Running her fingers over her scan for the first time, Karen Trippass could feel straight away that her unborn baby had her husband’s nose.
Born with bilateral coloboma, a rare condition also known as cat-eye syndrome, she never thought she would experience this pregnancy milestone in the same way that sighted expectant mums do, the excitement of seeing the shifting black and white shapes of a growing embryo appearing on screen for the first time.
It was something she missed out on while pregnant with her eldest daughter, Phoebe, 10 years ago. Questioned by medical staff and social workers on her ability to care for a newborn at that time, Karen says being visually impaired meant she was treated differently and she suffered from depression, finding it difficult to bond with her baby before her birth.
Image: Karen’s raised baby scan helped her ‘see’ her unborn daughter while she was pregnant. Pic: World Unseen
This time round, she was able to “meet” her baby through her 29-week ultrasound thanks to technology that creates a raised image, providing a tactile feel of her child wriggling in her womb. She says having this, and also being able to hear the heartbeat, helped her feel more connected.
Karen’s second daughter, Ruby, is now eight weeks old, and her scan hangs up at their home in Surrey.
“The first thing I remember noticing was her nose,” she says. “She’s got my husband’s nose. I could feel the top of her head, her nose, the dip of her eyes… I’ll always treasure it.
Image: Pic: World Unseen
“Both my babies are IVF, it took us a long time to get there. So the whole thing’s emotional anyway, but then getting to see your baby like everybody else does… I just hope that every visually impaired woman who has a baby could get that opportunity.
“I don’t expect the NHS to be rolling it out, but even if you had to pay a minimal charge, I think a lot of people would prefer it. I just think it’s amazing, the concept of having family pictures from now on would be pretty cool.”
According to the NHS, there are more than two million people living with sight loss in the UK, with around 340,000 registered as blind or partially sighted.
Advertisement
Karen’s scan of Ruby was created by camera firm Canon, and is being featured as part of its new World Unseen exhibition, launched in partnership with the Royal National Institute of Blind People (RNIB) – “the photography exhibition you don’t need to see”.
Image: The World Unseen exhibition features photos paired with braille, elevated images and audio descriptions. Pic: World Unseen/Canon
Designed completely with the experience of blind and partially sighted people in mind, the exhibition features a series of pictures taken by world-renowned photographers, some who are visually impaired, accompanied with elevated prints, audio descriptions, soundscapes and braille.
For sighted people, traditional images are obscured in different ways to convey different types of visual impairment, from glaucoma to diabetic retinopathy. It is an insight into the difficulties faced by blind and partially sighted people, a challenge to see life through their lens, and a reminder of the vision those of us with sight rely on and take for granted every day.
At the launch event, even the canapes play with your senses – we are encouraged to put on headphones playing sounds of the sea, a scent spray filling the air with salt and vinegar, as fish and chip nibbles are presented.
Image: Pic: World Unseen/Canon
Among the photographers whose work is featured is Ian Treherne, from Essex, who is known as the Blind Photographer. Born with the condition RP Type 2 Usher Syndrome, he has been deaf since birth and over the years has lost almost 95% of his sight.
“I hid my blindness for years,” he says. “I acted as a sighted person for a very long time. When I was growing up, disability was a very, awkward, difficult topic. Only my close friends knew about it. Then in my 30s, I sort of ‘came out’ as a blind person and it’s done me the world of good to be open and honest about it. And I think by doing photography and working alongside other people with disabilities, you can really improve the bigger picture among the general public.”
Image: Pic: World Unseen/Canon
Ian says he has always been creative and photography allowed him to capture moments in time as he was losing his sight. But there was also a rebelliousness behind his desire to get behind the camera.
“I knew that doing photography and being blind was going to hurt some minds, hurt some brains,” he says. “I knew it would raise some questions.”
So he taught himself, practising with his camera and researching on the internet. “With the condition I’ve got, I have to work probably 10, 20 times harder than a fully sighted person,” he says.
“It’s all a learning curve. I think that’s really the biggest boundary in society, it’s changing the mindsets, or adjusting the mindsets. I think people are sometimes just afraid to ask the question.”
Image: These images of Lioness Chloe Kelly’s Euro 2022 final goal are obscured to show how a person with a visual impairment might see them. Pic: World Unseen/Canon
The World Unseen exhibition feature works from world-renowned photographers and Canon ambassadors from around the globe, including Brazilian photojournalist Sebastião Salgado, Nigerian photojournalist Yagazie Emezi, sports photographer Samo Vidic, fashion photographer Heidi Rondak, and Pulitzer-winning photojournalist Muhammed Muheisen.
A photograph from Kenya of the last male northern white rhino, taken by award-winning South African photojournalist Brent Stirton, also features. You can feel the roughness, every groove of the animal’s skin, as you run your fingers over the elevated image.
Photographs of Lioness Chloe Kelly’s decisive goal in the Euro 2022 final at Wembley, by Marc Aspland, are also on display, with an audio description reliving the moment of the win.
But Ruby, of course, is the star of the show, cradled by her mum in front of her scan. “It’s funny to think of people feeling Ruby’s picture but I love the idea that quite a lot of visually impaired people will feel what a scan picture is like, because I didn’t know what to expect,” Karen says.
“To have this memory, this opportunity to ‘see’ – I say see, or feel – my baby before she was born was awesome. And to have a record of it and get to show Ruby when she’s older, it’s so special.”
The World Unseen exhibition has opened at Somerset House, in central London, and runs over the weekend
Liam Gallagher has criticised a Scottish council for suggesting Oasis fans were “drunk, middle-aged and fat”.
The remarks were revealed following a freedom of information request that was sent to Edinburghcouncil – ahead of the band’s three sold-out shows in Scotland this August.
The documents expressed concerns that the OasisLive ’25 tour would clash with the Edinburgh Festival Fringe – the world’s largest performance arts festival.
Image: Liam Gallagher (left) and Noel Gallagher. Pic: PA
One note warned that there would be a “substantial amount of older fans”, and that because “middle-aged men take up more room”, age and size should be considered in crowd control planning.
Another note suggested “medium to high intoxication” should be expected at the concert.
An additional remark said there was some “concern about crowds of Oasis on weekends as they are already rowdy, and the tone of the band”.
Image: The Fringe is one of the world’s largest performance arts festivals. File pic: PA
It also expressed concern for the “safety” at the Edinburgh Fringe – including for its performers.
“Many performers are considering not attending for that weekend,” one note read.
Liam Gallagherwas not impressed – and left the following message for the council on his social media.
“To the Edinburgh council I’ve heard what you said about Oasis fans and quite frankly your attitude f****** stinks I’d leave town that day if I was any of you lot.”
In a second post, he said: “I’d love to see a picture of all the people on the Edinburgh council bet there’s some real stunning individuals.”
Image: Liam Gallagher said the council’s attitude towards fans ‘stinks’. Pic: AP
David Walker, from the Oasis Collectors Group, has described the comments as “a nasty, sneering stereotype”.
“It’s a jaundiced view,” he added.
Local councillor Margaret Graham said that it is usual practice for the council to “prepare extensively” for major city events.
The culture and communities convener also said: “We’re very proud to host the biggest and best events in Edinburgh throughout the year, which bring in hundreds of millions of pounds to the local economy and provide unparalleled entertainment for our residents and visitors.
“As with any major event which takes place in the city, we prepare extensively alongside our partners to ensure the safety and best possible experience of everyone involved – and Oasis are no different.”
Image: Noel Gallagher (left) and Liam Gallagher at Wembley Stadium in 2008. Pic: PA
Around 210,000 fans are expected to attend the three Edinburgh gigs.
Oasis made their comeback announcement in August last year – ahead of the 30th anniversary of their debut album Definitely Maybe, released on 29 August 1994.
Liam and Noel Gallagher’s return also marks 15 years since the last time the brothers performed together before their infamous fallout – which was prompted by a backstage brawl before a Paris festival in August 2009.
Liam damaged one of his elder brother’s guitars, causing Noel to dramatically quit – ending the partnership that had propelled them to fame and fortune.
“It is with some sadness and great relief… I quit Oasis tonight,” Noel later said in a statement. “People will write and say what they like, but I simply could not go on working with Liam a day longer.”
The feud continued over the years, with the pair exchanging insults publicly – Liam on social media, Noel more when asked about his brother in interviews – but reportedly never speaking in person.
When his documentary As It Was was released in 2019, Liam told Sky News he had wanted to “break [Noel’s] jaw” after he apparently refused permission for Oasis music to be featured in the film.
But after 15 years, they have now made amends – giving thousands of Oasis fans the chance to see them play live once again.
Their top hits include Wonderwall, Don’t Look Back In Anger, Stand By Me, Lyla and The Importance of Being Idle.
Video game actors in the US have ended their strike after nearly a year of industrial action, over the use of artificial intelligence by game studios.
More than 2,500 US performers were barred from working on games impacted by the strike while the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) negotiated a deal with studios.
Now, after more than 11 months of discussions, a “tentative” agreement has been reached.
“Patience and persistence has resulted in a deal that puts in place the necessary AI guardrails that defend performers’ livelihoods in the AI age, alongside other important gains,” said SAG-AFTRA’s national executive director Duncan Crabtree-Ireland.
Actors were banned from working with major game makers like Activision, Blindlight, Disney Character Voices, Electronic Arts, Epic Games, Formosa, Insomniac Games, Take 2 and WB Games.
Image: Demonstrators at the picket line outside Warner Bros Studios in August 2024. File pic: AP
Other studios were also impacted by the strike, as actors took industrial action in solidarity.
“We are pleased to have reached a tentative contract agreement that reflects the important contributions of SAG-AFTRA-represented performers in video games,” said Audrey Cooling, spokesperson for the video game producers, to Sky News.
More on Artificial Intelligence
Related Topics:
“It delivers historic wage increases of over 24% for performers, enhanced health and safety protections, and industry-leading AI provisions requiring transparency, consent and compensation for the use of digital replicas in games.”
In the UK, actors protested in solidarity with their American counterparts, while Equity, the UK actors’ union, called for a similar wide-reaching agreement between UK studios and actors.
Earlier this week, the British Film Institute (BFI) released a report detailing the risks posed by AI to the UK screen sector, including video games, and described it as a “direct threat”.
The scripts of more than 130,000 films and TV shows, YouTube videos, and databases of pirated books have been used to train AI models, according to the report.
Image: Equity members protest outside the BAFTA Games Awards 2025. Pic: Mark Thomas
AI poses a particular threat to some video game voice actors, according to one expert, because of the nature of their work creating animal or monster sound effects.
“The generic stuff is the easiest thing for generative AI to replace,” Video Games Industry Memo author George Osborn told Sky News previously.
“Just saying to the model, ‘make 200 monster noises’ is much easier than convincingly [making AI] sound like it is having a conversation with someone,” he said.
Unlike the SAG-AFTRA actors’ strike in 2023, which saw blockbusters like Deadpool 3 and Gladiator 2 delayed and entire TV series cancelled, huge delays to games were unlikely.
Games take years to make and any game already in development before September 2023 was exempt from the strike.
Tensions have risen in the game actor community since the industrial action began, as studios appeared to hire international actors to replace the striking US workers.
Sly Stone, one of the pioneers of funk music, has died aged 82, his family have said.
As front man for his band Sly And The Family Stone, the musician fused soul, rock, psychedelia and gospel to take the sound that defined an era in the 1970s into new territory, second only to James Brown as the early founders of funk.
Several of the band’s seminal tracks became known to a wider audience when they were subsequently sampled by hip hop artists.
“Everyday People” was sampled by Arrested Development, while “Sing A Simple Song” was sampled by Public Enemy, De La Soul and Dr Dre and Snoop Dogg.
Stone’s family has said in a statement he died after a battle with chronic obstructive pulmonary disease (COPD) and other health issues.
A statement issued by his publicist on behalf of Stone’s family said: “It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly And The Family Stone.
“After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family.
More from Ents & Arts
“While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.
“Sly was a monumental figure, a groundbreaking innovator, and a true pioneer who redefined the landscape of pop, funk, and rock music. His iconic songs have left an indelible mark on the world, and his influence remains undeniable.
“In a testament to his enduring creative spirit, Sly recently completed the screenplay for his life story, a project we are eager to share with the world in due course, which follows a memoir published in 2024.
“We extend our deepest gratitude for the outpouring of love and prayers during this difficult time. We wish peace and harmony to all who were touched by Sly’s life and his iconic music.
“Thank you from the bottom of our hearts for your unwavering support.”
Stone, born Sylvester Stewart in Texas, and his group were regulars on the US music charts in the late 1960s and 1970s, with hits such as “Dance to the Music,” “I Want to Take You Higher,” “Family Affair,” “If You Want Me to Stay,” and “Hot Fun in the Summertime”.
He played a leading role in introducing funk, an Afrocentric style of music driven by grooves and syncopated rhythms, to a broader audience.
James Brown had forged the elements of funk before Stone founded his band in 1966, but Stone’s brand of funk drew new listeners.
It was celebratory, eclectic, psychedelic and rooted in the counterculture of the late 1960s.
However, Stone later fell on hard times and became addicted to cocaine, never staging a successful comeback.
His music became less joyous in the 1970s, reflecting the polarisation of the country after opposition to the Vietnam War and racial tensions triggered unrest on college campuses and in African-American neighbourhoods in big US cities.
In 1971, Sly and the Family Stone released “There’s a Riot Goin’ On,” which became the band’s only Number 1 album.
Critics said the album’s bleak tone and slurred vocals denoted the increasing hold of cocaine on Stone.
But some called the record a masterpiece, a eulogy to the 1960s.
In the early 1970s, Stone became erratic and missed shows. Some members left the band.
But the singer was still a big enough star in 1974 to attract a crowd of 21,000 for his wedding to actress and model Kathy Silva at Madison Square Garden in New York.
Ms Silva filed for divorce less than a year later.
Sly and the Family Stone’s album releases in the late 1970s and early 1980s flopped, as Stone racked up drug possession arrests.
The band was inducted into the Rock & Roll Hall of Fame in 1993 and Stone was celebrated in an all-star tribute at the Grammy Awards in 2006.
He sauntered on stage with a blond mohawk haircut but bewildered the audience by leaving mid-song.
In 2011, after launching what would become a years-long legal battle to claim royalties he said were stolen, Stone was arrested for cocaine possession.
That year, media reported Stone was living in a recreational vehicle parked on a street in South Los Angeles.
Stone had a son, Sylvester, with Ms Silva.
He had two daughters, Novena Carmel, and Sylvette “Phunne” Stone, whose mother was bandmate Cynthia Robinson.