Yungblud has told Sky News he hopes he can keep Ozzy Osbourne’s “spirit and energy” alive after performing at the metal legend’s final gig.
The singer-songwriter paid tribute to his hero at the premiere of his upcoming documentary, Are You Ready, Boy?, which he admitted had been an “uncomfortable” watch as it shows him at his most vulnerable.
It gives fans a glimpse behind the curtain during the process of recording live tracks from his fourth studio album, Idols, which topped the charts in June.
Image: On stage at Back To The Beginning. Pic: Kazuyo Horie
Just a few weeks later, he was on stage at Back To The Beginning – Ozzy Osbourne‘s “final bow” reunion gig with Black Sabbath, held at Villa Park in Birmingham. The metal pioneer died less than three weeks later.
Yungblud, whose real name is Dom Harrison, performed a cover of Osbourne’s song Changes, and went on to release his version as a single, raising funds for the same charities as the concert.
Afterwards, Ozzy gifted him a cross which he keeps around his neck.
Image: Ozzy on stage during his final performance. Pic: Ross Halfin
“Ozzy is everything to me, always has been,” he says. “And to be able to go on stage and honour my hero and sing that song to him, without knowing that they were his final days, was everything to me.
“I will try my best to keep that spirit and keep that energy alive. I love that guy. I got to know him personally at the end and I love that family. I’ve got nothing but love, always.”
Now, Harrison is getting ready for the release of Are You Ready, Boy?, which was filmed at the famous Hansa Studios in Berlin, the birthplace of albums including David Bowie’s Heroes and U2’s Achtung Baby!.
Image: Are You Ready, Boy? is released later in August
Making music and all of his creative output he sees as “life or death”, he says in the film. “I mean, 100%,” he adds while on the red carpet. “I think that’s how I like to play, you know? I mean, red or black, every time.
“I love taking risks and this film is the most vulnerable I think I’ve ever been. It’s pretty uncomfortable for me to watch. I’ve seen it once, I’ll watch it tonight and probably never watch it again…
“I think in this day and age, it’s very easy for us to cut around things and make them palatable and digestible. I wanted to do something that would be raw and uncomfortable, and this is what came out.”
The film comes during an intense period for the star, who has just opened his own music venue and shop in London, and is also planning a world tour and the return of his own festival, Bludfest, in 2026.
“I think it’s important for [fans] to know who I really am,” he says, of why he wanted to make the film. “I think 30 seconds on an Instagram video doesn’t quite cut it. It’s a fly-on-the-wall documentary… we didn’t have an overarching narrative at the start of it.
“I said, come with me for two weeks, roll the cameras and see what happens.”
The star also spoke about Bludfest, which he launched in 2024. The third event next year will be “bigger and better,” he says.
“I had something to prove,” he says. “I think this festival was important… It made me sick, the price of tickets. And a lot of promoters, I don’t think, took me seriously.
“We made a massive statement and I will continue to do that. I love my community, I love my fanbase. They’re all I care about.”
Are You Ready, Boy? is out in cinemas on August 20 and 24
Satire has long been an occupational hazard for politicians – and while it has long been cartoons or shows like Spitting Image, content created by artificial intelligence (AI) is increasingly becoming the norm.
A new page called the Crewkerne Gazette has been going viral in recent days for their videos using the new technology to satirise Rachel Reeves and other politicians around the budget.
On Sky’s Politics Hub, our presenter Darren McCaffrey spoke to one of the people behind the viral sensations, who is trying to remain anonymous.
He said: “A lot of people are drawing comparisons between us and Spitting Image, actually, and Spitting Image was great back in the day, but I kind of feel like recently they’ve not really covered a lot of what’s happening.
“So we are the new and improved Spitting Image, the much better Have I Got News For You?”
He added that those kinds of satire shows don’t seem to be engaging with younger people – but claimed his own output is “incredibly good at doing” just that.
Examples of videos from the Crewkerne Gazette includes a rapping Kemi Badenoch and Rachel Reeves advertising leaky storage containers.
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They even satirised our political editor Beth Rigby’s interview with the prime minister on Thursday, when he defended measures in the budget and insisted they did not break their manifesto pledge by raising taxes.
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The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.