Black Samphire: The horror film ‘monstifying’ water pollution to share an urgent warning
Black Samphire – an environmental horror about water pollution – premiered at the buzzing Ritzy cinema in Brixton just before World Water Day – but its subject was far from the urban sprawl of south London.
Filmed in West Sussex, the modern-day monster the short film portrays is water pollution and its suffocating effect on Britain’s rivers.
Pic: Silicon Gothic
The filmmakers behind the project – Silicon Gothic co-founders Cathy Wippell and Joseph Archer – say it’s a message they felt compelled to shout about.
“Our world faces so many huge, complex, intangible problems out there, and what Silicon Gothic does is we take those problems and ‘monstify’ them, so we make them physical and understandable.”
As rivers around the country are polluted by sewage, caused in part by a changing climate and extreme weather patterns, it offers a timely message.
A keen open-water swimmer, Wippell – who is both the co-star and author of the film – was inspired to write it after stretches of water she was once able to swim in in her home county were closed off due to rising water toxicity levels.
Wippell tells Sky News: “It’s not something that’s really obvious when you look at a river and you don’t really see what’s sort of lurking under the surface. So, to make something like that tangible and like a threat was really important with the story.”
And the production’s eco-credentials ran deeper than just its storyline, with two beach cleans during pre-production to help raise funds and a strict sustainability policy practiced throughout the shoot.
The production company has pledged to carry out at least one climate positive action per film, not only trying to complete a swifter shoot and produce less waste, but proactively trying to fix damage already caused.
Pic: Silicon Gothic
All cast and crew were asked to sign a green rider ahead of the shoot, detailing the sustainability measures in place on set and basic conduct measures, including bringing a refillable water container to set and agreeing to separate rubbish.
Pass it on, don’t burn it
All meals available on set were vegetarian or vegan, and in place of plastic-wrapped crisps or cereal bars, over 160 flapjacks were homebaked for the shoot.
In the spirit of a “circular production”, assets from bigger TV and film productions were re-used for the shoot, and after wrapping, items were passed on or donated onwards.
Archer admits items from fast turnaround movies and shows are sometimes burned rather than passed on – a crying shame amid a cost of living crisis and pressing concerns around overconsumption of the world’s resources.
Pic: Silicon Gothic
Even the month of the shoot – October – was chosen to ensure that no birds were nesting in the marshes, with priority given to the natural cycle of the marshland, not to the film production.
‘Forget trailer sizes – it doesn’t matter’
Fittingly for a film commenting on the damaging effects of over-consumption of resources, battery-powered generators, rather than traditional gas ones were used as well as LED lights over fluorescent lights in an attempt to be more efficient.
Australian actor Ishtar Currie-Wilson, who stars in the film alongside Wippell, tells Sky News it was a joyful production to work on.
She explains: “The green rider was really refreshing to me, I think because it’s really small, simple, actionable changes. And I think from an individual and like an actor’s perspective, it’s something that we can bring on to all other sets moving forward.”
Pic: Silicon Gothic
The First Omen star goes on: “I know on big productions, there are conversations about trailer sizes and things that really don’t matter. But you can make little changes and it feels quite good as an actress to be able to have control over the variables.”
National treasure Stephen Fry
Comparing it to other jobs, Currie-Wilson says: “After being on this project, I went and did reshoots for a bigger project and was completely aware of my, just single use plastics. So, I made sure that I had a keep cup and my water bottle, and I kind of looked into the past of how much waste I personally would use on a set without thinking about it.”
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Another element in the film is actor and comedian Stephen Fry, who voices an unseen character – a less than supportive media boss.
Describing him as an “absolute delight”, Wippell says his involvement “made a massive difference”, with the recognition and gravitas of his voice “really adding something to the film”.
A micro-budget film with big ambitions, the part-crowdfunded project hopes it will set an example to larger studios.
Setting an example to other studios
Pic: Silicon Gothic
Wippell explains: “It’s so important to do these things at a smaller indie level because it holds the bigger companies accountable as well for their own sustainability measures on their sets. If we can do it with this amount of money, [they] can do it with millions of pounds.”
Away from its eco-credentials, the 13-minute production uses its short screen time to lay bare the plight of our precious river habitats.
The equivalent of more than 1,270 years of raw sewage has been dumped into Britain’s rivers, lakes and seas since 2016, according to Environment Agency data.
But despite hitting the headlines, both water companies and regulators seem slow to take action.
Pic: Silicon Gothic
Campaigning group River Action UK, which partnered with the production, hope those in charge will now sit up and take notice.
‘Delving down into the murky depths’
James Wallace, chief executive of River Action UK, who came on board during production to executive produce the film, says that while they’d previously used animation and short documentary films in their work, this was the campaigning group’s first venture into the world of horror.
He told Sky News: “I couldn’t resist [the film]. It delves down deep into the murky depths of what’s going on in our rivers when it comes to sewage pollution, agricultural pollution, other nasties that lurk in our water.”
He goes on: “It’s going to tell a very powerful story, one that’s going to be really hard to ignore if you’re a politician, if you’re a polluter, or if you’re a member of the public. Hopefully this will really get into the heart of what’s going on in this world.”
Pic: Silicon Gothic
But decades of underinvestment in the sewage and water systems, mean it’s an issue no one seems quite ready to deal with head on.
With the clock ticking as dirty water is pumped into seas and rivers, this green tale about dark forces, strives to highlight the potential horror story flowing through our waterways, and the consequences of ignoring the signs.
Watch the full interview on The Climate Show with Tom Heap, Saturday and Sunday at 3.30 and 7.30pm on Sky News.
Black Samphire is now being developed into a full-length feature film. For more info on the project’s progress visit @blacksamphire on Instagram.
The Salt Path author Raynor Winn’s fourth book has been delayed by her publisher.
It comes amid claims that the author lied about her story in her hit first book. Winn previously described the claims as “highly misleading” and called suggestions that her husband had Moth made up his illness “utterly vile”.
In a statement, Penguin Michael Joseph, said it had delayed the publication of Winn’s latest book On Winter Hill – which had been set for release 23 October.
The publisher said the decision had been made in light of “recent events, in particular intrusive conjecture around Moth’s health”, which it said had caused “considerable distress” to the author and her family.
“It is our priority to support the author at this time,” the publisher said.
“With this in mind, Penguin Michael Joseph, together with the author, has made the decision to delay the publication of On Winter Hill from this October.”
A new release date will be announced in due course, the publisher added.
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Winn’s first book, released in 2018, detailed the journey she and husband took along the South West Coast Path – familiarly known as The Salt Path – after they lost their family farm and Moth received a terminal health diagnosis of Corticobasal Degeneration (CBD).
But a report in The Observer disputed key aspects of the 2018 “true” story – which was recently turned into a film starring Jason Isaacs and Gillian Anderson.
Raynor and husband Moth (centre) with actors Jason Isaacs (L) and Gillian Anderson (R). Pic: Steve Tanner/Black Bear
Experts ‘sceptical of health claims’
As part of the article, published last weekend, The Observer claimed to have spoken to experts who were “sceptical” about elements of Moth’s terminal diagnosis, such as a “lack of acute symptoms and his apparent ability to reverse them”.
In the ensuing controversy, PSPA, a charity that supports people with CBD, cut ties with the couple.
The Observer article also claimed the portrayal of a failed investment in a friend’s business wasn’t true, but said the couple – whose names are Sally and Tim Walker – lost their home after Raynor Winn embezzled money from her employer and had to borrow to pay it back and avoid police action.
Anderson played Winn in a movie about the couple’s journey. Pic: Steve Tanner/Black Bear
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It also said that, rather than being homeless, the couple had owned a house in France since 2007.
Winn’s statement said the dispute with her employer wasn’t the reason the couple lost their home – but admitted she may have made “mistakes” while in the job.
“For me it was a pressured time,” she wrote. “It was also a time when mistakes were being made in the business. Any mistakes I made during the years in that office, I deeply regret, and I am truly sorry.”
She admitted being questioned by police but said she wasn’t charged.
The author also said accusations that Moth lied about having CBD/CBS were false and had “emotionally devastated” him.
“I have charted Moth’s condition with such a level of honesty, that this is the most unbearable of the allegations,” Winn wrote on her website.
The first fan started queuing before 8am.
Heaton Park, just north of Manchester City centre, is tonight hosting 80,000 fans who’ve come to see the Gallaghers’ homecoming.
“I would honestly say it’s a real cultural moment of the 21st century,” says Sam, who’s from Manchester and has come here with a group of friends – including one who has travelled from Australia for the gig.
Oasis fans wear band T-shirts with the almost obligatory bucket hats. Pic: Reuters
This will be the fourth time Sam has seen Oasis play, although obviously not for many years, and he says he can’t wait for the moment the band comes on to the stage.
“The reaction from the fans, that’s going to be really special,” he says. “This band means so much to the North West.”
Like many people attending tonight’s concert, Sam is wearing a bucket hat.
Liam Gallagher’s iconic headgear has become a part of the band’s cultural legacy and they are certainly on display here, with street vendors popping up all around the park’s perimeter.
Another fan, Dean, tells me he feels incredibly lucky to have got a ticket at all.
“I had seven devices out when the tickets were released and I didn’t get one,” he says. “And then about three days ago, a friend of mine messaged to say she couldn’t make it.
“So I made it. £120 with coach travel there and back – perfect.”
Dom has flown from half a world away to be in Manchester tonight
Dom is another fan who has come from Australia for the gig.
“We’re frothing to be here, like so stoked,” he says, “The atmosphere is going to be electric.”
Read more:
Review – Oasis reunite for first gig in 16 years
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One young couple are here on their honeymoon. From Italy, they met at a Liam Gallagher concert several years ago.
“It’s where we fell in love,” Claudia says. “And we got married last month so we wanted to be here to celebrate.”
Amanda, from Manchester, is also here with a loved one – well, sort of.
Amanda has found a way to make sure her son, who lives in Australia, is there in spirit
She’s wearing a paper cut-out mask of her 30-year-old son Harry’s face.
“He’s in Melbourne and got a ticket but then couldn’t come,” Amanda explains.
“And so Harry doesn’t feel left out,” she says pulling the mask down over her face, “we’ve brought him with us!”
Entertainment
Chris Brown: R&B singer denies further charges following alleged bottle attack in London club
R&B singer Chris Brown has denied further charges following an alleged bottle attack in a London nightclub.
The 36-year-old pleaded not guilty to assault occasioning actual bodily harm (ABH) to music producer Abraham Diaw, during a hearing at Southwark Crown Court on Friday.
Brown also denied one count of having an offensive weapon – a bottle – in a public place.
Chris Brown arriving at Southwark Crown Court on Friday. Pic: PA
The Grammy-winning US musician last month pleaded not guilty to a more serious charge of attempting to cause grievous bodily harm (GBH) with intent to Mr Diaw.
The attack allegedly happened at the Tape venue, a private members’ club in Hanover Square, Mayfair, on 19 February 2023.
The plea hearing is part of preparations for his five to seven-day trial, which is due to take place from 26 October 2026.
Brown’s co-defendant, US national Omololu Akinlolu, 39, on Friday pleaded not guilty to a charge of assaulting Mr Diaw occasioning him actual bodily harm.
Akinlolu, a rapper who goes by the name Hoody Baby, has previously pleaded not guilty to attempting to cause grievous bodily harm.
Brown’s co-defendant Omololu Akinlolu arrives at court. Pic: Reuters
The defendants sat side-by-side in the dock, looking straight ahead during the hearing in London.
Around 20 fans sat in the public gallery behind the dock for Friday’s hearing, with several gasping as Brown walked into the courtroom.
The Go Crazy singer was able to continue with his scheduled international tour after he was freed on conditional bail in May.
He had to pay a £5m security fee to the court as part of the bail agreement, which is a financial guarantee to ensure a defendant returns to court and may be forfeited if they breach bail conditions.
Read more:
Chris Brown posts message after being released on bail
Mr Diaw was standing at the bar of the Tape nightclub when he was struck several times with a bottle, and then pursued to a separate area of the venue where he was punched and kicked repeatedly, Manchester Magistrates’ Court previously heard.
Brown was arrested at Manchester’s Lowry Hotel at 2am on 15 May by detectives from the Metropolitan Police.
He is said to have flown into Manchester Airport on a private jet in preparation for the UK tour dates.
Brown was released from HMP Forest Bank in Salford, Greater Manchester, on 21 May.
The singer, who rose to stardom as a teenager in 2005, won his first Grammy award for best R&B album in 2011 for F.A.M.E..
He earned his second in the same category for 11:11 (Deluxe) earlier this year.
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