An actor who appeared in animated series King Of The Hill and hit show Parks And Recreation has been shot dead near his home.

Jonathan Joss, 59, was found injured by police in San Antonio, Texas, on Sunday evening.

Officers tried to save him but he was pronounced dead at the scene.

The actor’s husband claimed the gunman shouted “violent homophobic slurs” before opening fire, and that Joss had pushed him out the way to save his life.

“He was murdered by someone who could not stand the sight of two men loving each other,” alleged Tristan Kern de Gonzales on Facebook.

He said the couple had previously faced harassment from neighbours, much of it “openly homophobic”.

Joss’s husband said they had been checking for mail at his old home – which earlier this year burned down in a fire that killed their three dogs – when they noticed the skull of one of the animals in front of the property.

He said they began “yelling and crying” and claimed they were approached by a man who threatened them with a gun.

“We were standing side by side,” said Mr Kern de Gonzales. “When the man fired Jonathan pushed me out of the way. He saved my life.”

However, San Antonio police said it had found no evidence that the shooting was a hate crime.

“Should any new evidence come to light, we will charge the suspect accordingly,” said a statement.

A 56-year-old man, Sigfredo Alvarez Ceja, has already been charged with murder.

Joss is best known for voicing Native American character John Redcorn in cult show King Of The Hill, which ran for 13 series and more than 250 episodes from 1997 to 2009.

He also had a recurring role in NBC’s Parks And Recreation as tribal elder and casino owner Chief Ken Hotate.

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A King Of The Hill reboot is due to start in August and Joss had been in Austin, Texas, for events promoting the comeback the day before he was killed.

He posted a video on Instagram saying he was signing autographs at a comic book store, adding that he had already worked on four episodes of the revival.

“The fans get to revisit King Of the Hill again, which I think is an amazing thing because it’s a great show,” he said in the video.

The suspect is being held in a detention centre in San Antonio, but the lawyer representing him could not be traced as they were not listed in court records.

Sarah Jessica Parker was the subject of some unwanted headlines over the past few weeks after saying she reads two books a day.

While speculation of her reading capabilities circulates, the actress continues the challenging mountain of novels she has to get through in order to be a judge for the Booker Prize.

The actress is part of a panel of judges for the literary award which announces the “Booker Dozen” of 12 or 13 books on 29 July, its shortlist on 23 September and the overall winner on 10 November. The winner receives £50,000.

“I have one by my side now,” Sarah Jessica tells Sky News during an interview for her show And Just Like That.

“It’s been hard these last two weeks because we’ve been promoting the show and I thought I would be able to read between interviews, but you can read two words. You can read these three sentences, so I’m feeling very anxious about how many books I have yet to read for our next deliberation,” she says.

The Sex And The City actress compares the workload to preparing to take an exam.

“I’ve not ever felt this behind, including in high school. Like, I really am not entirely sure how I’m going to read the required amount of books by our next deliberation,” she says.

“I thought about this last night in bed, that even if I stay up every day and don’t sleep, I might not make it. So I’m not sure how. I have to not make dinner for anybody, not do anybody’s laundry. I have cut out all tasks. So we’ll see. It’s pretty fantastic, this burden is pretty wonderful.”

Turning to her spin-off series, she says she never paid much attention to the cultural impact Sex And The City had on portraying women in their 30s on screen without a rose-tinted lens.

“I think we’re just always wanting to tell interesting stories,” she says.

“And the rule in the writing room has been, for as long as I’ve known, the story can only be as far removed as one person from the writer, so every single story told has either happened to a writer or to a friend or family member or colleague of the writer.”

She says what makes it real is that the show deals with real moments that happen to women as they age, from children flying the nest to navigating the dating pool.

“You don’t flat line at 50 or 60. People are living pretty colourful, interesting, exciting lives and they have influence and authority. They’re trying new things. They’re leaving marriages. They’re saying goodbye to kids. They’re starting new jobs, they’re leaving jobs, and they’re getting married, they are widows, there’s just endless amounts to talk about and it should be,” she says.

‘It is insane there aren’t more shows like us’

Her co-star Kristin Davis agrees and states her main hope for returning was to break certain taboos for women now in their 50s.

“It is insane that there aren’t more shows like us, you know? I’m hoping that there will be,” she says. “It’s very interesting that somehow women, especially at a certain age, you’re just supposed to just vanish. I don’t know where we’re supposed to be and that just makes no sense.”

Sex And The City was ‘incredibly white’, says Cynthia Nixon

For Cynthia Nixon, playing Miranda now as a lesbian character allowed the show to explore the challenges that face people coming out later in life and navigating the world they find themselves in.

She says although Sex And The City broke taboos for white women in their 30s, she felt the original iteration of their show wasn’t as reflective of the real world as it could have been.

“The one thing that didn’t really sit well with me in the past was how incredibly white the show was,” she says. “So, I think to expand the universe of, you know, who gets to be centred in the show has been a tremendous boon. Whether you’re talking about people of colour, whether you’re talk about queer people, people of different ages. We used to have a wonderfully fascinating lens, but it was fairly narrow.

“We’ve moved in our view of queer people… for so long, if you wanted to put a gay person on screen, one of the ways to make them palatable was to really emphasise their funniness and I think we have many very funny gay characters, but we’re able to, I think, have a more well-rounded view of them.”

And Just Like That is available on Sky and NOW.

Succession writer Jesse Armstrong says he hopes his new film about toxic tech billionaires can be a receptacle for anyone who is “feeling wonky about the world”.

Now making his film directorial debut with Mountainhead, starring Steve Carell and Jason Schwartzman, Armstrong has shifted his focus from cut-throat media moguls to a group of billionaire friends meeting up to compare bank balances against the backdrop of a rolling international crisis they appear to have stoked.

Speaking to Sky News about the project, he said: “For a little while I poured some of my anxieties and feelings into it… and I hope it can be a receptacle for other people if they’re feeling wonky about the world, maybe this can be somewhere they put some of their anxieties for a while.”

Few television writers achieve widespread recognition beyond their work, but Armstrong – the man behind Succession, one of the most critically acclaimed TV shows of the past decade – has become a household name and is today one of the world’s hottest properties in high-end drama.

“If there was more self-reflection and self-knowledge, there probably wouldn’t be such amenable targets for comedy and satire,” he admits.

Long before he gifted viewers with the likes of manipulative Logan Roy and sycophantically ambitious Tom Wambsgans, back in the beginning, there was selfish slacker Jez and the perennially insecure Mark on his breakthrough hit Peep Show.

“I love comedy, you know, it’s my way in,” he explains. “I think I like it because… the mixture that you get of tragedy and absurdity strikes me as a sort of a true portrayal of the world… and I just like jokes, you know, that’s probably the basic reason.”

After putting his pen down on the finale of Succession, walking away with 19 Emmys and nine Golden Globes, attention was always going to be drawn to what Armstrong did next.

“I had a couple of other things that I thought I would write first and this kind of snuck up on me as an area of interest,” Armstrong says.

“After I’d listened to a bunch of tech podcasts and Ted talks, I sort of needed somewhere to put the tone of voice that was increasingly in my head.”

Tapping into the unease surrounding big tech, he wrote, shot and edited Mountainhead in less than six months.

Capturing the audience mood

Explaining why he worked so fast, he said he “wanted to be in the same sort of mood as my audience, if possible”.

While he insists there aren’t “any direct map-ons” to the billionaire tech moguls, which frequently make headlines in real life, he joked he’s “happy… to play a game of ‘where did I steal what from who?'” with viewers.

“You know… Elon Musk… I think at least people would see some Mark Zuckerberg and, I don’t know, some Sam Altman, there is a bunch of those people in all the [film’s] different characters… and we’ve stolen liberally from the world in terms of the stories we’ve given them.”

Steve Carell is tasked with delivering some of the film’s most memorable lines as the satire explores the dynamic between those holding the power and those pulling the strings.

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Lack of self-knowledge ‘good for comedy’

“People who lack a certain degree of self-knowledge are good for comedy….and if there was more self-reflection and self-knowledge, there probably wouldn’t be such amenable targets for comedy and satire.

“You know, living in a gated community and travelling by private jet certainly doesn’t help you to understand what life is like for most people.”

Armstrong’s gift for using humour to savagely dramatic ends is arguably what makes him one of the most sought-after writers working today.

Behind his ability to craft some of the sharpest and scathing dialogue on our screens, he views what he does as more than getting a laugh.

“I do believe in the sort of nobility of the idea, that this is a good way to portray the world because this is how it feels a lot of the time.”

Mountainhead will air on Sky and streaming service NOW on 1 June.