Paul Rudd, Carrie Coon, McKenna Grace and Finn Wolfhard reprise their roles as a family and team of ghost catchers in Ghostbusters: Frozen Empire – this time in the location of the original films, New York City.
The latest addition to the movie franchise sees the original and new generation team up to protect their home from a second Ice Age.
Image: Souped up Cadillac – Ecto-1. Pic. Columbia Pictures
Here are the key things you need to know about the fourth outing of everyone’s favourite 80s ghost hunters.
Ecto-1 or Millennium Falcon?
There wouldn’t be a Ghostbusters film without the iconic Ecto-1.
In the first reboot, Afterlife, the car was found by Wolfhard’s character on the grounds of his late grandfather Elon Spengler’s farm.
Image: (L-R) Paul Rudd and Carrie Coon. Pic: Columbia Pictures
With the help of Spengler’s ghost, they repaired it and in Frozen Empire, it returns to the streets of New York.
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“I actually got to drive it, it was really unreal,” says Rudd, admitting it was a “tricky” vehicle to manoeuvre.
“It’s almost like you’re driving the [Star Wars spacecraft] Millennium Falcon.”
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The Marvel star says that despite this being his second film in the franchise, the excitement never goes away.
Image: Star of the show – Slimer. Pic. Columbia Pictures
The production used two versions of the car for Frozen Empire – remaking one with a Corvette engine for the high-speed shots.
Wolfhard says it was “insanely powerful”, but would constantly overheat and choke as they began to film a scene.
Ghostbusters cast’s friendships
Filming for the new movie took three months, and Rudd says the majority of downtime for the cast was spent together “without mobile phones”.
The Proton packs were so heavy that the crew installed pieces of wood for the cast to rest them on between takes and it gave them the perfect opportunity to get to know each other.
Image: Pic. Columbia Pictures
He says he would constantly ask for stories from the originals about the first film.
He has one stand-out memory of Ernie Hudson… his choice of treat.
“Ernie would always have those Tootsie Pops he loved – he had a real sweet tooth,” explains Rudd.
Hudson thinks it’s hilarious that that’s what Rudd remembers of him and adds it was simply to “fight the hunger urge”.
Ghostbusters and Finn Wolfhard’s directorial feature debut
In between filming for Ghostbusters: Afterlife and Frozen Empire, Wolfhard made his directorial feature debut with Hell of a Summer.
Image: (L-R) Celeste O’Connor, Finn Wolfhard, James Acaster, Logan Kim and Dan Aykroyd. Pic. Columbia Pictures
The comedy-horror premiered at the Toronto film festival in September last year.
His co-director Billy Bryk also featured in the first reboot as Zahk and the duo began writing the script during its production.
“I’m so in my head now”, says Wolfhard who thinks that going behind the camera has given him some new advantages and disadvantages when it comes to acting.
“I’ll see a scene in my head, I’ll think about what I look like in the future on screen and go, ‘God, you’re such an idiot right now’.”
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Jumping into the conversation, Rudd reassures his co-star, calling Wolfhard a “terrific actor and a great director,” but insists that the insecurity around filming never goes away.
‘It crosses a generation’
The first Ghostbusters film was released in 1984 and starred Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson.
Image: Pic. Columbia Pictures
Eddie Murphy was originally intended for the role of Winston Zeddemore but he turned it down to do Beverly Hills Cop.
The role instead went to Hudson who says people still come up to him on the street quoting his character.
Hudson tells Sky News: “In the first Ghostbusters, because the part had been cut down from what the original part was, the guys all sort of came together and gave me a lot of the really good lines.”
The most common quotes he receives are: “It’s a big Twinkie”; “If there’s a steady pay check” and “If someone asks if you’re a God, you say yes.”
Image: Director Gil Kenan, centre. Pic. Columbia Pictures
The 87-year-old actor says the franchise has always had its fans at the centre – something he believes is responsible for its continued success.
“It crosses a generation and the wonderful thing about Ghostbusters for me is you see a lot of sort of remakes or reboots or sequels, but a lot of times you get the feeling that it’s something the studio wants and not necessarily the fans, you know? But, this is one that I feel like the fans are asking for”.
Image: The Firehouse. Pic. Columbia Pictures
The American actor says he was delighted to rejoin the cast and crew for Frozen Empire.
The new Ghostbusters’ film is just under two hours long.
And it does have an after-credits scene which suggests this might not be the last we see of the franchise.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Image: Eline Van der Velden said she wanted the character to ‘have her own creative path’
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”
Irish author Sally Rooney has told the High Court she may not be able to publish new books in the UK, and may have to withdraw previous titles from sale, because of the ban on Palestine Action.
The group’s co-founder Huda Ammori is taking legal action against the Home Office over the decision to proscribe Palestine Action under anti-terror laws in July.
The ban made being a member of, or supporting, Palestine Action a criminal offence punishable by up to 14 years in prison.
Rooney was in August warned that she risked committing a terrorist offence after saying she would donate earnings from her books, and the TV adaptations of Normal People and Conversations With Friends, to support Palestine Action.
In a witness statement made public on Thursday, Rooney said the producer of the BBC dramas said they had been advised that they could not send money to her agent if the funds could be used to fund the group, as that would be a crime under anti-terror laws.
Rooney added that it was “unclear” whether any UK company can pay her, stating that if she is prevented from profiting from her work, her income would be “enormously restricted”.
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Why was Palestine Action proscribed?
She added: “If I were to write another screenplay, television show or similar creative work, I would not be able to have it produced or distributed by a company based in England and Wales without, expressly or tacitly, accepting that I would not be paid.”
Rooney described how the publication of her books is based on royalties on sales, and that non-payment of royalties would mean she can terminate her contract.
“If, therefore, Faber and Faber Limited are legally prohibited from paying me the royalties I am owed, my existing works may have to be withdrawn from sale and would therefore no longer be available to readers in the UK,” Rooney added, saying this would be “a truly extreme incursion by the state into the realm of artistic expression”.
Rooney added that it is “almost certain” that she cannot publish or produce new work in the UK while the Palestine Action ban remains in force.
She said: “If Palestine Action is still proscribed by the time my next book is due for publication, then that book will be available to readers all over the world and in dozens of languages, but will be unavailable to readers in the United Kingdom simply because no one will be permitted to publish it, unless I am content to give it away for free.”
Sir James Eadie KC, barrister for the Home Office, said in a written submission that the ban’s aim is “stifling organisations concerned in terrorism and for members of the public to face criminal liability for joining or supporting such organisations”.
“That serves to ensure proscribed organisations are deprived of the oxygen of publicity as well as both vocal and financial support,” he continued.
The High Court hearing is due to conclude on 2 December, with a decision expected in writing at a later date.
The creator of an AI actress has told Sky News that synthetic performers will get more actors working, rather than steal jobs.
AI production studio Particle6 has ruffled feathers in Hollywood by unveiling Tilly Norwood – a 20-something actress created by artificial intelligence.
Speaking to Sky News’ Dominic Waghorn, actor and comedian Eline Van der Velden – who founded Particle6 – insisted Norwood is “not meant to take jobs in the traditional film”.
AI entertainment is “developing as a completely separate genre”, she said, adding: “And that’s where Tilly is meant to stay. She’s meant to stay in the AI genre and be a star in that.”
“I don’t want her to take real actors’ jobs,” she continued. “I wanted to have her own creative path.”
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Norwood has been labelled “really, really scary” by Mary Poppins Returns star Emily Blunt, while the US actors’ union SAG-AFTRA said in a statement: “Tilly Norwood is not an actor, it’s a character generated by a computer program that was trained on the work of countless professional performers – without permission or compensation.”
Responding to the criticism, Ms Van der Velden argued that Hollywood is “going to have to learn how to work with [AI] going forward”.
“We can’t stop it,” she said. “If we put our head in the sand, then our jobs will be gone. However, instead, if we learn how to use these tools, if we use it going forward, especially in Britain, we can be that creative powerhouse.”
Ms Van der Velden said her studio has already helped a number of projects that were struggling due to budget constraints.
“Some productions get stuck, not able to find the last 30% of their budget, and so they don’t go into production,” she said. “Now with AI, by replacing some of the shots […] we can actually get that production going and working. So as a result, we get more jobs, we get more actors working, so that’s all really, really positive news.”