“One, two, three, four – let me hear you scream if you want some more…”
Anyone who got within a sniff of a dancefloor in the mid-noughties will know the lyrics, the hypnotic electro beat, possibly the gymnastics-inspired video typical of chart-friendly club tracks of the era (because if it didn’t look like a sexy work-out, were you even making dance music?)
Twenty years later, it’s happening all over again. Princess Superstar’s Perfect returned to the charts in the UK earlier this year – and entered the Billboard chart in the US for the first time ever – thanks to its part in the viral film Saltburn.
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“I was like, oh sh*t, that’s my song,” Princess Superstar, aka Concetta Kirschner, tells Sky News, chatting on Zoom on an early morning call from LA. After Saltburn’s release, Perfect was suddenly all over TikTok and Instagram. “I mean, [the filmmakers] had asked for it, but I had no idea what it was going to become.”
Back in the day, it was the mash-up of Perfect with Exceeder, the electro house track by Dutch DJ and producer Mason, which became a hit, and it’s this version again that has found a new audience in the 2020s.
It isn’t the only song revived by Saltburn, which is set around Oxford University in 2006 and features a range of nostalgia-fuelled hits for those of a certain age – from MGMT’s Time To Pretend and The Killers’ Mr Brightside, to Girls Aloud‘s Sound Of The Underground and Flo Rida’s Low. Sophie Ellis-Bextor‘s Murder On The Dancefloor, which soundtracks the final very naked scene (avoid at work/with your parents), rose to number two in the UK chart once again some 22 years after its release.
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With the entire back-catalogue of pretty much every song ever recorded now available at a phone swipe, it’s a phenomenon that has been happening more and more in recent years – most notably with Kate Bush’s Running Up That Hill topping the chart for the first time ever in 2022 (37 years after its release – a record) thanks to its use in a particularly memorable scene in the hit sci-fi series Stranger Things.
And like Ellis-Bextor, British noughties stars Natasha Bedingfield and David Gray have also seen some of their biggest hits resurrected in recent months; Bedingfield’s 2004 track Unwritten entered the charts again for the first time in 19 years – all thanks to the Sydney Sweeney rom-com Anyone But You – while Gray’s Babylon has become a TikTok favourite.
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‘I sort of faded away – now I’ve got record deals coming at me’
Image: Princess Superstar’s dance track Perfect is a hit once again. Pic: Joseph Cultice
For Princess Superstar, the noughties female rapper known for her raunchy lyrics, now married and a mum to a 12-year-old, Perfect (Exceeder)’s newfound popularity isn’t just a nice passing trend – it has relaunched her career. “I never stopped making music, it’s just it never was really popular [anymore], I sort of faded away,” she says. “And then I had a baby and things slowed down.”
The singer, also known for her 2002 track Bad Babysitter, describes Perfect’s second-time-around success as “akin to winning the lottery” for a musician. “I’ve got record deals coming at me, and tours, and all the things I used to do are back again.”
When she was asked if her song could be used in Saltburn, she says she didn’t think about it too much. “I remember not really recognising any of the actors’ names, except for Richard E Grant.” She didn’t get a “tonne of money” for it at the time, she laughs, but she never expected to. “It’s fun to say that because you just think, oh, okay, that’s a cool thing to do, having no idea it would completely relaunch my career.”
Image: Saltburn, starring Barry Keoghan, has revived a number of classic noughties hits. Pic: MGM/Amazon Studios
Now, she says, she owes writer and director Emerald Fennell a thank you, maybe a fruit basket, Hollywood-style. “I’ve been making music for 30 years, I started in 1995, and I’ve never been on the Billboard charts in the US [until now],” she says. “It’s only ever been the UK and Europe that really embraced me.”
Perfect has now also been remixed by David Guetta, one of the most successful DJs of all time, and her social media sites are filled with appreciation – from young fans who have only just discovered it to those who loved it the first time around. “Back when I was famous last, we only had MySpace – I was everybody’s MySpace song, that’s what they say in the comments of my TikTok. What an amazing world we live in today… that music distribution can happen that way.”
She is pleased for Ellis-Bextor, too. “How amazing – ladies in our 40s and 50s, getting to have that success in pop music is really rare. I love it because I feel like it helps normalise ageing.”
It’s Murder On The Dancefloor… again
Image: Sophie Ellis-Bextor’s Murder On The Dance Floor charted at number two in 2001 – and again earlier this year. Pic: Laura Lewis
Ellis-Bextor, who had already enjoyed a revival in recent years thanks to her kitchen discos held online during the pandemic lockdowns, is now even closer to national treasure status. At the BAFTAs earlier this month, she performed Murder On The Dancefloor in front of A-listers including Margot Robbie, Ryan Gosling and Bradley Cooper.
Like Princess Superstar, she didn’t know much about how the song would be used in Saltburn until she saw it. “I knew it was going to be all of the song and none of the clothes, and that was about it,” she told Sky News on the BAFTAs red carpet. “Naked dancing, count me in!”
Fennell chose songs that perfectly tap into the nostalgia of the era, Ellis-Bextor added. “Music’s so clever, isn’t it? There’s nothing else like music that can transport you through time.”
And unlike some artists who get bored of their decades-old hits, the singer says she has always been on “good terms” with hers. “So for me, this is like an old friend taking me out for another spin… I mean, TikTok wasn’t around when it came out first time around. It’s a real privilege to see how people are interacting with my music. Long may it continue.”
So why is this happening now?
Image: Wham!’s Last Christmas returns to the charts every December – and finally made Christmas number one in 2023
The obvious answer to that question is streaming, and streams being accepted by Official Charts in the UK. But while the resurgence of older tracks does seem to be happening more and more, it isn’t a completely new phenomenon.
“I’m old enough to remember in the 1970s there was a song by Laurel and Hardy which got into the charts called The Trail Of The Lonesome Pine, and that was from one of their films from about 40, 50 years before,” says Martin Talbot, chief executive of Official Charts. “And the first single I ever bought, in fact, was a single by The Goons called The Ying Tong Song, which was re-released in the early ’70s but actually was originally recorded in the 1950s.”
Both tracks became popular once again after being picked up by radio presenters, he says – so much so that the records were repressed and re-released.
“The difference now, and what makes it exciting now and why it gets so much attention, is because these days it’s instantaneous… If you go back to pre-digital, you would have to find a record shop, hope they had something in stock you wanted, then you’d have to buy it and take it home [to play]. There was a big delay with all this stuff.”
Image: Kate Bush topped the charts with Running Up That Hill in 2022, decades after the song was first released
Official Charts first started accepting streaming for singles in July 2014, with 100 audio streams equating to one single purchase, and for albums in March 2015. Video downloads and streams were added for singles in 2018, and in January 2023 for albums.
Since then, more and more older Christmas classics have returned each December – with Wham!’s Last Christmas finally charting at number one for the first time in 2020, and at Christmas number one for the first time last year. It also happens now following the deaths of very famous stars.
This still happened, pre-digital, Martin says – it just took a bit longer. “When Elvis died in 1977, and when John Lennon died in 1980, it took a few weeks, two or three months in some cases, for the old tracks to come back into the charts again, because none of those records were available [immediately].
“[Pre-digital] that demand would have to persist and would have to remain for some time for a record label to get around to pressing the vinyl again, pressing the CD, getting into shops. There was a big commitment upfront and investment required to respond to the demand.”
Never Gonna Give Him Up: The revival of Rick Astley
Image: Rick Astley made his debut on the Pyramid stage at Glastonbury in 2023. Pic: Sky News
For living artists, or former artists, if their songs get picked up in films or TV shows they can then go viral on social media. And if it’s viral enough it can mean a career revival, as it has for Princess Superstar. Take Rickrolling – the internet phenomenon which started in the mid-noughties, with links posted online for one thing, but unexpectedly directing those who clicked to a video of Rick Astley’s Never Gonna Give You Up instead.
“Rick Astley suddenly came to everybody’s attention for the first time in quite a long time and suddenly became cool with a generation of fans,” says Martin. “With all due respect to Rick Astley – and he would admit this himself – he wasn’t thought of as cool when he first broke through.”
This led to a full Ricknaissance when, last year, the musician performed on the Pyramid Stage at Glastonbury – showing off his talents by throwing in Harry Styles’ As It Was and drumming to AC/DC’s Highway To Hell among his own hits – before performing a surprise set of Smiths covers with Blossoms.
Now, in an era in which pop is embraced, music is less tribal, and Astley’s talents as a musician are obvious, he has become an icon. “I think music is way less separate and people’s tastes are way more eclectic [now],” Astley told Sky News before his Glastonbury set last year. “I think they’re quite as happy to go and see the biggest rock band in the world, then go and see Elton on the last night, maybe catch someone like myself, you know, at 12 o’clock.”
On the flip side, all this makes it much harder for new artists to break through, says Martin. A rock act today, for example, is competing not just with their contemporaries, but with the greatest of all time, from Deep Purple and Led Zeppelin to Foo Fighters and Queens Of The Stone Age. However, despite the resurgence of old hits becoming more common, the charts boss says he cannot ever envisage a time when the entire Top 40 is made up of them.
“The charts, particularly the singles chart, is all about the youth audience, and every young person wants their own thing,” he says. Because what teenager doesn’t enjoy the rebellion of turning up loud that new band or artist loathed by their parents?
“Absolutely – and so it should be,” says Martin. “That’s what it’s all about.”
Seven years after allegations against him first emerged online, Harvey Weinstein is back in court.
When the accusations surfaced in late 2017, the American actress Alyssa Milano tweeted: “If all the women who have been sexually harassed or assaulted wrote ‘Me too’ as a status, we might give people a sense of the magnitude of the problem.”
This gave birth to what we now know as the #MeToo movement and a flood of women – famous and not – sharing stories of gender-based violence and harassment.
Weinstein, 73, was jailed in 2020 and has been held at New York’s notorious Rikers Island prison complex ever since.
On 15 April, jury selection for his retrial got off to a false start, with none of the 12 potential candidates or six alternatives being deemed suitable. One, an actor, described Weinstein as a “really bad guy” and claimed he could not remain impartial. A woman also bowed out after declaring she had been the victim of sexual assault.
Once jurors are selected, the original charges of rape and sexual assault will be heard again, with opening statements and evidence due to start on 21 April.
Here we look at why there’s a retrial, why Weinstein will likely remain behind bars – and what has happened to #MeToo.
Why is there a retrial?
Weinstein is back in court because his first two convictions were overturned last April and are now being retried.
In 2020, he was sentenced to 23 years in prison after being found guilty of sexually assaulting ex-production assistant Mimi Haley in 2006 and raping former actor Jessica Mann in 2013.
Image: Miriam (Mimi) Haley arrives at court in New York in 2020. Pic: AP
Image: Jessica Mann outside court in Manhattan in July 2024. Pic: AP
But in April 2024, New York’s highest court overturned both convictions due to concerns the judge had made improper rulings, including allowing a woman to testify who was not part of the case.
At a preliminary hearing in January this year, the former Hollywood mogul, who has cancer and heart issues, asked for an earlier date on account of his poor health, but that was denied.
Image: Arriving at court for his original trial in New York in February 2020. Pic: Reuters
When the retrial was decided upon last year, Judge Farber also ruled that a separate charge concerning a third woman should be added to the case.
In September 2024, the unnamed woman filed allegations that Weinstein forced oral sex on her at a hotel in Manhattan in 2006.
Defence lawyers tried to get the charge thrown out, claiming prosecutors were only trying to bolster their case, but Judge Farber decided to incorporate it into the current retrial.
Weinstein denies all the allegations against him and claims any sexual contact was consensual.
Speaking outside court on 15 April, his lawyer Arthur Aidala, said he was “cautiously optimistic that when all the evidence is out, the jury will find that all of his relationships were consensual and therefore reach a verdict of not guilty”.
Why won’t he be released?
Even if the retrial ends in not guilty verdicts on all three counts, Weinstein will remain behind bars at Rikers Island.
This is because he was sentenced for a second time in February 2023 after being convicted of raping an actor in a Los Angeles hotel room in 2013.
Image: At a pre-trial hearing in Los Angeles in July 2021. Pic: Reuters
He was also found guilty of forcible oral copulation and sexual penetration by a foreign object in relation to the same woman, named only in court as Jane Doe 1.
The judge ruled that the 16-year sentence should be served after the 23-year one imposed in New York.
Weinstein’s lawyers are appealing this sentence – but for now, the 16 years behind bars still stand.
Has #MeToo made a difference – and what’s changed?
“MeToo was another way of women testifying about sexual violence and harassment,” Dr Jane Meyrick, associate professor in health psychology at the University of West England (UWE), tells Sky News.
“It exposed the frustration around reporting cases and showed the legal system was not built to give women justice – because they just gave up on it and started saying it online instead.
“That was hugely symbolic – because most societies are built around the silencing of sexual violence and harassment.”
Image: Women on a #MeToo protest march in Los Angeles in November 2017. Pic: Reuters
After #MeToo went viral in 2017, the statute of limitation on sexual assault cases was extended in several US states, giving victims more time to come forward, and there has been some reform of non-disclosure agreements (NDAs), which were regularly used by Weinstein.
This has resulted in more women speaking out and an increased awareness of gender-based violence, particularly among women, who are less inclined to tolerate any form of harassment, according to Professor Alison Phipps, a sociologist specialising in gender at Newcastle University.
“There’s been an increase in capacity to handle reports in some organisations and institutions – and we’ve seen a lot of high-profile men brought down,” she says.
“But the #MeToo movement has focused on individual men and individual cases – rather than the culture that allows the behaviour to continue.
“It’s been about naming and shaming and ‘getting rid’ of these bad men – by firing them from their jobs or creating new crimes to be able to send more of them to prison – not dealing with the problem at its root.”
Image: Actress Alyssa Milano tweeted about #MeToo when the Weinstein accusations surfaced. Pic: AP
Dr Meyrick, who wrote the book #MeToo For Women And Men: Understanding Power Through Sexual Harassment, gives the example of the workplace and the stereotype of “bumping the perp”, or perpetrator.
“HR departments are still not designed to protect workers – they’re built to suppress and make things go away.” As a result, she says, men are often “quietly moved on” with “no real accountability”.
The same is true in schools, Prof Phipps adds, where she believes concerns around the popularity among young boys of self-proclaimed misogynist and influencer Andrew Tate are being dealt with too “punitively”.
“The message is ‘we don’t talk about Andrew Tate here’ and ‘you shouldn’t be engaging with him’,” she says. “But what we should be doing is asking boys and young men: ‘why do you like him?’, ‘what’s going on here?’ – that deeper conversation is missing,” she says.
Image: The former film producer on the red carpet in Los Angeles in 2015. Pic: AP
Have high-profile celebrity cases helped?
Both experts agree they will have inevitably empowered some women to come forward.
But they stress they are often “nothing like” most other cases of sexual violence or harassment, which makes drawing comparisons “dangerous”.
Referencing the Weinstein case in the US and Gisele Pelicot‘s in France, Dr Meyrick says: “They took multiple people over a very long period of time to reach any conviction – a lot of people’s experiences are nothing like that.”
Prof Phipps adds: “They can create an idea that it’s only ‘real’ rape if it’s committed by a serial sex offender – and not every person who perpetrates sexual harm is a serial offender.”
Image: A woman holds a ‘support Gisele Pelicot’ placard at a march in Paris during her husband’s rape case. Pic: AP
Image: Gisele Pelicot outside court. Pic: Reuters
Part of her research has focused on “lad culture” in the UK and associated sexual violence at universities.
She says: “A lot of that kind of violence happens in social spaces, where there are drugs and alcohol and young people thrown together who don’t know where the boundaries are.
“That doesn’t absolve them of any responsibility – but comparing those ‘lads’ to Harvey Weinstein seems inappropriate.”
Dr Meyrick says most victims she has spoken to through her research “wouldn’t go down the legal route” – and prosecution and conviction rates are still extremely low.
“Most don’t try for justice. They just want to be believed and heard – that’s what’s important and restorative,” she says.
But specialist services that can support victims in that way are underfunded – and not enough is being done to change attitudes through sex education and employment policy, she warns.
“Until we liberate men from the masculine roles they’re offered by society – where objectification of women is normalised as banter – they will remain healthy sons of the patriarchy.
“We need transformative, compassionate education for young men – and young women. That’s where the gap still is.”
Body camera footage of Gene Hackman’s home has been released by authorities investigating the deaths of the actor and his wife.
The video captured by Santa Fe County Sheriff’s Office shows officers inside and outside the property in northern New Mexico, with a German shepherd barking at some points as they carry out their search.
Image: Hackman and Arakawa pictured in 2003. Pic: AP/ Mark J Terrill
The bodies of Hackman, 95, and his wife, Betsy Arakawa, 65, were found in separate rooms of their home on 26 February.
“He’s guarding her,” a male officer can be heard saying, about the dog found alive at the home. “He seems pretty friendly.”
There is another “10-7 dog” – meaning the pet is dead – “round the corner in the kennel”, the officer says.
Rat nests and dead rodents were also discovered in several outbuildings around the property, an environmental assessment by the New Mexico Department of Health revealed.
The inside of the home was clean and showed no evidence of rodent activity.
In March, a medical investigator concluded Arakawa died from hantavirus pulmonary syndrome, a rare infectious disease that can be caused by exposure to rodents.
Image: Law enforcement officials pictured outside the property in Santa Fe the day after Hackman and Arakawa’s bodies were found. Pic: AP/Roberto Rosales
According to the records now released by the county sheriff’s office, Arakawa was researching medical conditions related to COVID-19 and flu between 8 February and the morning of 12 February.
In one email to a masseuse, she said Hackman had woken on 11 February with flu or cold-like symptoms and that she wanted to reschedule an appointment “out of an abundance of caution”.
Search history on the morning of 12 February showed she was looking into a medical concierge service in Santa Fe. Investigators said there was a call to the service which lasted under two minutes, and a follow-up call from them later that afternoon was missed.
The police footage shows officers checking the home and finding no signs of forced entry or other suspicious signs.
Image: Pic: Santa Fe County Sheriff via AP
What is hantavirus?
HPS, commonly known as hantavirus disease, is a respiratory disease caused by hantaviruses – which are carried by several types of rodents.
It is a rare condition in the US, with most cases concentrated in the western states of New Mexico, Arizona, Colorado and Utah. This was the first confirmed case in New Mexico this year.
There has so far been no confirmation about any potential link by authorities between the rodents and the hantavirus disease that claimed Arakawa’s life.
Who was Gene Hackman?
Image: Pic: AP 1993
Hackman was a former Marine whose work on screen began with an uncredited TV role in 1961.
Acting became his career for many years, and he went on to play villains, heroes and antiheroes in more than 80 films spanning a range of genres.
He was best known by many for playing evil genius Lex Luthor in the Superman films in the late 1970s and ’80s, and won Oscars for his performances in The French Connection and Unforgiven.
After roles in The Royal Tenenbaums, Behind Enemy Lines and Runaway Jury in the 2000s, he left acting behind after his final film, Welcome To Mooseport.
He and Arakawa, a pianist, had been together since the mid-1980s.
Rat nests and dead rodents have been discovered on Gene Hackman’s property, after the actor’s wife Betsy Arakawa died of hantavirus – which can be caught from such animals.
The partially mummified remains of Hackman, 95, and Arakawa, 65, were found on 26 February, in separate rooms of their Sante Fe home, along with one of their dogs.
Amid the ongoing investigation, authorities have released a report detailing some of Arakawa’s last emails and internet searches, revealing she was investigating information on flu-like symptoms before she died.
A separate report by the local health department included an environmental assessment that found evidence of the presence of rats throughout many of the buildings on the late actor’s estate.
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Bodycam footage released in March
Arakawa died after developing hantavirus pulmonary syndrome (HPS) around 11 February, a pathologist said.
This is a disease that can be caught from exposure to rodents and includes flu-like symptoms, headaches, dizziness and severe respiratory distress, according to investigators.
The presence of rodents was found in several outbuildings across the property and a live rodent, a dead rodent and nests were found in three other garages.
Live traps were also said to have been found on the property.
There has so far been no confirmation about any potential link between the rodents and the hantavirus disease that claimed Arakawa’s life.
Image: Gene Hackman and Betsy Arakawa’s home in Sante Fe. Pic: AP
Last internet searches and emails
Arakawa had open bookmarks on her computer which showed she was actively researching medical conditions linked to COVID and flu-like symptoms.
She also mentioned in an email to her masseuse that Hackman had woken up on 11 February with flu-like symptoms so she would reschedule her appointment for the next day “out of an abundance of caution”.
Authorities are expected to release more information soon, including redacted police body camera footage.
The materials were released as the result of a recent court order after the Hackman estate and family sought to keep the records sealed, citing the family’s right to privacy.
The two-time Oscar winner was in the advanced stages of Alzheimer’s when he died of heart disease.
It was likely he was alone for around a week with the body of his wife after she had died first.
Dr Heather Jarrell, chief medical examiner for New Mexico, told reporters Arakawa was believed to have died around 11 February.
What is HPS?
HPS, commonly known as hantavirus disease, is a respiratory disease caused by hantaviruses – which are carried by several types of rodents.
It is a rare condition in the US, with most cases concentrated in the western states of New Mexico, Arizona, Colorado and Utah.
The New Mexico Department of Health said hantaviruses are spread by the saliva, droppings and urine of infected rodents, which in North America is most likely to be the eastern deer mouse (Peromyscus maniculatus).
The virus is often transmitted through the air when people sweep out sheds or clean closets where mice have been living, or by eating food contaminated with mouse droppings.
It is not transmissible from person to person, Dr Jarrell said.
The likelihood of death is between 38-50% and there is no cure, treatment or vaccine, but patients have a better chance of survival with an early diagnosis.