Sean ‘Diddy’ Combs praises judge and chooses not to testify as trial draws to a close
Prosecutors and defence lawyers have rested their cases in the sex-trafficking trial of Sean “Diddy” Combs, bringing more than six weeks of testimony against the hip-hop mogul to a close.
The high-profile trial has heard from more than 30 witnesses, including the rapper’s ex-girlfriend Cassie Ventura, as well as former employees of his company Bad Boy Entertainment, male escorts, law enforcement officers and hotel staff.
But one person jurors won’t hear from is Combs himself.
Confirming this to Judge Arun Subramanian, the rapper said he had discussed the issue of testifying “thoroughly” with his team and made the decision not to give evidence. He also thanked the judge and told him he was doing an “excellent job”.
Cassie Ventura was heavily pregnant when she testified at the start of the trial. Pic: Jane Rosenberg/ Reuters
After the prosecution rested, the defence team moved for the judge to acquit the 55-year-old – a fairly standard move – saying attorneys for the government had not provided evidence to prove any of the charges filed.
They then presented a brief case themselves, submitting more text messages as evidence to show Combs and his girlfriends were in loving, consensual relationships, and making a few stipulations about testimony, but calling no witnesses. This lasted for less than an hour.
They have previously conceded Combs has been violent in the past, something he is “not proud” of, but said this did not make him a sex trafficker.
Combs has remained in jail without bail since he was arrested in New York in September last year.
Throughout the trial, defence lawyers have made their case for exoneration through their questioning of witnesses called by the prosecution, including several who gave evidence reluctantly or after they were granted immunity to testify.
Prosecutors argue Combs coerced and forced Cassie and another former girlfriend, who testified under the pseudonym Jane, into “freak off” sex sessions with male escorts, and used his business empire to facilitate these, as well as drug use, and cover up bad behaviour.
Jurors have seen several clips of explicit footage. Pic: Jane Rosenberg/ Reuters
During the first week of the trial, Cassie, 38, spent four days giving evidence. Heavily pregnant at the time, she told jurors she felt pressured to take part in hundreds of “freak offs” with male sex workers as Combs watched.
She told the court they became so frequent during their relationship, which began in 2007 and ended in 2018, that they were “like a job”, and she had barely any time for her own career.
The singer and musician gave birth two weeks after her testimony, her friend and former stylist confirmed as he gave evidence himself in court.
Jane testified for six days about similar sexual performances, which Combs referred to as “hotel nights”, “wild king nights” or “debauchery” with her, the court heard. Like Cassie, she said she felt coerced into engaging in them because she loved the music star and wanted to please him.
Jane dated Combs on and off from early 2021 to his arrest in 2024.
Jurors have been shown several recordings of these sex sessions, lasting more than 40 minutes in total. The footage was shown on monitors and jurors used headphones, keeping it private from the media and members of the public in court.
In her opening statement, defence lawyer Teny Geragos called the videos “powerful evidence that the sexual conduct in this case was consensual and not based on coercion”.
Read more:
Everything you need to know about the trial
The rise and fall of Sean ‘Diddy’ Combs
What we learned from Cassie’s testimony
The trial also heard from Mia, another alleged victim who testified under a pseudonym. Mia was a former employee of Combs, who told the court he sexually assaulted her on several occasions in the years she worked for him.
She had never told anyone about the alleged abuse until the investigation into Combs, she said, telling the court she was ashamed. “I was going to die with this,” she said, becoming tearful on the stand. “I didn’t want anyone to know ever.”
The trial has been eventful, with one juror dismissed and replaced by an alternate after it emerged he had given conflicting evidence about where he lives. The judge said he had “serious concerns” that not being truthful about this could potentially mean he wanted to be on the jury for a particular reason.
And at one point, Combs was warned by the judge for nodding enthusiastically toward jurors during a section of cross-examination by his lawyers. The judge said he could be excluded from the trial if it happened again.
Court is not in session on Wednesday. The trial continues on Thursday, when closing statements from the legal teams will begin.
Jimmy Kimmel’s late-night talk show will return to ABC affiliates belonging to Sinclair and Nexstar after the two major network operators took his programme off-air over his comments in the wake of Charlie Kirk’s assassination.
Kimmel was accused of being “offensive and insensitive” after using his programme, Jimmy Kimmel Live, to accuse Donald Trump and his allies of capitalising on the killing.
Disney-owned ABC suspended the show last week following threats of potential repercussions from the Trump-appointed head of the Federal Communications Commission.
Sinclair, which controls 38 ABC affiliates from Seattle to Washington DC, called on Kimmel to apologise to Mr Kirk’s family over the comments and asked him to “make a meaningful personal donation” to Turning Point USA, the nonprofit that the conservative activist founded.
Actor Gregg Donovan holds a sign that says “Welcome Back Jimmy”. Pic: AP
On Tuesday, Disney announced the return of the programme after backlash to its suspension, but both Sinclair and Nexstar, which own more than 20% of ABC affiliates, initially said they would not resume airing the show.
Kimmel criticised the ABC affiliates who preempted his show during his TV return, saying: “That’s not legal. That’s not American. It’s un-American.”
Three days later, the two major network operators announced that Jimmy Kimmel Live would return to their TV stations after the week-long boycott.
The move came after Sinclair received “thoughtful feedback from viewers, advertisers and community leaders”.
In its statement, the company pointed to its “responsibility as local broadcasters to provide programming that serves the interests of our communities, while also honouring our obligations to air national network programming.”
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Protests held outside company buildings in support of Kimmel
Nexstar, which controls 28 ABC affiliates from Kansas to New Orleans, said in a similar statement that it was airing content that is “in the best interest of the communities we serve”.
Both companies said their decisions were not affected by influence from the Trump administration or anyone else.
The president had criticised the programme’s return on Tuesday, writing on Truth Social that he “can’t believe” ABC gave Kimmel his show back and hinted at further action.
“Why would they want someone back who does so poorly, who’s not funny, and who puts the Network in jeopardy by playing 99% positive Democrat GARBAGE,” Mr Trump wrote.
“He is yet another arm of the DNC (Democratic National Committee) and, to the best of my knowledge, that would be a major illegal Campaign Contribution. I think we’re going to test ABC out on this.”
Donald Trump criticised the return of Kimmel’s show. Pic: Reuters
During Kimmel’s first show since being taken off-air, the presenter said it was “never my intention to make light of” Mr Kirk’s death.
“I don’t think there’s anything funny about it,” he said as he choked up.
“Nor was it my intention to blame any specific group for the actions of what was obviously a deeply disturbed individual. That was really the opposite of the point I was trying to make”.
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Speaking on Tuesday night’s show, Kimmel said he understood why the remarks “felt either ill-timed or unclear, or maybe both”.
New episodes of Jimmy Kimmel Live air Monday to Thursday, and Friday night’s rerun will be of Tuesday’s show, meaning viewers of Sinclair stations will be able to watch Kimmel’s emotional return to the air.
The Prince of Wales has told Schitt’s Creek star Eugene Levy that 2024 was the “hardest year” of his life.
The future king told the Hollywood star about last year, which saw his wife, the Princess of Wales, and his father, the King, both undergoing treatment for cancer.
The pair were catching up over a pint in a pub as part of Apple TV+ series The Reluctant Traveler With Eugene Levy, which will air next month.
The Prince of Wales and Eugene Levy in a pub in Windsor. Pic: PA
In the episode Living The Royal Life In The UK, William tells Levy: “I’d say 2024 was the hardest year I’ve ever had.
“Life is said to test us as well and being able to overcome that is what makes us who we are.”
Eugene Levy and the Prince of Wales at Windsor Castle. Pic: PA
The preview of the episode also saw Levy invited to “pop down” to Windsor Castle for a private tour by the prince.
Levy, 78, can be seen reading out an invitation saying: “I heard that your travels have brought you to the UK and I wondered if you might like to see Windsor Castle?
“If you’re free at 10 tomorrow, why don’t you pop down to the Castle for a private tour.
“Would be great to see you!”
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Pic: PA
After touring the castle, Levy asks William what he does when he is at home, and the prince laughs and replies: “Sleep. When you have three small children, sleep is an important part of my life.”
New episodes of The Reluctant Traveler With Eugene Levy will premiere weekly until the finale on 31 October 2025.
The special episode with William will air on 3 October.
Entertainment
Wallace and Gromit creator talks clay and creativity – as he returns home to reopen museum
It’s hard to believe it’s 35 years since a plasticine man in a sweater and slippers, along with his voiceless, but hugely expressive dog, burst on to our screens and won the hearts of millions with their mix of humour, charm and nostalgia.
Wallace and Gromit managed to be both familiar and fresh, and their modest creator Nick Park couldn’t have foreseen how their handmade adventures would change the world of animation and make Wensleydale cheese internationally famous.
But three decades on and Preston-born Park is beginning to realise that his flair for feel-good filmmaking has made him a very big deal.
Nick Park picking up the special recognition award for Wallace and Gromit at this year’s National Television Awards. Pic: PA
Oscar wins and box office hits aside, his latest accolade, in the Lancashire city where he was born and bred, clearly means a lot.
A new Wallace and Gromit exhibition is being showcased at the Harris Museum, which Park visited frequently growing up.
A life-size replica of Wallace and Gromit’s living room
The historic landmark looms large over the city centre and is filled with artefacts and treasures that inspired him as a boy.
He was drawn to the library and devoured books on his favourite subject, you guessed it, animation.
The museum has been closed for four years as part of a £19m revamp. And who better to re-open it this weekend than Park.
The exhibition features a raft of items
As we meet at the exhibition, he tells me he was a quiet child who loved drawing. Visits to the museum helped shape his creativity and storytelling.
He said: “I used to love spending a day around here looking at all the artefacts, the paintings. I used to come to the library here, there was no internet, and so I would look for books on animation.
“I would scour the library for anything I could get my hands on.”
We chat in a life-size replica of Wallace and Gromit’s living room. The wallpaper, standing lamp and armchair are so familiar.
Park says it’s like sitting in one of his own sets.
The living room was actually based on his grandma’s house, which he describes as a cosy 1960s home. And as he sits in the chair with his cup of tea, he jokes that he’s now turned into Wallace.
He said: “I feel like I’m made of clay, sitting on a replica set, it’s just incredible.”
The Wrong Trousers, released in 1993, took home the Oscar for best animated short film
But that’s the joy of his films – the personal touch. And whilst they’re unmistakably Northern, inspired by Park’s family and upbringing, they’re also universally relatable.
He said: “I used to draw from my own childhood a lot, and that’s what inspired me. Because it feels true to do that.
“So, I went to memories of my granny, the lamp stand that my granny had and other objects, toasters, clocks, you name it.”
The exhibition opens on Sunday and will run until January
Park is now arguably as famous as his much-loved characters. Something he seems to be finally getting used to.
He says he’s honoured and a little overwhelmed that his hometown holds him and his clay creations so close to his heart.
He said: “I was a shy teenager, and just talking about this hobby, I never imagined they would become household names.
“So, to have statues of my characters in the centre of town and now to be opening this newly refurbished exhibition and my own exhibition. To be here with my own characters, it’s just crazy.”
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I ask what this stop motion supremo makes of the use of AI and technology in film.
He said: “We need to hang onto our values, there’s something about handmade quality that gives everything charm and appeal.
“It would probably be wrong to completely ignore that.”
The exhibition is immersive and emotive. Being up close and personal with the models, drawings, and characters evokes the same feelings as the films do. Warmth, humour and nostalgia.
A journey through the formative years of a young filmmaker and the birth of one of cinema’s unlikeliest heroes.
Park is now inspiring the next generation of storytellers and filmmakers at the museum, which played such an important part in his own success story.
Wallace and Gromit in A Case at the Museum Exhibition opens on Sunday and runs until January.
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