“You’ve no idea how I feel – thank you from the bottom of my heart,” an emotional Ozzy Osbourne told fans as he performed from a throne on stage at his beloved Villa Park, reunited with Black Sabbath, less than three weeks ago.
It was an exit on his own terms by heavy metal’s biggest character, with a supporting line-up of hard rock luminaries including Slayer, Metallica and Guns’n’Roses, all inspired by his music.
With Black Sabbath, Osbourne was at the forefront of heavy metal. As Ozzy, he was one of the biggest rock stars in the world. Nowhere was this more evident than at the Back To The Beginning in his home city, where 40,000 fans gathered to see the show billed as his “final bow”.
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1:17
Ozzy’s final show
“Without Sabbath, there would be no Metallica,” frontman James Hetfield told the crowd in Birmingham.
It was a sentiment echoed by many of the other acts who performed on stage. Announced by his wife Sharon earlier this year, the show was a chance for the performer to reunite with Black Sabbath and say thank you and farewell to fans after years of health problems, including Parkinson’s disease, which had forced him to cancel recent tour shows.
Other celebrities, from Sir Elton John to Dolly Parton, sent video messages of support. Fans knew it would be his last performance, but could not have known his death, at the age of 76, would come so soon.
It was a truly metal goodbye.
Image: Black Sabbath in the 1970s. Pic: Everett/Shutterstock
‘I think there’s a wild man in everybody’
John Michael Osbourne was born in Solihull in December 1948 and grew up in the Aston area of the West Midlands city.
As a teenager, he was bullied at school. Drink and drugs later became a way to escape his fears, he said in interviews, and after leaving school at 15, he worked several jobs, including labouring and in an abattoir.
It was hearing The Beatles, he said, that made him want to be a musician.
“I think there’s a wild man in everybody,” he says in a resurfaced interview clip. “Ozzy Osbourne and John Osbourne is two different people. John Osbourne is talking to you now.” His eyes widen a little manically, he grins, the voice cranks up. “But if you want to be Ozzy Osbourne, it’s like… it just takes over you.”
Image: (L-R) Tony Iommi, Ozzy Osbourne and Geezer Butler of Black Sabbath at the Grammys in 2014
In 1967, he was recruited to the band that two years later would become Black Sabbath, inspired by a film of the same title. This was a line-up of four working-class schoolfriends – Tony Iommi, Bill Ward and Geezer Butler, alongside Ozzy – who twisted heavy blues into something darker, creating a sound and otherworldly image that felt new, exciting and rebellious.
A self-titled debut album was released in 1970 and made the Top 10 in the UK. The follow-up, Paranoid, released just seven months later, topped the charts after the single of the same name became their big breakthrough. The album also included the unforgettable Iron Man and the anti-war protest song War Pigs – its unmistakeable riff inspiring the Arctic Monkeys’ 2014 single, Arabella.
Black Sabbath went on to release six more albums with Osbourne at the helm before he was fired in 1979 due to his drinking and substance use, something he claimed was no better or worse than other members at the time.
Image: Osbourne in 1978. Pic: Andrew Kent/Retna/Mediapunch/Shutterstock
In 1980, he returned with his debut solo album, Blizzard Of Oz, and the lead single Crazy Train. As a solo artist, he went on to release 13 studio albums – the last being Patient Number 9, in 2022 – and had hits with songs including Mr Crowley, Diary Of A Madman, No More Tears, Bark At The Moon and Shot In The Dark.
His first UK number one was a re-recording of the Black Sabbath ballad Changes, as a duet with his daughter, Kelly, in 2003, and his collaborations over the years included everyone from Alice Cooper (Hey Stoopid in 1991) and Post Malone (Take What You Want in 2019) to, in a somewhat unusual move, Hollywood star Kim Basinger for a re-recording of the dance hit Shake Your Head by Was (Not Was) in 1992.
With Black Sabbath and as a solo star, he is estimated to have sold 100 million records throughout his career – for context, this is reportedly on a par with Sir Paul McCartney’s solo sales – so the numbers speak for themselves.
Image: With daughter Kelly Osbourne and wife Sharon in 2020. Pic: AP
Biting the bat
Osbourne was also a huge personality and played up to his hellraising image – the Prince of Darkness.
The most famous Ozzy story goes like this.
The singer was on stage in Des Moines, Iowa, 1982, when the bat appeared. He assumed it was a toy. So, like any good hellraiser would do, he bit its head off.
Image: Pic: Chris Pizzello/Invision/AP
For more than 40 years, he found himself jokily fielding questions about bats. What do they taste like? (Salty). What happened afterwards? (Headline news, painful rabies shots). Do you have any pets? (Yes. They’re all dead). “I get a lot of weird people at my concerts,” he told David Letterman in 1982, of how the animal came to appear in front of him. “It’s rock ‘n’ roll, y’know”.
He was sometimes irritated by the bat connection. But he also played up to the image, recounting the story in interviews, offering plush bat toys among his merch, and appearing as himself, biting a bat, in the 2000 Adam Sandler comedy Little Nicky, about the son of Satan.
Known for catapulting raw meat at fans during gigs, there were plenty of other tales of darkness and debauchery. Osbourne’s wild persona and on-stage theatrics always went hand-in-hand with the music.
From Prince of Darkness to reality TV
He was famously managed by his wife, Sharon, whom he first met when her dad, Don Arden, was managing Black Sabbath. As well as the music, Sharon and Ozzy together founded the Ozzfest festival tours in 1996 – and in 2002 came his second act.
It’s hard to imagine it now, but before the perfectly coiffed Kardashians it was a scruffy 50-something rocker from Birmingham and his family who ruled the Hollywood reality TV scene. As with his music, he was a pioneer – this time round of a new era of addictive viewing.
The Osbournes followed the lives of Ozzy and Sharon and two of their children, Kelly and Jack (their eldest daughter, Aimee, famously had nothing to do with the show), and the family fallouts and sunny California culture clash proved to be a ratings winner. The MTV series catapulted the metal star to global mainstream celebrity heights.
His marriage to Sharon was tumultuous but the pair always stayed together, and they renewed their wedding vows in 2017. Sharon was the driving force behind Ozzy’s successes, to him eventually getting clean, and behind his farewell show.
Image: Metallica frontman James Hetfield was among those who paid tribute at his final gig earlier in July. Pic: Ross Halfin
Despite weathering the storm of drink and drug use, Osbourne’s air of indestructibility was challenged when a quad bike accident left him with a broken collar bone and ribs, as well as short-term memory loss, in 2003.
The 2020 documentary Biography: The Nine Lives Of Ozzy Osbourne, had summed up with its title the performer’s seeming ability to defy the odds. However, the health problems started to mount up. Scheduled tours were postponed, and in 2023 he told fans holding on to tickets that he had come to the realisation he was “not physically capable” of dealing with life on the road.
But there was one gig he couldn’t miss – a surprise appearance to close the Commonwealth Games in his home city in 2022, just weeks after undergoing surgery.
Now, fans will remember the shows they did get to see, the music that ushered in a new genre – and especially his most recent gig, which was said to have raised around £140m for charities. Just a few days afterwards, his new memoir, Last Rites, was announced. It will be released in October.
Image: Ozzy Osbourne’s star on the ‘Birmingham Walk of Stars’
During his career, Osbourne was inducted into the UK Music Hall of Fame and the US Rock And Roll Hall Of Fame – twice for both, with Black Sabbath and as a solo artist. “Countless artists from many genres have credited Ozzy as a major influence, including Metallica, Lita Ford, Rage Against The Machine, and Busta Rhymes,” reads his US citation. “With his longevity, impact, and iconic persona, Ozzy Osbourne is a phenomenon unlike any other.”
He also has a star on the Hollywood Walk Of Fame – as well as in Birmingham’s Broad Street – an Ivor Novello, and five Grammy wins from 12 nominations.
But other honours, such as the NME’s Godlike Genius award, and Classic Rock’s Living Legend, also give a sense of how much his personality played a part in why he is so beloved by fans and critics alike. In the Nine Lives documentary, daughter Kelly describes him as “the most irresistible mad man you will ever meet in your life”.
Osbourne’s was an unlikely journey from Birmingham to LA. He was a working-class hero of heavy metal, a reality TV favourite – forever the Prince of Darkness.
“People say to me, if you could do it all again, knowing what you know now, would you change anything?” he once said. “I’m like, f*** no… If I’d done normal, sensible things, I wouldn’t be Ozzy.”
It will be big in terms of tax rises, big in terms of setting the course of the economy and public services, and big in terms of political jeopardy for this government.
The chancellor has a lot of different groups to try to assuage and a lot is at stake.
“There are lots of different audiences to this budget,” says one senior Labour figure. “The markets will be watching, the public on the cost of living, the party on child poverty and business will want to like the direction in which we are travelling – from what I’ve seen so far, it’s a pretty good package.”
The three core principles underpinning the chancellor’s decisions will be to cut NHS waiting lists, cut national debt and cut the cost of living. There will be no return to austerity and no more increases in government borrowing.
What flows from that is more investment in the NHS, already the big winner in the 2024 Budget, and tax rises to keep funding public services and help plug gaps in the government’s finances.
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Some of these gaps are beyond Rachel Reeves’ control, such as the decision by the independent fiscal watchdog (the Office for Budget Responsibility) to downgrade the UK’s productivity forecasts – leaving the chancellor with a £20bn gap in the public finances – or the effect of Donald Trump’s tariffs on the global economy.
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2:46
Will PM keep his word on taxes?
Others are self-inflicted, with the chancellor having to find about £7bn to plug her reversals on winter fuel allowance and welfare cuts.
By not pulling the borrowing lever, she hopes to send a message to the markets about stability, and that should help keep down inflation and borrowing costs low, which in turn helps with the cost of living, because inflation and interest rates feed into what we pay for food, for energy, rent and mortgage costs.
That’s what the government is trying to do, but what about the reality when this budget hits?
This is going to be another big Labour budget, where people will be taxed more and the government will spend more.
Only a year ago the chancellor raised a whopping £40bn in taxes and said she wasn’t coming back for more. Now she’s looking to raise more than £30bn.
That the prime minister refused to recommit to his manifesto promise not to raise income tax, VAT or national insurance on working people at the G20 in South Africa days ahead of the budget is instructive: this week we could see the government announce manifesto-breaking tax rises that will leave millions paying more.
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2:03
Starmer’s G20 visit overshadowed by Ukraine and budget
Freeze to income thresholds expected
The biggest tax lever, raising income tax rates, was going to be pulled but has now been put back in neutral after the official forecasts came in slightly better than expected, and Downing Street thought again about being the first government in 50 years to raise the income tax rate.
On the one hand, this measure would have been a very clean and clear way of raising £20bn of tax. On the other, there was a view from some in government that the PM and his chancellor would never recover from such a clear breach of trust, with a fair few MPs comparing it to the tuition fees U-turn that torpedoed Nick Clegg’s Lib Dems in the 2015 general election.
Instead, the biggest revenue raiser in the budget will be another two-year freeze on income tax thresholds until 2030.
This is the very thing that Reeves promised she would not do at the last budget in 2024 because “freezing the thresholds will hurt working people” and “take more money out of their payslips”. This week, those words will come back to haunt the chancellor.
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2:29
Will this budget help lower your energy bills?
Two-child cap big headline grabber
There will also be more spending and the biggest headline grabber will be the decision to lift the two-child benefit cap.
This was something the PM refused to commit to in the Labour manifesto, because it was one of the things he said he couldn’t afford to do if he wanted to keep taxes low for working people.
But on Wednesday, the government will announce it’s spending £3bn-a-year to lift that cap. Labour MPs will like it, polling suggests the public will not.
What we are going to get on Wednesday is another big tax and spend Labour budget on top of the last.
For the Conservatives, it draws clear dividing lines to take Labour on. They will argue that this is the “same old Labour”, taxing more to spend more, and more with no cuts to public spending.
Having retreated on welfare savings in the summer, to then add more to the welfare bill by lifting the two-child cap is a gift for Labour’s opponents and they will hammer the party on the size of the benefits bill, where the cost of supporting people with long-term health conditions is set to rise from £65bn-a-year to a staggering £100bn by 2029-30.
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3:20
Why has chancellor U-turned on income tax rises?
Mansion tax on the cards
There is also a real risk of blow-up in this budget as the chancellor unveils a raft of revenue measures to find that £30bn.
There could be a mansion tax for those living in more expensive homes, a gambling tax, a tourism tax, a milkshake tax.
Ministers are fearful that one of these more modest revenue-raising measures becomes politically massive and blows up.
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This is what happened to George Osborne in 2012 when he announced plans to put 20% of VAT on hot food sold in bakeries and supermarkets. The plan quickly became an attack on the working man’s lunch from out-of-touch Tories and the “pasty tax” was ditched two months later.
And what about the voters? Big tax and spend budgets are the opposite of what Sir Keir Starmer promised the country when he was seeking election. His administration was not going to be another Labour tax and spend government but instead invest in infrastructure to turbocharge growth to help pay for better services and improve people’s everyday lives.
Seventeen months in, the government doesn’t seem to be doing things differently. A year ago, it embarked on the biggest tax-raising budget in a generation, and this week, it goes back on its word and lifts taxes for working people. It creates a big trust deficit.
Image: Pic: PA
Government attempts to tell a better story
There are those in Labour who will read this and point to worse-than-expected government finances, global headwinds and the productivity downgrades as reasons for tax raising.
But it is true too that economists had argued in the run-up to the election that Labour’s position on not cutting spending or raising taxes was unsustainable when you looked at the public finances. Labour took a gamble by saying tax rises were not needed before the election and another one when the chancellor said last year she was not coming back for more.
After a year-and-a-half of governing, the country isn’t feeling better off, the cost of living isn’t easing, the economy isn’t firing, the small boats haven’t been stopped, and the junior doctors are again on strike.
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1:09
Budget jargon explained
The PM told me at the G7 summit in Canada in June that one of his regrets of his first year wasn’t “we haven’t always told our story as well as we should”.
What you will hear this week is the government trying to better tell that story about what it has achieved to improve people’s lives – be that school breakfast clubs or extending free childcare, increasing the national living wage, giving millions of public sector workers above-inflation pay rises.
You will also hear more about the NHS, as the waiting lists for people in need of non-urgent care within 18 weeks remain stubbornly high. It stood at 7.6m in July 2024 and was at 7.4m at the end of September. The government will talk on Wednesday about how it intends to drive those waits down.
But there is another story from the last 18 months too: Labour said the last budget was a “once in a parliament” tax-raising moment, now it’s coming back for more. Labour said in the election it would protect working people and couldn’t afford to lift the two child-benefit cap, and this week could see both those promises broken.
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2:25
Can the Tories be blamed for the financial black hole?
Can PM convince his MPs?
Labour flip-flopped on winter fuel allowance and on benefit cuts, and is now raising your taxes.
Downing Street has been in a constant state of flux as the PM keeps changing his top team, the deputy prime minister had to resign for underpaying her tax, while the UK’s ambassador to the US, Peter Mandelson, was sacked over his ties to the Jeffrey Epstein, the late convicted paedophile. It doesn’t seem much like politics being done differently.
All of the above is why this budget is big. Because Wednesday is not just about the tax and spend measures, big as they may be. It is also about this government, this prime minister, this chancellor. Starmer said ahead of this budget that he was “optimistic” and “if we get this right, our country has a great future”.
But he has some serious convincing to do. Many of his own MPs and those millions of people who voted Labour in, have lost confidence in their ability to deliver, which is why the drumbeat of leadership change now bangs. Going into Wednesday, it’s difficult to imagine how this second tax-raising budget will lessen that noise around a leader and a Labour government that, at the moment, is fighting to survive.
In the upstairs bar of a slick new brewery, the cheese-lovers of Halifax are paying “homage to fromage”.
It is one of the first events in the historic West Yorkshire town for the monthly cheese club and there is a decent turn-out.
Image: Sky News visited Halifax’s clubs, bars and restaurants to get an insight into people’s priorities
Image: The night-time economy in Halifax is a useful measure of how the landscapes of our town and cities have changed
Discussion of Wednesday’s budget is not as popular as an accompaniment to the cheese as the selection of wines. But no one holds back on what is required of the chancellor.
Natalie Rogers, who runs her own small business with her partner, said there needs to be focus.
Image: Small business owner Natalie Rogers wants to see more investment in local industries
“I think investing in small businesses, investing in these northern towns, where at one time we were making all the money for the country, can we not get back to that? We’re not investing in local industries.”
At the next table, with a group of friends, Ali Fletcher said there needs to be bigger targets.
“I think wealth inequality is a major problem. The divide is getting wider. For me, a wealth tax is absolutely critical. We need to address this question of ‘Is there any money left?’. There’s plenty of money, it’s all about choices that government make.”
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Image: At this monthly cheese club, people told us about their priorities ahead of the budget
The evening’s cheese tasting was being marshalled by Lisa Kempster. “The impression I get from talking to people is there’s a lot of uncertainty, but when you ask them what they’re uncertain about, they’re not really sure, there’s just a general feeling of uncertainty and being cautious.”
Image: Ali Fletcher reckons wealth inequality is a major problem
This corner of Halifax, close to the town’s historic Piece Hall, is buzzing with clubs, bars and restaurants, trying hard to defy the crunch in the night-time economy. It is a useful measure of how the landscapes of our town and cities has changed.
“Whenever there’s a budget, for a few days afterwards, there’s a drop off in trade,” said Michael Ainsworth, owner of the Graystone Unity, a bar and music venue in the town.
“I accept the government needs to raise money but, in this day and age, there’s better ways to go about doing that, like closing tax loopholes for the huge businesses to operate up with banking arrangements outside the UK.”
Image: Michael Ainsworth owns a bar and music venue and thinks the chancellor needs to close tax loopholes
In the bar, a folk singer is going through a quirky and caustic set. In the basement, a punk band called Edward Molby is considerably louder.
On a sofa in the main bar, recent graduates Josh Kinsella and Ruby Firth, newly arrived in Halifax because of its more affordable housing, pinpoint what they want on Wednesday.
“Can we stop triple-locking the pensions, please? Stop giving pensioners everything. For God’s sake, I know they have hard times in the 70s and the 80s, but it just feels like we’re now paying for everyone else.”
Image: Josh Kinsella and Ruby Firth feel there’s too much focus on pensioners
Ben Randm is a familiar face at the bar and well known on the music scene with his band, Silver Tongued Rascals.
“Everyday people are seen as statistics, we’re always the afterthought. When the cuts are done, we’re always impeded and the ramifications that has for people’s livelihoods, for people’s mental health, for people’s passion and drive… it’s such a struggle.”
He, like many in the night-time economy sector, wants extra help for hospitality and venues that, he says, provide a vital community link.
Image: Ben Randm who has his own band reckons everyday people are ‘always the afterthought’
David Van Gestel chose Halifax to open the third branch of MAMIL, a bar in jokey honour of those cycling “middle-aged men in Lycra”. On a busy quiz night, he said venues had to provide something different to get people out of their homes.
“I think the government needs to start putting some initiatives in place. They talk about growth but the reality is that the only thing we’re seeing grow is our costs.”
Eight men have been arrested in connection with the attempted murder of a couple in Newcastle, police have said.
A man and a woman in their 60s were found with serious injuries inside a property in Durham Street in the city’s Elswick area at around 6.45pm on Friday.
The woman sustained serious head injuries and remains in hospital in a critical condition, while the man is in a stable condition.
A man in his 30s was initially arrested on suspicion of attempted murder, Northumbria Police said on Saturday, before announcing seven further arrests on Sunday. All eight men remain in custody.
Five of the men – two in their 20s, two in their 30s, and one in his 40s – have been arrested on suspicion of attempted murder.
A man in his 50s has been arrested on suspicion of conspiracy to murder, while two other men – one in his 40s and one in his 60s – have been arrested on suspicion of assisting an offender.
Detective Chief Inspector Mark Atherton, the senior investigating officer in the case, said: “Eight suspects are now in custody being questioned, and I would like to reassure our communities extensive inquiries into this serious incident have already been carried out.”
Police are urging anyone with information to come forward and have issued an appeal for people who saw a red Renault Twingo car, which was allegedly stolen.
The vehicle is believed to have been parked in the West End of Newcastle between 6.30pm and 8pm on Friday before being found in the Longbenton area on Saturday morning.
“We would like to thank everyone who has already come forward and as part of our investigation we are keen to hear from anyone who may have seen the Renault Twingo,” DCI Atherton said.
“Any information – no matter how insignificant it may seem – could prove vital to establishing exactly what happened that evening.”