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Cassie Ventura broke down in tears in court as she described her “personal shame” at taking part in “freak off” sex sessions for Sean Combs – and also accused him of raping her as their relationship came to an end.

During her second day of testimony, the singer and model told jurors of several alleged violent incidents and said the hip-hop mogul, who was known as Puff Daddy and Diddy throughout his career, blackmailed her with compromising videos.

At one point, the courtroom in Manhattan, New York, fell silent as sexually explicit images from “freak offs” were shown to jurors, but kept private from the public gallery. These included images of Ms Ventura and escorts.

Combs asked his lawyer Marc Agnifilo to see a binder of the images, and thumbed through it for a few moments before handing it back.

Sean ‘Diddy’ Combs trial: Day 3 – As it happened

Sean "Diddy" Combs listens as his former girlfriend Casandra "Cassie" Ventura (not seen) testifies as a video from a hotel is played at his sex trafficking trial in New York City, New York, U.S., May 14, 2025 in this courtroom sketch. REUTERS/Jane Rosenberg
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Combs watched as hotel CCTV was played in the courtroom

The 55-year-old, once one of the most powerful men in the music industry, has pleaded not guilty to charges of sex-trafficking, racketeering conspiracy, and transportation to engage in prostitution.

Prosecutors allege he used his fame and fortune to coerce Ms Ventura and other women into abusive sex sessions with escorts. His lawyers have conceded he could be violent, but argue that all sexual encounters were consensual and he never veered into sex trafficking and racketeering.

Ms Ventura, who is heavily pregnant with her third child, kept calm and composed for most of her evidence on Wednesday, but broke down at the end of the day when asked why she had chosen to testify.

“I can’t carry this anymore,” she told the court. “I can’t carry the shame, the guilt, the way he treated people like they were disposable. What’s right is right, what’s wrong is wrong. I came here to do the right thing.”

Early in 2023, she said she started suffering from “flashbacks” and had suicidal thoughts, so went to rehab and trauma therapy.

After being shown images from a Freak Off (not shown to the public), jurors are shown images of what Casandra "Cassie" Ventura described as bruises from Sean "Diddy" Combs, at Combs' sex trafficking trial in New York City, New York, U.S., May 14, 2025 in this courtroom sketch. REUTERS/Jane Rosenberg
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Jurors were shown images of bruises on Ms Ventura’s body

It is “impossible to know” how many “freak offs” she participated in, but it was in the hundreds, she told the court. Asked if she has been involved in any since ending the relationship in 2018, she replied: “No.”

Ms Ventura, 38, alleged that Combs raped her at her home in Los Angeles, after she told him she was ending things.

“I just remember crying and saying no, but it was very fast,” she said, her voice trailing off.

She told jurors she did have consensual sex with the rapper on a subsequent occasion. “We’d been together for over 10 years. You just don’t turn feelings off,” she said.

Ms Ventura sued Combs in November 2023, and settled within 24 hours. She received £20m, the trial was told.

Combs ‘threatened Cassie and Kid Cudi’

Ms Ventura’s second day of testimony also included details of how she briefly dated Scott Mescudi, better known as singer and rapper Kid Cudi, during a low point in her relationship with Combs in 2011.

Combs lunged at her with a corkscrew and kicked her in the back when he found out, jurors heard, and threatened to blow up Mescudi’s car.

These allegations were also detailed in her lawsuit, which alleged his car did “explode in his driveway” around this time.

During several hours on the stand, Ms Ventura told how she hid the extent of Comb’s alleged violence from loved ones, and described one incident when she allegedly suffered a “pretty significant gash” above her left eye after he threw her into a bed frame.

Rather than go to hospital, his security staff took her to a plastic surgeon in Beverly Hills, she said.

The hotel CCTV ‘attack’

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CCTV footage shows Diddy ‘attacking’ Cassie in hotel

An incident at a hotel in Los Angeles in March 2016, which has come up several times during the trial already, was also discussed again.

CCTV from the hotel, which was first released by CNN in May 2024, showed Combs allegedly beating Ms Ventura in a hallway.

Jurors were shown photos of her with a swollen lip following the incident as she testified. She said a friend of hers saw her injuries and was “super upset” because she’d “seen me with black eyes and busted lips before”.

She also spoke about a trip to Cannes in 2013, after which she said the rapper began playing a recording of a “freak off” on his laptop on a commercial flight to New York, with other people around them – telling her he was “going to embarrass me and release them”.

Read more:
The rise and fall of Diddy

Diddy – a timeline of allegations
Everything you need to know about the trial

Damages are seen after an altercation by Sean "Diddy" Combs against his ex-girlfriend Casandra "Cassie" Ventura on March 5, 2016, in a photograph taken in the hallway of a Los Angeles hotel which was entered as evidence in New York sex trafficking trial. Department of Justice/Handout via REUTERS
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Combs allegedly threw a vase during the hotel incident. Pic: Department of Justice via Reuters

Asked if the freak offs impacted her health, Ms Ventura said she had stomach problems and frequently developed urinary tract infections. She was also affected mentally, she told the court, saying they made her feel “really empty” and “gross”.

Throughout her testimony, Ms Ventura has maintained she never wanted to have sexual experiences with other people but did it at first to please the man she loved, and later out of fear. She was 22 and inexperienced when she started dating Combs, who was 17 years older, she said.

The trial continues with cross-examination of Ms Ventura from the defence tomorrow.

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PM’s rap battle with Sky’s Beth Rigby goes viral – and one of the AI satirists behind it explains why

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PM's rap battle with Sky's Beth Rigby goes viral - and one of the AI satirists behind it explains why

Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.

A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.

On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.

He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.

“So we are the new and improved Spitting Image, the much better Have I Got News For You?”

He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.

Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.

More on Beth Rigby Interviews

They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.

“Crewkerne Man” says providing satire for younger people is important as Labour is lowering the voting age.

Asked why he is trying to be anonymous, the man said the project is not about one person – or even the whole group – but rather their output.

He also claimed the UK is “increasingly seeing arrests – especially with comedians”, pointing to the Graham Linehan case.

“So we just never know where the Labour Party is going to drive the policy next, in regards to free speech,” he said.

“So for me, certainly it’s a matter of safety.”

Watch Beth Rigby’s actual interview with Sir Keir Starmer below.

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The prime minister defends the budget

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Tilly Norwood: Creator of AI actress insists she’s not designed to steal jobs

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Tilly Norwood: Creator of AI actress insists she's not designed to steal jobs

The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.

AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.

Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.

AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”

“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”

Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”

Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.

“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”

Eline Van der Velden said she wanted the character to 'have her own creative path'
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Eline Van der Velden said she wanted the character to ‘have her own creative path’

Read more:
How AI music is fooling most of us
Tom Hollander ‘not scared’ of AI star

Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.

“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.

The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.

The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.

Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.

In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.

Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.

More on Palestine Action

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Why was Palestine Action proscribed?

She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”

Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.

“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.

Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.

She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”

Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.

“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.

The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.

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