Connect with us

Published

on

Actress Marisa Abela consulted a dietician to help her safely portray Amy Winehouse in the upcoming biopic about the singer’s life.

The 27-year-old actress from Brighton said feeling “frailer and smaller” helped when depicting the Valerie singer in the upcoming film Back To Black – named after the artist’s famous album and song.

“I had help to do it safely; I consulted a dietician and was being monitored,” Abela said in an interview with Harper’s Bazaar UK.

“Feeling frailer and smaller helped – I hadn’t understood, before, how much that affects your tempo.”

Amy Winehouse Back to Black trailer
Image:
Abela in the Back to Black trailer. Pic: StudiocanalUK

“During her Frank era [her debut album released in 2003], Amy is fast and loud and boisterous with her arms, her movements are big,” she said.

“Once I started to change, I realised that you can’t physically make those same movements.

“It’s uncomfortable to sit. You’re tired, you’re hungry, you’re more exposed.”

Winehouse, who suffered from bulimia and publicly battled a drug addiction, died from alcohol poisoning in July 2011 at her home in Camden, north London, aged 27.

During filming, Abela said she felt a connection to the Grammy-winning singer, both of them having grown up in Jewish households.

Amy Winehouse leads the celebrations on stage at the 46664 concert honouring Nelson Mandela's ninetieth birthday in Hyde Park, London. Pic: PA
Image:
Amy Winehouse performing in London. Pic: PA


“The more I got to know her, the more I felt a major connection to this spiky Jewish girl from London who had a lot to say and was really quite unafraid,” the actress, whose mother is Jewish, said.

“I remembered how I felt when I was young, seeing that woman who was proud and cool, wearing a big Star of David in between a cleavage and a nice bra.

“I understood what a Friday-night dinner would look like in her home, the humour in her family.”

“I loved how effervescent she was, how huge a soul, how she just permeated any room she was in.

“But also, her relationship to her art form, and wanting to be good. That was the most important thing.”

‘My job was to get into Amy’s shoes’

The biopic is directed by 50 Shades Of Grey filmmaker Sam Taylor-Johnson, whose husband, Aaron, has recently been reported to be the next James Bond.

It follows Winehouses’ journey to fame, with “addiction” and “the relentless paparazzi” the villains.

Marisa Abela. Pic: Harper's Bazaar UK/Jem Mitchell
Image:
Marisa Abela. Pic: Harper’s Bazaar UK/Jem Mitchell

“As an actor, I think you’re making a terrible mistake when you judge a character and a character’s decisions,” Abela said.

“Of course – these are not just characters, they are real people.

“My job was to get into Amy’s shoes and her soul, and understand why she did the things she did.

“The only villains in our story are addiction and the relentless paparazzi. I’m not telling people how to feel about it.”

Read more entertainment news:
The Crown leads BAFTA TV nominations for 2024
Nickelodeon showrunner apologises after claims of abuse
Kris Jenner’s sister dies ‘unexpectedly’

At the 2008 Grammys Winehouse won record of the year, song of the year and best female pop vocal performance all for Rehab, along with best new artist, and best pop vocal album for Back To Black.

Abela, who has starred in BBC Two series Industry and Sky One drama COBRA, is the cover star of the latest issue of Harper’s Bazaar.

Back To Black will open in UK cinemas from 12 April.

Anyone feeling emotionally distressed or suicidal can call Samaritans for help on 116 123 or email jo@samaritans.org. Alternatively, letters can be mailed to: Freepost SAMARITANS LETTERS.

Continue Reading

Entertainment

Olivier Awards: US actor says ‘special relationship firmly intact’ despite Trump’s tariffs

Published

on

By

Olivier Awards: US actor says 'special relationship firmly intact' despite Trump's tariffs

British star Lesley Manville and American actor John Lithgow have won the acting categories at this year’s Olivier Awards, which recognise excellence in London theatre.

Lithgow, 79, played Roald Dahl in Giant, which is about the children’s author wondering whether to make a public apology.

While accepting his award he appeared to reference the current controversy over Donald Trump’s second term as US president.

The Conclave star quipped: “It’s not always easy to welcome an American into your midst, and at this particular moment, it’s probably a little more complicated than usual.”

He also told the audience at the Royal Albert Hall that the “special relationship is still firmly intact”, despite Mr Trump imposing tariffs on British exports to the US.

His co-star, English actor Elliot Levey, took best actor in a supporting role.

Giant was also named best new play.

Lesley Manville was best actress. Pic: PA
Image:
Lesley Manville was best actress. Pic: PA

Manville, 69, was honoured for her performance in the Greek tragedy Oedipus at the Wyndham’s Theatre.

She said she felt “emotional” while accepting her statuette because it was a production she had “felt very strongly about being” in.

Manville, who played Princess Margaret in The Crown, added that she was taking an early flight to Dublin on Monday to do some filming, and would not be getting “much sleep tonight”.

Romola Garai was best actress in a supporting role. Pic: PA
Image:
Romola Garai was best actress in a supporting role. Pic: PA

Best actress in a supporting role went to Romola Garai for her performance in The Years, based on a memoir by French writer Annie Ernaux.

Garai, whose film credits include Scoop and Atonement, was nominated in the same category for Giant.

Elliot Levey was best actor in a supporting role. Pic: PA
Image:
Elliot Levey was best actor in a supporting role. Pic: PA

Dame Imelda Staunton won a fifth Olivier, for best actress in a musical for the London revival of classic musical Hello, Dolly!

The Curious Case Of Benjamin Button won best new musical, a best actor musical award for Lark Rise To Candleford actor John Dagleish, and the outstanding musical contribution award.

The annual event was co-hosted by British singer Beverley Knight and Pose star Billy Porter.

Continue Reading

Entertainment

Pete Townshend’s Quadrophenia talked about modern masculinity before Gen Z was born 

Published

on

By

Pete Townshend's Quadrophenia talked about modern masculinity before Gen Z was born 

Despite The Who’s Quadrophenia being set over 60 years ago, Pete Townshend’s themes of identity, mental health, and modern masculinity are just as relevant today.

The album is having a renaissance as Pete Townshend’s Quadrophenia A Mod ballet is being brought to life via dance at Sadler’s Wells East, and Sky News has an exclusive first look.

As Townshend puts it, the album he wrote is “perfect” for the stage.

Pete Townshend
Image:
Pete Townshend

“My wife Rachel did the orchestration for me, and as soon as I heard it I said to her it would make a fabulous ballet and we never really let that go,” he tells Sky News.

“Heavy percussion, concussive sequences. They’re explosive moments. They’re also romantic movement moments.”

If you identify with the demographics of Millennial, Gen Y or Gen Z, you might not be familiar with The Who and Mod culture.

But in post-war Britain the Mods were a cultural phenomenon characterised by fashion, music, and of course, scooters. The young rebels were seen as a counter-culture to the establishment and The Who, with Roger Daltry’s lead vocals and Pete Townshend’s writing, were the soundtrack.

More on The Who

Quadrophenia the album is widely regarded as an essay on the British adolescent experience at the time, focusing on the life of fictional protagonist Jimmy – a young Mod struggling with his sanity, self-doubt, and alienation. 

Townshend sets the rock opera in 1965 but thinks its themes of identity, mental health, and modern masculinity are just as relevant today.

He says: “The phobias and the restrictions and the unwritten laws about how young men should behave. The ground that they broke, that we broke because I was a part of it.

“Men were letting go of [the] wartime-related, uniform-related stance that if I wear this kind of outfit it makes me look like a man.”

Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson
Image:
Paris Fitzpatrick and Pete Townshend. Pic: Johan Persson

This struggle of modern masculinity and identity appears to be echoing today as manosphere influencers like Andrew Tate, incel culture, and Netflix’s Adolescence make headlines.

For dancer Paris Fitzpatrick, who takes on the lead role of Jimmy, the story resonates.

Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet
Image:
Paris Fitzpatrick, who takes on the lead role of Jimmy in the ballet

“I think there’s a connection massively and I think there may even be a little more revival in some way,” he tells Sky News.

“I love that myself. I love non-conforming to gender norms and typical masculinity; I think it’s great to challenge things.”

Despite the album being written before he was born, the dancer says he was familiar with the genre already.

“I actually did an art GCSE project about Mods and rockers and Quadrophenia,” he says.

“I think we’ll be able to bring it to new audiences and hopefully, maybe people will be inspired to to learn more about their music and the whole cultural movement of the early 60s.”

Read more from Sky News:
Tributes to ‘genius’ Kilmer
Richest billionaires named
Springsteen’s seven new albums

In 1979, the album was adapted into a film directed by Franc Roddam starring Ray Winstone and Sting but Townshend admits because the film missed key points he is “not a big fan”.

“What it turned out to be in the movie was a story about culture, about social scenario and less about really the specifics of mental illness and how that affects young people,” he adds, also complimenting Roddam’s writing for the film.

Perhaps a testament to Pete Townshend’s creativity, Quadrophenia started as an album, was successfully adapted to film and now it will hit the stage as a contemporary ballet.

It appears that over six decades later Mod culture is still cool and their issues still relatable.

Quadrophenia, a Mod Ballet will tour to Plymouth Theatre Royal from 28 May to 1 June 2025, Edinburgh Festival Theatre from 10 to 14 June 2025 and the Mayflower, Southampton from 18 to 21 June 2025 before having its official opening at Sadler’s Wells Theatre, London on 24 June running to 13 July 2025 and then visiting The Lowry, Salford from 15 to 19 July 2025.

Continue Reading

Entertainment

Russell Brand charged with rape and sexual assault

Published

on

By

Russell Brand charged with rape and sexual assault

Russell Brand has been charged with rape and two counts of sexual assault between 1999 and 2005.

The Metropolitan Police say the 50-year-old comedian, actor and author has also been charged with one count of oral rape and one count of indecent assault.

The charges relate to four women.

He is due to appear at Westminster Magistrates’ Court on Friday 2 May.

Police have said Brand is accused of raping a woman in the Bournemouth area in 1999 and indecently assaulting a woman in the Westminster area of London in 2001.

He is also accused of orally raping and sexually assaulting a woman in Westminster in 2004.

Please use Chrome browser for a more accessible video player

Ashna Hurynag discusses Russell Brand’s charges

The fourth charge alleges that a woman was sexually assaulted in Westminster between 2004 and 2005.

Police began investigating Brand, from Oxfordshire, in September 2023 after receiving a number of allegations.

Read more from Sky News:
Mum spared prison after son’s death
Last UK blast furnaces days from closure
Ship owner files legal claim after North Sea crash

The comedian has denied the accusations and said he has “never engaged in non-consensual activity”.

He added in a video on X: “Of course, I am now going to have the opportunity to defend these charges in court, and I’m incredibly grateful for that.”

Metropolitan Police Detective Superintendent Andy Furphy, who is leading the investigation, said: “The women who have made reports continue to receive support from specially trained officers.

“The Met’s investigation remains open and detectives ask anyone who has been affected by this case, or anyone who has any information, to come forward and speak with police.”

Continue Reading

Trending