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R&B star Cassie Ventura told Sean “Diddy” Combs “I’m not a rag doll, I’m someone’s child”, after he allegedly beat her outside a lift at the Intercontinental Hotel in Los Angeles in March 2016, a New York court has heard.

Footage of Combs appearing to drag and kick the R&B star in a corridor was initially released by CNN in May 2024. Combs subsequently apologised for his actions.

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CCTV footage shows Diddy ‘attacking’ Cassie in hotel

The footage of the incident, which Cassie says took place after she left a “freak off” sex session, has since been widely shared and has been shown to the jury in court as evidence for the prosecution.

Combs, 55, faces five criminal counts: one count of racketeering conspiracy; two counts of sex trafficking by force, fraud or coercion; and two counts of transportation to engage in prostitution. He denies the allegations against him.

Cassie, whose full name is Casandra Ventura, alleges she was physically abused and degraded for years by the powerful hip-hop star and music executive, accusing him of violence, coercion, blackmail and rape.

The 38-year-old, who is the star witness for the prosecution, faced a fourth day on the stand, with the hip-hop mogul’s defence lawyers concluding their two-day cross-examination.

Heavily pregnant, she is expecting her third child in just a few weeks.

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Prosecutors say Combs exploited and used his network of employees to facilitate illegal activities, while defence lawyers have been attempting to show jurors she consented to their highly charged “swingers lifestyle”.

The court also heard further details of Cassie’s allegation of rape against Combs, information around her stay at a trauma and addiction centre in Arizona and further messages appearing to show her enthusiasm for freak offs.

Sean 'Diddy' Combs and Cassie Ventura at the 2017 Costume Institute Benefit Gala ub 2017. Pic: zz/XPX/STAR MAX/IPx 2017/AP
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Sean Combs and Cassie in 2017. Pic: zz/XPX/STAR MAX/IPx 2017/AP

Sean ‘Diddy’ Combs trial: Day 5 – As it happened

Cassie was asked about singer Chris Brown – who she denied dancing with – and tells the court Combs had form for taking her belongings, including her phone, car and watch, when he was angry with her.

An audio recording was also played to the court, appearing to show Cassie threatening a man she claimed to have a video of her at a freak off on his phone, screaming: “I will f*** you up and it won’t be my hand”.

It was not clear as to whether such a video ever existed.

Cassie was also asked about her use of drugs, and said she had struggled with opioid addiction since 2022.

She described a 45-day stay at a rehabilitation centre in Arizona in 2023, where she underwent EMDR (Eye Movement Desensitisation and Reprocessing) to help resolve trauma.

The centre specialises in treating “sex and intimacy issues”, but Cassie confirmed she was treated only for trauma.

The court also heard about Cassie’s allegation of rape against Combs in August or September 2018, by which time she says they had split up.

The pair were together, on and off, for about 11 years from 2007 to 2018.

Sean "Diddy" Combs watches as Casandra "Cassie" Ventura leaves for a break in her testimony during Combs' sex trafficking trial in New York City, New York, U.S., May 15, 2025 in this courtroom sketch. REUTERS/Jane Rosenberg TPX IMAGES OF THE DAY
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A court sketch of Combs and Cassie. Pic: Reuters/Jane Rosenberg


‘I have love for the past, what it was’

Describing Combs taking her for dinner at an Italian restaurant in Malibu, she says he raped her after driving her home, after “acting strangely” during the meal.

When asked if she believed his behaviour was due to his “bipolar disorder”, Cassie answered “yes”.

The jury was then shown a text message which included a heart emoji, sent by Cassie to Combs the following day.

When asked if she still had love for him, she said: “I have love for the past, what it was.”

Cassie confirmed she saw Combs the following month, when she said she had consensual sex with him, during which her now-husband, personal trainer Alex Fine, attempted to FaceTime her.

She said she didn’t tell Fine she had been raped by Combs at the time, but that he “punched a wall” when she later told him.

Combs paid close attention to Cassie’s cross-examination, leaning in to read transcripts on the monitor in front of him and passing down notes to his lawyer. Cassie did not look at him throughout the trial.

Alex Fine, husband of Casandra "Cassie" Ventura, walks to enter Federal court for the Sean "Diddy" Combs' sex trafficking and racketeering conspiracy trial at U.S. court in Manhattan, in New York City, U.S., May 16, 2025. REUTERS/David 'Dee' Delgado
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Cassie’s husband, Alex Fine (left), outside court. Pic: Reuters/David ‘Dee’ Delgado

A ‘$10m’ settlement with the Intercontinental

Towards the end of her questioning by the defence, Cassie was read a message from Combs in September 2012, in which he asked “do you want to have our last FO [freak off] tonight?” – to which she responded, “I don’t want to freak off for the last time, I want it to be the first time for the rest of our lives”.

In a surprise turn, Cassie also confirmed that an expected settlement of $10m had been agreed with the Intercontinental Hotel in Los Angeles, where she was assaulted.

Following her time in court, she released a statement saying she hoped her testimony would help others “heal from the abuse and fear”.

“For me, the more I heal, the more I can remember,” she said. “And the more I can remember, the more I will never forget.”

The next witness, special agent Yasin Binda, detailed items found during a search of Combs’s Park Hyatt hotel room in 2004, following his arrest that year.

She showed the court images of exhibits including lubricant and baby oil, drugs and a bum bag containing $9,000 (£6,800) in cash.

Dawn Richard points at  Combs during the trial. Pic: Reuters/Jane Rosenberg
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Dawn Richard points at Combs during the trial. Pic: Reuters/Jane Rosenberg

‘Hit over the head with a skillet of eggs’

At the end of the day, Dawn Richard, a former member of girl group Danity Kane and trio Dirty Money, gave evidence, telling the court she observed Combs attacking Cassie, including a time he “hit her over the head with a skillet of eggs”.

She went on to say Combs “dragged” Cassie upstairs where she “heard glass breaking”, adding she had “never seen anything” like it before – “he was punching his girlfriend”.

Richard said she didn’t intervene or report the incident to the police as she was “scared”.

The singer sued Combs last year, accusing him of physical abuse, groping and psychological abuse during her time working with him.

Combs has been jailed since September and faces at least 15 years or possibly life in prison if convicted.

The trial is set to last for seven more weeks.

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PM’s rap battle with Sky’s Beth Rigby goes viral – and one of the AI satirists behind it explains why

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PM's rap battle with Sky's Beth Rigby goes viral - and one of the AI satirists behind it explains why

Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.

A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.

On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.

He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.

“So we are the new and improved Spitting Image, the much better Have I Got News For You?”

He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.

Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.

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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.

“Crewkerne Man” says providing satire for younger people is important as Labour is lowering the voting age.

Asked why he is trying to be anonymous, the man said the project is not about one person – or even the whole group – but rather their output.

He also claimed the UK is “increasingly seeing arrests – especially with comedians”, pointing to the Graham Linehan case.

“So we just never know where the Labour Party is going to drive the policy next, in regards to free speech,” he said.

“So for me, certainly it’s a matter of safety.”

Watch Beth Rigby’s actual interview with Sir Keir Starmer below.

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The prime minister defends the budget

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Tilly Norwood: Creator of AI actress insists she’s not designed to steal jobs

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Tilly Norwood: Creator of AI actress insists she's not designed to steal jobs

The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.

AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.

Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.

AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”

“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”

Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”

Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.

“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”

Eline Van der Velden said she wanted the character to 'have her own creative path'
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Eline Van der Velden said she wanted the character to ‘have her own creative path’

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How AI music is fooling most of us
Tom Hollander ‘not scared’ of AI star

Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.

“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

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Sally Rooney tells court new books may not be published in UK due to Palestine Action ban

Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.

The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.

The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.

Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.

In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.

Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.

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Why was Palestine Action proscribed?

She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”

Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.

“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.

Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.

She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”

Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.

“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.

The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.

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