A woman who was charged with selling Friends star Matthew Parry the dose of the drug that killed him has agreed to plead guilty.

Jasveen Sangha, known as the “Ketamine Queen”, is the fifth and final defendant to strike a plea deal with prosecutors, avoiding a trial that was set to take place in September.

The 42-year-old agreed to plead guilty to five federal criminal charges, including providing the Ketamine that led to Perry’s death, federal prosecutors said in a statement.

She agreed to plead guilty to five federal criminal charges, including providing the Ketamine that led to Perry’s death, federal prosecutors said in a statement.

Prosecutors had cast Sangha, a dual US and UK national, as a prolific drug dealer known to her customers as the “Ketamine Queen”, often using the term in court documents and even including it in the official name of the case.

She agreed to plead guilty to one count of maintaining a drug-involved premises, three counts of distribution of ketamine, and one count of distribution of ketamine resulting in death or serious bodily injury.

Sangha will officially change her plea to guilty at an upcoming hearing, where sentencing will be scheduled, prosecutors said.

She is facing up to 45 years in prison.

Sangha and a doctor named Salvador Plasencia, who signed his own plea deal in June, had been the primary targets of the investigation.

Three other defendants – Mark Chavez, who it was claimed bought the drug from Sangha, Kenneth Iwamasa, and Erik Flemin – agreed to plead guilty last year in exchange for their cooperation, which included statements implicating Sangha and Plasencia.

Prosecutors allege Chavez funnelled ketamine to Plasencia, securing some of the drug from a wholesale distributor through a fraudulent prescription.

In one instance, prosecutors allege that Plasencia “charged Perry $2,000 (£1,500) a vial that cost Dr Chavez approximately $12 (£9)”.

Perry died in his home in October 2023, aged 54, after getting ketamine from his regular doctor for treatment of depression, which is an increasingly common use for the surgical anaesthetic.

The actor was taking ketamine six to eight times a day before he died, according to court documents.

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An Ozzy Osbourne documentary has disappeared from the BBC’s schedule without explanation.

The film was billed by producers as “a moving and inspirational account” of the last chapter of the metal legend’s life.

It was meant to air at 9pm on Monday on BBC One – as well as be available on iPlayer – but an episode of Fake Or Fortune? has replaced it.

Sky News has contacted the BBC for comment on why the programme, called Ozzy Osbourne: Coming Home, has been pulled.

The project was filmed over three years as Ozzy and his family returned to the UK, and was initially conceived as a series entitled Home to Roost.

However, as the singer’s health got worse it morphed into a one-off.

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The BBC reported the show would reveal the “extraordinary rollercoaster” of the Osbournes’ lives as Ozzy tries “heroically” to get fit enough to perform again.

It’s said to feature “unique and intimate access” to the family, including Ozzy’s children, Jack and Kelly, who appeared in the reality series that made them household names in the early 2000s.

The Black Sabbath frontman, who had Parkinson’s disease, died last month – just a few weeks after his final all-star gig at Birmingham’s Villa Park.

Fans packed the city centre and chanted his name when his hearse passed through on 30 July.

His wife, Sharon, was in tears as she got out to see the mass of flowers left for him at “Sabbath Bridge”.

The New York Times said his death certificate gave the cause as cardiac arrest, but the family hasn’t commented.

Fashion brand Topshop celebrated its relaunch with its first catwalk in seven years.

The company’s website promised everyone was invited as models strutted down a runway on Trafalgar Square in front of noughties fashion icons Cara Delevingne and Adwoa Aboah and the London Mayor Sir Sadiq Khan.

The label has been operating on the online fashion platform ASOS after ceasing to operate as a standalone business in 2020.

Its previous owner, Sir Philip Green’s Arcadia group, collapsed into administration and all of Topshop’s physical stores – including the Oxford Circus flagship in London’s West End – closed soon after.

Delevingne told Sky News she was “totally blown away” by the relaunch event.

“It was like nostalgia mixed with something eclectic but also something brand new,” she said.

“For me, it really brings back a time of exploration of my own fashion sense because I think for me at Topshop I got to discover so much.”

The model, who is working on a capsule collection for next year, has already unveiled a choice edit in this year’s show and said her relationship with Topshop precedes her fame.

She said: “I would go in and my friends would be like ‘you would look good in that’ and I would go ‘no, that’s not really me’, and then you’d try it on and be like ‘oh maybe I can explore more’.

“They really have everything for everyone, and I feel like they brought that back.”

The runway showcased highlights from its Autumn-Winter 2025 collection, as well as an early preview of pieces set to drop later this season, including showstopper gowns, the classic white tee, and an aloe vera-coloured faux fur coat that surely should not have been on display – to prevent just about everyone rushing to buy it.

Reclaiming the high street

But sharp tailoring and statement outerwear suggest the brand is ready to reclaim the high street.

Must-have denim pieces completed the womenswear line-up while the Topman collection screamed modern utility by blending refined formal wear with sharp new silhouettes.

Casual pieces are grounded by authentic denim in deep indigos, which stood out on Trafalgar Square’s magnificent stone steps.

Topshop’s relaunch comes as the high street continues to struggle and as the UK operation of Chinese fashion giant Shein announced pre-tax profits of £38.3m for the year, up some £14m from 2023.

‘Top end of the market’

Moses Rashid, global marketing director at Topshop/Topman said they are competing in a different space.

“We’re at the top end of the market. We’re about elevation. We pride ourselves on the quality of the product,” he said.

Those products are being designed in north London, and managing director Michelle Wilson said the aim is to stay that way.

“We are a British brand, we want to be a positive force for fashion. We want to bring London to the world. It’s fundamental to who we are as a brand, our style is very much London-driven.”

The majority Danish-owned company has suggested it will slow fashion down by opening physical stores where customers can touch the products, browse collections and try things on, though the flagship on Oxford Circus is unlikely to return because a Swedish fast furniture brand has since occupied the space.

Designer Wayne Hemingway has previously collaborated with Topshop and said the relaunch must be more than nostalgia.

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“They can’t rely on their old customers because their old customers have now got kids of their own to spend their money on, and they’ve got mortgages and all of those things of what being an adult means.

“They’ve got to have designers, marketeers, people who understand – who are on the pulse – who understood, number one, what was a success back then, and also a young generation of people who are there saying, ‘this is what our generation needs’, and who are bright and can help deliver that. They can’t rely on the past.”