Austria has won Eurovision 2025, with Austrian-Filipino singer-songwriter JJ taking the glass microphone.
The 24-year-old singer, who originally trained as a countertenor, represented his country with his operatic ballad Wasted Love, staged on a storm-tossed ship.
The song, which was not dissimilar to that of last year’s winner Nemo, told the story of unrequited love, with a techno breakdown near the end. Austria has won Eurovision twice before, the last time in 2014 with Conchita Wurst’s pop hit Rise Like A Phoenix.
Image: JJ singing Wasted Love for Austria. Pic: Reuters
Israel’s Yuval Raphael, who survived the October 7, 2023, attacks which were the catalyst for Israel’s ongoing offensive in Gaza, was the runner-up with piano ballad New Day Will Rise, performed in Hebrew, French and English.
The singer was left “shaken and upset,” after two pro-Palestinian protesters rushed towards her during her grand final performance.
Organisers confirmed a backstage crew member was hit with paint but was not hurt.
A spokesman for SRG SSR said: “At the end of the Israeli performance, a man and a woman tried to get over a barrier onto the stage.
More on Eurovision
Related Topics:
“They were stopped. One of the two agitators threw paint and a crew member was hit. The crew member is fine and nobody was injured. The man and the woman were taken out of the venue and handed over to the police.”
Israel has won Eurovision four times, and last year finished in fifth place with Eden Golan’s Hurricane.
Image: Yuval Raphael performs New Day Will Rise for Israel. Pic:AP
Just as the grand final began broadcasting, Spanish broadcaster shared a message of Palestinian support which read: “When human rights are at stake, silence is not an option. Peace and justice for Palestine.”
The broadcaster had already received a warning from the European Broadcasting Union (EBU) over political statements reported by Israeli broadcaster Kan.
The EBU said in response to the latter incident: “We can confirm that we have spoken to RTVE regarding this matter and made it clear that commentators are expected to maintain neutrality within the broadcasts of the Eurovision Song Contest.”
During the evening, there were also pro-Palestinian protests near the centre of Basel, as well as a small group nearby protesting with Israeli flags.
Israeli National Security Council had issued a warning to Israeli civilians in the city to keep a low profile during the competition.
In a change from last year’s contest in Malmo, Sweden, the ban on certain flags being waved by the audience was relaxed which meant Palestinian symbols could be seen in the arena.
Image: Remember Monday perform What The Hell Just Happened for the UK. Pic: AP
The UK’s act – country pop trio Remember Monday – who performed in colourful Bridgerton-style outfits – avoided the dreaded “nul points”, coming in at 19th place with song What The Hell Just Happened?
However, for the second year running, the UK received no points in the public score.
The UK has had five wins at Eurovision, but in recent years have struggled to rank, with the exception being Sam Ryder with Space Man in 2022, who came second.
Last year, Olly Alexander placed 18th at Malmo, and Mae Muller was second to last the previous year in Liverpool.
The Eurovision grand final took place in the St Jakobshalle arena in Basel, Switzerland, with the winner from among the 26 performing nations decided by a mix of public voting and points from national juries.
The four-hour-long show was presented by an all-female team – stand-up comedian Hazel Brugger, TV presenter Michelle Hunziker and Eurovision veteran Sandra Studer.
There were performances by previous Eurovision runners-up Croatia’s Baby Lasagna and Finland’s Kaarija, as well as last year’s winner Nemo during the night.
Image: KAJ perform Bara Bada Bastu for Sweden. Pic: AP
Sweden had been widely tipped to win with their sauna-themed entry Bara Bada Bastu (Just Sauna), but ended up coming fourth.
Ukraine, who have made a strong showing each since they first entered the competition in 2003, and who won in 2023, came ninth.
Last year protests and politics overshadowed the singing event amid the outbreak of war in Gaza, with some calling for Israel to be kicked out of the contest.
Last year also saw Dutch singer Joost Klein kicked out of the competition by the EBU over alleged verbal threats to a female production worker, which he denied.
Next year’s competition, Eurovision’s 70th, will be held in Austria.
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
More on Beth Rigby Interviews
Related Topics:
They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
X
This content is provided by X, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable X cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to X cookies.
To view this content you can use the button below to allow X cookies for this session only.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
Instagram
This content is provided by Instagram, which may be using cookies and other technologies.
To show you this content, we need your permission to use cookies.
You can use the buttons below to amend your preferences to enable Instagram cookies or to allow those cookies just once.
You can change your settings at any time via the Privacy Options.
Unfortunately we have been unable to verify if you have consented to Instagram cookies.
To view this content you can use the button below to allow Instagram cookies for this session only.
Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
More on Palestine Action
Related Topics:
Please use Chrome browser for a more accessible video player
1:57
Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.