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There was a moment in Calum Scott’s life when he found himself contemplating taking his own life.

The 36-year-old singer-songwriter tells Sky News: “I did get to a point where I had a very low self-esteem, very low self-worth… I thought, ‘I can’t see how my life will get any better from this moment’.”

He says it was only the thought of the “shattering” impact his death would have on his mum Debbie that pulled him back from the edge and gave him the momentum to reach out for help.

“What I thought was my lowest moment was probably my most defining moment in terms of being able to pick myself up… and to walk away, albeit with lots of tears and a lot of emotion.

“That was the moment that I needed to pursue better mental health.”

Pic: Tom Cockram
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Calum Scott has achieved a billion streams of his music. Pic: Tom Cockram

He’s since racked up a billion streams of his music, joining the likes of The Rolling Stones, Whitney Houston and ABBA in his achievement.

His biggest UK chart hit – a cover of Robyn’s Dancing On My Own – reached number two in the singles chart, with the video having been viewed more than half a billion times on YouTube.

It’s a future he would have found hard to comprehend just a decade ago.

Scott was working in the HR department of Hull City Council when Britain’s Got Talent made him an overnight star after receiving a “golden buzzer” (an automatic pass into the semi-finals) from judge Simon Cowell.

Scott reached the final – which was won by Jules O’Dwyer and her dog Matisse – and the singer’s success was the things dreams are made of. But he admits, it wasn’t all roses.

Calum performing with Take That at the King's coronation. Pic: PA
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Calum performing with Take That at the King’s coronation. Pic: PA

“That was when I first started having panic attacks,” he says. “For me to suddenly start down that road was scary.

“There’s no handbook on how to deal with fame. That doesn’t exist, as far as I know.”

A notoriously tough business, Scott says the music scene is one where “people constantly want something from you”.

The death of One Direction star Liam Payne – who rose to fame on talent show X Factor – last year was a stark reminder of the pressure on those in the public eye.

Liam Payne. Pic: Reuters
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Liam Payne died last year. Pic: Reuters

Scott says Payne’s death could be the “wake-up call that the industry needs” to highlight “the pressure, the expectation (and) the workload” on young artists.

“You need that balance to be able to be creative, and the industry is where art meets consumerism,” he says.

“I think you’ve got to be careful that that line doesn’t start to impose on your soul and in your heart.”

‘A prisoner in your own body’

For Scott, his desire to perform in front of thousands has lived alongside his battle with the debilitating mental health condition, body dysmorphia.

“It’s an industry where people are not only listening to the music, but they’re looking at you and scrutinising you, and it’s difficult to put yourself out there – to be enjoyed and to entertain people – but also to be criticised,” he says.

Estimated to affect up to 2% of the adult population in the UK, according to the Body Dysmorphic Disorder Foundation, sufferers spend hours worrying about perceived flaws in their appearance, which can severely impact work, social life and relationships.

Scott says: “For me, growing up, I had a few issues with my sexuality and my dad leaving when I was young and losing all my friends. A lot of reasons compounded down as to why I ended up with body dysmorphia.”

Pic: Tom Cockram
Image:
Pic: Tom Cockram

At his worst, obsessively documenting his perceived flaws, Scott says: “For anybody who’s suffering with body dysmorphia, you feel a prisoner in your own body, and it’s awful.

“With social media, it’s difficult because every facet of every part of our life is documented on Instagram in the perfect way. And that’s just not how life works.

“People aren’t putting their worst parts on social media. Somebody wakes up at six in the morning, they’re beautiful and their hair’s done, but somebody set that camera up to record that moment. It’s not real.”

‘The favourite part of my job’

One thing that is real is Scott’s connection to his fans.

Calum Scott in black and red, plus a turtle neck for good measure.
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Calum at this year’s Brit Awards. Pic: Reuters

“My favourite part of my job is going to a gig and performing the songs that have resonated with people in such different, vast ways, and watching it happen in real time,” he says.

“It’s like magic, you know? Like the stuff you used to watch – Paul Daniels on the TV, and my god, it just used to buzz you. It’s the same thing.”

With a new album and a 48-city world tour ahead of him, Scott’s story is an inspiring one.

A mental health advocate, his message of hope is one he hopes to share with his fans and beyond: “I wouldn’t be here if I didn’t give myself the opportunity to. It’s important to just stay headstrong, believe in yourself. Anything’s possible.”

Calum Scott’s third studio album, Avenoir, is out on 12 September, followed by his world tour, which kicks off on 12 October in Porto, Portugal.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org in the UK. In the US, call the Samaritans branch in your area or 1 (800) 273-TALK

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Terror charge against Kneecap rapper cannot continue, court says

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Terror charge against Kneecap rapper cannot continue, court says

A terror charge against Kneecap rapper Liam Og O hAnnaidh has been thrown out by a court.

The Irish rapper, who performs under the name Mo Chara, appeared at Woolwich Crown Court on a single terror charge.

Giving his ruling, chief magistrate Paul Goldspring said: “These proceedings against the defendant were instituted unlawfully and are null.”

The 27-year-old had been accused of displaying a flag in support of Hezbollah at a gig at the O2 Forum in Kentish Town, north London, on 21 November last year.

He had been on unconditional bail since his first court appearance in June.

After delivering his ruling, the judge said: “Mr O hAnnaidh, you are free to go,” which was met by cheers in the public gallery and applause.

The levity was met with a stern reprimand, with the judge adding: “You can do your celebrating outside, but the court now has other business to attend to”.

Both of O hAnnaidh’s parents were in court to support him.

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‘We’re right and you’re wrong’

O hAnnaidh: ‘We’re right and you’re wrong’

Speaking outside court, O hAnnaidh thanked his legal team and interpreter, before addressing his large crowd of supporters.

He said: “This entire process was never about me, never about any threat to the public, never about terrorism. A word used by your government to discredit people you oppress. It was always about Gaza. About what happens if you dare to speak up.

“As people from Ireland, we know oppression, colonialism, famine and genocide. We have suffered and still suffer under your empire.

“Your attempts to silence us have failed, because we’re right and you’re wrong… We will not be silent. We said we’d fight you in your court and we would win, and today we have.

If anyone on this planet is guilty of terrorism, it’s the British state. Free Palestine. Tiocfaidh ar la [Irish for our day will come].”

The audience responded with cheers and chants of “Free, free Palestine”.

O hAnnaidh speaks outside court following the ruling
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O hAnnaidh speaks outside court following the ruling

Judge says prosecution’s earlier arguments ‘defy logic’

At the start of the hearing, O hAnnaidh stood to confirm his name, date of birth and current address, speaking in Irish with his words translated by an interpreter. The judge then summarised his judgement for the court.

He made clear the purpose of the hearing was not to determine O hAnnaidh’s innocence or guilt, but about whether the court had jurisdiction to hear the case.

He went on to say he agreed with O hAnnaidh’s lawyers, who argued that the Attorney General had not given permission for the case to be brought against the defendant when police informed him he was to face a terror charge on 21 May.

Criminal proceedings are instituted when a criminal charge is first issued, not when the defendant first appears in court.

Protestors outside court. Pic: PA
Image:
Protestors outside court. Pic: PA

Concluding the reasons for his decision, the chief magistrate said: “I find that these proceedings were not instituted in the correct form, lacking the necessary DPP (Director of Public Prosecutions) and AG (Attorney General) consent within the six-month statutory time limit.

“The time limit requires consent to have been granted at the time or before the issue of the requisition.

“Consequently, the charge is unlawful and null and this court has no jurisdiction to try the charge.”

Sweeping aside the prosecution’s previous argument that permission from the DPP and AG was not required until the defendant’s first court appearance, and that permission did not need to be sought in order to bring a criminal charge, the chief magistrate said such arguments “defy logic”.

Read more: Why are Kneecap controversial?

Following the hearing, a Metropolitan Police spokesperson said: “We will work with the Crown Prosecution Service to understand the potential implications of this ruling for us and how that might impact on the processing of such cases in the future.”

Kneecap‘s manager Daniel Lambert said the rap trio were on the “right side of history”, and said in a post on X: “We said we would fight them and win. We did (Twice). Kneecap has NO charges OR convictions in ANY country, EVER.”

Last year, Kneecap won a discrimination case against the UK government after Conservative leader Kemi Badenoch tried to refuse them a £14,250 funding award when she was business secretary.

Irish First Minister: ‘Kneecap used their platform to expose genocide’

Swiftly responding to the court ruling, Northern Ireland’s First Minister Michelle O’Neill said on social media that she welcomed the decision, saying: “These charges were part of a calculated attempt to silence those who stand up and speak out against the Israeli genocide in Gaza.

“Kneecap have used their platform on stages across the world to expose this genocide, and it is the responsibility of all of us to continue speaking out and standing against injustice in Palestine.”

Sinn Fein leader Mary Lou McDonald wrote on X: “Mo Chara spoke out against Israel’s genocide, for the people of Gaza, for a free Palestine.

“The charges were an attempt to shut him up, to silence protest. It failed. He’s free. Kneecap are not the story. Genocide is the story.”

The venue of the hearing had been changed at short notice, following a burst mains pipe at Westminster Magistrates’ Court.

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Bob Vylan: BBC partly upholds complaints over Glastonbury set

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Bob Vylan: BBC partly upholds complaints over Glastonbury set

Bob Vylan’s Glastonbury Festival set breached BBC editorial standards when it was livestreamed, its Executive Complaints Unit (ECU) has found.

During their performance at Worthy Farm in June, the punk-rap duo led the crowd in chants of “death to the IDF”.

The ECU received four complaints about the performance relating to incitement to violence, terrorism or ethnic cleansing, hate speech and expressions of antisemitism.

Its ruling, which was published on Thursday, was largely made based on frontman Bobby Vylan’s chants, as well as reciting the slogans, “From the river to the sea” and “Free, free Palestine”.

The ruling also referenced when the same group member described the boss of a record company “in the most abusive terms” and referred to “f****** Zionists” – as it breached the guidelines of harm and offence that describe using “unduly intimidating, humiliating, intrusive, aggressive or derogatory remarks aimed at real people”.

But while the investigation found that harm and offence standards had been overstepped, the corporation was cleared of breaching its guidelines relating to material that is likely to encourage or incite crime.

The ECU said: “In the context of a performance at a music festival, the chanting of slogans can be regarded as primarily an invitation to endorse a particular attitude.

“References to ‘Free Palestine’ and ‘From the river to the sea’, while viewed by some as implying the disappearance of the state of Israel, can also be regarded as no more than expressions of support for aspirations to a Palestinian state and do not of themselves threaten violent action.

“‘Death, death to the IDF’ is clearly more problematic, but it is directed at an institution rather than individuals, and one which is not defined by ethnic or religious composition.”

It further characterised the comments made about the record boss as “antisemitic”.

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What’s the Glastonbury controversy?

Read more:
Who are Bob Vylan?- the duo who led anti-IDF chant at Glastonbury?

The ECU said: “Although Bob Vylan referred to ‘Zionists’ rather than ‘Jews’, that appeared to the ECU to be a distinction with very little difference in this instance.

“The ECU therefore shares the view that the content of this act, taken in the round, can fairly be characterised as antisemitic.”

The ruling cleared the BBC of breaching its standards of impartiality, stating that the coverage of the festival is not in line with coverage of news and current affairs.

The ECU said: “While there may be festivals the BBC would not cover on account of their polemical character, a wide tolerance for expressions of opinion by performers or audiences would be in keeping with audience expectations for events it does cover.

“While recognising there is widespread disagreement with the political views expressed by Bob Vylan on this occasion, the ECU did not consider they represented a breach of the BBC’s standards of impartiality in this context.”

Following the performance the corporation issued an apology to viewers, especially the Jewish community, and promised to take action to “ensure proper accountability”.

In July, the BBC said they would no longer live broadcast “high risk” performances.

The corporation also suggested disciplinary action could be taken against staff who failed to halt the livestream.

Avon and Somerset Police also launched an investigation into the band’s Glastonbury comments.

Earlier this month, the band had a Dutch gig cancelled after their frontman made controversial comments over the death of right-wing political activist Charlie Kirk.

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Jessica Chastain criticises decision to delay release of The Savant after Charlie Kirk killing

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Jessica Chastain criticises decision to delay release of The Savant after Charlie Kirk killing

Jessica Chastain has criticised Apple’s decision to delay the release of political thriller series The Savant after the killing of Charlie Kirk.

The actress, who is also executive producer of the show for the tech giant’s TV+ streaming service, said she was “not aligned on the decision to pause the release”.

In a post on Instagram, she said the programme, in which she plays a woman who tries to draw out potential terrorists online, is “so relevant” and she has never “shied away from difficult subjects”.

Chastain portrays a military veteran who works at the Anti-Hate Alliance, where she secretly visits 4Chan-like message boards and poses as a white nationalist to identify possible terrorists.

“‘The Savant’ is about the heroes who work every day to stop violence before it happens, and honouring their courage feels more urgent than ever,” Chastain said.

“I remain hopeful the show will reach audiences soon. Until then, I’m wishing safety and strength for everyone.”

She listed several acts of political violence in the US in recent years, including a plot to kidnap Michigan’s governor Gretchen Whitmer, the attempted assassinations of Donald Trump last year and also the killing of controversial influencer Kirk.

Read more:
The string of bloody political violence in the MAGA era

Apple said it chose to postpone the show after “careful consideration” but did not give a reason why.

Kimmel’s comeback show brings in record ratings

Meanwhile, millions of people tuned in to watch Jimmy Kimmel on Tuesday after he returned to TV after Disney suspended him for nearly a week after he made comments about Kirk.

Jimmy Kimmel hosting his late night show. Pic: AP
Image:
Jimmy Kimmel hosting his late night show. Pic: AP

ABC said 6.26 million people watched Kimmel as he said it was “never my intention to make light of” Kirk’s death. It was the late-night show’s highest-rated regularly scheduled episode.

Read more:
Explained: Why Jimmy Kimmel was taken off air

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Kimmel returns – and not everyone’s on same page

“I don’t think there’s anything funny about it,” he said as he choked up.

“Nor was it my intention to blame any specific group for the actions of what was obviously a deeply disturbed individual. That was really the opposite of the point I was trying to make”.

Kimmel had been accused of being “offensive and insensitive” after using his programme, Jimmy Kimmel Live, to accuse Donald Trump and his allies of capitalising on the killing.

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