very violated.”
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She said Kardashian was highly emotional, adding: “She was beside herself, I’ve never seen her like that before. She was screaming, ‘We need to get out, what do we do if they come back? We need to jump from the first floor, we need to get out.'”
Image: Simone Harouche pictured last year. Pic: Virisa Yong/BFA.com/Shutterstock
Describing Kardashian as “not in her body”, she said she thinks the star “was still in trauma” while they waited for help after the robbery, and went on to describe the scene following the incident as “very chaotic”.
Later on Tuesday, Kardashian herself will face 10 defendants who it is alleged pulled off one of the most audacious celebrity heists in modern French history in the early hours of 3 October 2016.
The trial is now entering its third week.
Image: Kardashian at the Siran Presentation on the day of the robbery. Pic: Matteo Prandoni/BFA/Shutterstock
In the French capital for Paris Fashion Week, Kardashian has previously said she was home alone in the early hours of 3 October, while her sister Kourtney and entourage – including her security guard – went out clubbing.
It’s alleged that five masked men posing as police officers stormed the residence, with two entering Kardashian’s room and robbing her at gunpoint.
She says she was then bound and gagged with tape and cable ties and left in the bathtub.
Police say the men escaped on bicycles, with around $9m of jewellery, including a $4m engagement ring from Kardashian’s then-husband Kanye West.
Most of the jewellery was never recovered.
Image: The trial is taking place in Paris’s Palais de Justice. Pic: Reuters
Ahead of her in-person appearance, Kardashian’s lawyers said she was ready to “confront” her Paris attackers and intended to do so “with dignity and courage”.
This breaking news story is being updated and more details will be published shortly.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.