The Crown: The secrets behind multi-million pound Netflix production

Published

1 year ago

December 1, 2023

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The second instalment of the sixth series of The Crown is set for release on 14 December.

Seven years on from its initial release, the programme has been a smash hit for Netflix and has seen some of the UK’s greatest acting talent – including the three queens Claire Foy, Olivia Colman and Imelda Staunton – take on the challenge of portraying some of the most recognisable people in the world.

Behind the glitzy multimillion-pound production is a vast production team working on the finest of details to capture each decade of the Royal Family precisely.

Martin Childs, a production designer, and Alison Harvey, a set decorator, have worked on all six seasons of the show and produced almost 2,500 sets in that time.

The pair say the “luxury of time and money and people” that the Netflix production affords allows the detailed and spectacular sets we see on our screens.

“We did go through the schedule quite quickly,” Harvey said.

“We did have people devoted to certain things like drapes. [I’m] on a job at the moment – we’ve got no people and no money and no time. So we’re very lucky to have those facilities available to us on such a great well-received project.”

The abundance of resources allows Childs and Harvey to capture not just the familiar castles and regal settings – they were excited to capture the royals’ private interiors as well.

“It’s a kind of a slightly imagined film version,” Harvey said.

“We research and research and research until the research runs out,” Childs said.

“I think it might be Peter Morgan who coined this phrase ‘informed imagination’ – and it’s one I like very much because it helps describe what we finish up having to do,” he added.

The first four episodes of the sixth season were released on 16 November and captured the last eight weeks of Princess Diana’s life.

While many of the scenes from the 1997 crash and its aftermath are seared into the public’s imagination, Childs was averse to recreating many of them.

“My consideration [for] all the scenes that led up to [the crash] was not to have any prior knowledge of it, because the audience does. So I didn’t want to load it with 20-20 hindsight.

“People know what happened. People are familiar with the footage so we didn’t really want to recreate much of that.”

Portraying Diana faithfully was also a major consideration for hair and makeup artists Cate Hall and Emilie Yong. It took around 30 hours to transform Elizabeth Debicki into the late princess.

“It starts with this very archaic wrapping of their head in clingfilm and sellotape and marking the headline with a sharpie. The wig maker we work with is very, very detailed in terms of hairlines, crowns,” Hall said.

“The hair is all knotted hair by hair, we will go through thousands of different colours to find the four or five colours we’re going to use in a wig. Then once the wig is made, we start cutting.

“Then the wig comes off the head and is set and dried, put back on again, cut, highlighted, roots shaded in. And then the makeup fittings start.”

Like the production designers, the pair said they “live and die by” getting the details right.

“Otherwise what you get is something that feels sort of generally in the region of [the decade] but not necessarily robust.

“The whole point when you’re recreating period television is trying to create this world that the viewer can watch and really immerse themselves in. The last thing you want to do is bring them out of that.

“So for me, if I’m watching a TV show and the textures are really modern and chemically sophisticated and illuminated, things like that immediately take me out of the show. So it’s those kinds of details.

“One way of saying we’re in the 1960s [is] about the textures and what was available to the people at the time. Glitter was not. We have every foundation colour under the sun now. But in 1960 you were probably dealing with four different shades if you’re lucky. It’s about sophistication that helps you tell the story,” Hall said.

So the actors have undergone their transformations into their characters and the stage is set but something’s missing.

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Alongside a historical research team, the actors spend a significant amount of time preparing with movement coach Polly Bennett to prepare for filming.

“When you meet new actors playing the characters, it becomes about actually trying to throw all of that information [from past seasons] away and starting again.

“The best thing about working with the team this time around was that we’d already done season five, so they kind of lived in their bodies,” she said.

“I think the biggest thing physically that I had to consider was that they had been around being famous. Being famous was a new idea.

“The sort of thing that Diana was experiencing is a very particular physical change in her body. So that was the major preoccupation I had.”

A huge body of research, like the production designers and hair and make-up artists, informs Bennetts’s work.

She describes working with 21-year-old Meg Bellamy who is playing a young Kate Middleton as she attends university with Prince William.

“A lot of our first sessions were just providing the space to go – who is this person? What has she been around? What has she grown up around? What clothes is she regularly wearing? What food does she eat? What are her relationships? Who has she seen growing up?

“We look at footage that we have, we look at photographs, and put it together in the kind of private investigator type way,” Bennett said.

“And suddenly when you start looking at different pictures, you notice little things that Kate does in her life, like she wears a handbag always on the same side of her body and she clutches it. Now, that’s something that then became an inpoint for Meg.

“The idea that they’ve got something very practical, but they’re keeping it close to them and then you can take that feeling into their whole life. Whether or not that’s actually what Kate Middleton is doing, that becomes gold dust as a practical idea for an actor to play.”

Entertainment

Tom Cruise leads moment of silence in tribute to ‘dear friend’ Val Kilmer

Published

7 hours ago

April 3, 2025

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Tom Cruise leads moment of silence in tribute to 'dear friend' Val Kilmer

Tom Cruise has paid tribute to Val Kilmer, wishing his Top Gun co-star “well on the next journey”.

Cruise, speaking at the CinemaCon film event in Las Vegas on Thursday, asked for a moment’s silence to reflect on the “wonderful” times shared with the star, whom he called a “dear friend”.

Kilmer, who died of pneumonia on Tuesday aged 65, rocketed to fame starring alongside Cruise in the 1986 blockbuster Top Gun, playing Tom ‘Iceman’ Kazansky, a rival fighter pilot to Cruise’s character Maverick.

His last part was a cameo role in the 2022 blockbuster sequel Top Gun: Maverick.

Cruise, on stage at Caesars Palace on Thursday, said: “I’d like to honour a dear friend of mine, Val Kilmer. I can’t tell you how much I admire his work, how grateful and honoured I was when he joined Top Gun and came back later for Top Gun: Maverick.

“I think it would be really nice if we could have a moment together because he loved movies and he gave a lot to all of us. Just kind of think about all the wonderful times that we had with him.

“I wish you well on the next journey.”

The moment of silence followed a string of tributes from Hollywood figures including Cher, Francis Ford Coppola, Antonio Banderas and Michelle Monaghan.

Kilmer’s daughter Mercedes told the New York Times on Wednesday that the actor had died from pneumonia.

Diagnosed with throat cancer in 2014, Kilmer discussed his illness and recovery in his 2020 memoir Your Huckleberry and Amazon Prime documentary Val.

He underwent radiation and chemotherapy treatments for the disease and also had a tracheostomy which damaged his vocal cords and permanently gave him a raspy speaking voice.

Kilmer played Batman in the 1995 film Batman Forever and received critical acclaim for his portrayal of rock singer Jim Morrison in the 1991 movie The Doors.

He also starred in True Romance and Kiss Kiss Bang Bang, as well as playing criminal Chris Shiherlis in Michael Mann’s 1995 movie Heat and Doc Holliday in the 1993 film Tombstone.

In 1988 he married British actress Joanne Whalley, whom he met while working on fantasy adventure Willow.

The couple had two children before divorcing in 1996.

Entertainment

Bruce Springsteen: The Boss to release seven ‘lost’ albums

Published

13 hours ago

April 3, 2025

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Bruce Springsteen: The Boss to release seven 'lost' albums

Bruce Springsteen is to release seven albums of mostly unheard material this summer.

The US singer said the songs, written and re-recorded between 1983 and 2018, were being made public after he began completing “everything I had in my vault” during the COVID-19 pandemic.

In a short video posted on Instagram, Springsteen said the albums were “records that were full records, some of them even to the point of being mixed and not released”.

The 83-song collection is being released in a box set called Tracks II: The Lost Albums and goes on sale on 27 June.

Some 74 of the tracks have never been heard before.

Springsteen first teased the release on Wednesday morning with a short social media video accompanied by text which said: “What was lost has been found”.

Tracks II is the follow-up to the star’s first Tracks volume, a four-CD collection of 66 unreleased songs, released in 1998.

The New Jersey-born rocker, nicknamed The Boss, last released a studio album in 2022.

Only the Strong Survive was a collection of covers, including songs by Motown and soul artists, such as the Four Tops, The Temptations, The Supremes, Frankie Wilson and Jimmy Ruffin.

The late soul legend Sam Moore, who died in January and was a frequent Springsteen collaborator, sang on two of the tracks.

Springsteen is coming to the UK in May to launch a two-month tour of Europe with his E Street Band.

The shows will include performances at the Co-op Live in Manchester and Liverpool’s Anfield stadium.

The singer-songwriter has sold more than 140 million records since his debut on the music scene in 1973, according to his website.

Entertainment

Stalker who believed Strictly Come Dancing judge Shirley Ballas was his aunt avoids jail

Published

3 days ago

April 1, 2025

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Stalker who believed Strictly Come Dancing judge Shirley Ballas was his aunt avoids jail

A man who stalked Strictly Come Dancing judge Shirley Ballas for six years has avoided jail.

Kyle Shaw, 37, got a 20-month suspended sentence and a lifetime restraining order on contacting Ballas, her mother, niece, and former partner.

Liverpool Crown Court heard that he thought Ballas was his aunt and “began a persistent campaign of contact”.

“He believed, and it’s evident from what he was told by his mother, that her late brother was his father,” said prosecutor Nicola Daley.

The court heard there was no evidence he was wrong, and “limited evidence” he was correct.

Ms Daley said Shaw’s messages had accused Ballas of being to blame for the death of her brother, who took his own life in 2003 aged 44.

He also set up social media accounts in his name.

Shaw had pleaded guilty to stalking the former dancer between August 2017 and November 2023 at a hearing in February.

Incidents included following Ballas’s 86-year-old mother, Audrey Rich, while she was shopping and telling her she was his grandmother.

The court heard in messages to Mrs Rich, Shaw had asked: “Where’s my dad?”

Ballas was so worried for her mother’s safety that she moved her from Merseyside to London.

In October 2020, Ballas called police after Shaw messaged her and said: “Do you want me to kill myself, Shirley?”

Posts on X included one alongside an image of her home address that warned: “You ruined my life, I’ll ruin yours and everyone’s around you.”

Another referenced a book signing and said: “I can’t wait to meet you for the first time Aunty Shirley. Hopefully I can get an autograph.”

The court was told Ballas’s niece Mary Assall, former partner Daniel Taylor and colleagues from Strictly Come Dancing and ITV’s Loose Women were also sent messages.

‘I know where you live’

On one occasion in late 2023, Shaw called Mr Taylor and told him he knew where the couple lived and described Ballas’s movements.

The court heard the 64-year-old TV star become wary of socialising and stopped using public transport.

Prosecutor Ms Daley said: “She described having sleepless nights worrying about herself and her family’s safety and being particularly distressed when suggestions were made to her that she and her mother were responsible for her brother taking his own life.”

Shaw cried and wiped away tears as he was sentenced on Tuesday.

The judge said the stalking stemmed from his mother telling him Ballas’s brother, David Rich, was his biological father.

“I’m satisfied that your motive for this offending was a desire to seek contact with people you genuinely believed were your family,” he said.

“Whether in fact there’s any truth in that belief is difficult, if not impossible, to determine.”

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Defence lawyer John Weate said Shaw had been told the story by his mother “in his mid to late teens” and had suffered “complex mental health issues” since he was a child.

He added: “He now accepts that Miss Ballas and her family don’t wish to have any contact with him and, importantly, he volunteered the information that he has no intention of contacting them again.”

Shaw, of Whetstone Lane in Birkenhead, also admitted possessing cannabis and was ordered to undertake a rehab programme.