Poor Things, Saltburn, All Of Us Strangers: Get ready for sex on screen in 2024

Published

10 months ago

January 14, 2024

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If you’ve read anything about Emma Stone’s latest film Poor Things, you’ll know the big takeaway: there’s lots and lots of sex.

Stone plays Bella Baxter, a woman who was pregnant before she died, only for a scientist to bring her back to life and replace her brain with that of the still-living baby. (Yes, you read that correctly). Bella has the mind of an infant, but the needs of a young woman discovering what life is all about.

The story of a Frankenstein-inspired sex-obsessive might sound too bizarre to work, but the film has been universally praised by critics and is already winning awards – Stone was named best actress at the Golden Globes at the weekend. And it’s not the only movie currently making headlines for its NSFW sex scenes (or not suitable for watching with your parents, as many found out the hard way over Christmas).

Filmmaker Emerald Fennell‘s class satire Saltburn features full-frontal nudity, graphic sex, and a bathwater scene that will leave you speechless, while also out this month is Andrew Scott and Paul Mescal’s All Of Us Strangers, a film that is both tender and explicit.

But is all this a turn-off for younger audiences? Age classification – the desire for a film to be seen by as many eyes possible – and changing cinematic tastes have made sex on screen something of a rarity nowadays.

Poor Things has certainly left wide-eyed critics questioning their own prurient curiosity over the sheer amount of times Stone’s character goes at it.

“I’m a producer on the film, so we definitely talked a lot about all of it,” the Oscar-winning star told Sky News. “It was very clear to me from the beginning that it was necessary because [Bella’s] not ashamed of what’s going on with her. So why would WE be?”

Sex is just one element of Bella’s experience, Stone says. “She’s soaking in everything for the first time: food, politics, philosophy, dancing, travel and, yes, sex. She’s just exploring everything and seeing what works for her… to me, it just furthers what she’s learning.”

From today’s cultural perspective, movies such as Basic Instinct or Fatal Attraction – filmed by men and centred on the desires of men – haven’t exactly aged well. And you only need to look at the ever-declining levels of nudity throughout each season of Game Of Thrones to see how attitudes towards sex, particularly women and sex, have changed even since that first series in 2011.

Stone’s co-star Mark Ruffalo, who plays Baxter’s love (or sex) interest, says sex on screen is less gratuitous than it used to be – but argues the sex scenes in Poor Things are necessary.

“That’s a big part of our lives,” he says. “You don’t see it a lot anymore. It feels a little Victorian, in a way.”

And in the last 12 months, sex on screen has made a bit of a comeback. Notably, Christopher Nolan wrote his first-ever sex scene into Oppenheimer, feeling the story necessitated it.

Saltburn, meanwhile, has divided critics, with some saying the graphic sex scenes do not make up for holes in the plot.

The bathwater scene in particular has prompted heated arguments online from those, mostly younger viewers, who argue sex on screen is inherently problematic – triggering to those who don’t want to watch it, exploitative to those made to act it out.

A recent UCLA (University of California, Los Angeles) Gen Z study found nearly half of the respondents felt sex wasn’t needed for the plot in most TV shows and films, while more than half wanted to see more platonic storylines.

Speaking to Sky News last year, Fennell disagreed with those findings: “I think that that has been blown out of proportion… I think that was quite a small study and, well, I’m not sure that it’s true.”

While the #MeToo movement prompted a more cautious approach from Hollywood to how sex was depicted, one school of thought is that what we’re seeing now are post-pandemic films born out of a desire to rip off those face masks.

“It certainly feels like a post-COVID world,” said Fennell. “That the things of the body were not allowed to be touched. The more I think about it, the more I understand that’s where it comes from.”

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Rather than gratuitous nudity for the sake of it, as a filmmaker Fennell believes it’s about using sex to widen the lens of what she can say with her stories.

“Rarely you see anything like below the shoulder blades [in Saltburn], so the sex scenes in this film are all actually our own imagination.”

If sex on screen leaves you hot under the collar, it’s time to compose yourself – because film in 2024 is getting full-on.

Poor Things is showing in cinemas, All Of Us Strangers from 26 January. Saltburn is streaming on Amazon Prime Video

Entertainment

First Glastonbury tickets sell out in 30 minutes as new booking system launched

Published

3 hours ago

November 15, 2024

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First Glastonbury tickets sell out in 30 minutes as new booking system launched

Coach tickets to Glastonbury 2025 were sold out in half an hour, organisers have said, as they roll out a new booking system for festivalgoers.

They were the first group of tickets to be sold for the world-famous festival in Somerset, which is set to take place between 25 and 29 June.

This year, fans navigated a new system to buy the tickets as they were “randomly assigned a place in a queue” instead of having to refresh the holding page once they went live.

The organisers said in a post on X: “The Glastonbury 2025 tickets + coach travel which were on sale this evening have now all been sold.

“Our thanks to everyone who bought one.”

They added that National Express services would be available to bring festivalgoers from across the country to Glastonbury.

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Standard tickets will go on sale on Sunday at 9am. Last year they were sold out within an hour.

See Tickets said in a post on X that “confirmation emails are going out now to everyone who got @Glastonbury coach tickets this evening”.

Tickets for the annual event at Worthy Farm in Somerset cost £373.50 plus a £5 booking fee, and are sold exclusively through the See Tickets website, with no third-party sellers involved.

The new ticket system has changed the way people join the booking system.

Organisers previously warned hopefuls to log in “at least a few minutes” before the sale opened today and to avoid refreshing the page.

Festivalgoers were also told not to attempt to game the system by using multiple devices.

The sale follows chaos earlier this year when tickets for the Oasis reunion went on sale, seeing a multitude of disappointed fans as well as those who felt cheated after being charged hundreds of pounds more for their tickets than was originally advertised.

Anyone wishing to buy tickets for Glastonbury must have registered by 11 November, a rule in place to avoid touting.

Entertainment

Christmas adverts – the 10 most-anticipated ads as the festive battle for customers commences

Published

9 hours ago

November 14, 2024

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Christmas adverts - the 10 most-anticipated ads as the festive battle for customers commences

With just under six weeks to go to Christmas Day, the countdown has officially begun, with all the big brands rolling out their seasonal adverts.

Becoming something of an institution over recent years, many see the festive ads as the starting pistol for their Christmas preparation/panic, despite us only being halfway through November.

And with an estimated £10.5bn spent on this year’s Xmas ads, it’s not just about inducing a fuzzy warm feeling in viewers, but also about encouraging them to put their hand in their pocket.

As we brace ourselves for festive fun, we take a swift look at this year’s bevvy of commercial offerings, as the annual battle of the Christmas adverts begins.

John Lewis

A girl called Sally falls into a clothes rack reminiscent of CS Lewis’s The Lion, The Witch And The Wardrobe, but instead of finding Narnia, she ends up in John Lewis.

Through family flashbacks we lean how much she loves her older sister, whose gift she has carelessly left it to the last minute to buy. Spoiler alert – as one would expect in an advert for a retailer, she finds a pressie.

With the retailer famous for its use of cover versions in their Christmas ads, this one is the origin story for a new cover, with a concurrent competition on TikTok to find an aspiring artist to rerecord a version, which will be featured on the Christmas Day airing and released by record label BMG too.

Waitrose

Marketed as a whodunnit – this big-budget production has a host of celebrity cameos, an intricate storyline and not one but two parts.

Comedian Joe Wilkinson, Fleabag star Sian Clifford and Succession’s Matthew Macfadyen all have a role in the ensemble, revolving around hunting down the thief of a “chilled desert”.

Being Christmas, when tensions are traditionally high, everyone has reason to have scoffed it. The culprit won’t be revealed until the second part of the ad is released, but in the meantime, activity at Kings Cross Station, in stores and on social media is set to keep the investigation very much alive.

Sainsbury’s

Sainsbury’s goes big for its advert, calling on a beloved Roald Dahl character – the BFG, or Big Friendly Giant – to travel the country with a supermarket worker called Sophie (who pleasingly is a real store employee) in the search for the perfect festive treats.

A CGI BFG procures salmon, sprouts and cheese before a bit of magic helps him whip it all up into a feast, which he then gifts to an unsuspecting family through the window.

The first ones to release their ad earlier this month, the dulcet tones of national treasure Stephen Fry wrap the action, with a call to arms to stock up in readiness for Christmas.

M&S

Another national treasure – Dawn French – is back for this one, playing both herself and a festive fairy, who gives both French and her home a make-over ready for a Christmas soiree.

French, whose multi-Christmas-dinner eating antics on The Vicar Of Dibley put her into the Xmas annals, is transformed into “the quintessential hostess” with a bit of help from her little friend.

Banking on the idea that you can never have enough of a good thing, there are six instalments of the advert running between now and the New Year. Who doesn’t like a second – or sixth – helping.

Lidl

This one pulls on the heartstrings, with a little girl inspired to give a gift to a boy who appears not to have any, after an old lady gives her some magic bells.

Directed by Oscar-winning filmmaker Tom Hooper (he directed The King’s Speech), a CGI racoon and giant gingerbread man add a little action to events around the dinner table.

But the take home message is to think about giving as well as receiving, with the return of the retailer’s toy banks scheme set up at supermarkets with the aim of donating over 100,000 toys, to ensure no child experiences a giftless Christmas.

Aldi

Kevin the Carrot is back for a ninth year running, this time trying to save the Christmas spirit from a bunch of hard-boiled humbug villains.

With the ad narrated by actor Jim Broadbent, our plucky hero braves an oven, a Mission Impossible-inspired ventilation system and Bond-esque snow jet-ski dash across the mountains, all to save Christmas.

Helped by his wife Katie, he of course pulls it off. A fan favourite, soft toys of the root vegetable are sold in stores, and this year cuddly humbugs are on sale too.

Morrisons

It’s a song and dance number from Morrisons, courtesy of their singing oven gloves performing Bugsy Malone’s You Give A Little Love.

A choir of 26 Morrisons employees gave voice to the gloves, recording their rendition of the song at the iconic Abbey Road Studios in London.

Like Lidl, the retailer pulled out the directing big guns, hiring The Greatest Showman director Michael Gracey to oversee proceedings.

Asda

Bagging the prize for the most gnome puns in one advert, Asda sees a flash mob of gnomes preparing the store for Christmas.

The resulting advert isn’t as irritating as it sounds on paper, thanks to nice performances by the two human characters in the ad – Maggie and Bill.

And as we know, Christmas is all about the merchandise, so the supermarkets are of course selling special Xmas versions of their garden gnomes to accompany their already 50-strong gnome range. Who knew?

Tesco

Tesco reminds us of those members of the family who are no longer here to join us on the big day, with a man carrying on his late grandmother’s festive tradition of baking gingerbread.

He becomes obsessed with the spicy treat, as it infiltrates every part of his day from his haircut to a trip to see the Christmas lights.

He eventually gets together with his grandad to bake a gingerbread house, revealing it to the family at lunch, thus keeping the tradition alive.

Greggs

And in the most unlikely festive cameo of the year, Greggs has enlisted Nigella Lawson to star in its first Christmas ad.

Rapturously endorsing their festive bakes, Lawson has her hands full of pasties, and her table full of take-away coffees, as she promotes the bakery’s festive-themed fare.

Whether or not you believe the 64-year-old TV chef really tucks into their sausage rolls in real life – the attention-grabbing collaboration looks like a wise move for the chain, whose sales have jumped in recent weeks as it continues its UK expansion.

Entertainment

Paul Mescal says being the star of Gladiator II as it premieres in London is ‘absolutely, wildly overwhelming’

Published

1 day ago

November 13, 2024

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Paul Mescal says being the star of Gladiator II as it premieres in London is 'absolutely, wildly overwhelming'

Gladiator II star Paul Mescal has said bringing Sir Ridley Scott’s legacy sequel to the big screen has been a “wildly… overwhelming” experience.

The star was speaking to Sky News on the red carpet at the film’s royal premiere which was attended by His Majesty the King, who had earlier hosted members of the film and TV industry at a Buckingham Palace reception.

When asked about making the move from indie films, like All Of Us Strangers and Aftersun, into one of the most eagerly anticipated films this year, Mescal said: “I’m excited to play with what the audience is expecting of me.”

“The royal audience is one thing… I think we’ve seen how an audience responded to the film, royal or not, and I think we’re excited for people to see it.”

A whole 24 years after Sir Ridley Scott’s Roman blockbuster starring Russell Crowe, Mescal plays Lucius who, much like the original, finds himself trying to win back his freedom after powerful emperors of Rome conquer his home.

With an actual-scale model of the Colosseum built for the production, the film comes with high costs and a lot of hype.

“I’m struggling with words at the moment,” Mescal admitted, taking in the occasion, having come from the champagne reception at Buckingham Palace.

“This has been an absolutely, wildly – I keep using the word overwhelming – but I think if this isn’t slightly overwhelming then I don’t know what the hell is. I’m having a great time.”

Sir Ridley explained his reason for casting Mescal was that he saw aspects of “a young Albert Finney” in him.

While the pressure is on for the sequel to do well at the box office, the director said he’s learnt how to deal with the weight of expectations over the years.

“Any film of [this] scale, it doesn’t matter how we play it down, it’s colossally stressful. You better embrace stress or don’t do the job.”

Before heading to the premiere, the King welcomed directors, actors, TV presenters, stunt performers and costume designers at the palace to mark the centenary of the Film and TV Charity, of which Charles has become patron.

Sir Ridley, actor Joseph Fiennes, actress India Amarteifio from the hit Netflix show Queen Charlotte, and TV presenter Claudia Winkleman were among the celebrities who attended the event.

Gladiator II is in cinemas on 15 November.