It’s the world’s biggest music competition, and this year the Eurovision Song Contest is being held in Switzerland – the location of Eurovision’s first ever show.
Canadian singing royalty Celine Dion (a previous Eurovision winner) has already delivered a pre-recorded speech during the semi-finals and there’s speculation she may turn up for the final in Basel – health permitting.
Now, with 26 nations set to compete for the coveted glass microphone, here are the best bits to watch out for.
Image: KAJ performing Bara Bada Bastu. Pic: EBU
Who will win?
Sweden’s entry Bara Bada Bastu (Just Sauna), performed by Finish comedy group KAJ, is the song to beat. An ode to – you’ve guessed it – saunas, it comes complete with a quartet of bucket hat-wearing and towel-draped dancers.
A total earworm – it’s got double the number of views on YouTube of any other competing act.
It’s the bookies’ favourite by a longshot, and Sweden has past Eurovision form – with seven wins to its name, a feat matched only by Ireland, which didn’t make it through to the final this year.
Image: JJ performing Wasted Love. Pic: EBU
Austrian-Filipino singer-songwriter JJ – who originally trained as a countertenor – is representing Austria with operatic ballad Wasted Love.
Making the most of his falsetto voice – in a way not dissimilar to last year’s winner Nemo – it tells a story of unrequited love, saving a techno breakdown for the last third of the song. Classic Eurovision.
The bookies fancy this one too, and it’s the second favourite to win.
Image: Claude performing C’est La Vie for the Netherlands. Pic: EBU
Back in the game after its act was unceremoniously kicked out of the competition shortly before the final last year, the Netherlands has Claude representing the country with C’est La Vie.
A refugee from the bloody civil war in the Democratic Republic of the Congo, he moved to the Netherlands at the age of nine.
His English and French language song, which combines elements of chanson and French-Caribbean zouk, is a tribute to his mother, who taught him to see the light in life despite hardship.
Image: Louane performing Maman for France. Pic: EBU
French singer Louane, also has an emotional French language song written for her mother, who died when she was just 17.
Maman tells a story of three female generations, ending with her daughter’s voice, guaranteed to put a lump in your throat unless you have a heart of stone.
Image: Remember Monday. Pic:BBC /Rob Parfitt
What about the UK?
Remember Monday are representing the UK with What the Hell Just Happened?
The country pop trio, who auditioned for The Voice UK in 2019, first met at Farnborough Sixth Form in Hampshire, and are the UK’s first all-female group act since Precious in 1999.
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‘It was designed to bring people and countries together’
They were guaranteed to make the final, as the UK is part of Eurovision’s “Big Five” – the countries who make the biggest financial contributions to the European Broadcasting Union (EBU).
They’ll be hoping for a better result than Olly Alexander, who came 18th at Malmo in 2024, and Mae Muller who placed second last at Liverpool in 2023.
Their song’s title will prove a gift to headline writers should they fail in that mission…
From deeply moving to silly, to utter filth
Eurovision never fails to surprise with its power pop and outrageous outfits, and this year is no exception – with both plenty of quirk and plenty of heart on offer.
Slovenian comedian Klemen Slakonja is best known for his impressions of Donald Trump and Vladimir Putin.
But his ballad – How Much Time Do We Have Left – is a moving response to his wife’s cancer diagnosis.
His performance includes him being hung upside down to symbolise his disorientation on receiving the life-changing news.
Image: Klemen performing How Much Time Do We Have Left. Pic: EBU
Diagnosed with bone marrow cancer, actress Mojca Fatur, has defied the odds and joins him at Eurovision, providing a message of hope and survival against the odds.
In a blast to the past, San Marino’s entry, Tutta L’Italia, was written by Gabry Ponte – one of the members of Eurodance group Eiffel 65, who wrote late 90s hit Blue (Da BaDee). It’s a tribute to everything Italian, mixing dance beats with the traditional folk of Calabria.
Following the same theme, Estonia’s Espresso Macchiato also offers an absurd review of all things Italian and is performed by Tommy Cash – a previous Charli XCX collaborator.
Meanwhile, Malta’s Miriana Conte’s original lyrics had to be rewritten due to complaints they broke broadcasting guidelines with an X-rated innuendo. Even with tweaked lyrics the song is pretty raunchy.
While Finland’s Erika Vikman’s song, Ich Komme, is all about “pleasure” and “ecstasy”. Interpret those themes as you will.
Image: Erika Vikman performing Ich Komme for Finland. Pic: EBU
War amid the glitz
Despite a strict apolitical stance, geopolitical conflict has affected Eurovision over the last few years.
In 2022, Russia was banned from participating over the Ukraine war, and both this year and last, there have been calls for Israel to be banned over its actions in Gaza.
Image: Yuval Raphael performing New Day Will Rise. Pic: EBU
Yuval Raphael, who survived the October 7 2023 attacks which were the catalyst for Israel’s ongoing offensive in Gaza, is representing Israel.
She will perform her Hebrew, French and English language entry, a piano ballad, New Day Will Rise.
Israel has won Eurovision four times, and last year finished in fifth place.
This year, the ban on certain flags being waved in the auditorium has been relaxed, meaning Palestinian symbols are likely to be seen in the St Jakobshalle arena.
Image: Ziferblat performing Bird of Pray. Pic: EBU
Meanwhile, Ukraine, which first entered the competition in the year after Russia invaded, has made it to the grand final each time since then – winning in 2023 and coming third last year.
This year the country will be represented by alternative rock group Ziferblat (whose name translates as clock face), with the dramatic track Bird Of Pray.
The English and Ukrainian language song features lyrics about reuniting with lost loved ones and returning home.
Sky News will be covering the grand final on Saturday night, so check back in to see who claims the Eurovision title.
Acclaimed Italian actress Claudia Cardinale, who starred in The Pink Panther and Once Upon A Time In The West, has died aged 87, according to French media reports.
The actress, who starred in more than 100 films and made-for-TV productions, died in Nemours, France, surrounded by her children, her agent told the AFP news agency.
At the age of 17 she won a beauty contest in Tunisia, where she was born to Sicilian parents, and was rewarded with a trip to the Venice Film Festival, kick-starting her acting career.
She had expected to become a schoolteacher before she entered the beauty contest.
Image: Claudia Cardinale at the Prix Lumieres awards ceremony in Paris in January 2013. Pic: AP
Cardinale gained international fame in 1963 when she starred in both Federico Fellini’s 8-1/2 and The Leopard.
She went on to star in the comedy The Pink Panther and Sergio Leone’s Once Upon A Time In The West in 1968.
She considered 1966’s The Professionals as the best of her Hollywood films.
When she was awarded a lifetime achievement at the Berlin Film Festival in 2002, she said acting had been a great career.
“I’ve lived more than 150 lives, prostitute, saint, romantic, every kind of woman, and that is marvellous to have this opportunity to change yourself,” she said.
“I’ve worked with the most important directors. They gave me everything.”
Cardinale was named a goodwill ambassador for the UN Educational, Scientific and Cultural Organisation for the defence of women’s rights in 2000.
Bannister was initially jailed for four months in September last year – and handed a three-year restraining order.
But he breached it by turning up at Tweedy’s home in December.
In March, he was jailed for 16 weeks at Wycombe Magistrates’ Court for repeatedly going to Tweedy’s Buckinghamshire home while under the restraining order.
During that appearance, the court heard that Tweedy “immediately panicked” and was “terrified” when she saw him outside her home, fearing for the safety of her eight-year-old son Bear.
Bannister killed Rajendra Patel, 48, at a south London YMCA shelter in 2012 and pleaded guilty to manslaughter.
Mr Patel died from an injury to his leg, a court heard.
Tweedy’s former partner Liam Payne died last year in Buenos Aires, Argentina, after falling from his third-floor hotel balcony.
Noel Clarke has been ordered to pay at least £3m of The Guardian publisher’s legal costs after losing his “far-fetched” libel case over allegations of sexual misconduct reported by the newspaper.
The first article, published in April 2021, said some 20 women who knew the actor and filmmakerin a professional capacity had come forward with allegations including harassment and sexually inappropriate behaviour.
Clarke, best known for his 2006 film Kidulthood and for starring in Doctor Who, sued Guardian News and Media (GNM) over seven articles in total, as well as a podcast, and vehemently denied “any sexual misconduct or wrongdoing”.
At a hearing to determine costs on Tuesday, Clarke represented himself – saying in written submissions to the court that his legal team had resigned as he was unable to provide funding for the hearing.
Mrs Justice Steyn ruled that he must pay £3m ahead of a detailed assessment into the total costs to be recovered, which lawyers for the publisher estimated to be more than £6m.
“The claimant maintained a far-fetched and indeed a false case that the articles were not substantially true, by pursuing allegations of dishonesty and bad faith against almost all of the defendant’s truth witnesses,” the judge said.
The sum of £3m sought by GNM was “appropriate and no more than what ought to be reasonably ordered in this case”, she added, and “substantially lower than the defendant’s likely level of recovery”.
Clarke, 49, told the court he used ChatGPT to prepare his response to GNM’s barrister Gavin Millar KC, who asked the judge to order £3m as an interim payment – which he said was “significantly less” than the “norm” of asking for 75%-80%.
The actor described the proposed costs order as “excessive”, “inflated” and “caused by their own choices”, and asked the court to “consider both the law and the human reality of these proceedings”.
He also requested for the order on costs be held, pending an appeal.
“I have not been vexatious and I have not tried to play games with the court,” Clarke said. “I have lost my work, my savings, my legal team, my ability to support my family and much of my health.
“My wife and children live every day under the shadow of uncertainty. We remortgaged our home just to survive.
“Any costs or interim payments must be proportionate to my means as a single household, not the unlimited resources of a major media conglomerate.
“A crushing order would not just punish me, it would punish my children and wife, and they do not deserve that.”
Detailing GNM’s spend, Mr Millar said about 40,000 documents, including audio recordings and transcripts, had to be reviewed as a result of Clarke bringing the case against then. He highlighted a number of “misconceived applications” made by the actor which “required much work from the defendant’s lawyers in response”.
During the trial, the actor accused GNM – as well as a number of women who made accusations against him – of being part of a conspiracy aiming to destroy his career.
This conspiracy allegation “massively increased the scale and costs of the litigation by giving rise to a whole new unpleaded line of attack against witnesses and third parties,” Mr Millar said in written submissions to the court.
Clarke originally asked for damages of £10m, increasing to £40m and then £70m as the case progressed, the barrister said.
He must now pay GNM the £3m within 28 days, Mrs Justice Steyn ruled.
This breaking news story is being updated and more details will be published shortly.