Steve Harley, best known for being the frontman of the rock group Cockney Rebel, has died at the age of 73.
The English singer and songwriter, best known for the 1970s hit Make Me Smile, was receiving treatment for cancer.
“We are devastated to announce that our wonderful husband, father and grandfather, has passed away peacefully at home, with his family by his side,” his wife, Dorothy, and children, Kerr and Greta said in a statement.
Image: Pic: PA
“The birdsong from his woodland that he loved so much was singing for him. His home has been filled with the sounds and laughter of his four beloved grandchildren.
“Stephen. Steve. Dad. Grandar. Steve Harley. Whoever you know him as, his heart exuded only core elements. Passion, kindness, generosity, and much more, in abundance.
“Steve took enormous comfort from all of his fans’ well wishes during his battle, and we know he would want to thank you all deeply for your love and support throughout his career, and during his battle to the end.”
Harley’s family said they knew the singer would be “desperately missed by countless friends, family and devoted fans all over the world”.
More from Ents & Arts
Sir Rod Stewart said he was “absolutely devastated” as he paid tribute to the musician, who he had “loved” and “admired”.
Harley helped to write a number of songs for Sir Rod, who covered Harley’s song, A Friend For Life, on his 2015 studio album Another Country.
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Along with Make Me Smile, which went to number one in the UK charts in 1975, Cockney Rebel’s hits include Here Comes The Sun, Mr Raffles (Man, It Was Mean), Love’s A Prima Donna and Judy Teen.
Earlier this year, Harley was forced to say he could not commit to any concerts in 2024 due to ill health.
He had previously cancelled shows scheduled for spring and autumn of this year.
In a Facebook post in December, when announcing his cancer diagnosis, he said cancelling the shows were “heartbreaking” and gave an update on his treatment.
Image: Steve Harley in 1974. Pic: David Stevens/ANL/Shutterstock
He also thanked fans for their support and “touching messages”, adding: “It means more than I can tell.”
Scottish musician Midge Ure hailed Harley as a “true ‘working musician'” in a tribute this afternoon.
Ure, who produced Harley’s 1982 track I Can’t Even Touch You, said in a social media post: “Steve Harley was a true ‘working musician’.
“He toured until he could tour no more, playing his songs for fans old and new.
“My thoughts go out to Dorothy and his family at this very sad time. Our songs live on longer than we ever can.”
Image: Steve Harley in 2016 during a recording of a charity single for the Jo Cox Foundation. Pic: PA
Duran Duran bassist John Taylor thanked Harley for the music and “good vibes”. The band covered Cockney Rebel’s most famous song, Make Me Smile (Come Up And See Me) and Taylor said they were “so lucky” to have Harley guest with them.
“The moment Steve entered was truly chilling, and I still remember it today. An amazing moment.”
TV presenter Lorraine Kelly also said she “loved his music” and recalled watching the band as a teenager as she paid tribute.
Meanwhile, singer-songwriter Mike Batt, who worked with Harley on several songs, described the musician as a “dear pal” and “lovely guy”.
The pair worked together on tracks including Ballerina (Prima Donna) released in 1983 and were joined by Yes lead singer Jon Anderson for the 1988 charity single Whatever You Believe.
“Oh no! My dear pal, Steve Harley has died,” Batt posted on X.
“I just found out on Twitter. I was just writing about him yesterday in my autobiography.
“What a talent. What a character. What a lovely guy. My condolences to Dorothy and all. RIP, mate.”
Born in southeast London in 1951, he spent almost four years in hospital as a child after contracting polio.
He joined the Daily Express as a trainee accountant aged 17 before working as a journalist for several regional newspapers including the East London Advertiser.
Paul Henderson, former editor of the Sunday Mirror who worked with him during this time, described him as a “great musician” and a “deep-thinking, compassionate man who wanted the best for his family and friends”.
Cockney Rebel began in the early 1970s in London after Harley spent several years performing at folk clubs in the city.
The band – after undergoing several line-up changes – released their debut studio album, The Human Menagerie, in 1973 and followed it up with 1994’s The Psychomodo which went to number eight in the UK charts.
Image: Steve Harley (centre) and Cockney Rebel in 1975. Pic: PA
The band regrouped and changed its name to Steve Harley and Cockney Rebel and it was under this moniker they released a string of albums including 1975’s The Best Years Of Our Lives, which peaked at number four.
Their biggest hit Make Me Smile has sold around 1.5 million copies and has been covered more than 120 times, including by Robbie Williams and Duran Duran, according to the Official Charts, as well as being featured in films including The Full Monty.
Harley also enjoyed a solo career from 1977 onwards and wrote for other artists, including his friend Sir Rod Stewart.
He went on to present the BBC Radio 2 show Sounds Of The 70s from 1999 to 2008.
Helen Thomas, head of BBC Radio 2, said: “All of us at Radio 2 are saddened to hear of the passing of former Sounds Of The 70s presenter, Steve Harley. We send our condolences to his family and our presenters are paying tribute to him on air.”
It’s like The Godfather, one reformed drug trafficker tells me.
The mythical gangster film centred on an organised crime dynasty locked in a transfer of power.
Communities in Scotland currently have a front row seat to a new war of violence, torture, and taunts as feuding drug lords and notorious families grapple for control of Glasgow and Edinburgh.
There have been more than a dozen brutal attacks over the past six weeks – ranging from fire bombings to attacks on children and gun violence.
Image: A firebomb attack in Scotland
Victims left for dead, businesses up in flames
Gangsters have filmed themselves setting fire to buildings and homes connected to the associates and relatives of their bitter rivals.
The main aim, they boast, is to “exterminate” the opposition.
The taunting footage, accompanied by the song Keep On Running by The Spencer Davis Group, has been plastered over social media as part of a deliberate game of goading.
Garages and businesses have gone up in flames. Shots were fired at an Edinburgh house.
Signals are being sent of who wants control of Scotland’s dark criminal underworld.
Image: A firebomb attack that saw a man throw an incendiary device through a building window
Image: The fire attack set to the song Keep On Running by The Spencer Davis Group
What’s caused the gang war?
The former director of the Scottish Crime and Drug Enforcement Agency, Graeme Pearson, explains how a “vacuum of leadership” is playing a part.
Last October, Glasgow-based cocaine kingpin Jamie Stevenson, known as The Iceman, was jailed after orchestrating a £100m cocaine shipment stashed in banana boxes from South America.
The mob leader was one of Britain’s most wanted, running his business like another on-screen criminal enterprise: The Sopranos.
The 59-year-old fugitive went on the run before eventually being hunted and apprehended by police while out jogging in the Netherlands.
Image: Jamie Stevenson. Pic: Police Scotland
Image: Pic: Crown Office
‘Old scores to settle’
But paranoia was running rife about how this notorious gangster could be brought down. Was there a grass? Was it one of their own?
It further fuelled divisions and forced new alliances to be forged across Scotland’s organised criminal networks.
It wasn’t until The Iceman case came to court that it was revealed an encrypted messaging platform, known as EncroChat, had been infiltrated by law enforcement.
It ultimately led to Stevenson pleading guilty.
Ex-senior drug enforcement officer Mr Pearson told Sky News: “It is a complex picture because you have got people who are in prison who still want to have influence outside and look after what was their business.
“On the outside you’ve got wannabes who are coming forward, and they think this is an opportunity for them, and you have got others have old scores to settle that they could not settle when crime bosses were around.”
Mr Pearson describes a toxic mix swirling to create outbursts of violence unfolding in Scotland.
He concluded: “All that mixes together – and the greed for the money that comes from drugs, and from the kudos that comes from being a ‘main man’, and you end up with competition, violence, and the kind of incidents we have seen over the past four to six weeks.”
New wave of violence ‘barbaric’
Glasgow man Mark Dempster is a former addict, dealer, and drug smuggler who is now an author and respected counsellor helping people quit drinking and drugs.
He describes the “jostle for power” as not a new concept among Glasgow’s high profile gangland families.
Image: Mark Dempster
“There is always going to be someone new who wants to control the markets. It is like The Godfather. There is no difference between Scotland, Albania, or India,” he said.
Mr Dempster suggests a shift in tactics in Glasgow and Edinburgh in recent weeks, with 12-year-olds being viciously attacked in the middle of the night.
“It is barbaric. When young people, children, get pulled into the cross fire. It takes it to a different level.
“At least with the old mafiosa they had an unwritten rule that no children, no other family members. You would deal directly with the main people that were your opposition.”
Police Scotland is racing to get control of the situation, but declined to speak to Sky News about its ongoing operation.
It has been suggested 100 officers are working on this case, with “arrests imminent”.
But this is at the very sharp end of sophisticated criminal empires where the police are not feared, there are fierce vendettas and, clearly, power is up for grabs.
Laws may need to be strengthened to crack down on the exploitation of child “influencers”, a senior Labour MP has warned.
Chi Onwurah, chair of the science, technology and innovation committee, said parts of the Online Safety Act – passed in October 2023 – may already be “obsolete or inadequate”.
Experts have raised concerns that there is a lack of provision in industry laws for children who earn money through brand collaborations on social media when compared to child actors and models.
This has led to some children advertising in their underwear on social media, one expert has claimed.
Those working in more traditional entertainment fields are safeguarded by performance laws,which strictly govern the hours a minor can work, the money they earn and who they are accompanied by.
The Child Influencer Project, which has curated the world’s first industry guidelines for the group, has warned of a “large gap in UK law” which is not sufficiently filled by new online safety legislation.
Image: Official portrait of Chi Onwurah.
Pic: UK Parlimeant
The group’s research found that child influencers could be exposed to as many as 20 different risks of harm, including to dignity, identity, family life, education, and their health and safety.
Ms Onwurah told Sky News there needs to be a “much clearer understanding of the nature of child influencers ‘work’ and the legal and regulatory framework around it”.
She said: “The safety and welfare of children are at the heart of the Online Safety Act and rightly so.
“However, as we know in a number of areas the act may already be obsolete or inadequate due to the lack of foresight and rigour of the last government.”
Victoria Collins, the Liberal Democrat spokesperson for science, innovation and technology, agreed that regulations “need to keep pace with the times”, with child influencers on social media “protected in the same way” as child actors or models.
“Liberal Democrats would welcome steps to strengthen the Online Safety Act on this front,” she added.
‘Something has to be done’
MPs warned in 2022 that the government should “urgently address the gap in UK child labour and performance regulation that is leaving child influencers without protection”.
They asked for new laws on working hours and conditions, a mandate for the protection of the child’s earnings, a right to erasure and to bring child labour arrangements under the oversight of local authorities.
However, Dr Francis Rees, the principal investigator for the Child Influencer Project, told Sky News that even after the implementation of the Online Safety Act, “there’s still a lot wanting”.
“Something has to be done to make brands more aware of their own duty of care towards kids in this arena,” she said.
Dr Rees added that achieving performances from children on social media “can involve extremely coercive and disruptive practices”.
“We simply have to do more to protect these children who have very little say or understanding of what is really happening. Most are left without a voice and without a choice.”
What is a child influencer – and how are they at risk?
A child influencer is a person under the age of 18 who makes money through social media, whether that is using their image alone or with their family.
Dr Francis Rees, principal investigator for the Child Influencer Project, explains this is an “escalation” from the sharing of digital images and performances of the child into “some form of commercial gain or brand endorsement”.
She said issues can emerge when young people work with brands – who do not have to comply with standard practise for a child influencer as they would with an in-house production.
Dr Rees explains how, when working with a child model or actor, an advertising agency would have to make sure a performance license is in place, and make sure “everything is in accordance with many layers of legislation and regulation around child protection”.
But, outside of a professional environment, these safeguards are not in place.
She notes that 30-second videos “can take as long as three days to practice and rehearse”.
And, Dr Rees suggests, this can have a strain on the parent-child relationship.
“It’s just not as simple as taking a child on to a set and having them perform to a camera which professionals are involved in.”
The researcher pointed to one particular instance, in which children were advertising an underwear brand on social media.
She said: “The kids in the company’s own marketing material or their own media campaigns are either pulling up the band of the underwear underneath their clothing, or they’re holding the underwear up while they’re fully clothed.
“But whenever you look at any of the sponsored content produced by families with children – mum, dad, and child are in their underwear.”
Dr Rees said it is “night and day” in terms of how companies are behaving when they have responsibility for the material, versus “the lack of responsibility once they hand it over to parents with kids”.
Police investigating the disappearance of a woman in South Wales have arrested two people on suspicion of murder.
Paria Veisi, 37, was last seen around 3pm on Saturday 12 April when she left her workplace in the Canton area of Cardiff.
She was driving her car, a black Mercedes GLC 200, which was later found on Dorchester Avenue in the Penylan area on the evening of Tuesday 15 April.
South Wales Police said it was now treating her disappearance as a murder investigation.
A 41-year-old man and a 48-year-old woman, both known to Ms Veisi, have been arrested on suspicion of murder and remain in police custody.
Detective Chief Inspector Matt Powell said he currently had “no proof that Paria is alive”.
The senior investigating officer added: “[Ms Veisi’s] family and friends are extremely concerned that they have not heard from her, which is totally out of character.
“Paria’s family has been informed and we are keeping them updated.
“We have two people in custody, and at this stage we are not looking for anybody else in connection with this investigation.
“Our investigation remains focused on Paria’s movements after she left work in the Canton area on Saturday April 12.
“Extensive CCTV and house-to-house inquiries are being carried out by a team of officers and I am appealing for anybody who has information, no matter how insignificant it may seem, to make contact.”