Goldie Hawn’s character in The First Wives Club summed it up best: “There are only three ages for women in Hollywood: babe, district attorney, or Driving Miss Daisy.”
That was almost 30 years ago, but we’re still having the conversation.
A land of airbrushed perfection, Hollywood has always had an issue with ageing – reflected in who wins what at the big awards. For decades, there has been an age disparity between Oscar-winning actors and actresses, with veteran male stars feted, while for women it has typically been the younger “ingenues” collecting the gongs.
There has been much talk of change in the industry in recent years – but is it actually happening?
Sky News analysis of the Oscars acting categories across 10-year periods shows there has typically always been a gap between the average age of female winners and male winners.
However, following the results at recent ceremonies – cemented with wins for Everything Everywhere All At Once stars Michelle Yeoh (now 61) and Jamie Lee Curtis (now 65) in 2023 – the average age gap closed for the first time last year.
What happens if you look at single years?
The graph above shows the average ages during 10-year periods to show when trends emerge, but taking single years into account the difference has often been even starker.
In 2000, for instance – the age gap between the then 25-year-old Hilary Swank (best actress) and 24-year-old Angelina Jolie (best supporting actress) was small. But in the equivalent male categories, the gap was almost 30 years – between Kevin Spacey (40 at the time, best actor) and Michael Caine (then 67, best supporting actor). This means that, across both the male and female categories that year, the average age gap was 29 years.
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In 2013, the average age gap was 29.5 years, with Jennifer Lawrence (22 at the time) and Anne Hathaway (30) winning the female acting awards, and Daniel Day-Lewis (55) and Christoph Waltz (56) picking up the trophies for the men.
That’s not to say this doesn’t occasionally happen the other way around. In 1990, the acting age gap was 29 years but this time with the female average the higher number. The winners? Daniel Day-Lewis and Denzel Washington (then aged 32 and 35); Brenda Fricker (45) and Jessica Tandy (80) – for, interestingly, her performance in Driving Miss Daisy.
In 95 years of the Oscars, this is the only time the female average age has been more than 20 years higher than the male average age – something that has happened 14 times the other way round. Hawn really did have a point.
Perhaps unsurprisingly, the honouring of older men and younger women was all particularly prevalent in the 1990s and 2000s; in the 20 years from 1990 to 2009, the average age of female winners was higher than the male winners on just three occasions.
But in the last 10 years, there have been five years when the female average age has been higher, and five years when the male average age has been higher.
Equality!
Well, not quite. If things go as predicted this year then the two male winners will be on average about 16 years older than the two female stars – but then again, last year, the average age for the women was nine-and-a-half years more than that for the men.
It’s too early to say for definite that Hollywood has turned a corner – but the data certainly shows promise following years of conversations about the need for improving and diversifying roles for women of all ages on screen.
‘In the ’60s, I never saw another woman’
Jodie Foster was just 12 when she controversially starred as a child prostitute alongside Robert De Niro in Martin Scorsese’s Taxi Driver in 1976 – the film that earned the star her first Oscar nomination, for best supporting actress, at 14, and made her one of the youngest nominees ever.
She went on to win the Academy Award for best actress twice, for The Accused and Silence Of The Lambs in 1989 and 1992 – both before she was 30 – and is now, more than 30 years later, up for best supporting actress once again for her performance in Nyad. The film stars Annette Bening (nominated for best actress) as endurance-swimmer Diana Nyad, who at 60 decided to re-attempt the punishing 110-mile swim from Cuba to Florida which eluded her in her youth, and Foster as her friend and trainer Bonnie Stoll.
Foster, 61, says the industry has come “a long way” since she started out starring in adverts as a child in the 1960s. “I’ve been in the business for 58 years,” she tells Sky News. “When I first started in the ’60s, I never saw another woman… sometimes it was the lady who played my mom, or sometimes a make-up artist, but for the most part it was really just an entirely male environment.
“That’s changed, little by little by little, with [female] technicians coming in and female producers and now, really just recently for the United States, women directors. That was the last bastion of change, where we now have more women directors… I have seen that change, for sure.”
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‘It was an entirely male environment’
The actress has most recently been seen in the latest season of the hit series True Detective, in which she stars as a police chief alongside Kali Reis as a state trooper, investigating mysterious disappearances from a research station in Alaska.
After “playing strong women my whole life”, Foster says two female characters leading a show should not be headline news – but what has changed for women on screen is the way characters are developed. “The world of complexity hasn’t always been reserved for women. We were ‘the mother of…’, ‘the sister of…’, ‘the prostitute’, you know. It has taken a lot of work by women to flesh out female characters in the industry over time.”
‘You don’t pay us as much – but we still have some clout’
British actress Olivia Colman, who won the Oscar for best actress in 2019 for her portrayal of Queen Anne in The Favourite, and can currently be seen starring in mystery comedy Wicked Little Letters, says things are getting better but there is still a way to go – when it comes to roles and pay.
“Let’s fight for that journey,” she tells Sky News. “Over half the world’s population is women. We are interested in seeing ourselves reflected in stories, as all people are – wherever you’re from, you want to see yourself reflected in a story.
“I don’t stop watching telly once I’m 31, or films or stories or theatre, I still want to watch. And although you don’t pay us as much, we still have some clout. So – don’t underestimate women!”
‘More great roles – and not just for Meryl Streep’
Film critic Anna Smith, co-host of the Girls On Film podcast, says there has been a history of Hollywood casting younger women alongside older male stars.
“Whereas you can be a sexy George Clooney getting older, women – even in their 40s – can struggle to get work. I know some actresses that say when they reach a certain age, there’s a couple of decades where they’re a bit stuck because they either play the mum role or they have to wait and play the grandmother role. There aren’t as many meaty roles for women of all ages as there should be – and when they do happen, sometimes the older roles, they can be very cliched.”
However, Smith thinks that while there is still more work to be done to level the playing field, there has definitely been a shift in the last decade – and since the rise of the #MeToo and Time’s Up movements especially.
“We are seeing more great roles for older actresses and a variety – not just Meryl Streep, you know, there’s a little bit more out there for everybody. You look at Frances McDormand in Nomadland [in 2021]… she gives a wonderful performance and [it was] great to see that recognised at the Oscars and many other ceremonies.”
There is one thing she points out about Everything Everywhere All At Once, though. “The central role was originally conceived for Jackie Chan, and then they flipped it. And what you actually often find in recent years, when you get a film that is recognised well at the Oscars etc, when it’s a strong female character, a complex female character, it was often planned for a man…
“I have mixed feelings about that. On the one hand – great that people are open-minded enough now to go, hang on a minute, let’s just check our bias here, why is this role going to a man when it could go to a woman? That’s great, to challenge your bias, but at the same time, that does suggest complex roles for women aren’t being written specifically for women.”
So what needs to be done?
“I think there needs to be more investment in independent film and also people keeping an eye on the Hollywood machine,” says Smith. “Anyone working in the diversity area within big studios, I think, has got a real influence and the potential to make a change.
“The more people of different ages and ethnicities and backgrounds who are working in film and keep an open mind and are challenging their own biases, the more interesting and complex older characters we get. But I would also love to see people judging women less by their looks. I think there’s a real issue still in Hollywood, where some women feel pressured to have cosmetic surgery at a certain age in order to conform to some kind of unrealistic beauty standards.
“I think it’s a problem that is hopefully going away slightly, because you do look at the likes of Jamie Lee Curtis and she looks like an ordinary woman of her age, which is incredible. I would like to see more of that.”
In the Oscars acting results of recent years at least, it does feel like Hollywood has moved on from the ages of babe, district attorney and Driving Miss Daisy only.
Now Tinseltown just has to continue allowing women to grow old on screen, gracefully or otherwise – exactly the same as the men.
Top Boy, Happy Valley and The Sixth Commandment are the big winners at this year’s BAFTA TV Awards, taking home two prizes apiece.
The final season of the critically acclaimed Netflix series Top Boy was named best drama, with star Jasmine Jobson also named best supporting actress for her portrayal of Jaq Lawrence.
Happy Valley picked up the award for most memorable moment, the only prize voted for by the public, while star Sarah Lancashire was named best actress once again for her portrayal of no-nonsense police sergeant Catherine Cawood – after first winning the prize for the role in 2017.
The Sixth Commandment picked up the awards for best limited drama and best actor for its star, Timothy Spall.
Despite leading the nominations race with eight nods in total, royal drama The Crown left empty-handed.
‘You changed my life’
Crime drama Top Boy follows the lives of Sully (Kane “Kano” Robinson) and Dushane (Ashley Walters) and deals with themes of crime, drugs and violence on the Summerhouse estate in Hackney, east London.
Picking up the best drama award ahead of Happy Valley, Slow Horses and The Gold, producer Charles Steel paid tribute to stars Walters and Robinson.
Jobson also took the chance to tell the BAFTAs audience: “I just want to say I am the woman who has been standing in a group full of men, you have shown me what it is to be strong and independent and how important it is to stand out in a crowd full of people where it’s easy to be invisible.
Yorkshire-based crime drama Happy Valley was another show that came to an end in 2023, bringing to a close the story of Sgt Cawood and Tommy Lee Royce (James Norton), the criminal who destroyed her family.
Accepting the award for best actress, Lancashire said it was an honour to win and praised Sally Wainwright, the writer and creator of the show.
“I would like to acknowledge my fellow nominees and their tremendous work,” she said. “Sally Wainwright, I shall forever be grateful to you for this opportunity.
“I feel very, very privileged to have been surrounded by these brilliant actors and I thank each and every one of you.”
The series also won the memorable moment award for her character’s explosive final kitchen showdown with Royce, beating fellow shortlisted moments including David Beckham teasing wife Victoria about her “working class” roots in the Beckham documentary, and Logan Roy’s death in Succession.
‘Look it up on IMDB’
Picking up the leading actor award for The Sixth Commandment, a true crime drama exploring the murders of Peter Farquhar and Ann Moore-Martin in Buckinghamshire in 2014 and 2017, as well as the subsequent investigation and trial, veteran British star Timothy Spall joked: “Look it all up on IMDB and you will see who was involved because to each and every soul of them, they are brilliant.”
He continued: “Acting is a stupid thing, it’s a soppy old thing, standing up pretending to be someone and p*ssing around in costume. Sixty-seven and you think ‘am I still doing this?’
“But sometimes you get the chance to play people that have had a terrible thing happen to them and all they wanted was love, and it’s a beautiful thing to be able to tell a story about that. It’s about crimes but it’s also about love.”
Looking at his award, he added: “I’ve always wanted one of these. I’m just so pleased to be amongst you lot.”
Elsewhere, Matthew Macfadyen won in the supporting actor category for his performance in the final series of Succession, the conclusion of the drama about the struggle for power in a media dynasty, while Strictly Come Dancing won the best entertainment prize in its 20th year on the air.
Tess Daly, who co-hosts with Claudia Winkleman, described the win as “the best birthday present”.
Squid Game: The Challenge was named best reality TV series, while last year’s Eurovision Song Contest won the award for live event coverage.
And there was a surprise in the international category, when French series Class Act beat huge shows including The Bear and Succession.
Comedy prizes include the hosts
In the comedy categories, Mawaan Rizwan won the award for best male performance for his role in Juice, about a young gay man who desperately wants to be the centre of attention as his family continuously steals his thunder, while Gbemisola Ikumelo won the female performance award for Black Ops.
Accepting his award, Rizwan said: “Thank you to my therapist – we had a conversation last week where we said I had to stop relying on external forms of validation.”
There was even an award for the ceremony hosts, comedians Rob Beckett and Romesh Ranganathan, who took home the comedy entertainment prize for Sky show Rob And Romesh Vs.
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Former Play School children’s presenter Baroness Floella Benjamin was presented with BAFTA’s highest honour, the Fellowship, by newsreader Clive Myrie, while daytime TV queen Lorraine Kelly was also honoured with a special prize, presented by Succession’s Brian Cox.
“Don’t pull up the ladder” to those from working-class backgrounds, Kelly told the crowd as she accepted her prize.
The ceremony also paid tribute to the stars of TV we have said goodbye to in the past year, including talk show host Sir Michael Parkinson, Lord Of The Rings actor Bernard Hill, newsreader George Alagiah, Hairy Biker Dave Myers, film and TV director Roy Battersby and Friends star Matthew Perry.
Israel’s prime minister has paid tribute to the country’s Eurovision performer – as Ireland’s contestant continues to criticise organisers and an Israeli broadcaster.
Israel’s Eden Golan was clapped, cheered, booed and jeered when she took to the stage to perform her song Hurricane at the Malmo Arena in Sweden.
Despite only scoring 52 points from jury votes, the 20-year-old finished in fifth place after receiving an audience score of 323 points – including 12 points from the UK’s public vote.
Ms Golan told Sky News she was “over the moon” with the result and had ignored all of the controversy surrounding her performance.
On Sunday, Israeli Prime Minister Benjamin Netanyahu spoke to Ms Golan and said she had brought “honour” to the country.
He said: “They booed you and we shouted ‘douze points’.
“I saw that you received almost the highest number of votes from the public and this is the most important thing, not from the judges but from the public, and you held Israel’s head up high in Europe.
“You have brought immense pride to the state of Israel and the people of Israel. Congratulations.”
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Israel’s participation left the event struggling to maintain its apolitical stance
Ms Golan responded that she was “proud to have the privilege” of representing Israel.
She added: “We accomplished the impossible and it was a great privilege.
“I felt our country’s love and everyone’s support, and it was unforgettable.”
Meanwhile, Bambie Thug has accused the contest’s organisers of not supporting Ireland over a row with Israel.
The “ouji pop” star secured a sixth place finish with their song Doomsday Blue in Ireland’s first grand final of the music event since 2018.
The performer, who is non-binary and uses they/them pronouns, has been outspoken about their pro-Palestinian views and has accused Israeli broadcaster Kan of a rule break.
They said they have been waiting to hear back from the European Broadcasting Union (EBU) about what action would be taken against Israel – in hope that “next year they won’t be able to compete”.
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Bambie Thug rounded off their performance saying ‘love will always triumph hate’
Bambie Thug – who missed a dress rehearsal amid the row – accused the EBU of allowing Ireland to be “scapegoats”.
They said: “They waited to the last minute, we still haven’t gotten statement back to us, allowed us to be scapegoats, allowed us to be the spokesperson for standing up for ourselves.
“And yeah, the broadcaster has disobeyed the rules and I hope next year they won’t be able to compete because of that.”
Bambie Thug also spoke of pressure and stress behind the scenes, but said they were proud of Switzerland’s non-binary performer Nemo for winning, adding: “I just want to say we are what Eurovision is. The EBU is not what the Eurovision is.
“F*** the EBU, I don’t even care anymore. F*** them.”
The EBU has been contacted for comment.
The UK’s Olly Alexander has also broken his silence after placing 18th in the competition with his song Dizzy.
Although the Years & Years singer received 46 points from the jury, he was awarded zero points in the public vote.
On Instagram on Sunday, he shared a post from the official Eurovision account announcing Switzerland as the winner, adding: “Nemo! You did it! I’m so, so proud of you.
“It’s been such an honour to be on this journey with you. You broke the code!”
This year’s BAFTA TV Awards ceremony is under way, with stars hitting the red carpet ahead of the ceremony this afternoon.
Happy Valley, The Gold, Slow Horses and Top Boy are the four shows battling it out to be named best drama, while stars including Brian Cox, Sarah Lancashire, Kane “Kano” Robinson, Dominic West, Sharon Horgan, Helena Bonham Carter, Bella Ramsey and Steve Coogan are among the big names in the running for acting awards.
The ceremony will be hosted by comedians Rob Beckett and Romesh Ranganathan and takes place at London’s Royal Festival Hall on the Southbank this afternoon, before being broadcast this evening.
Here are the pictures from the red carpet as they come in.