Pulp tried to quash the rumours, Robbie Williams was happy to fuel them – sharing a picture of a blue plaque in his name apparently slapped over a famous Glastonbury sign, before seemingly backtracking.
“30 years later…” he captioned his first social media post early on Friday morning – a reference to his headline-grabbing attendance in 1995.
This was the year Williams was famously pictured partying with Oasis‘s Liam and NoelGallagher, shunning the boyband shackles with bleached-blonde hair and a blacked-out tooth. The writing was on the wall, and the announcement of his departure from Take That came just a few weeks later.
At Glastonbury this year, is the writing quite literally on the wall for a comeback?
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Well, maybe not. A few hours after his post, Williams shared another, less cryptic message to say he would not be performing, along with his list of recommended acts to go and see – The 1975, Busta Rhymes, Charli XCX, Self Esteem and Reverend And The Makers, if you’re interested.
Is he bluffing? Double-bluffing? Who knows, but along with celeb spotting and mud, if there’s one topic of conversation that makes headlines when it comes to Glastonbury, it’s speculation about secret artists. Williams has got everybody talking.
Even before his posts, the Let Me Entertain You singer was among the artists rumoured to be performing secret sets this year, along with Pulp and Haim. Lewis Capaldi and Lorde too, with both “TBA” acts turning out to huge crowds on Friday.
Image: Liam Gallagher And Robbie Williams at Glastonbury Festival in 1995. Pic: Brian Rasic/Getty Images
In recent years, these surprise sets have turned into some of the event’s most memorable moments – think Foo Fighters as “The ChurnUps” in 2023, Pulp’s comeback in 2011, and Lady Gaga treating fans to a small performance in one of the festival’s after hours areas, Shangri-La, in 2009.
Franz Ferdinand, famous for hits including Take Me Out and Do You Want To in the mid-2000s, were the first to do it back in 2008. This was actually due to Pete Doherty’s band Babyshambles pulling out last-minute, but the approach to announcing the switch was, at the time, a novel one.
While officially, the act was “TBA”, frontman Alex Kapranos wasn’t great at keeping the secret, worried people might not turn up. He and bandmates handed out fliers, and word spread.
Image: Franz Ferdinand played the first ever big ‘secret’ set back in 2008. Pic: Yui Mok/ PA
“We played on the Park Stage and we thought, ‘nobody’s going to know we’re playing’,” Kapranos told Sky News ahead of a return performance on Friday. “It actually ended up being one of the most amazing gigs we’ve ever played, people were so up for it and going crazy.
“We weren’t keeping it secret. We were walking about like, ‘we’re playing later on, check it out’. We’re a band from Glasgow called Franz Ferdinand.”
These now not-so-secret performances have become bigger and bigger as each festival rolls around, with leaks making headlines in the run-up to the event.
Providing handy tips and hints – and often eventually confirmation, just in time for fans to be in position – is the Secret Glasto team. They have no official ties to Glastonbury, but over the years have become a reliable source of information.
The account’s founder, who now works in a team of six, spoke to us on site – incognito, of course.
“We’ve got our own sources and we can start checking things because we’ve now had enough years that we can check in with several people,” he said. “And they trust us because we are quite sensible with when we time announcements, which I think is the key thing.”
Sometimes acts themselves will confirm, they said. Their success rate for predictions is “in the low 90%” – but dragged down mainly by inexperience in their first year, which was 2014.
“It was really, really heartwarming to see him get back up,” Secret Glasto said. “There was such goodwill in the crowd and it was just magical. It’s just what secret sets should be about.”
Image: Pulp’s Jarvis Cocker performing on the Park Stage for a secret set at Glastonbury 2011. Pic: AP/ Mark Allan
On Saturday evening, a non-existent act called Patchwork have a pretty important billing just before Raye and then headliner Neil Young on the Pyramid Stage.
Pulp keyboard player Candida Doyle dampened rumours by reportedly saying in an interview earlier this month Glastonbury “weren’t interested” in booking the band.
But is this true?
“It happens a few times,” Secret Glasto said, of artists maybe telling little white lies to keep the secret for as long as possible. “They’ve got to keep the suspense somehow…
“Sources that we got for Pulp were really, really strong. It’s just so exciting for us, for the whole team. This is the most exciting secret set that Glastonbury’s ever done.”
It’s a fine balance – not spoiling the surprise but giving fans enough time to get where they want to be. When a festival is this big – home to around 200,000 people over the weekend – at a lot of stages, fans need to be in place early.
“The point is to always make sure people can get to the set if they wanted to.” But if a huge artist is going to surprise fans on a very small stage, sometimes they have to keep schtum for safety concerns over huge crowds. “Sometimes we’re like, we can’t print this.”
So, will Williams be playing? The rumour is that he could be joining his mate Rod Stewart, who is performing on the Pyramid Stage in the “legends” slot on Sunday.
“Robbie Williams entered this area without accreditation, authorisation, or alignment with prevailing taste,” according to the blue plaque in his social media tease, of his attendance in 1995. “His presence was uninvited, unofficial and ultimately inevitable.”
In his candid documentary series, and biopic Better Man, both released last year, Williams has been open about his struggles with fame and imposter syndrome, and how as an artist known for pop he craved respect from those seen as more credible at a time when indie music reigned.
Officially this year, there is no Robbie Williams on the line-up. Unofficially, who knows? But 30 years since his partying with the Gallaghers, pop music is embraced – and there would be a lot of love for the star if he did make an appearance now.
Becks, Goldenballs and now officially Sir David – football star David Beckham has received his knighthood from the King.
After years in the running following his OBE in 2003, the former England captain and Manchester United star has now been honoured for his services to sport and charity at an investiture ceremony at Windsor Castle.
Nobel Prize-winning novelist Sir Kazuo Ishiguro and West End performer Dame Elaine Paige were also among the stars set to be recognised at the event.
Sir David, 50, who has described himself as a “huge royalist”, was last year named an ambassador for the King’s Foundation, an educational charity established by Charles in 1990.
The football star, who grew up in northeast London, made his Premier League debut for Manchester United in 1995 and was part of the team that earned a dramatic Champions League final victory in 1999 – when they beat Bayern Munich with two nail-biting late goals.
It was the year they famously won the treble, also taking home the Premier League and FA Cup silverware.
During his time with the club, Sir David scored 85 goals and collected honours including six Premier League titles and two FA Cups, before going on to play for clubs including Real Madrid, AC Milan, LA Galaxy, and Paris Saint-Germain.
He retired from the sport in 2013.
Alongside his football career, he is also known for his charity work, including serving as a goodwill ambassador for humanitarian aid organisation UNICEF since 2005.
Sir David’s wife Victoria, the Spice Girl turned fashion designer, joined him at the ceremony. The couple married in 1999 and have four children together – Brooklyn, Romeo, Cruz and Harper.
American actress and Wild at Heart star Diane Ladd has died aged 89.
Laura Dern, Ladd’s daughter who is also an actress, announced her mother’s death on Monday.
Ladd was a triple Academy Award nominee for her supporting roles in Alice Doesn’t Live Here Anymore, Wild at Heart and Rambling Rose.
She also starred in 1973 film White Lightning and HBO’s Enlightened in 2011 with her daughter. Often, they played mother and daughter together.
For the 1991 drama Rambling Rose they were the first, and only, mother and daughter duo to receive Oscar nominations for the same film in the same year.
Image: Diane Ladd pictured with daughter Laura Dern, holding her award for Enlightened in 2012. Pic: Reuters
‘She doesn’t care what anybody thinks’
Ms Dern, who starred in Jurassic Park, said of her mother in 2019: “She is just the greatest actress, ever. You don’t even use the word brave because she just shows up like that in life. She doesn’t care what anybody thinks.
“She leads with a boundarylessness.”
In 2023 they released a joint memoir together titled Honey, Baby, Mine: A Mother and Daughter Talk Life, Death, Love.
The book was based on their conversations together during daily walks after Ladd was given only months to live, after she was diagnosed with lung disease.
Ms Dern said at the time: “The more we talked and the deeper and more complicated subjects we shared, my mother got better and better and better.
“It’s been a great gift.”
Ladd was married three times and worked into her 80s.
Culture lovers have long believed in the healing power art. Now, science has caught up, with new research showing it has measurable benefits on the body.
A study from King’s College London has found that looking at original artworks, in a gallery, doesn’t just lift us emotionally – it also has a positive impact on our physical health.
Fifty people aged between 18 and 40 were shown art by a selection of leading 19th-century artists: Toulouse-Lautrec, Manet, van Gogh and Gauguin.
Image: Henri de Toulouse-Lautrec (1864 – 1901), Jane Avril in the Entrance to the Moulin Rouge (c. 1892)
Image: Édouard Manet (1832 – 1883), Banks of the Seine at Argenteuil (1874)
Image: Édouard Manet (1832 – 1883), A Bar at the Folies-Bergere (1882)
Image: Vincent van Gogh (1853 – 1890), Self-Portrait with Bandaged Ear (1889)
Image: Paul Gauguin (1848 – 1903), Te Rerioa (The Dream) (1897)
Participants viewed five paintings for three minutes each, in a 20-minute session.
But while half viewed the original paintings in the Courtauld Gallery in London, the others looked at reproductions in a neutral setting.
Their heart rates and skin temperature were measured with research-grade digital watches to indicate levels of interest and arousal, and saliva samples were taken with swabs before and after the session to measure stress hormones.
The results in those looking at the results in the gallery were significant, and immediate: The stress hormone cortisol fell by 22% and inflammatory markers linked to health problems including heart disease, diabetes and depression were reduced by as much as 30%.
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No change was observed in the reproduction group.
Image: Dr Tony Woods, researcher at King’s College London
Dr Tony Woods of King’s College London, who was the study’s lead researcher, told Sky News: “The magnitude of the difference between being in here and looking at the real art, looking at the copies in the laboratory, the difference between the two participant groups was quite enormous.”
It’s good news for the NHS, which is increasing its use of social prescribing, which can include visits to galleries.
Dr Woods went on: “The government’s health strategy is all about prevention. And this is a gift to [Health Secretary] Wes Streeting. Art is very well worth investing in because of the return on investment – it will keep people out of hospitals.”
Over one and a half million people in the UK accessed social prescribing between September and August this year across the UK, and NHS England told Sky News their ambition is to make it available to every person in England.
Dr Woods says the next steps of the study will be to find out how long the positive effects last, and research further into the effects of art on older participants.
Russell Tovey, actor, art lover and co-host of Talk Art, chatted to Sky News about his favourite piece at the gallery – van Gogh’s Self-Portrait with Bandaged Ear (1889).
Image: Talk Art podcast hosts Russell Tovey and Robert Diament
Tovey jokes: “Look at this painting here. It’s quite a troublesome picture, especially for me with my ears…
“But you can look at the surface and the way that he makes brushstrokes and the scale of the things and the colour he used. And you think about his life at the time and where he was living, and all those questions and answers will reveal the painting.”
Tovey adds: “Art is intrinsic to humanity,” and “shows us who we are”.
And now with the new findings, the hope is that gallery visits will be considered just as good as your ‘five-a-day’.
Tovey goes on: “It’s good for your health, it’s beneficial to your mental health and to your wellbeing to be in a museum and to be around art…
“If you eat well, go to the gym and go to a regular art gallery visit, then your health will be through the roof.”
Tovey’s podcast co-host, gallery owner Robert Diament, agrees: “I think it’s really important just to slow down a bit. Going to a museum or gallery can be part of your self-care routine… It will improve your life.”
Amid rising costs, reduced funding and dwindling visitor numbers, the findings could also provide a boost to galleries.
Jenny Waldman, Art Fund director, told Sky News: “These museums and galleries were set up in all cities and towns by people, you know, hundreds of years ago, who felt that it was good for people. So, this is the evidence, finally, that they were right.”
Image: Jenny Waldman, Art Fund director
The national charity for museums and galleries, Art Fund champions art around the country, with initiatives including the National Art Pass which offers free or discounted entry to hundreds of museums, galleries and historic places around the UK.
So, what do gallery visitors think of the news that their time looking at art will positively impact their wellbeing?
Charlie, 10, from London said: “It makes me feel quite calm, and it draws me in.”
His dad Patrick, who had brought Charlie with his two young brothers to see the exhibition, added: “Looking at them on screens, or even in books, you just don’t get the full impression.”
Taeseok, an arts student from Amsterdam visiting the UK for the first time, said it felt good to stand and focus on just one thing, with no distractions. He summed it up: “Things around you start to not matter at all… It’s just you and the artwork.”
Re-framed as a course of treatment instead of an indulgent pastime, could the hard edge of science change the role galleries play in society?
If so, it could be a fitting reminder to the government of the true power of art, at a time when so many institutions are struggling to survive.