Sean ‘Diddy’ Combs’s ‘private sex life’ turned into ‘crime scene’, defence says in closing argument
Sean “Diddy” Combs is facing a “fake trial” in which his unusual sexual preferences have been unfairly criminalised and his “private sex life” turned into a “crime scene”, his defence team has argued in the final day of closing arguments.
At the end of week seven in the sex-trafficking trial, Combs’s lead counsel, Marc Agnifilo, told the court Combs was the victim of an overzealous prosecution, who had portrayed his “swinger” lifestyle as a racketeering conspiracy.
Combs listens as his lawyer Marc Agnifilo makes his closing arguments. Pic: Reuters
Combs is charged with one count of racketeering conspiracy, two charges of sex trafficking, and two charges of transportation to engage in prostitution.
He has pleaded not guilty to all charges and has strenuously denied all allegations of sexual abuse. If found guilty, he could face being put behind bars for life.
Frequently adopting a sarcastic tone, Agnifilo mocked the government’s case against Combs, belittling the agents who seized hundreds of bottles of Astroglide lubricant and baby oil at his properties last year.
Commenting that America’s streets were now “safe from Astroglide”, he went on, “Way to go, fellas”, before adding, “you do you”.
He said prosecutors had “badly exaggerated” the evidence against Combs, presenting “threesomes as racketeering”, arguing that he is not guilty of racketeering conspiracy and sex trafficking.
The defence also highlighted the prosecution’s decision to indict Combs on a racketeering conspiracy charge alone, flagging that no alleged co-conspirators have been indicted alongside him.
The defence’s closing arguments lasted for just over four hours, with members of Combs’s family, including six of his children and his mother, watching on in the public gallery.
A court sketch of Sean ‘Diddy’ Combs. Pic: Reuters
Agnifilo said Combs has “taken care of people”, including Jane, a former girlfriend who testified under a pseudonym, paying for her rent and for her legal representation.
The defence lawyer said: “I don’t know what Jane is doing today, but she’s doing it in a house he’s paying for.”
He went on: “This isn’t about crime. It’s about money. This is about money.”
Presenting the trial as a zero-sum game, he described his former girlfriend of almost 11 years Cassie Ventura as the “winner in this whole thing”, noting that she settled her civil case with Combs for $20m (£14m) in November 2023, as well as a $10m (£7.3m) from the InterContinental Hotel.
Cassie and Jane both gave evidence during the trial that they were coerced repeatedly by Combs to perform in drug-fuelled, days-long sex marathons with male sex workers, while Combs watched, directed, masturbated and sometimes filmed the encounters.
But the defence accused prosecutors of having invaded Combs’s bedroom and his most intimate personal affairs.
Agnifilo asked: “Where’s the crime scene? It’s [Combs’s] sex life.”
Continuing his line of sarcastic quips, he joked, “We need a bigger roll of crime scene tape”, referencing a line from the classic movie Jaws.
Agnifilio’s sarcasm irked the prosecution, who later complained to the judge that he was using “improper arguments”.
Diddy and Cassie in 2016. Pic: zz/JMA/STAR MAX/IPx/AP
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The defence characterised Combs’s relationship with Cassie as “a great modern love story”, going on to describe her as a “gangster” for cheating on him with rapper Kid Cudi.
They also characterised the “freak offs” as “beautiful”, saying the videos showed “everyone smiling”, eating and listening to music, and commenting that Combs was “not the only man in America making homemade porn”.
The defence admitted Combs was a domestic abuser, but said such behaviour did not justify the grave charges he faces.
Agnifilo advised the jury to “Call this as you see it,” asking them to “acquit Sean Combs of all the counts” and “return him to his family”, who he said has been waiting for him.
Combs, who has been in a New York jail since his arrest in September last year, did not give evidence during the trial.
Following the defence’s closing argument, assistant US attorney Maurene Comey delivered a rebuttal summation in which she said the defence’s argument that Cassie, Jane and Mia, a former employee who also testified under a pseudonym, all “wanted sex” was a lie, telling the court none of the women had reason to speak anything other than the truth.
She also said the “freak off” videos tell only “part of the story”.
Comey said Combs had spent the last 20 years believing himself to be “above the law”, seeing himself as “untouchable” and “a god among men”.
She said his impunity would end now in this courtroom, before urging the jury to “find him guilty” and “hold him accountable”.
On Monday, the judge will read the law to the jury, after which deliberations will begin.
To convict Combs, the 12 jurors must vote unanimously.
Jimmy Kimmel’s late-night talk show will return to ABC affiliates belonging to Sinclair and Nexstar after the two major network operators took his programme off-air over his comments in the wake of Charlie Kirk’s assassination.
Kimmel was accused of being “offensive and insensitive” after using his programme, Jimmy Kimmel Live, to accuse Donald Trump and his allies of capitalising on the killing.
Disney-owned ABC suspended the show last week following threats of potential repercussions from the Trump-appointed head of the Federal Communications Commission.
Sinclair, which controls 38 ABC affiliates from Seattle to Washington DC, called on Kimmel to apologise to Mr Kirk’s family over the comments and asked him to “make a meaningful personal donation” to Turning Point USA, the nonprofit that the conservative activist founded.
Actor Gregg Donovan holds a sign that says “Welcome Back Jimmy”. Pic: AP
On Tuesday, Disney announced the return of the programme after backlash to its suspension, but both Sinclair and Nexstar, which own more than 20% of ABC affiliates, initially said they would not resume airing the show.
Kimmel criticised the ABC affiliates who preempted his show during his TV return, saying: “That’s not legal. That’s not American. It’s un-American.”
Three days later, the two major network operators announced that Jimmy Kimmel Live would return to their TV stations after the week-long boycott.
The move came after Sinclair received “thoughtful feedback from viewers, advertisers and community leaders”.
In its statement, the company pointed to its “responsibility as local broadcasters to provide programming that serves the interests of our communities, while also honouring our obligations to air national network programming.”
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Protests held outside company buildings in support of Kimmel
Nexstar, which controls 28 ABC affiliates from Kansas to New Orleans, said in a similar statement that it was airing content that is “in the best interest of the communities we serve”.
Both companies said their decisions were not affected by influence from the Trump administration or anyone else.
The president had criticised the programme’s return on Tuesday, writing on Truth Social that he “can’t believe” ABC gave Kimmel his show back and hinted at further action.
“Why would they want someone back who does so poorly, who’s not funny, and who puts the Network in jeopardy by playing 99% positive Democrat GARBAGE,” Mr Trump wrote.
“He is yet another arm of the DNC (Democratic National Committee) and, to the best of my knowledge, that would be a major illegal Campaign Contribution. I think we’re going to test ABC out on this.”
Donald Trump criticised the return of Kimmel’s show. Pic: Reuters
During Kimmel’s first show since being taken off-air, the presenter said it was “never my intention to make light of” Mr Kirk’s death.
“I don’t think there’s anything funny about it,” he said as he choked up.
“Nor was it my intention to blame any specific group for the actions of what was obviously a deeply disturbed individual. That was really the opposite of the point I was trying to make”.
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Speaking on Tuesday night’s show, Kimmel said he understood why the remarks “felt either ill-timed or unclear, or maybe both”.
New episodes of Jimmy Kimmel Live air Monday to Thursday, and Friday night’s rerun will be of Tuesday’s show, meaning viewers of Sinclair stations will be able to watch Kimmel’s emotional return to the air.
The Prince of Wales has told Schitt’s Creek star Eugene Levy that 2024 was the “hardest year” of his life.
The future king told the Hollywood star about last year, which saw his wife, the Princess of Wales, and his father, the King, both undergoing treatment for cancer.
The pair were catching up over a pint in a pub as part of Apple TV+ series The Reluctant Traveler With Eugene Levy, which will air next month.
The Prince of Wales and Eugene Levy in a pub in Windsor. Pic: PA
In the episode Living The Royal Life In The UK, William tells Levy: “I’d say 2024 was the hardest year I’ve ever had.
“Life is said to test us as well and being able to overcome that is what makes us who we are.”
Eugene Levy and the Prince of Wales at Windsor Castle. Pic: PA
The preview of the episode also saw Levy invited to “pop down” to Windsor Castle for a private tour by the prince.
Levy, 78, can be seen reading out an invitation saying: “I heard that your travels have brought you to the UK and I wondered if you might like to see Windsor Castle?
“If you’re free at 10 tomorrow, why don’t you pop down to the Castle for a private tour.
“Would be great to see you!”
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Pic: PA
After touring the castle, Levy asks William what he does when he is at home, and the prince laughs and replies: “Sleep. When you have three small children, sleep is an important part of my life.”
New episodes of The Reluctant Traveler With Eugene Levy will premiere weekly until the finale on 31 October 2025.
The special episode with William will air on 3 October.
Entertainment
Wallace and Gromit creator talks clay and creativity – as he returns home to reopen museum
It’s hard to believe it’s 35 years since a plasticine man in a sweater and slippers, along with his voiceless, but hugely expressive dog, burst on to our screens and won the hearts of millions with their mix of humour, charm and nostalgia.
Wallace and Gromit managed to be both familiar and fresh, and their modest creator Nick Park couldn’t have foreseen how their handmade adventures would change the world of animation and make Wensleydale cheese internationally famous.
But three decades on and Preston-born Park is beginning to realise that his flair for feel-good filmmaking has made him a very big deal.
Nick Park picking up the special recognition award for Wallace and Gromit at this year’s National Television Awards. Pic: PA
Oscar wins and box office hits aside, his latest accolade, in the Lancashire city where he was born and bred, clearly means a lot.
A new Wallace and Gromit exhibition is being showcased at the Harris Museum, which Park visited frequently growing up.
A life-size replica of Wallace and Gromit’s living room
The historic landmark looms large over the city centre and is filled with artefacts and treasures that inspired him as a boy.
He was drawn to the library and devoured books on his favourite subject, you guessed it, animation.
The museum has been closed for four years as part of a £19m revamp. And who better to re-open it this weekend than Park.
The exhibition features a raft of items
As we meet at the exhibition, he tells me he was a quiet child who loved drawing. Visits to the museum helped shape his creativity and storytelling.
He said: “I used to love spending a day around here looking at all the artefacts, the paintings. I used to come to the library here, there was no internet, and so I would look for books on animation.
“I would scour the library for anything I could get my hands on.”
We chat in a life-size replica of Wallace and Gromit’s living room. The wallpaper, standing lamp and armchair are so familiar.
Park says it’s like sitting in one of his own sets.
The living room was actually based on his grandma’s house, which he describes as a cosy 1960s home. And as he sits in the chair with his cup of tea, he jokes that he’s now turned into Wallace.
He said: “I feel like I’m made of clay, sitting on a replica set, it’s just incredible.”
The Wrong Trousers, released in 1993, took home the Oscar for best animated short film
But that’s the joy of his films – the personal touch. And whilst they’re unmistakably Northern, inspired by Park’s family and upbringing, they’re also universally relatable.
He said: “I used to draw from my own childhood a lot, and that’s what inspired me. Because it feels true to do that.
“So, I went to memories of my granny, the lamp stand that my granny had and other objects, toasters, clocks, you name it.”
The exhibition opens on Sunday and will run until January
Park is now arguably as famous as his much-loved characters. Something he seems to be finally getting used to.
He says he’s honoured and a little overwhelmed that his hometown holds him and his clay creations so close to his heart.
He said: “I was a shy teenager, and just talking about this hobby, I never imagined they would become household names.
“So, to have statues of my characters in the centre of town and now to be opening this newly refurbished exhibition and my own exhibition. To be here with my own characters, it’s just crazy.”
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I ask what this stop motion supremo makes of the use of AI and technology in film.
He said: “We need to hang onto our values, there’s something about handmade quality that gives everything charm and appeal.
“It would probably be wrong to completely ignore that.”
The exhibition is immersive and emotive. Being up close and personal with the models, drawings, and characters evokes the same feelings as the films do. Warmth, humour and nostalgia.
A journey through the formative years of a young filmmaker and the birth of one of cinema’s unlikeliest heroes.
Park is now inspiring the next generation of storytellers and filmmakers at the museum, which played such an important part in his own success story.
Wallace and Gromit in A Case at the Museum Exhibition opens on Sunday and runs until January.
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