Thousands of people are expected to attend Port Talbot this weekend as the town gears up to welcome an annual Welsh festival.
The Urdd Eisteddfod is a celebration of Welsh culture when children and young people up to the age of 25 take part in a variety of competitions.
There are 400 of them in total, including singing, reciting poetry and dancing.
The Urdd organisation itself was established more than a century ago in 1922, with the aim of giving children and young people in Wales the opportunity to learn and socialise in the Welsh language.
Its six-day Eisteddfod is held during May half-term and in a different part of Wales each year.
The Urdd Eisteddfod broke its own records last year, with more than 100,000 registrations to compete.
Image: A choir competes at the 2024 Eisteddfod yr Urdd. Pic: Urdd Gobaith Cymru
Margam Park is home to this year’s event – the first time since 2003 that it’s played host.
Among the main prizes up for grabs this year are the chair (awarded to the main poetry competition winner) and the crown (awarded to the main prose competition winner).
This year’s crown and chair have been made using some of the final pieces of steel produced at Port Talbot steelworks before the closure of the blast furnaces last year.
Image: The chair at the 2025 Eisteddfod yr Urdd was created using some of the last pieces of steel produced at the Port Talbot steelworks. Pic: Urdd Gobaith Cymru
Image: Pic: Urdd Gobaith Cymru
There are some new additions to this year’s Eisteddfod, including awards for singing, musical theatre and acting, named in honour of Sir Bryn Terfel, Callum Scott Howells and Matthew Rhys.
Another new award – the Amy Dowden award for dance – will also be awarded for the first time this week.
Speaking to Sky News, Strictly Come Dancing star Dowden said it was a “real honour” to be supporting the next generation of dancers.
“The arts and the industry is tough, and I just hope that [the young people] can see that I’ve managed to push myself through it,” she said.
“I’ve worked hard, I’ve had a few challenges along the way. Hopefully I can help inspire them as well.”
Image: Amy Dowden. File pic: PA
‘It’s like Britain’s Got Talent’
As a former competitor herself in what is one of Europe’s largest touring youth festivals, Dowden says she “couldn’t imagine [her] childhood without it”.
“I’ve loved Eisteddfods since I can remember. Every year at school I took part in everything, from the baking to the reciting poems, to the folk dancing, to the creative dancing,” she said.
“The Urdd Eisteddfod is literally like one big talent competition, it’s like Britain’s Got Talent.”
The winner of the Amy Dowden award will get one-to-one sessions with her as part of the prize, as well as masterclasses at the Royal Welsh College of Music and Drama.
They will have the opportunity to perform on an international stage and also win a cash prize.
“I know from my dance training and everything, each of those is so beneficial to getting yourself to that professional level,” Dowden added.
Eurovision is supposed to be a celebration of the unifying power of music. But for the past two years, it has attracted protests and fan boycotts over its inclusion of Israel amid the country’s continued military action in Gaza.
Ahead of 2026’s contest, while nobody has even sung a note yet, a number of countries have been getting vocal.
“If Israel is there, we won’t be there,” says Natalija Gorscak, the president of broadcaster RTV Slovenia.
As the world waits to see what happens with the negotiations over Donald Trump‘s Gaza peace plan, within the cultural world, there’s no let up in the increasing isolation of Israel.
Image: Israel’s representative, Yuval Raphael, before Eurovision 2025 earlier this year. Pic: Reuters
Slovenia and broadcasters from Spain, the Netherlands, Ireland, and Iceland have all issued statements saying if Israel’s allowed to enter, they’ll consider boycotting the contest next year.
Jolted into action by the controversy, officials from the European Broadcasting Union (EBU) – which runs the contest – have announced plans for an emergency vote.
In a letter to members, EBU president Delphine Ernotte-Cunci said “given that the union has never faced a divisive situation like this before”, the board agreed it “merited a broader democratic basis for a decision”.
Described by the EBU as “an extraordinary meeting of [its] general assembly to be held online”, early next month member countries will be asked to vote on whether Israel should or shouldn’t participate.
Eurovision expert Dr Paul Jordan said: “Ultimately this has been a really challenging issue for the EBU. This is a really complex picture that is building up… and they’ve not been consistent.
“The situation is made even more complicated by the fact the organisers themselves haven’t sometimes followed their own rules about political entries and about political messaging, and they’ve allowed certain countries to, in a sense, get away with breaking the rules or deeming them to have not broken the rules sufficiently to allow participation.
“As far as I’m aware, the Israeli broadcaster has not broken any rules. However, you could argue their inclusion could indeed bring the contest into disrepute, which would be against the organisers’ rules.”
‘We should focus on music’
Image: Noa Kirel, who represented Israel in 2023, hopes they will not be banned
In 2023, Israel was represented by Noa Kirel, her country’s equivalent to Britney Spears. She came third with her song Unicorn.
“It was one of the highlights in my career, it was an incredible experience for me,” she said.
While she acknowledges “it’s very different from two years ago when I represented Israel”, she hopes her country won’t be excluded next month.
“It’s not about politics, it’s never been like that, and we should keep it that way, to focus on music.”
She believes it would be unfair to punish the Israeli people for the actions of their government: “Voters understand that politics has no connection to this competition.
“Hopefully people will understand and respect that, see the good side… and not the bad side.”
‘European policy needs more balls’
Image: Natalija Gorscak, the president of RTV Slovenia, firmly backed an Israeli boycott
Regardless of the outcome of next month’s vote, Ireland, Iceland, and Slovenia have all confirmed to Sky News that their plans to boycott will stand as long as Israel’s still at war.
Ms Gorscak said: “We can lie to ourselves and say ‘no, it’s not political’ but, you know, you can’t avoid politics.”
She believes it’s fundamentally wrong for bigger countries to be sitting on the fence.
“We are all somehow prisoner of German guilt towards Israel,” she claimed. “European policy, it needs more balls. In certain moments somebody needs to decide, somebody needs to say ‘this is enough’.”
A spokesperson for German broadcaster SWR has said it “supports the consultation process that has been initiated” and that the goal is “to reach a well-founded and sustainable agreement that aligns with the values of the EBU”.
Whether Spain abides by the outcome of next month’s vote might have the biggest impact.
If it makes good on its threat to boycott – as one of the big five backers of Eurovision – financially it’ll hurt.
Ms Gorscak explained: “Slovenia is a small country, and while our participation fee is peanuts, if there are more countries who are not participating it is seen in the budget.”
Israel’s public broadcaster, KAN, has said its “potential disqualification… could have wide-ranging implications for the competition and the values for which the EBU stands”.
Dr Jordan said up until now we’ve mostly seen “virtue signalling” when it comes to Eurovision artists speaking out who’ve ultimately opted to perform regardless of their objections to Israel’s inclusion on the night.
However, should entire nations boycott in 2026, he said the impact will be felt way beyond the contest’s final.
“There are two semi-finals, because of the number of participating countries, and if there isn’t a need for two semi-finals that will impact upon the logistics of the event and even the funding,” he explained.
Pop bangers and power ballads aside, the criticism of the EBU has become deafeningly loud. The world waiting and watching for political decisions – and cultural ones too.
The death of journalist and author Hunter S Thompson will be reviewed by Colorado officials at the request of his widow, the state’s bureau of investigation has announced.
Thompson, best known for his 1971 novel Fear And Loathing In Las Vegas, died aged 67 on 20 February 2005.
The original investigation concluded the death was from an allegedly self-inflicted gunshot wound and was suicide.
In a statement on Tuesday, the ColoradoBureau of Investigation (CBI) said Anita Thompson had requested a case review into her husband’s death, and that it is being carried out to provide an independent perspective on the investigation.
While Sheriff Michael Buglione said there is no new evidence suggesting foul play, “we understand the profound impact Hunter S Thompson had on this community and beyond”.
He added: “By bringing in an outside agency for a fresh look, we hope to provide a definitive and transparent review that may offer peace of mind to his family and the public.”
The CBI added its review would take “an unspecified amount of time”.
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Image: Hunter S Thompson with Benicio Del Toro and Johnny Depp at the premiere of Fear And Loathing In Las Vegas in 1998. File pic: Reuters
Born in 1937, Thompson was regarded as a pioneer in the 1960s New Journalism movement, and wrote the 1967 book Hell’s Angels about the notorious motorcycle gang after spending more than a year living and riding with them.
Famous for his first-person narratives, Thompson’s works inspired a style of reporting called Gonzo journalism – a subjective and more personal style of news writing.
Fear And Loathing In Las Vegas was adapted into a film, starring Johnny Depp – a friend of Thompson’s – and Benicio Del Toro, in 1998.
Sky News has contacted The Gonzo Foundation, a non-profit group founded by Ms Thompson to promote literature, journalism and political activism, for comment.
Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK
Broadway actors are preparing to exit the stage in a strike that would shutter more than 30 productions ahead of its peak season.
Actors’ Equity, a union representing 900 performers and stage managers in New York’s iconic theatre scene, said a walkout was on the cards due to a dispute over healthcare.
It’s negotiating with the Broadway League, a trade body representing theatre owners, producers, and operators. A previous three-year contract expired earlier this week.
The union wants the league to increase its contribution to its healthcare fund, which is expected to fall into a deficit before next May. The rate of contributions has remained unchanged for more than a decade.
Actors’ Equity president Brooke Shields said: “Asking our employers to care for our bodies, and to pay their fair share toward our health insurance is not only reasonable and necessary, it’s an investment they should want to make toward the long-term success of their businesses.”
She added: “There are no Broadway shows without healthy Broadway actors and stage managers. And there are no healthy actors and stage managers without safe workplaces and stable health insurance.”
The Broadway League said it was “continuing good-faith negotiations” to “reach a fair agreement” that works for “shows, casts, crews, and the millions of people from around the world who come to experience Broadway.”
Actors’ Equity has not carried out a major strike since 1968, when a three-day dispute shut down 19 shows. An intervention from the New York City mayor helped both sides come to a deal.