Taylor Swift has bought back all the rights to her master recordings – but has suggested she won’t be re-releasing her Reputation album.
“All the music I’ve ever made now belongs to me,” the star announced on her official website.
“I’ve been bursting tears of joy… ever since I found out this is really happening.”
The pop star had originally lost the rights to her first six albums in 2019 when her first record label, Big Machine, sold them to music executive Scooter Braun.
After she learned Braun had acquired her musical catalogue, she opened up about it in a lengthy Tumblr post, blaming him for being complicit in Kanye West’s “incessant, manipulative bullying” of her.
Swift said she was not given the opportunity to buy her work outright, and so, in a bid to diminish the value of the master tapes, she set about re-recording them.
Image: Taylor Swift’s back catalogue was eventually sold on by Scooter Braun
She had re-released four “Taylor’s Version” albums to date. Just her self-titled debut album and Reputation remained.
Braun later sold his stake in her albums to Shamrock Holdings, a Los Angeles investment fund, in a deal reported to be worth £222 million.
It is not known how much Swift paid Shamrock to re-acquire the rights to her songs.
Swift said she was “forever grateful” to Shamrock for allowing her to buy the rights to her music back.
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“This was a business deal to them, but I really felt like they saw it for what it was to me: My memories and my sweat and my handwriting and my decades of dreams,” Swift wrote on her website.
“I am endlessly thankful. My first tattoo might just be a huge shamrock in the middle of my forehead.”
What it means for Reputation fans
Just two albums remained to be re-released by Swift – her self-titled debut album and Reputation. The latter was a particularly strong source of speculation among fans, who would look for clues in her outfits during her record-breaking Era’s tour.
But this announcement could spell the end of that.
“Full transparency: I haven’t even re-recorded a quarter of it,” Swift said.
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She said Reputation was “so specific” to a certain time in her life, that she kept hitting a block when she tried to re-record it. She also said she felt it was the first album she could not improve by re-recording it.
Debut has been re-recorded, with Swift saying she “loves how it sounds now”.
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But both albums could still “re-emerge when the time is right”, particularly the unreleased tracks.
“If it happens, it won’t be from a place of sadness and longing for what I wish I could have,” Swift said.
How Swift’s stance changed the music industry
In the music industry, the owner of a master controls all rights to their artists’ recordings. This is usually agreed in contracts with artists, and allows them to recoup the financial investment they make in stars, including funding production, marketing and promotion.
It also means they can distribute it to new streaming services or license the songs to be used in movies.
Image: Pic: AP
Swift, as co-writer of her music, had always maintained publishing rights.
“I do want my music to live on. I do want it to be in movies. I do want it to be in commercials. But I only want that if I own it,” she told Billboard in 2019.
Swift said today she had been “heartened by the conversations this saga had reignited within my industry among artists and fans”.
“Every time a new artist tells me they negotiated to own their master recordings in their record contract because of this right, I’m reminded of how important it was for all of this to happen.”
Broadway actors are preparing to exit the stage in a strike that would shutter more than 30 productions ahead of its peak season.
Actors’ Equity, a union representing 900 performers and stage managers in New York’s iconic theatre scene, said a walkout was on the cards due to a dispute over healthcare.
It’s negotiating with the Broadway League, a trade body representing theatre owners, producers, and operators. A previous three-year contract expired earlier this week.
The union wants the league to increase its contribution to its healthcare fund, which is expected to fall into a deficit before next May. The rate of contributions has remained unchanged for more than a decade.
Actors’ Equity president Brooke Shields said: “Asking our employers to care for our bodies, and to pay their fair share toward our health insurance is not only reasonable and necessary, it’s an investment they should want to make toward the long-term success of their businesses.”
She added: “There are no Broadway shows without healthy Broadway actors and stage managers. And there are no healthy actors and stage managers without safe workplaces and stable health insurance.”
The Broadway League said it was “continuing good-faith negotiations” to “reach a fair agreement” that works for “shows, casts, crews, and the millions of people from around the world who come to experience Broadway.”
Actors’ Equity has not carried out a major strike since 1968, when a three-day dispute shut down 19 shows. An intervention from the New York City mayor helped both sides come to a deal.
Boyzone say Louis Walsh has no involvement in their forthcoming reunion show and will not be taking a cut of the profits.
One of the biggest boybands of the 90s, the Irish group announced they will be reuniting for their “biggest show yet” next summer, performing at the Emirates Stadium in London on 6 June.
But while all four remaining members of the band had been due to attend a press announcement at the London Irish Centre in Camden on Tuesday, Mikey Graham was not in attendance.
When asked if they had been expecting him, Ronan Keating tells Sky News: “Mikey apologises for not being here today in person for personal reasons. We’ll see him soon, and he will be there on the night.”
He goes on: “We’ll see Mikey in 20 minutes, and he will be there on 6 June”.
It will be the first time the four band members have been back in the same room in nearly seven years, following a five-night run at the London Palladium in 2019.
Keith Duffy admits: “It’s a big moment.”
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Shane Lynch, who has been open about previous disagreements with his fellow bandmates, says: “I can’t wait to see Mick. And I’m super excited for him.”
‘We stopped talking to Louis Walsh’
Mention of their former manager is met with less warmth.
When asked if Louis Walsh is involved with the one-off show, Keating says: “No. Louis hasn’t been involved in Boyzone for a very long time, before the documentary, even well before the documentary. We stopped talking to him.
“He’s very much working with Westlife and those things.”
As for whether Walsh will be taking a cut of the profits, all three band members laugh like drains at the suggestion.
Lynch is the first to stop, gathering himself and saying: “Louis, he was the beginning of the band at least, you know, certainly it’s not the end of the band at this point. I love and respect the man by all means. But we have moved on.”
Image: Boyzone on 19.06.1995 in Köln / Cologne. | usage worldwide Photo by: Fryderyk Gabowicz/picture-alliance/dpa/AP Images
‘Going out on a high’
Indeed, the four Dublin lads are in a very different place 33 years after they were thrust into the limelight as teenagers, with just Graham just a little older than the rest at 21.
Keating clarifies this time, they are the ones calling the shots: “We’re the ones in the driving seat… We’re doing on our terms.”
This time, Keating says it’s a journey he intends to make the most of: “We didn’t get to celebrate the 90s at all. We didn’t get to enjoy our success. Everybody else did, we didn’t. You know, boo hoo, we’re not crying. We had a hell of a time. We’re okay with that… We’re going to go out on a high”.
He’s also adamant this is a one-off: “It’s not gonna go further than the show. This is it.”
Image: Boyzone performing at Wembley Arena in 1999. Pic: PA
Of course, Stephen Gately’s untimely death in 2009, as a result of an undiagnosed heart condition, means the full band will never again take to the stage, but Keating, Duffy and Lynch say the show will be a time to remember Gately.
Giving away no details as to how, Keating says: “There will be a moment in the show for Stephen… Getting that right is important.”
With around eight months to prepare, the pressure is now on the band to deliver.
Duffy says: “It’s a big effort to get this kind of show together. It’s been seven years. We didn’t expect it. It’s not like every five to seven years, we always had an idea, we’ll end up seeing each other and sharing the stage together. It was a definite no.”
Boyzone: No Matter What
All three admit the three-part Sky documentary Boyzone: No Matter What, which aired at the start of the year, has played a big role in their change of heart.
And now, with a new chapter ahead of them, could there be a fourth part in the works? Keating is hopeful.
“Wouldn’t it be lovely to have that, closure and that fourth episode? Never say never.
“We haven’t agreed anything, it hasn’t been planned. Yeah, there are cameras around and it’s a decision we’ve made with Curious [the production company who made the documentary] to document this, because it’s a monumental time for us.”
Monumental indeed, and following the recent trend for 90s reunions, the band’s members – no longer boys but in some cases grandfathers – will be hoping fans turn out to show their love, no matter what.
Boyzone will perform at the Emirates Stadium in London on 6 June, with yet to be announced special guests.
Boyzone: No Matter What is available on Sky and streaming service Now
Last week, defence lawyers urged a 14-month sentence. Due to time served, that would enable him to walk free almost immediately – following his arrest in September last year.
But he could, in theory, face up to 20 years in jail after being found guilty of two counts of transportation for engagement in prostitution. Each charge carries a maximum sentence of 10 years.
Judge Arun Subramanian, a US district judge, is due to sentence Combs in Manhattan on Friday.
Image: Combs reacts after the verdicts are read in July
During his trial, prosecutors said Combs coerced two of his former girlfriends to take part in what were described as “freak offs”.
He was found guilty of transporting male prostitutes across state lines to take part in those events.
Both women testified that Combs physically attacked them and threatened to cut off financial support if they refused to take part.
However, while jurors believed Combs broke the law over using sex workers, they did not find the sexual encounters involving the women were non-consensual, which is what prosecutors had argued.
Combs was cleared of the more serious charges of sex-trafficking and racketeering conspiracy.
In a written legal submission, his defence team has detailed “inhumane” conditions at the Metropolitan Detention Center in Brooklyn, New York.
They said the food sometimes contains maggots, that the rapper is routinely subjected to violence, and that he has “not breathed fresh air in nearly 13 months”.
They also said his “career and reputation have been destroyed”.
His legal team said Combs had been “adequately punished” already, was sober “for the first time in 25 years”, and had helped other inmates by creating an educational programme on business management and entrepreneurship.