Ozzy Osbourne has taken his final tour of Birmingham – with his family experiencing the love of thousands of fans who turned out to see the heavy metal star come home.

“We love you, Ozzy!” came the shouts from the crowd as his cortege stopped at Black Sabbath Bridge in the city, a site that has become a shrine to the performer since his death at 76 last week.

His family and loved ones, including his wife Sharon Osbourne and their children Jack, Kelly and Aimee, spent several minutes taking in all the flowers, messages and other tributes left in an outpouring of love from fans.

Sharon was in tears as she took it all in. Supported by her children, she gave a peace sign to the crowd before returning to the procession vehicles.

Each family member carried a pink rose, wrapped in black paper, tied with a purple ribbon – the traditional Black Sabbath colours. The flowers bearing his name in the hearse were also purple.

Before reaching the city centre, the cortege had travelled past Ozzy’s childhood home in Aston. Just a few weeks ago, he was on stage at Villa Park performing his final gig alongside many of the musicians his music had inspired, from Metallica to Guns N’ Roses to Yungblud.

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On a hugely emotional day, his presence could be felt throughout the city, with the star’s music playing in pubs and posters paying tribute: “Birmingham will always love you.”

For fans, this was a chance to say not just goodbye, but also thank you to a star who never forgot where he came from. His remarkable achievements from humble beginnings and continued love for his hometown, even when he lived thousands of miles away in Los Angeles, meant that for many, the loss feels incredibly personal.

‘The Prince of Laughter – not Darkness’

Graham Wright, a roadie who worked with Black Sabbath in the 1970s and beyond, up to the Back To The Beginning reunion gig at Villa Park, told Sky News he would remember Ozzy not by his traditional nickname, the Prince of Darkness – but as the Prince of Laughter instead.

“It was a shock he left us so soon after [the show],” he said. “The show was tough for him but he was determined to say goodbye to his fans, that was the main thing. It was important for all four of [Black Sabbath] to get back together and do a farewell.

“The tears will be flowing today to see the Ozz man – the Prince of Laughter, not Darkness. He really was. We’ll all miss him.”

‘My mum used to say he was a lovely boy’

Chris Mason, general manager of The Brasshouse pub, which is next to Black Sabbath Bridge, said music by the band and Ozzy’s solo material had been played pretty much “on loop” since his death.

“I’m a metal fan and Ozzy being the godfather of the scene – if not for Ozzy and Black Sabbath, we wouldn’t have heavy metal,” he said. “This is what Birmingham is about, bringing people together, and Ozzy and Black Sabbath did that.

“He was Mr Birmingham and his family have brought him back.”

Mohabbat Ali, who used to live on the same street as Ozzy’s childhood home, said the property had become one of the focal points for tributes in the city.

Describing what it was like living near him, he said: “He played guitars, very loud at night sometimes, but my mum used to say he was a lovely boy.”

From an era of preening rock gods, Ozzy was the real deal

Katie Spencer

Arts and entertainment correspondent

The sea of black was always a given – but this wasn’t about respecting funeral traditions. Ozzy himself had previously said he wanted his send-off, when it came, to be a celebration and not a “mope-fest”.

This was his final tour in the city that meant so much to him.

For fans, he meant so much to them.

For his family, the emotion was raw.
Sharon, his soulmate, has spent her life and career organising his shows, and it was clear how hard this day was for her.

After they left, fans flooded the streets to lay flowers.

Not since David Bowie has an artist’s death prompted such an outpouring of emotion. From an era of preening rock gods, Ozzy was the real deal – one of the most notorious figures in rock, but a man who remained as Brummie as can be.

‘A true legend who never forgot his roots’

Birmingham’s lord mayor, Councillor Zafar Iqbal, also attended the procession and spoke of the city’s pride in Ozzy.

“What a great honour for us to have him here one last time,” he said. “The love for Ozzy – well, you can feel it in the air.”

The star put both Aston and Birmingham on the map, he said, and always took the time to get to know people.

Mr Iqbal said Ozzy sent him a letter after reading on the mayor’s website biography how he had struggled with dyslexia at school – something the star identified with.

“I’ve got the letter in a frame and it’s in my office… he was just a natural human being, down to earth. You wouldn’t have known he was a rock star – but he was a true legend, who never forgot his roots.”

Ozzy Osbourne fans will be able to say goodbye to the heavy metal pioneer at a procession for his cortege through his home city of Birmingham tomorrow.

The star’s hearse will make its way down Broad Street towards the Black Sabbath bridge and bench – where thousands of fans have left flowers, messages and other tributes since his death.

Osbourne, 76, died less than three weeks after performing his “final bow” in the city – the Back The Beginning reunion with his Sabbath bandmates at Villa Park, which raised about £140m for charity.

Large crowds are expected to gather tomorrow as fans pay their respects to the performer who shaped heavy metal music and “proudly carried the spirit of Birmingham throughout his career”, the city council said.

Members of Osbourne’s family will also be in attendance and have funded the event, the council added.

“Ozzy was more than a music legend – he was a son of Birmingham,” said the city’s lord mayor, Councillor Zafar Iqbal. “We know how much this moment will mean to his fans. We’re proud to host it here with his loving family in the place where it all began.”

Mr Iqbal said it was important to the city to give the star “a fitting, dignified tribute ahead of a private family funeral”.

Osbourne and his Black Sabbath bandmates Terence “Geezer” Butler, Tony Iommi and Bill Ward were awarded the Freedom of the City in June, before the Back To The Beginning show, honouring their “significance to the cultural and musical identity of Birmingham”.

The star’s cortege will travel down Broad Street from about 1pm tomorrow, accompanied by a live brass band, Bostin’ Brass. For those not able to make it, a live stream of the Black Sabbath bench, which has been running since Osbourne’s death, will continue.

There is also a book of condolence for public messages at Birmingham Museum and Art Gallery, alongside the Ozzy Osbourne Working Class Hero exhibition, highlighting his solo career achievements.

Metal, bats, and reality TV: The wild life of Ozzy Osbourne

Osbourne, the self-styled Prince of Darkness, pioneered heavy metal with Black Sabbath before going on to have huge success in his own right. He was famous for hits including Iron Man, Paranoid, War Pigs, Crazy Train and Changes, both with the band and as a solo star.

The singer also found a different kind of fame thanks to noughties MTV reality show The Osbournes, which followed his somewhat chaotic life with wife Sharon and two of their children, Kelly and Jack.

Following his death, his family released a statement saying he died alongside them, “surrounded by love”.

The 1975 frontman Matty Healy has warned of a musical “silence” that would come without the pubs and bars that give UK artists their first chance to perform.

Fresh from headlining Glastonbury in June, Healy is backing a new UK-wide festival which will see more than 2,000 gigs taking place across more than 1,000 “seed” venues in September.

The Seed Sounds Weekender aims to celebrate the hospitality sector hosting bands and singers just as they are starting out – and for some, before they go on to become global superstars.

Healy, who is an ambassador for the event, said in a statement to Sky News: “Local venues aren’t just where bands cut their teeth, they’re the foundation of any real culture.

“Without them, you don’t get The Smiths, Amy Winehouse, or The 1975. You get silence.”

Oasis, currently making headlines thanks to their sold-out reunion tour, first played at Manchester’s Boardwalk club, which closed in 1999, and famously went on to play stadiums and their huge Knebworth gigs within the space of a few years.

GigPig, the live music marketplace behind Seed Sounds, says the seed sector collectively hosts more than three million gigs annually, supports more than 43,000 active musicians, and contributes an estimated £2.4bn to the UK economy.

“The erosion of funding for seed and grassroots spaces is part of a wider liberal tendency to strip away the socially democratic infrastructure that actually makes art possible,” said Healy.

“What’s left is a cultural economy where only the privileged can afford to create, and where only immediately profitable art survives.”

He described the Seed Sounds Weekender as “a vital reminder that music doesn’t start in boardrooms or big arenas – it starts in back rooms, pubs, basements, and independent spaces run on love, grit, and belief in something bigger.”

Read more from Sky News:
Oasis photographers recall the early days
Heavy metal to reality TV: The wild life of Ozzy Osbourne

The importance of funding for grassroots venues has been highlighted in the past few years, with more than 200 closing or stopping live music in 2023 and 2024, according to the Music Venue Trust. Sheffield’s well-known Leadmill venue saw its last gig in its current form in June, after losing a long-running eviction battle.

In May, Culture Secretary Lisa Nandy announced the £85m Creative Foundations Fund to support arts venues across England.

And last year, the Culture, Media and Sport Committee called for a levy on tickets to large concerts at stadiums and arenas to help fund grassroots venues, which artists including Coldplay and Katy Perry, and venues including the Royal Albert Hall, have backed.

But most seed venues – the smaller spaces in the hospitality sector that provide a platform before artists get to ticketed grassroots gigs or bigger stages – won’t qualify for the levy. GigPig is working to change this by formalising the seed music venue space as a recognised category.

“The UK’s seed venues are where music careers are born,” said GigPig co-founder Kit Muir-Rogers. “Collectively, this space promotes more music than any other in the live music business, yet it has gone overlooked and under-appreciated.”

The Seed Sounds Weekender takes place from 26-28 September and will partner with Uber to give attendees discounted rides to and from venues.

Tickets for most of the gigs will be free, with events taking place across 20 UK towns and cities including London, Liverpool, Birmingham, Manchester, Glasgow, Leicester, Newcastle and Southampton