“You’ve no idea how I feel – thank you from the bottom of my heart,” an emotional Ozzy Osbourne told fans as he performed from a throne on stage at his beloved Villa Park, reunited with Black Sabbath, less than three weeks ago.
It was an exit on his own terms by heavy metal’s biggest character, with a supporting line-up of hard rock luminaries including Slayer, Metallica and Guns’n’Roses, all inspired by his music.
With Black Sabbath, Osbourne was at the forefront of heavy metal. As Ozzy, he was one of the biggest rock stars in the world. Nowhere was this more evident than at the Back To The Beginning in his home city, where 40,000 fans gathered to see the show billed as his “final bow”.
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Ozzy’s final show
“Without Sabbath, there would be no Metallica,” frontman James Hetfield told the crowd in Birmingham.
It was a sentiment echoed by many of the other acts who performed on stage. Announced by his wife Sharon earlier this year, the show was a chance for the performer to reunite with Black Sabbath and say thank you and farewell to fans after years of health problems, including Parkinson’s disease, which had forced him to cancel recent tour shows.
Other celebrities, from Sir Elton John to Dolly Parton, sent video messages of support. Fans knew it would be his last performance, but could not have known his death, at the age of 76, would come so soon.
It was a truly metal goodbye.
Image: Black Sabbath in the 1970s. Pic: Everett/Shutterstock
‘I think there’s a wild man in everybody’
John Michael Osbourne was born in Solihull in December 1948 and grew up in the Aston area of the West Midlands city.
As a teenager, he was bullied at school. Drink and drugs later became a way to escape his fears, he said in interviews, and after leaving school at 15, he worked several jobs, including labouring and in an abattoir.
It was hearing The Beatles, he said, that made him want to be a musician.
“I think there’s a wild man in everybody,” he says in a resurfaced interview clip. “Ozzy Osbourne and John Osbourne is two different people. John Osbourne is talking to you now.” His eyes widen a little manically, he grins, the voice cranks up. “But if you want to be Ozzy Osbourne, it’s like… it just takes over you.”
Image: (L-R) Tony Iommi, Ozzy Osbourne and Geezer Butler of Black Sabbath at the Grammys in 2014
In 1967, he was recruited to the band that two years later would become Black Sabbath, inspired by a film of the same title. This was a line-up of four working-class schoolfriends – Tony Iommi, Bill Ward and Geezer Butler, alongside Ozzy – who twisted heavy blues into something darker, creating a sound and otherworldly image that felt new, exciting and rebellious.
A self-titled debut album was released in 1970 and made the Top 10 in the UK. The follow-up, Paranoid, released just seven months later, topped the charts after the single of the same name became their big breakthrough. The album also included the unforgettable Iron Man and the anti-war protest song War Pigs – its unmistakeable riff inspiring the Arctic Monkeys’ 2014 single, Arabella.
Black Sabbath went on to release six more albums with Osbourne at the helm before he was fired in 1979 due to his drinking and substance use, something he claimed was no better or worse than other members at the time.
Image: Osbourne in 1978. Pic: Andrew Kent/Retna/Mediapunch/Shutterstock
In 1980, he returned with his debut solo album, Blizzard Of Oz, and the lead single Crazy Train. As a solo artist, he went on to release 13 studio albums – the last being Patient Number 9, in 2022 – and had hits with songs including Mr Crowley, Diary Of A Madman, No More Tears, Bark At The Moon and Shot In The Dark.
His first UK number one was a re-recording of the Black Sabbath ballad Changes, as a duet with his daughter, Kelly, in 2003, and his collaborations over the years included everyone from Alice Cooper (Hey Stoopid in 1991) and Post Malone (Take What You Want in 2019) to, in a somewhat unusual move, Hollywood star Kim Basinger for a re-recording of the dance hit Shake Your Head by Was (Not Was) in 1992.
With Black Sabbath and as a solo star, he is estimated to have sold 100 million records throughout his career – for context, this is reportedly on a par with Sir Paul McCartney’s solo sales – so the numbers speak for themselves.
Image: With daughter Kelly Osbourne and wife Sharon in 2020. Pic: AP
Biting the bat
Osbourne was also a huge personality and played up to his hellraising image – the Prince of Darkness.
The most famous Ozzy story goes like this.
The singer was on stage in Des Moines, Iowa, 1982, when the bat appeared. He assumed it was a toy. So, like any good hellraiser would do, he bit its head off.
Image: Pic: Chris Pizzello/Invision/AP
For more than 40 years, he found himself jokily fielding questions about bats. What do they taste like? (Salty). What happened afterwards? (Headline news, painful rabies shots). Do you have any pets? (Yes. They’re all dead). “I get a lot of weird people at my concerts,” he told David Letterman in 1982, of how the animal came to appear in front of him. “It’s rock ‘n’ roll, y’know”.
He was sometimes irritated by the bat connection. But he also played up to the image, recounting the story in interviews, offering plush bat toys among his merch, and appearing as himself, biting a bat, in the 2000 Adam Sandler comedy Little Nicky, about the son of Satan.
Known for catapulting raw meat at fans during gigs, there were plenty of other tales of darkness and debauchery. Osbourne’s wild persona and on-stage theatrics always went hand-in-hand with the music.
From Prince of Darkness to reality TV
He was famously managed by his wife, Sharon, whom he first met when her dad, Don Arden, was managing Black Sabbath. As well as the music, Sharon and Ozzy together founded the Ozzfest festival tours in 1996 – and in 2002 came his second act.
It’s hard to imagine it now, but before the perfectly coiffed Kardashians it was a scruffy 50-something rocker from Birmingham and his family who ruled the Hollywood reality TV scene. As with his music, he was a pioneer – this time round of a new era of addictive viewing.
The Osbournes followed the lives of Ozzy and Sharon and two of their children, Kelly and Jack (their eldest daughter, Aimee, famously had nothing to do with the show), and the family fallouts and sunny California culture clash proved to be a ratings winner. The MTV series catapulted the metal star to global mainstream celebrity heights.
His marriage to Sharon was tumultuous but the pair always stayed together, and they renewed their wedding vows in 2017. Sharon was the driving force behind Ozzy’s successes, to him eventually getting clean, and behind his farewell show.
Image: Metallica frontman James Hetfield was among those who paid tribute at his final gig earlier in July. Pic: Ross Halfin
Despite weathering the storm of drink and drug use, Osbourne’s air of indestructibility was challenged when a quad bike accident left him with a broken collar bone and ribs, as well as short-term memory loss, in 2003.
The 2020 documentary Biography: The Nine Lives Of Ozzy Osbourne, had summed up with its title the performer’s seeming ability to defy the odds. However, the health problems started to mount up. Scheduled tours were postponed, and in 2023 he told fans holding on to tickets that he had come to the realisation he was “not physically capable” of dealing with life on the road.
But there was one gig he couldn’t miss – a surprise appearance to close the Commonwealth Games in his home city in 2022, just weeks after undergoing surgery.
Now, fans will remember the shows they did get to see, the music that ushered in a new genre – and especially his most recent gig, which was said to have raised around £140m for charities. Just a few days afterwards, his new memoir, Last Rites, was announced. It will be released in October.
Image: Ozzy Osbourne’s star on the ‘Birmingham Walk of Stars’
During his career, Osbourne was inducted into the UK Music Hall of Fame and the US Rock And Roll Hall Of Fame – twice for both, with Black Sabbath and as a solo artist. “Countless artists from many genres have credited Ozzy as a major influence, including Metallica, Lita Ford, Rage Against The Machine, and Busta Rhymes,” reads his US citation. “With his longevity, impact, and iconic persona, Ozzy Osbourne is a phenomenon unlike any other.”
He also has a star on the Hollywood Walk Of Fame – as well as in Birmingham’s Broad Street – an Ivor Novello, and five Grammy wins from 12 nominations.
But other honours, such as the NME’s Godlike Genius award, and Classic Rock’s Living Legend, also give a sense of how much his personality played a part in why he is so beloved by fans and critics alike. In the Nine Lives documentary, daughter Kelly describes him as “the most irresistible mad man you will ever meet in your life”.
Osbourne’s was an unlikely journey from Birmingham to LA. He was a working-class hero of heavy metal, a reality TV favourite – forever the Prince of Darkness.
“People say to me, if you could do it all again, knowing what you know now, would you change anything?” he once said. “I’m like, f*** no… If I’d done normal, sensible things, I wouldn’t be Ozzy.”
Actor Noel Clarke has lost his High Court libel case against the publisher of The Guardian, over a series of news articles which featured claims from a number of women.
The first article, published in April 2021, said some 20 women who knew Clarkein a professional capacity had come forward with allegations of sexual misconduct.
The 49-year-old actor, writer and director, best known for his 2006 film Kidulthood and starring in Doctor Who, sued the publisher and vehemently denied “any sexual misconduct or wrongdoing” – but the court has found Guardian News and Media (GNM) successfully defended the legal action on the grounds of truth and public interest.
Image: Noel Clarke outside court during the trial in April. Pic: PA
The meanings of all eight of the newspaper’s publications were found to be “substantially true”, the judge, Mrs Justice Steyn, said in a summary of the findings.
“I have accepted some of Mr Clarke’s evidence… but overall I find that he was not a credible or reliable witness,” she said.
In her ruling, the judge also said suggestions that more than 20 witnesses, “none of whom are parties or have a stake in this case, as [Clarke] does” had come to court to lie was “inherently implausible”.
From the evidence heard, it was “clear that women have been speaking about their experiences of working with Mr Clarke for many years”, she said.
‘A deserved victory for women who suffered’
Lucy Osborne and Sirin Kale, the journalists who carried out the investigation, told Sky News they had always been confident in everything published.
“I think that this is not a problem that’s going to go away,” said Osborne. “This kind of behaviour very much still happens in the TV and film industry and other industries. So I do hope this judgment gives other women the confidence to speak out about what they’ve experienced.”
Image: Clarke rose to fame with his 2006 film Kidulthood. Pic: PA
Guardian editor-in-chief Katharine Viner described the ruling as “a deserved victory for those women who suffered because of the behaviour of Noel Clarke”.
She continued: “Going to court is difficult and stressful, yet more than 20 women agreed to testify in the High Court, refusing to be bullied or intimidated.
“This is also a landmark judgment for Guardian journalism, and for investigative journalism in Britain… The judgment is clear that our investigation was thorough and fair, a template for public interest journalism.”
Clarke’s response
Clarke described the result as disappointing and maintained he believes the newspaper’s reporting was “inaccurate and damaging”.
“I have never claimed to be perfect,” he said. “But I am not the person described in these articles. Overnight I lost everything.”
He said he wanted to thank witnesses who supported his case, as well as his family, “who never stopped believing there was something worth fighting for”.
What happened during the trial?
The trial took place from early March to early April 2025, hearing evidence from multiple witnesses who made accusations against Clarke, including that he had allegedly shared nude photographs of them without their consent, groped them, and asked them to look at him when he was exposed.
Clarke also gave evidence over several days. At one stage, the actor appeared visibly emotional as he claimed the publisher had “smashed my life” with its investigation.
His lawyer told the court he had been made a “scapegoat” and was an “easy target”, as a star at the height of his success when the media industry “zealously sought to correct itself” following the #MeToo movement.
The actor had been handed the outstanding British contribution to cinema award at the BAFTAs just a few weeks before the report was published. Following the article, BAFTA announced it had suspended his membership.
But lawyers for The Guardian told how newspaper’s investigation was “careful and thorough”, saying it had been carried out “conscientiously” by the journalists involved.
In March 2022, police said the actor would not face a criminal investigation over the allegations.
On the 10th anniversary of the Shoreham air disaster, the families of some of those killed have criticised the regulator for what they describe as a “shocking” ongoing attitude towards safety.
Most of them weren’t even watching the aerobatic display overhead when they were engulfed in a fireball that swept down the dual carriageway.
Image: A crane removes the remains of the fighter jet that crashed on the A27. File pic: Reuters
Jacob Schilt, 23, and his friend Matthew Grimstone, also 23, were driving to play in a match for their football team, Worthing United FC.
Both sets of parents are deeply angry that their beloved sons lost their lives in this way.
“It obviously changed our lives forever, and it’s a huge reminder every 22nd of August, because it’s such a public anniversary. It’s destroyed our lives really,” his mum, Caroline Shilt, said.
“It was catastrophic for all of us,” Jacob’s father, Bob, added.
Image: Jacob Schilt died in the Shoreham disaster
Image: Matthew Grimstone on his 23rd birthday, the last before he died in the Shoreham disaster
‘They had no protection’
Sue and Phil Grimstone argue that the regulator, the Civil Aviation Authority (CAA), has not been held accountable for allowing the airshow to take place where it did.
“At Shoreham, the permission given by the CAA did not allow displaying aircraft to perform over paying spectators or their parked cars,” they said.
“But aircraft were permitted to fly aerobatics directly over the A27, which was in the display area, a known busy road.
“This was about ignoring the safety of people travelling on a major road in favour of having an air show. They had no protection.”
Caroline Schilt said the continuing lack of accountability, a decade after the disaster, “makes us very angry.”
Image: Caroline and Bob Schilt
Image: A programme for a memorial for Jacob Schilt and Matthew Grimstone
Image: Sue and Phil Grimstone say the CAA has not been held accountable
A series of catastrophic errors
The crash happened while the experienced pilot, Andy Hill, a former RAF instructor, was attempting to fly a loop in a 1950s Hawker Hunter jet.
But he made a series of catastrophic errors. His speed as the plane pitched up into the manoeuvre was far too slow, and therefore, he failed to get enough height to be able to pull out of the dive safely. The jet needed to be at least 1,500ft higher.
Mr Hill survived the crash but says he does not remember what happened, and a jury at the Old Bailey found him not guilty of gross negligence manslaughter in 2019.
Image: Andrew Hill arrives at the Old Bailey in London in 2019.
Pic: PA
When the inquest finally concluded in 2022, the coroner ruled the men had been unlawfully killed because of a series of “gross errors” committed by the pilot.
The rules around air shows have been tightened up since the crash, with stricter risk assessments, minimum height requirements, crowd protection distances, and checks on pilots.
But Jacob and Matt’s families believe the CAA still isn’t doing enough to protect people using roads near airshows, or other bystanders not attending the events themselves.
“They’re really not thinking about third parties and other road users,” said Caroline. “It’s quite shocking” added Bob.
Image: Emergency services attend the scene on the A27.
Pic: PA
The families recently raised concerns about the Duxford airshow in a meeting with the CAA.
While aircraft are no longer allowed to fly aerobatics over the M11, they do so nearby – and can fly over the road at 200ft to reconfigure and return. If the M11 has queuing traffic in the area, the display must be stopped or curtailed.
The Grimstones believe this demonstrates accepting “an element of risk” and are frustrated that the CAA only commissioned an independent review looking at congested roads and third-party protection earlier this year.
“We feel the CAA are still dragging their feet when it comes to the safety of third parties on major roads directly near an air show,” they said.
The family have complained about the CAA to the parliamentary ombudsman.
Image: A memorial for the Shoreham Airshow victims on the banks of the Adur in Shoreham
‘There are still question marks’
Some experts also believe the CAA has questions to answer about a previous incident involving Mr Hill, after organisers of the 2014 Southport Airshow brought his display to an emergency stop because he had flown too close to the crowd, and beneath the minimum height for his display.
In its investigation into the Shoreham disaster, the Air Accident Investigation Branch (AAIB) later found that while the CAA inspector present had an informal discussion with the pilot, no further action was taken, and the incident was not reported to the AAIB.
Retired pilot Steve Colman has spent many years looking into what happened at Shoreham, and he believes the CAA failed to fulfil their statutory obligation to fully investigate and report the incident at Southport.
“If it had been properly investigated,” he said, “it’s likely the minimum height on the pilot’s display authorisation would have been increased – from 500ft on the Hawker Hunter, it would probably have been increased to 800-1000ft. Or it could have been cancelled. But we will never know.
“You have to ask the question – if the Southport incident had been investigated, then was Shoreham more likely or less likely to have occurred?” he said. “I think there can only be one answer – it’s less likely to have occurred.”
Tim Loughton, who was the MP for Shoreham at the time, believes a balance must be struck.
“We don’t want to regulate these events out of existence completely. A lot of the smaller air shows no longer happen because they couldn’t comply with the new regulations … but certainly there are still question marks over the way the CAA conducted and continues to conduct itself. I would welcome more parliamentary scrutiny.”
Image: Shoreham air crash victims (from clockwise top left) Matthew Grimstone, Graham Mallinson, Tony Brightwell, Mark Reeves, Matt Jones, Maurice Abrahams, Richard Smith, Jacob Schilt, Daniele Polito, Mark Trussler, Dylan Archer
Rob Bishton, chief executive at the CAA, said: “Our thoughts remain with the families and friends of those affected by the Shoreham Airshow crash.
“Following the crash, several investigations and safety reviews were carried out to help prevent similar incidents in the future. This included an immediate review of airshow safety and a full investigation by the Air Accidents Investigation Branch. All recommendations and safety improvements from these reviews were fully implemented.
“Airshows continue to be subject to rigorous oversight to ensure the highest possible safety standards are maintained.
“At a previous airshow in 2014 the pilot involved in the Shoreham accident was instructed to abort a display by the show’s flying director. This incident was investigated by the UK Civil Aviation Authority and regulatory action was taken.”
Mr Bishton added: “As part of the work to review the safety oversight of airshows following the tragic Shoreham crash, the actions taken by the regulator following such a stop call were enhanced.”
But the families of those killed still believe much more could be done.
Government efforts to reduce the use of expensive hotel accommodation for asylum seekers have stalled in the face of local opposition and court bottlenecks.
During last year’s election, Labour promised to end the use of hotels by 2029.
But data released on Thursday by the Home Office shows there are more asylum seekers in hotels than when Sir Keir Starmer took office.
As of 30 June this year, there were 32,059 asylum seekers staying in hotels compared with 29,585 in June 2024.
It has sparked protests by residents and legal action by councils.
You can see how the policy has affected your area using the table below.
The government has been trying to get more asylum seekers into residential housing, which is much cheaper than hotels, by dispersing them to more locations across the country.
But the arrival of asylum seekers in new areas, and the use of residential housing to accommodate them, has provoked a backlash from residents and local politicians.
This has made it crucial for the government to cut the overall number in need of housing – either by reducing the number of applicants or by processing their claims more quickly.
The data, however, shows that the government is struggling on both fronts.
Effort to reduce hotel use
Both Conservative and Labour governments have sought to decrease reliance on hotel accommodation for asylum seekers due to soaring costs.
The Home Office spent £4.76bn on asylum last year, almost four times as much as it spent in 2020-21 (£1.34bn). Of every £1 spent, 76p went on hotel accommodation alone.
Housing an asylum seeker in a hotel costs around £170 per night, compared with £27 for other types of accommodation, according to estimates by Oxford University’s Migration Observatory.
A policy introduced in 2023, under the Conservatives, sought to reduce reliance on hotels by dispersing asylum seekers more evenly across the country.
Data shows that the policy started having an impact even before it was formally implemented.
In September 2022, 31% of asylum seekers were housed in just ten councils. Three months later, that figure had fallen to 24%.
But Sky News analysis shows that areas which have seen more asylum seekers arriving since then are actually more likely to use hotels – undercutting the purpose of the policy.
Residents and politicians have also raised concerns about the main alternative to hotels – the use of residential housing, including houses in multiple occupation (HMOs).
In her maiden speech to Parliament in May, Reform MP for Runcorn and Helsby Sarah Pochin described HMOs housing asylum seekers as “breeding grounds for organised crime gangs”.
A huge backlog of claims
The fact that the government is being criticised wherever it places asylum seekers suggests that their real problem is the overall number of asylum seekers requiring accommodation.
As of June, that number stood at 102,866, more than twice as high as March 2020 (48,042) and only 14% below the record levels reached in September 2023 (119,010).
The government is required under international law to provide asylum seekers with housing while their claims are being assessed if they would otherwise be “destitute”.
And because the government also forbids asylum seekers from working until their claims are approved, that means they have to provide accommodation for almost all of them.
Since 2020, the number of asylum seekers awaiting a final decision on their claim has more than doubled.
That is partly due to a slowdown in processing asylum claims.
In May 2019, the Conservative government abandoned a target of processing most claims within six months. By March 2020, the share processed within six months fell from 52% to 39%.
“By delaying or not taking decisions, they produced this huge backlog that also put a lot of pressure on the provision of accommodation,” says Professor Nando Sigona of the University of Birmingham.
A rise in asylum applications
The issue was exacerbated by a surge in asylum claims after pandemic restrictions were eased in 2021.
Home Office data shows that the number of decisions made on asylum applications fell during this period and only began to increase significantly in 2023.
That increase in decisions has helped to cut the number of cases awaiting an initial decision over the past year from 85,839 to 70,532.
On Thursday, as the statistics were released, Home Secretary Yvette Cooper said the government was making progress on the backlog and had reduced it by 18%.
But appeals to these initial decisions are common, and the government is required to house asylum seekers until their appeals are over.
Data from the Ministry of Justice shows that, as of March this year, 50,976 claims were awaiting appeal decisions.
That puts the total backlog at 129,721 cases, up from 119,066 in June last year.
Professor Sigona says that the number of people applying for asylum has risen across Europe in recent years, but that other countries have avoided being obliged to house so many of them by relaxing work requirements.
“In Europe asylum seekers are allowed to work much more rapidly,” says Eleonore Kofman, professor of gender, migration and citizenship at Middlesex University.
Without the right to work, she says, “you kind of lock them into destitution and you have to provide housing for them”.
The government has struggled to reduce small boat arrivals
As well as increasing the processing of asylum claims, the government has sought to reduce the number of claims by reducing small boat crossings.
However, a total of 43,309 people arrived in the UK by small boat during Labour’s first year in office, a 38% increase on the year before. Almost all of them (99%) claimed asylum.
In the year to June, people crossing on small boats accounted for 38% of asylum claims.
The UK requires people to apply for asylum from within the country but does not offer a visa for those wishing to make an application.
This means that most people who want to flee to the UK must come illegally – either by using another type of visa, or by entering irregularly.
On 6 August, a deal between the UK and France took effect, opening up a new route for asylum seekers and a possible way for the government to deter small boat crossings.
Under the agreement, France will accept the return of migrants who arrive in the UK by small boat in exchange for the UK accepting an equivalent number of asylum seekers currently in France.
Home Secretary Yvette Cooper said that the new policy “sends a message to every migrant currently thinking of paying organised crime gangs to go to the UK that they will be risking their lives and throwing away their money if they get into a small boat.”
Speaking to Sky News on Thursday, director of the Migration Observatory think tank Madeleine Sumption said it remains unclear how many people France will agree to take back.
“If it’s a relatively small, symbolic number… then asylum seekers may just see that there’s one more risk… at the end of an already risky journey and [it’s] something that they’re willing to accept.”
As of Wednesday, 2,561 migrants had arrived in the UK by small boat since the policy took effect.
Additional reporting by Sophia Massam.
The Data and Forensics team is a multi-skilled unit dedicated to providing transparent journalism from Sky News. We gather, analyse and visualise data to tell data-driven stories. We combine traditional reporting skills with advanced analysis of satellite images, social media and other open source information. Through multimedia storytelling we aim to better explain the world while also showing how our journalism is done.